Uploaded December 2018 | Updated September 2026, 2 weeks ago
A look at a preeminent English symphonist.
This was requested by YouTubers Jeremy Jones, Logan Campbell, gabrieru1983, Anthony Pagan, and Emily Rowland-Rawson. See all requests at lentovivace.com/classicalnerd.html.
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Classical Nerd is a weekly video series covering music history, theoretical concepts, and techniques, hosted by composer, pianist, and music history aficionado Thomas Little.
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Music:
- Ralph Vaughan Williams: Symphony No. 1 “A Sea Symphony,” performed by the BBC Symphony Orchestra, BBC Symphony Chorus, BBC Proms Youth Choir, Sally Matthews, and Roderick Williams, conducted by Sakari Oramo [original upload: Lp4G5vtdSWc]
- Thomas Little: Dance! #2 in E minor, Op. 1 No. 2, performed by Rachel Fellows, Michael King, and Bruce Tippette
- Unknown Artist: [Vaporwave] - MACINTOSH PLUS - リサフランク420 / 現代のコンピュー [original upload: _wcURnFRp9A]
----------
Contact Information:
Questions and comments can be directed to:
nerdofclassical [at] gmail.com
Tumblr:
classical-nerd.tumblr.com
Facebook:
facebook.com/classicalnerd
----------
All images and audio in this video are for educational purposes only and are not intended as copyright infringement. If you have a copyright concern, please contact me using the above information.
A look at a preeminent English symphonist.
This was requested by YouTubers Jeremy Jones, Logan Campbell, gabrieru1983, Anthony Pagan, and Emily Rowland-Rawson. See all requests at lentovivace.com/classicalnerd.html.
----------
Classical Nerd is a weekly video series covering music history, theoretical concepts, and techniques, hosted by composer, pianist, and music history aficionado Thomas Little.
----------
Music:
- Ralph Vaughan Williams: Symphony No. 1 “A Sea Symphony,” performed by the BBC Symphony Orchestra, BBC Symphony Chorus, BBC Proms Youth Choir, Sally Matthews, and Roderick Williams, conducted by Sakari Oramo [original upload: Lp4G5vtdSWc]
- Thomas Little: Dance! #2 in E minor, Op. 1 No. 2, performed by Rachel Fellows, Michael King, and Bruce Tippette
- Unknown Artist: [Vaporwave] - MACINTOSH PLUS - リサフランク420 / 現代のコンピュー [original upload: _wcURnFRp9A]
----------
Contact Information:
Questions and comments can be directed to:
nerdofclassical [at] gmail.com
Tumblr:
classical-nerd.tumblr.com
Facebook:
facebook.com/classicalnerd
----------
All images and audio in this video are for educational purposes only and are not intended as copyright infringement. If you have a copyright concern, please contact me using the above information.
![Great Composers: Franz Schubert
A look at Viennas Little Mushroom.
This was requested by YouTubers Mr. DSCH, Sean Ramsdell, Ross Williams, Danilo Buenante, and Popo Lala. See all requests at http://www.lentovivace.com/classicalnerd.html.
Classical Nerd is a weekly video series covering music history, theoretical concepts, and techniques, hosted by composer, pianist, and music history aficionado Thomas Little.
Music:
- Franz Schubert: String Quartet No. 14 in D minor “Death and the Maiden,” performed by the Borromeo String Quartet and available on IMSLP: https://tinyurl.com/yclfjjdu
- Thomas Little: Dance! #2 in E minor, Op. 1 No. 2, performed by Rachel Fellows, Michael King, and Bruce Tippette
Contact Information:
Questions and comments can be directed to:
nerdofclassical [at] gmail.com
Tumblr:
classical-nerd.tumblr.com
Facebook:
https://www.facebook.com/classicalnerd/
All images and audio in this video are for educational purposes only and are not intended as copyright infringement. If you have a copyright concern, please contact me using the above information. Great Composers: Franz Schubert](https://i.ytimg.com/vi/ZAS8BRTr-MI/mqdefault.jpg)
![The Diatonic Scale is Unique, and Heres Why
🎶 Support the channel:
http://www.patreon.com/classicalnerd
https://www.paypal.me/classicalnerd
Music:
- Thomas Little: some short lil Max piece, idk
- Thomas Little: Dance! #2, performed by Rachel Fellows, Michael King, and Bruce Tippette
Contact Information:
Questions and comments can be directed to:
nerdofclassical [at] gmail.com
Facebook:
https://www.facebook.com/classicalnerd/
Instagram:
https://www.instagram.com/the_classical_nerd/
All images and audio in this video are for educational purposes only and are not intended as copyright infringement. If you have a copyright concern, please contact me using the above information. The Diatonic Scale is Unique, and Heres Why](https://i.ytimg.com/vi/Zik4AULVhfI/mqdefault.jpg)
![What is a Canzona?
