Groovy II V I Chord Progression Guitar Backing Track in C major

Uploaded May 2019 | Updated September 2026, 34 minutes ago

An educational and enhanced guitar backing track in C major for guitarists who want to improvise over a II V I progression with a dominant Altered chord on the 5th degree. This Groovy Backing track let ‘s you play with minor and major scales, pentatonic substitutions, the lydian pentatonic concept, lydian scale, dorian scale, altered scale, Phrygian dominant scale and mixolydian scale. Excellent for improvising, learning modes, scales, chords, licks and arpeggio's. This Q JAM TRACKS jam track in provides a visual representation of the chords and scales in diagrams as they appear in the music. Extra theoretical information is shown in the video. It is a high quality backing track and handy tutorial (lesson) at the same time.

Artwork:
(c) 2019) Rob van Hal

Photo:
Image of people in a bar by Helena Lopes (pexels.com/@wildlittlethingsphoto):
pexels.com/photo/people-drinking-liquor-and-talking-on-dining-table-close-up-photo-696218

Used:
Ibanez JEM 7v (www.Ibanez.com)
Ibanez SD GR Bass (www.Ibanez.com)
Takamine GD930 (www.takamine.com)
Castilla Classical Guitars
Rode Microphone
Axe FX II (www.fractalaudio.com)

Social Media/contact:
patreon.com/QJamTracks
facebook.com/QJamTracks
instagram.com/QJamTracks
youtube.com/QJamTracks

