AL82 Retrogaming Longplays | Guardian Force Longplay (Arcade) [QHD] @AL82RetrogamingLongplays | Uploaded 10 months ago | Updated 12 hours ago
Game Info
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Developer: Success
Publisher: Success
Year of Release: 1998
Game Review & Impressions
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Visually impressive pseudo-3D top-down shooter, in which you pilot a hover tank through level after level of blasting action. Your path through the level is predetermined, but the changing direction of travel means you'll need keep an eye on your six, because enemies will sneak up on you when you least expect it.
Given your a tank, you'll need to rotate your craft's turret to maintain a line of sight on encroaching threats. This adds additional complexity to an already demanding game, but it's a challenge with persevering with - this is a really cool blaster!
Chapters
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00:00 Attract mode
02:24 Stage A
07:54 Stage B
11:59 Stage C
18:25 Stage D
23:43 Stage E
27:31 Stage F
34:35 Stage G
41:05 Ending
Game Info
---------------------------------------------------
Developer: Success
Publisher: Success
Year of Release: 1998
Game Review & Impressions
---------------------------------------------------
Visually impressive pseudo-3D top-down shooter, in which you pilot a hover tank through level after level of blasting action. Your path through the level is predetermined, but the changing direction of travel means you'll need keep an eye on your six, because enemies will sneak up on you when you least expect it.
Given your a tank, you'll need to rotate your craft's turret to maintain a line of sight on encroaching threats. This adds additional complexity to an already demanding game, but it's a challenge with persevering with - this is a really cool blaster!
Chapters
---------------------------------------------------
00:00 Attract mode
02:24 Stage A
07:54 Stage B
11:59 Stage C
18:25 Stage D
23:43 Stage E
27:31 Stage F
34:35 Stage G
41:05 Ending
![Guardian Force Longplay (Arcade) [QHD]](https://i.ytimg.com/vi/ayl_NmrMgAs/hqdefault.jpg "Guardian Force Longplay (Arcade) [QHD]
Game Info
Developer: Success
Publisher: Success
Year of Release: 1998
Game Review & Impressions
Visually impressive pseudo-3D top-down shooter, in which you pilot a hover tank through level after level of blasting action. Your path through the level is predetermined, but the changing direction of travel means youll need keep an eye on your six, because enemies will sneak up on you when you least expect it.
Given your a tank, youll need to rotate your crafts turret to maintain a line of sight on encroaching threats. This adds additional complexity to an already demanding game, but its a challenge with persevering with - this is a really cool blaster!
Chapters
00:00 Attract mode
02:24 Stage A
07:54 Stage B
11:59 Stage C
18:25 Stage D
23:43 Stage E
27:31 Stage F
34:35 Stage G
41:05 Ending")
![Nosferatu Longplay (SNES) [QHD]](https://i.ytimg.com/vi/bJEQ-fgqCQ0/hqdefault.jpg "Nosferatu Longplay (SNES) [QHD]
Game Info
Developer: SETA
Publisher: SETA
Year of Release: 1994
Game Review & Impressions
The spooky season is upon us once again, and for this years ghoul-inspired longplay shenanigans, I decided to take a look at Nosferatu. Id been aware of this curious SNES game for some time, and it had always intrigued me, so I though it was time to don my vampire-hunting togs and dive in.
The plot is as simple as they come: heros girlfriend kidnapped by vampire; must rescue. You delve into various crypts, navigating the perilous corridors, avoiding traps and despatching monsters with your unexplained, but fortunately not-insignificant martial arts prowess. Where this idea came from, I can only guess; maybe theres a smidgeon of influence from Braindeads Father I kick arse for the Lord McGruder?
To wit, the game packs an awful lot of combat moves and combos, perhaps too many. Spin kicks, shoulder barges and flying knees are on offer, although the simplest and most effective method of attack is to rely on your three-strike combo. The rest of the moves are rather difficult to pull off, if Im honest, particularly the flying knee, which I think I only managed to execute once during the entire game.
When it comes to the level structure, Id always imagined this to be a Metroidvania affair, but its actually a Prince of Persia clone. The level designs, clambering up and down platforms, traps and general mechanics are directly influenced (copy and pasted) from Jordan Mechners classic. The only real difference with Nosferatu is that levels of scroll both horizontally and vertically, rather than use series of static rooms. The power-up system, collecting different coloured crystals from chests to restore health and increase combat ability, are also instantly familiar.