How one Venetian redefined a genre.
Classical Nerd is a weekly video series covering music history, theoretical concepts, and techniques, hosted by composer, pianist, and music history aficionado Thomas Little.
Music:
- Giovanni Gabrieli: Canzon in double echo, Canzon duodecimitoni a 10, and Canzon a 12, performed by the Chicago Symphony Orchestra [original upload: Wos-OBxOsyE]
- Thomas Little: Dance! #2 in E minor, Op. 1 No. 2, performed by Rachel Fellows, Michael King, and Bruce Tippette
Contact Information:
Questions and comments can be directed to:
nerdofclassical [at] gmail.com
Tumblr:
classical-nerd.tumblr.com
All images and audio in this video are for educational purposes only and are not intended as copyright infringement. If you have a copyright concern, please contact me using the above information. What is a Canzona?](https://i.ytimg.com/vi/ag0zAa-65M0/mqdefault.jpg)
![Augmented Sixths: The Chords that Broke Theory
🎶 Support the channel:
🎼 https://www.patreon.com/classicalnerd
🎼 https://lentovivace.bandcamp.com
0:00 Introduction
0:42 What is an Augmented Sixth?
2:28 International Chords
6:30 Musica Ficta and the Phrygian Cadence
12:00 In Search of a Root
16:12 The Diminished Gambit
19:44 A Cog in the Sonata Machine
26:37 Towards Tristan, and Beyond
29:52 DIY Chords
31:51 The Tritone Substitution
33:39 Conclusion
📚 Sources/further reading:
“A Chord in Time: The Evolution of the Augmented Sixth from Monteverdi to Mahler” by Mark Ellis (Ashgate, 2010)
“Theory of Harmony” by Arnold Schoenberg, trans. Roy Carter (University of California Press, 1978)
“Harmony and Voice Leading” by Edward Aldwell, Carl Schachter, and Allen Cadwallader (4th Edition, Cengage, 2011)
“Harmonic Practice in Tonal Music” by Robert Gauldin (1st Edition, Norton, 1997)
“Harmonic Materials and Treatment of Dissonance in the Pianoforte Music of Frederic Chopin” by Betty Jean Thomas (PhD dissertation, Eastman School of Music, 1963): http://hdl.handle.net/1802/5429
Classical Nerd is a video series covering music history, theoretical concepts, and techniques, hosted by composer, pianist, and music history aficionado Thomas Little.
