Farya Faraji | Hajduks of Moesia - Epic Slavic Music of Bulgaria @faryafaraji | Uploaded 1 year ago | Updated 7 hours ago
Music & vocals by Farya Faraji. Continuing in the Balkan freedom-fighter series of songs is this one centred on a Bulgarian sound. The lyrics are from a poem by Hristo Botev, a hajduk and poet of the 19th century who fought Ottoman occupation. The poek is from 1868 and adressed to his mother. He is regarded as a national hero of Bulgaria and as one of its greatest poets. The image is a portrait of Indzhe Voyvoda, another hajduk who operated a century before Botev.
I modeled the music after the Râčenica, an asymmetrical rythmic pattern very common in Bulgarian music, which is a form of 7/8 felt as a series 2+2+3 beats. The melody wanders between the minor and double harmonic minor as Bulgarian folk songs often do, and uses saz instruments, the kaval flute, drums, gadulkas, and the gaida bagpipe. I incorporated the typical form of Balkan polyphony where voices accompany the main vocals by singing drones; one keeping to the tonic and switching to the subtonic during moments of cadence, the other singing the fifth and harmonising the subtonic with the fourth.
Lyrics in Bulgarian:
Не плачи, майко, не тъжи,
че станах азе хайдутин,
хайдутин, майко, бунтовник,
та тебе клета оставих
за първо чедо да жалиш!
Don't cry, mother, don't grieve
that I became an outlaw,
an outlaw, mother, a rebel,
and abandoned you to your sorrow,
mourning your first-born son.
Music & vocals by Farya Faraji. Continuing in the Balkan freedom-fighter series of songs is this one centred on a Bulgarian sound. The lyrics are from a poem by Hristo Botev, a hajduk and poet of the 19th century who fought Ottoman occupation. The poek is from 1868 and adressed to his mother. He is regarded as a national hero of Bulgaria and as one of its greatest poets. The image is a portrait of Indzhe Voyvoda, another hajduk who operated a century before Botev.
I modeled the music after the Râčenica, an asymmetrical rythmic pattern very common in Bulgarian music, which is a form of 7/8 felt as a series 2+2+3 beats. The melody wanders between the minor and double harmonic minor as Bulgarian folk songs often do, and uses saz instruments, the kaval flute, drums, gadulkas, and the gaida bagpipe. I incorporated the typical form of Balkan polyphony where voices accompany the main vocals by singing drones; one keeping to the tonic and switching to the subtonic during moments of cadence, the other singing the fifth and harmonising the subtonic with the fourth.
Lyrics in Bulgarian:
Не плачи, майко, не тъжи,
че станах азе хайдутин,
хайдутин, майко, бунтовник,
та тебе клета оставих
за първо чедо да жалиш!
Don't cry, mother, don't grieve
that I became an outlaw,
an outlaw, mother, a rebel,
and abandoned you to your sorrow,
mourning your first-born son.