Having completed the game, Nosferatu wasnt what Id expected. Im a big fan of PoP-inspired games, and although I had some fun with this, I had hoped for something a little more involved. The enemies, a fairly limited assortment of zombies, bats, Frankensteins monsters and mummies are all rather wrote and uninspired. It also doesnt help that most of the levels in the game are rendered in a washed out sepia palette; it does little to convey any real sense of foreboding or gothic horror, and is a far cry from the infinitely more mature Splatterhouse 2 on the Genesis. I suspect Nintendos aggressive stance on maintaining its image as a family-friendly company partly explains this.
Happy Halloween!
Chapters
00:00 Intro
02:30 Stage 1
08:00 Stage 2
15:17 Stage 3
24:01 Stage 4
30:28 Stage 5
39:02 Stage 6
46:48 Final Boss")
![Octapolis Longplay (C64) [QHD]](https://i.ytimg.com/vi/bKjK3ta7Xi8/hqdefault.jpg "Octapolis Longplay (C64) [QHD]
Game Info
Developer: Jukka Tapanimäki
Publisher: English Software
Year of Release: 1987
Plot (from Game Manual)
By the year 3897, the Galactic Imperium was mightier than ever. One by one, it had swallowed up all solar systems and alien races. The dreaded fleets of the Imperium were feared all over the Galaxy, and with good reason: one fully armed battle cruiser was enough to blow up
a whole planet. No one was strong enough to resist the power of the Imperium.
Except for a small defiant planet which had eight towering cities rising above its barren surface: the planet of Octapolis. Its secret weapon was one of enormous mental power. In the vicinity of the
planet, the most valiant enemy space warrior became a bumbling idiot and even the most sophisticated artificial intelligence began to contradict the Laws of Robotics.
The Imperium hadnt attacked the planet of Octapolis for centuries. To space pilots it was just a black spot on the space map, the Zone of the Evil Eye, as they called it. No one even dared to talk about Octapolis any more, but in the deep secrecy of the Galactic Intelligence Agency (GIA) a most cruel and desperate series of experiments were carried out. They kidnapped innocent space pilots,
and sent them inside the zone, and hoped that somehow, somewhere, they could find one who has immune to the immense mental power of Octapolis. If they could only reduce it just a little, then a gallant battle cruiser could get close enough to wipe out the planet. It took GIA 200 years to find such a pilot - YOU are that pilot!!
Game Review & Impressions
My first experience with the games of the late Jukka Tapanimäki was Zamzara, a technically proficient and engaging shoot em up given away on a Commodore Format Power Pack tape in the early 90s. I loved Zamzara, so when I learned Jukka had also created Octapolis, I was keen to see what it was all about.
The game is really a hybrid of shoot em up and platforming genres, with each stage divided into two sections. A stage commences with a shoot em up section heavily inspired by Sanxion and Uridium, both iconic C64 games, where the player needs to wipe out waves of enemy craft until permission to dock with the enemy installation has been granted. The top half of the screen shows a side-on perspective, which should be used to adjust the vertical height of your craft to hit incoming ships. The bottom half shows a top-down view of proceedings, which should be used to navigate and eventually land on each installation.
Having docked with the enemy base, the game switches to a flick-screen platforming mode. The objective here is to traverse a series of interconnected rooms, each containing multiple platforms, the majority of which are patrolled by aliens or robots that will kill you on touch. Some of the smaller enemies can be dispatched with zap from your handy ray gun, but larger ones are impervious to damage and must be avoided. The key to success here is to plan the safest route through the room, carefully timing your jumps between platforms so as not to fall foul of their hostile inhabitants, and making doubly sure not to fall to your death off the bottom of the screen.
Octapolis is hardly original in terms of its design, its impressive that Tapanimäki not only coded a proficient clone of Sanxion, but produced all the sprites and artwork as well. I think £10 for the tape version was probably a little bit pricey, given the games repetitive nature, but its a polished product for sure. Zzap!64 magazine awarded the game 86% in 1988, which I think is a fair appraisal - not a classic, but a polished and playable game from a developer who probably doesnt get as much recognition as he deserved.