(c)2018 Rob van Hal, Netherlands

$Groovy II V I Chord Progression Guitar Backing Track in C major – Tutorialized! An educational and enhanced guitar backing track in C major for guitarists who want to improvise over a II V I progression with a dominant Altered chord on the 5th degree. This Groovy Backing track let ‘s you play with minor and major scales, pentatonic substitutions, the lydian pentatonic concept, lydian scale, dorian scale, altered scale, Phrygian dominant scale and mixolydian scale. Excellent for improvising, learning modes, scales, chords, licks and arpeggios. This Q JAM TRACKS jam track in provides a visual representation of the chords and scales in diagrams as they appear in the music. Extra theoretical information is shown in the video. It is a high quality backing track and handy tutorial (lesson) at the same time. Artwork: (c) 2019) Rob van Hal Photo: Image of people in a bar by Helena Lopes (https://www.pexels.com/@wildlittlethingsphoto): https://www.pexels.com/photo/people-drinking-liquor-and-talking-on-dining-table-close-up-photo-696218/ Used: Ibanez JEM 7v (www.Ibanez.com) Ibanez SD GR Bass (www.Ibanez.com) Takamine GD930 (www.takamine.com) Castilla Classical Guitars Rode Microphone Axe FX II (www.fractalaudio.com) Social Media/contact: www.patreon.com/QJamTracks www.facebook.com/QJamTracks www.instagram.com/QJamTracks www.youtube.com/QJamTracks (c)2018 Rob van Hal, Netherlands$ $Negative Harmony Part 1 – Create NEW from OLD with melody inversions. In this part 1 of Negative harmony, we look at inversions of melodies to make new music from existing music. It’s a technique that many composers use throughout history and is fundamental for learning the essence of negative harmony. In This crustal clear guitar lesson, you’ll learn how to make a melody inversion from a simple melody like “Twinkle Little Star” and “Still Got The Blues” by Gary Moore. We will make a diatonic and strict (chromatic) inversion of both melodies. This is what you need to know first, to understand the hot subject of Negative Harmony that was invented (more of less) by Ernst Levy and popularized by musical genius Jacob Collier. *Chapters:* 0:00 Introduction 1:06 Why bother with negative harmony 1:56 What is Negative Harmony? 3:36 Inversion of a melody 4:23 Diatonic inversion: Twinkle Little Star 6:46 Diatonic inversion: Still Got The Blues 9:37 Chromatic or strict inversion 11:23 Chromatic inversion examples 13:30 Conclusion *LINK:* Tomasso Zillio explanes negative harmony using Rachmaninov’s variation nr. 18 on a theme by Paganini: https://youtu.be/0oI2iFrzA0o?feature=shared *Copyrights:* Chick Corea: Ice Boy Tell, CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0, via Wikimedia Commons C. Ronaldo: Oleg Dubyna from Poltava, Ukraine, CC BY-SA 2.0 https://creativecommons.org/licenses/by-sa/2.0, via Wikimedia Commons Messi: Кирилл Венедиктов, CC BY-SA 3.0 GFDL, via Wikimedia Commons. Newhaven Band: By William Hames Photography - http://fnarecords.net/, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=118688954 Steve Vai: Wojciech Pędzich, CC BY 4.0 https://creativecommons.org/licenses/by/4.0, via Wikimedia Commons *Crystal Clear E-BOOKS with audio files:* https://qjamtracks.shopify.com *Tabs and tracks at PATREON:* http://www.patreon.com/Qjamtracks *Social Media/contact: * https:// facebook.com/QJamTracks https:// instagram.com/QJamTracks https:// youtube.com/QJamTracks *Strandberg Guitars* https://strandbergguitars.com *Fractal Audio (FM9)* https://www.fractalaudio.com (c)2024 Rob van Hal, Netherlands Subjects: negative harmony, inversion, melody inversion, mirror melody, mirror around axis, inversion of a melody, chord inversion, Harmony inversion, Diatonic inversion, Chromatic inversion, Strict inversion, composition techniques, Writing melodies, How to write a melody, Variations on a theme, How to make a variation, How to write melodies, Ernst Levy, Jacob Collier, twinkle little star, still got the blues.$ $Chord Theory Part 1 – TRIADS: The start for all chords! Triads are part of chord theory and are the foundation or fundament for all other chords in the tertian functional harmony. There are 4 types: major triads, minor triads, diminished triads and augmented triads. Decides these triads there are also suspended triads. This and more you’ll learn in this crystal clear guitar lesson. Understanding triads is important to understand other chords and chord progressions. Triads are the basis of 7-chords, extended chords and added tone chords. In this video we’ll look at the four types of triads that are used to create chords like major 7 chord, dominant 9 chords, altered chords and so on. 0:00 Introduction 1:01 What are chords 2:16 Intervals that you should know 4:04 Building the triad 5:30 4 types of triads 7:49 Triads in the major scale 9:35 Scale degrees 10:40 Triads in other scales 12:36 Triad shapes on the neck 13:31 Suspended triads 15:36 Conclusion *Crystal Clear E-BOOKS with audio files:* https://qjamtracks.shopify.com *Tabs and tracks at PATREON:* http://www.patreon.com/Qjamtracks *Social Media/contact: * https:// facebook.com/QJamTracks https:// instagram.com/QJamTracks https:// youtube.com/QJamTracks *Strandberg Guitars* https://strandbergguitars.com *Fractal Audio (FM9)* https://www.fractalaudio.com (c)2024 Rob van Hal, Netherlands$ $Metal Ballad Guitar Backing Track in Dm / D harmonic minor An uplifting melodic metal ballad backing track for guitarists who want to shred with minor and harmonic minor scales. You can also play diminished scales over this guitar Jam track. Excellent for improvising, learning modes, scales, chords, licks and arpeggios in the Harmonic minor scale. This Q JAM TRACKS jam track in provides a visual representation of the chords and scales in diagrams as they appear in the music. Extra theoretical information is shown in the video. It is a backing track and tutorial (or lesson) at the same time. Its also a play along video for learning exiting beautiful chords. Photo: Pixabay.com (C00 license) Used: Ibanez JEM 7v (www.Ibanez.com) Ibanez SD GR Bass (www.Ibanez.com) Takamine GD930 (www.takamine.com) Axe FX II (www.fractalaudio.com) Social Media: www.facebook.com/QJamTracks www.instagram.com/QJamTracks www.youtube.com/QJamTracks (c)2018 Rob van Hal, Netherlands$