Music:
- Richard Wagner: Prelude to Tristan und Isolde, performed by the Fulda Symphonic Orchestra conducted by Simon Schindler and available on IMSLP: https://tinyurl.com/k7dk35af
- William Byrd: Ne Irascaris Domine and Civitas Sancti Tui (double motet), performed by Ensemble Plus Ultra [original upload: 3vBCSPHZnnA]
- Marc-Antoine Charpentier: “O sors! sors infelix et acerb” from Mors Saülis et Jonathae, H. 403, performed by Il Seminario Musicale conducted by Gérard Lesne [original upload: p_kYMqWbOYM]
- Johann Sebastian Bach: “Et Incarnatus Est” from the Mass in B Minor, BWV 232, performed by the English Concert conducted by Harry Bicket [original upload: QNGzJnqdCnY]
- Robert Schumann: Novelletten, Op. 21 No. 4, performed by Dino Ciani [original upload: Zfe-UbT6G58]
- Wolfgang Amadeus Mozart: Symphony No. 39, K. 543, Mvt. 1, performers unknown [original upload: H0x_dCrKd4w]
- Joseph Haydn: String Quartet Op. 54 No. 2, Mvt. 2, performed by the Danish String Quartet [original upload: dGgmFFMFICc]
- Ludwig van Beethoven: Piano Sonata No. 24 “à Thérèse,” Op. 78, Mvt. 2, performed by Peter Bradley-Fulgoni and available on IMSLP: https://tinyurl.com/uddakysj
- Ludwig van Beethoven: String Quartet No. 14 in C# minor, Op. 131, Mvt. 1, performed by the Orion String Quartet and available on IMSLP: https://tinyurl.com/3pjmnw3y
- Robert Schumann: “Am Leuchtenden Sommermorgen” from Dichterliebe, Op. 48, performed by Anton Belov and Lydia Brown and available on IMSLP: https://tinyurl.com/45r9dm3w
- Frédéric Chopin: Mazurka in B Major, Op. 63 No. 1, performed by Christoph Zbinden and available on IMSLP: https://tinyurl.com/yxujsp95
- Thomas Little: Dance! #2, performed by Rachel Fellows, Michael King, and Bruce Tippette
The other background music consists of procedurally generated chains of augmented sixth chords, representing each of the 12 transpositions of the three major varieties of augmented sixth equally.
Contact Information:
Questions and comments can be directed to:
nerdofclassical [at] gmail.com
Facebook:
https://www.facebook.com/classicalnerd/
Instagram:
https://www.instagram.com/the_classical_nerd/
All images and audio in this video are for educational purposes only and are not intended as copyright infringement. If you have a copyright concern, please contact me using the above information. Augmented Sixths: The Chords that Broke Theory](https://i.ytimg.com/vi/bN8CqWeM9Ck/mqdefault.jpg)
![Great Composers: Jean Sibelius
A look at a legendary Finn.
This was a video request from YouTubers Mikkis, Eemil Puhakka, dont look back in anger, and saquibs1023. See the current requests at http://www.lentovivace.com/requestqueue.html.
Classical Nerd is a weekly video series covering music history, theoretical concepts, and techniques, hosted by composer, pianist, and music history aficionado Thomas Little.
Music:
- Jean Sibelius: Symphony No 2, Op. 43, performed by the Buenos Aires Philharmonic conducted by Jeff Manookian and available on IMSLP: https://tinyurl.com/y844ta75
- Thomas Little: Dance! #2 in E minor, Op. 1 No. 2, performed by Rachel Fellows, Michael King, and Bruce Tippette
Contact Information:
Questions and comments can be directed to:
nerdofclassical [at] gmail.com
Tumblr:
classical-nerd.tumblr.com
All images and audio in this video are for educational purposes only and are not intended as copyright infringement. If you have a copyright concern, please contact me using the above information. Great Composers: Jean Sibelius](https://i.ytimg.com/vi/bfhbnwxQcXU/mqdefault.jpg)
![Milton Babbitt’s Musical Tetris
0:00 Introduction
0:30 I: From Jackson to Princeton
8:27 II: Babbitt, Cold Warrior?
15:47 III: “Who Cares if You Listen?”
28:11 IV: Integral Serialism & Combinatoriality
35:05 V: Babbitt & Synthesis
47:19 VI: Lynes, Partitions, Arrays, & Superarrays
55:32 VII: The Time-Point Technique
1:02:52 VIII: Dean of American Serialism
📚 SOURCES/FURTHER READING:
📚 (note that citations fall only under the chapter to which they most strongly pertain)
0:30 I: From Jackson to Princeton
On Milton Babbitt: Progressive Artistic Research, Decorous Pranks, and Pig-Stand Jazz by Joshua Banks Mailman: https://doi.org/10.1080/07494467.2021.2031066 (Contemporary Music Review [CMR], Volume 40, Issue 2-3)
https://www.jamesromig.com/uploads/5/6/2/5/56250769/babbittdiscussions.pdf
http://preparedguitar.blogspot.com/2016/05/an-interview-with-milton-babbitt-by_6.html
http://preparedguitar.blogspot.com/2016/05/an-interview-with-milton-babbitt-by.html
8:27 II: Babbitt, Cold Warrior?