Chapters
00:00 Attract mode
00:30 Gameplay
15:50 Ending")
![Disneys Aladdin Longplay (SNES) [QHD]](https://i.ytimg.com/vi/bQVG4JKQrDg/hqdefault.jpg "Disneys Aladdin Longplay (SNES) [QHD]
Game Info
Developer: Capcom
Publisher: Capcom
Year of Release: 1993
Game Review & Impressions
One of the final tranche of traditional 2D animated movies, Disneys Aladdin was a huge deal when it came out. The late and much missed Robin Williams star turn as the Genie is one of the main reasons for the films enduring appeal, and probably explains why I actually bothered to watch this back in the day; Id really outgrown this kind of stuff at this point.
Unsurprisingly, games based on the movie were soon to follow. Virgin Games handled development of Aladdin for the Sega Genesis, while Capcom was on point for Nintendo and the SNES. Despite being based on the same source material, both games feature completely different levels and mechanics; despite both being platform games, theyre quite different. While theres no denying the quality of the artwork, presentation or sound, I think Capcom stuck too rigidly to the formula they used when designing most of their platform games for the SNES: this is The Magical Quest wearing Aladdin pants.
The game follows the adventures of street urchin Aladdin and his primate pal Abu as they leap, somersault through side-scrolling platforming levels based on scenes from the movie. While the main objective in each stage is to simply get to the exit, completionists will want to be on the lookout for 10 ruby gems secreted throughout; some of these are located off the beaten track, and require careful combing of the level to uncover. Levels typically end with a boss fight of sorts, which are usually defeated by bouncing on their heads.
Dont get me wrong, the SNES version of Aladdin is a quality production by Capcom - the presentation is exemplary, although youd expect nothing less of a game based on a Disney franchise. The problem is, this just lacks the flair of the Genesis version; this just feels too safe and by-the-numbers. The involvement of real Disney animators, not to mention the ever-so-slightly more mature theming (Aladdin gets to clobber bad guys with a sword) of the Genesis version means it just appeals to me more than Capcoms game.
Chapters
00:00 Intro
02:52 Stage 1
09:49 Stage 2
15:19 Stage 3
19:14 Stage 4
24:46 Stage 5
29:53 Bonus stage
32:11 Stage 6
38:44 Final boss
39:56 Ending")
![Daley Thompsons Olympic Challenge Longplay (C64) [QHD]](https://i.ytimg.com/vi/bUUll-ssDmA/hqdefault.jpg "Daley Thompsons Olympic Challenge Longplay (C64) [QHD]
Game Info
Developer: Ocean Software
Publisher: Ocean Software
Year of Release: 1988
Game Review & Impressions
I recorded a longplay of Daley Thompsons Decathlon, the first game from Ocean starring the celebrated decathlete, not too long ago and, its fair to say, my hand and wrist almost broke from the ludicrously frantic joystick waggling that ensued. I undertook the challenge at the request of @zappedpast3297, only to discover they meant the OTHER Daley Thompson game, namely this particular beast, which means I was about to get really sore all over again...
Olympic Challenge is yet another game based on the Track and Field template set out by Konami, where the player must compete in a series of athletic events to earn the best times, scores and achievements possible. Events include 100m sprint, javelin, shot-put, discus, not to mention the ludicrous 1500m long distance. Every event involves waggling the joystick from side to side to build up power or speed, guaranteed to grind your Zipstick microswitches into dust. Events like discus and javelin also involve pressing the fire button and timing angle of trajectory to hurl said objects the furthest distance possible, and pulling this off after battering the heck out of your waggling arm is easier said than done.
If Im honest, Daley Thompsons Olympic Challenge is just a prettier version of the previous game, but one thats really devoid of any innovation. Theres a series of training sections at the start of the game that involve, you guessed it, lots of waggling, which serves little purpose than to pay lip service to Lucozade, the first of the games official sponsors, while an utterly pointless pre-amble to each event involving selecting the correct pair of Adidas training shoes, the second. Its all nicely presented, but its dull and frustrating experience with occasional bugs thats just unrewarding to play.
Video Notes
- Pole-vault event glitched after beating the maximum possible bar height
Chapters
00:00 Intro
02:50 Training mode
04:22 100 Metres
04:43 Long Jump
05:21 Shot Put
06:20 High Jump
08:50 400 Metres
09:51 110 Metre Hurdles
10:19 Discus
11:30 Pole-vault
14:48 Javelin
16:21 1500 Metres
18:38 Medal Ceremony")
![Vice: Project Doom Longplay (NES) [QHD]](https://i.ytimg.com/vi/c-Ds77G77Uk/hqdefault.jpg "Vice: Project Doom Longplay (NES) [QHD]
Game Info
Developer: Sammy
Publisher: Sammy
Year of Release: 1991
Game Review & Impressions
Also known as Gun-Dec in Japan, Vice: Project Doom is slickly-produced side-scrolling run n gun platformer with a plot thats borderline unfathomable. Its a tale of clandestine corporations, bio-engineering and cloning, wrapped in a layer of detective thriller mystery thats often difficult to comprehend.