Use the spicy WHOLE TONE scale over Dominant chords and sound like a JAZZ Pro

$Are Your Chord Progressions Boring? Try These Tricks! Struggling with chord progressions? This video will show you how to use simple **music theory** to create more interesting progressions for your songs. Break out of repetitive patterns with practical examples and visual diagrams, while improving your **songwriting**. Learn how to take your **chord exploration** to the next level and enhance your **composition** skills using **stepwise chord movement**, **secondary dominants**, **borrow chords from another key** and make use of chord functions**. Level 6 (of 6) Tablature, diagrams, examples and backing tracks will be available on my Patreon page: https://patreon.com/QJamTracks *Chapters:* 0:00 Introduction 0:41 Chords in the major scale 2:53 Chord Functions 4:35 Chord functions in the minor key 5:40 Why use Chord Functions 6:29 Power of the dominant 7:36 Typical basic progressions 11:39 Secondary dominants 13:33 Stepwise chord and bass movement 15:49 Borrowed chords 18:05 Final thoughts *Crystal Clear E-BOOKS with audio files:* https://qjamtracks.shopify.com *Tabs and tracks at PATREON:* http://www.patreon.com/Qjamtracks *Social Media/contact: * https:// facebook.com/QJamTracks https:// instagram.com/QJamTracks https:// youtube.com/QJamTracks *Strandberg Guitars* https://strandbergguitars.com *Fractal Audio (FM9)* https://www.fractalaudio.com Neural DSP https://neuraldsp.com/ (c)2025 Rob van Hal, Netherlands$