Ever-so-slightly wacky story aside, the game is definitely worth checking out. There are plenty of levels for players to get stuck into, including occasional vertical shoot em up and on-rails shooting sections that serve to add some variety to overall ensemble.
The bulk of the game is comprised of side-ways scrolling platform sections where the player, a detective or secret agent-style character, must traverse hazardous environments, despatching enemies with a variety of weapons that include a gun with strangely limited range, grenades, and a weird energy sword/light sabre device thats probably too powerful for its own good.
With its excellent graphics, solid gameplay and production values, Vice: Project Doom is well worth checking out.
Chapters
00:00 Intro
01:46 Stage 1
03:43 Stage 2
05:46 Stage 3
08:39 Stage 4
10:26 Stage 5
14:30 Stage 6
18:36 Stage 7
21:38 Stage 8
24:53 Stage 9
28:46 Stage 10
30:26 Stage 11
35:44 Final Boss
37:12 Ending
#nes #retrogaming #longplay")
![Blackthorne Longplay (PC DOS) [4K] [Gravis Ultrasound]](https://i.ytimg.com/vi/cW8VtB2qhC8/hqdefault.jpg "Blackthorne Longplay (PC DOS) [4K] [Gravis Ultrasound]
Game Info
Developer: Blizzard Entertainment
Publisher: Interplay
Year of Release: 1994
Game Review & Impressions
I forget precisely when I became aware of Blackthorne for the first time, but I believe it must have been at least a couple of years after Blizzard hit the big time with the likes of Warcraft: Orcs & Humans. The game was developed originally for the SNES (Silicon & Synapse/Blizzard was still a console-focused studio at this point), with the PC conversion launching the same year; even back then, it was weird to play an arcade-platformer by a studio which would become so famous for its RTS and ARPG games.
When it comes to game design, its obvious Blackthorne borrows heavily from both Prince of Persia and Flashback, perhaps more so the former than the latter. Although Blackthorne and Flashback both focus on gun-based combat, the mechanic of ducking into the shadows of the background to avoid enemy fire feels more analogous to the parry and counter-based sword fighting of Prince of Persia.
Whilst Blackthorne certainly isnt original, to Blizzards credit, its a thoroughly decent PoP-alike. Its the typical Blizzard high fantasy themes involving humans, orcs and other demonic beings, although the concept of a human armed with a shotgun transported from Earth to a parallel dimension to do battle with otherworldly foes has more than a whiff of Army of Darkness about it.
If you enjoy this kind of game, Blackthorne will almost certainly be right up your alley. Gravis Ultrasound support meant that PC owners lucky enough to own one of these coveted sound cards got to experience a dramatic and rousing musical score, making the PC edition of the game the definitive way to experience the game.
Video Notes
- Recorded with Gravis Ultrasound MIDI
Related Longplays & Videos
Blackthorne Longplay (SNES): https://youtu.be/ycm0rBGKnk0
Chapters
00:00 Tutorial & Intro
04:11 The Mines
28:40 The Forest
1:03:44 The Mountains
1:42:45 Sarlacs Keep
2:18:20 Final Boss
2:19:46 Ending")
![Thunder Zone Longplay (Arcade) [4K]](https://i.ytimg.com/vi/cq9DhVB29TE/hqdefault.jpg "Thunder Zone Longplay (Arcade) [4K]
Game Info
Developer: Data East
Publisher: Data East
Year of Release: 1991
Game Review & Impressions
Another game from Data East which Id never heard of, Thunder Zone is a top-down shooter which draws inspiration from Capcoms Mercs, whose own lineage goes back to the likes of Ikari Warriors and Commando before it.
Up to 4 players embark on a series of missions to rescue hostages, take down military installations and shoot a lot of bad guys in the process. Its pretty formulaic, with some tiresomely difficult bullet-sponge bosses, but it has an absolutely killer soundtrack, which goes some way to making up for the drudgery.