How to Use MinMaj7 Chords in Your Compositions

$Extended Guitar Chords Demystified | Crystal Clear Chord Theory Lesson Are you an intermediate guitarist looking to expand your chord vocabulary and deepen your understanding of music theory? In this lesson, we’ll break down extended chords—from 9ths and 11ths to lush 13ths—so you can confidently add color and sophistication to your playing. With crystal-clear explanations and clean, easy-to-follow graphics, this video makes complex chord theory accessible to every guitarist. You’ll not only learn the theory behind extended chords but also how to apply them directly on the fretboard to enhance your rhythm and songwriting. Level 4 (of 6) ✅ What you’ll learn in this lesson: • What extended chords are and why they matter • How 7th chords evolve into 9ths, 11ths, and 13ths • Practical shapes and voicings for the guitar • Tips for using extended chords in real musical contexts If you’ve been searching for a straightforward guitar lesson that connects chord theory to your actual playing, this is the one! #ExtendedChords #ChordTheory #GuitarLesson Tablature, diagrams, examples and backing tracks will be available on my Patreon page: https://patreon.com/QJamTracks *Chapters:* 0:00 Introduction 0:30 7th chords recap 01:50 What you should know about extended chords 04:00 Naming extended chords 06:12 Technical limitations on guitar 07:08 Major extended chords 09:24 Dominant extended chords 11:46 Altered extended chords 13:52 Minor extended chords 16:09 Diminished extended chords 16:45 Triad with extensions 17:49 Summary 19:34 Final thoughts *Crystal Clear E-BOOKS with audio files:* https://qjamtracks.shopify.com *Social Media/contact: * https:// facebook.com/QJamTracks https:// instagram.com/QJamTracks https:// youtube.com/QJamTracks *Strandberg Guitars* https://strandbergguitars.com *Fractal AxeFx II* https://www.fractalaudio.com Neural DSP Plini X Plugin https://neuraldsp.com/ (c)2025 Rob van Hal, Netherlands$ $How Does Classical Counterpoint Enhance Modern Music? Want to take your guitar playing and songwriting to the next level? In this advanced guitar tutorial, we dive deep into counterpoint and how it can enhance modern music. Whether youre an experienced guitarist, a serious musician, or a songwriter looking to expand your knowledge of advanced music theory, this lesson will provide practical insights to elevate your compositions. Learn how to apply counterpoint techniques directly to your guitar playing, creating richer harmonies, independent melodic lines, and more sophisticated musical textures. Well break down key concepts like contrapuntal motion, voice leading, and how classical counterpoint integrates seamlessly with modern genres like rock, jazz, and progressive music. In this tutorial, you’ll discover: What counterpoint is and why it matters for advanced guitarists How to incorporate counterpoint techniques into your guitar solos and riffs Practical exercises to strengthen your understanding of polyphony Examples of counterpoint in modern guitar music If youre passionate about improving your guitar skills and want to master the advanced music theory that shapes professional compositions, this video is for you. Subscribe for more advanced guitar tutorials, and don’t forget to like and comment if you found this lesson valuable. Let’s push your musical boundaries together!🎵 Tablature, diagrams, examples and backing tracks will be available on my Patreon page: https://patreon.com/QJamTracks Xvive G1 Butterfly guitar stand: https://shop.warwick.de/de/search?sSearch=xvive *Chapters:* 0:00 Introduction 1:31 What is counterpoint 4:32 Counterpoint in the major scale 7:05 XVive G1 Butterfly Guitar stand 8:12 Cantus Firmus 9:18 All the Things You Are in counterpoint 11:35 For The Love God – Steve Vai – in counterpoint 13:49 Harmonic counterpoint 15:04 Autumn Leaves in counterpoint 17:52 Conclusion *Crystal Clear E-BOOKS with audio files:* https://qjamtracks.shopify.com *Tabs and tracks at PATREON:* http://www.patreon.com/Qjamtracks *Social Media/contact: * https:// facebook.com/QJamTracks https:// instagram.com/QJamTracks https:// youtube.com/QJamTracks *Strandberg Guitars* https://strandbergguitars.com *Fractal Audio (FM9)* https://www.fractalaudio.com Neural DSP https://neuraldsp.com/ (c)2024 Rob van Hal, Netherlands$

DOMINANT PENTATONIC scale over Dominant (dom7) & Altered (Alt) Chords

$E PHRYGIAN DOMINANT Guitar Backing Track An educational and enhanced guitar backing track video in the E Phrygian Dominant Mode which is very suitable for Metal and Neo Classical Rock. For guitarists who want to improvise in different keys and modes like the Phrygian Dominant Mode. This beautiful exotic, moody & Phrygian dominant backing track let ‘s you play with modes and arpeggios that are visualized onscreen. Excellent for improvising, learning modes, scales, chords, licks and arpeggios. This Q JAM TRACKS jam track provides a visual representation of the chords and scales in diagrams as they appear in the music. Extra theoretical information is shown in the video. It is a high quality backing track and handy tutorial (lesson) at the same time. Tip: Watch the QJamTracks tutorial about the Phrygian Dominant Mode: https://youtu.be/m27D1p7qfQk Artwork: Rob van Hal Photo thanks to (CCO License): https://pixabay.com/pl/users/darksouls1-2189876/ (Darksouls1) https://pixabay.com/pl/photos/kobieta-kobiet-pi%C4%99kno-m%C5%82ody-2996292/ Used: Ibanez JEM 7v (www.Ibanez.com) Ibanez SD GR Bass (www.Ibanez.com) Takamine GD930 (www.takamine.com) Castilla Classical Guitars Samson Concert Wireless Microphone system CR99 Axe FX II (www.fractalaudio.com) Social Media/contact: www.patreon.com/QJamTracks www.facebook.com/QJamTracks www.instagram.com/QJamTracks www.youtube.com/QJamTracks (c)2019 Rob van Hal, Netherlands$

Merry Christmas to all subscribers! - A Christmas Carol 2019