Theres also a sizeable array of different weapons to collect along the way, my personal favourite being the flamethrower. Its short range, but incinerates most enemies in next to no time.
Chapters
00:00 Attract mode
01:00 Mission 1
05:03 Training Stage 1
05:41 Mission 2
10:20 Mission 3
15:05 Training Stage 2
15:48 Mission 4
22:48 Final Mission
36:18 Ending
#retrogaming #arcadegames #longplay")
![Brawl Brothers Longplay (SNES) [QHD]](https://i.ytimg.com/vi/dbsBGQuy8Mo/hqdefault.jpg "Brawl Brothers Longplay (SNES) [QHD]
Game Info
Developer: Jaleco
Publisher: Jaleco
Year of Release: 1992
Game Review & Impressions
Also known subtitled Rival Turf! 2, this is a sequel to Rival Turf. As a result of boring gameplay, a limited move-set and endless waves of opponents, I really wasnt a fan of the predecessor, and while Brawl Brothers IS an improvement, its still nowhere near being close to Streets of Rage 2 or Final Fight in terms of quality.
As to the plot, I really couldnt care less. The game infuriated me to such a degree I couldnt be bothered to look it up. It doesnt even need a plot: a bunch of good guys travel right and beat up a bunch of bad guys for reasons.
You select primary fighter and a backup from a roster of five characters consisting of your typical genre achetypes: Master Slowshuffle; Mountain Dew Ninja; middle-of-the-road Joe; Token Female and Beefcake McPoundface.
Normally, figuring out where to go isnt a concern in these types of games, but for some reason, Jaleco introduced two levels that involve branching paths, and unless you choose the paths in the correct order, youll go around in a continual loop. I must have spent a good 40 minutes in the sewer section alone, battling wave after wave of goons until I realised it was possible to walk through the doors in the back of the stage! The player is given no instruction to do this, nor are there any suggestions you need to figure the correct route out, which is just bad game design.
Another pet hate of mine, which this particular game uses to a significant extent, is putting enemies into a state where they either cant be injured, or theres no way to prevent their next attack. The collision detection in Brawl Brothers is suspect at the best of times, but throughout my entire playthrough my characters punches and kicks pass through the enemy sprite with no impact. Similarly, the grapple mechanic frequently prioritises the enemy character above your own, meaning theyll get to toss you around with impunity. I loathe this mechanic with a passion because its a cheap way to boost the difficulty; the player should always have some countermeasure with which to avoid this scenario, but Jaleco clearly thought otherwise. This makes Brawl Brothers an incessantly dull and often joyless affair, leaving the player frustrated at every turn.
As you might have gathered, I didnt like this game; in fact, I think I liked it less than the original, despite the additional features. The kernel of a decent game is buried under a series of bad design choices and general laziness, and everything about it just ground my gears. Others might enjoy it, but Im not one of them.
Chapters
TBC")
![Conan: The Mysteries of Time Longplay (NES) [QHD]](https://i.ytimg.com/vi/dnMbMF6XGV8/hqdefault.jpg "Conan: The Mysteries of Time Longplay (NES) [QHD]
Game Info
Developer: Mindscape
Publisher: Mindscape
Year of Release: 1991
Game Review & Impressions
Id been aware of Conan: The Mysteries of Time for a while, but Id never played it, until now. My chief reason for playing this is because its essentially a clone of Myth: History in the Making, released originally on the Commodore 64 back in 1989. The C64 version is one of my favourite games for the machine, partly due to its innovative gameplay, intriguing plot and stonkingly good theme tune composed by Jeroen Tel.
I dont know much about the history of this particular port, but Mindscape must have licensed the Myth from System 3, then attached the Conan IP to the project, probably to make it more attractive to the predominantly US-based NES market. Unfortunately, they did such a horrendous hatchet job on this conversion that I cant believe anyone actually bought this, or at least didnt attempt to return it to store for a refund - its shockingly bad.
The terrible graphics are just the tip of the iceberg, shoddily copied from the C64 without any apparent attempt to cater for the revised screen resolution or colour palette. The lego brick pixels synonymous with C64 medium resolution stick out like a sore thumb here, and the dimensions of all the character and background assets dont look right at all.
Things arent any better when it comes to the gameplay. The controls and combat mechanics have been completely butchered, resulting in a near-unplayable mess, and certain levels are borderline broken. Quite a few of the levels from the Norse and Egyptian stages have been cut altogether, probably to save on expensive ROM costs, and the final boss fight against Dameron is nowhere to be seen.
This is not just an insult to Conan, its a slap in the face to one of my favourite C64 games of all time - the NES was capable of so much more than this, so the blame for this utter dogpile lands squarely at the feet of the developers. This is utter crap, pure and simple, and best avoided at all costs.
Chapters
TBC")
![Batman: Return of the Joker Longplay (NES) [QHD]](https://i.ytimg.com/vi/e-7sqotXk_A/hqdefault.jpg "Batman: Return of the Joker Longplay (NES) [QHD]
Game Info
Developer: Sunsoft
Publisher: Sunsoft
Year of Release: 1991
Game Review & Impressions
Released in 1991, the Dark Knight of Gotham returned to the NES to do battle with his arch-nemesis, the Joker, in a technical and artistic tour de force for Nintendos aging 8-bit console. Sunsoft really knew how to make the NES sing, and Return of the Joker is one of the best-looking games on the console - its simply stunning.
In terms of gameplay, this is much closer to a straight-up shooter than the previous game. The emphasis here is very much on blasting enemies with a variety of weapons, with some traditional platforming thrown into the mix. Each stage features the kind of hazards, traps and pit-falls fans of the genre should be familiar with, and its all extremely polished.
It is, therefore, somewhat regrettable that I simply wasnt as enthused with this particular title as I was its predecessor. Its probably just me, but I feel the Dark Knight is at his best when going hand-to-hand with his foes, not simply blasting them to pieces, and thats really all there is to Return of the Joker. The wall-jumping mechanic that made the original so memorable is relegated, and it doesnt help that the C power-up weapon, with its powerful explosion and wide blast radius, makes the other guns irrelevant.
Im sure this game has plenty of fans who love it, but I cant say Im one of them. I certainly recognise its qualities, not to mention nothing but respect for Sunsoft, but this just wasnt my cup of tea, sadly.
Chapters
00:00 Attract mode
00:15 Stage 1-1
01:12 Stage 1-2
02:18 Stage 1-3
02:53 Stage 2-1
03:44 Stage 2-2
04:41 Stage 3-1
05:34 Stage 3-2
06:28 Stage 3-3
07:56 Stage 4-1
09:11 Stage 4-2
11:05 Stage 4-3
12:23 Stage 5-1
13:10 Stage 5-2
14:04 Stage 6-1
14:55 Stage 6-2
15:49 Stage 6-3
17:23 Stage 7-1
18:18 Stage 7-2
20:24 Ending
#batman #nes #retrogaming")
![Ikari Warriors Longplay (Arcade) [QHD]](https://i.ytimg.com/vi/er0uLLUb_uc/hqdefault.jpg "Ikari Warriors Longplay (Arcade) [QHD]
Game Info
Developer: SNK
Publisher: SNK
Year of Release: 1986
Game Review & Impressions
Having looked back through all the longplays Ive recorded, I was surprised Id never tackled Ikari Warriors. This arcade classic is heavily inspired by Capcoms Commando, and follows very similar design philosophies. Its the same run-and-gun affair viewed from a top-down perspective, where up to two players must blast their way through waves of enemy infantry, blow up bunkers, and generally annihilate anything that stands in their way.
What sets Ikari Warriors apart from Commando and piers is the combination of 8-way stick with a rotary dial which allows the player to move and aim in completely different directions. Its a control scheme which sounds cool on paper, although presents a steeper learning curve in practice, resulting in an experience which I personally do not care for. Factor in the huge numbers of enemies youll be facing at any given time, not to mention the landmines liberally secreted across the combat theatre, and youll be in for one heck of a rough ride. Being able to clamber inside a tank and rain death on your foes from afar offers momentary respite, because youll need to find cannisters of gas to keep the damn thing operational, and it takes only a couple of blasts from an enemy grenade to put it out of commission.
Although Im perhaps not the hugest fan of the gameplay, I can definitely get behind the visual aesthetic. The presentation here is truly fantastic, particularly the animation, something that SNK would become renowned for into the 1990s and beyond with the Neo Geo. The way enemy bullets kick up dirt is a really neat touch, demonstrating attention to detail which other developers of the time simply wouldnt have bothered with.
Chapters
00:00 Attract mode
01:00 Gameplay
15:35 Ending")