“‘Music for the Masses’: Milton Babbitt’s Cold War Music Theory” by Martin Brody (The Musical Quarterly, Summer 1993, Vol. 77, No. 2): https://music.arts.uci.edu/abauer/4.3/readings/Brody_Babbitt_Cold_War.pdf
“Modern Music and After (3rd Edition)” by Paul Griffiths (Oxford, 2010)
15:47 III: “Who Cares if You Listen?”
“The Collected Essays of Milton Babbitt,” ed. Stephen Peles (Princeton, 2003)
“Words About Music” by Milton Babbitt (ed. Stephen Dembski and Joseph N. Straus, UW Press, 1987)
28:11 IV: Integral Serialism & Combinatoriality
“Listening to Babbitt: Perception and Analysis of Milton Babbitt’s Du for Soprano and Piano” by Erin Sullivan (MA thesis, UGA, 2005): https://getd.libs.uga.edu/pdfs/sullivan_erin_l_200508_ma.pdf
35:05 V: Babbitt & Synthesis
The Private and Public Lives of a Lost Concerto: Milton Babbitt’s Concerti for Violin, Orchestra, and Synthesized Sound by Julia Glenn: https://doi.org/10.1080/07494467.2021.2018177 (CMR, 40, 2-3)
Concerti e Concerti: Babbitt’s Mysterious Bedfellows by Jonathan Dawe: https://doi.org/10.1080/07494467.2021.2017199 (CMR, 40, 2-3)
https://www.youtube.com/watch?v=UHNG9rexCsg
47:19 VI: Lynes, Partitions, Arrays, & Superarrays
“An Introduction to the Music of Milton Babbitt” by Andrew Mead (Princeton, 1994)
“The Phenomena of ‘Phonemena’: Structure and Realization in Milton Babbitt’s Work for Soprano and Synthesized Tape” by Mikel Kuehn (PhD dissertation, Eastman, 1995)
“Milton Babbitt’s Composition for Guitar: An Analytic Overview” by Todd Seelye (DMA diss., U. Ariz., 1988)
55:32 VII: The Time-Point Technique
Pulling a Fast More-Than-One: Milton Babbitt’s Time-point Practice by Joseph Dubiel: https://doi.org/10.1080/07494467.2021.1989231 (CMR, 40, 2-3)
1:02:52 VIII: Dean of American Serialism
“Force of Nature” by James Ricci: https://deconstructing-jim.blogspot.com/2011/03/force-of-nature.html
Rethinking Babbitt’s ‘Serious’ Music as Play by Alison Maggart: https://doi.org/10.1080/07494467.2021.2017232 (CMR, 40, 2-3)
🎶 Support the channel: https://www.patreon.com/classicalnerd
This was requested by Opera, LOOCH THEMOOCH, 洪孟思, Libertarian Communist Platform, Dave Henry, Gallimaufry, and patron Alice Wyan, who DOUBLED the weight of this request. See all requests at http://lentovivace.com/classicalnerd.html
Clips used under fair use include:
https://www.youtube.com/watch?v=JuTRWHAd_IM
https://www.youtube.com/watch?v=mMJbUSMkj3Y
https://www.youtube.com/watch?v=FfA470WVHws
Music:
- Milton Babbitt: Partitions (1957), performed by Augustus Arnone [original: jk8Z8Wo2tcM]
- Thomas Little: Dance! #2, performed by Rachel Fellows, Michael King, and Bruce Tippette
- Arnold Schoenberg: “Mässige Viertel” from Three Pieces, Op. 11 (1909, rev. 1924), performed by Peter Bradley-Fulgoni and available on IMSLP: https://tinyurl.com/yckzb88f
- Babbitt: Composition for Twelve Instruments (1948), conducted by Ralph Shapey [original: W_ErRFJRL7g]
- Babbitt: String Quartet No. 3 (1970), performed by (probably) the Fine Arts Quartet [original: mkvR6grAgOA]
- J.S. Bach: Brandenburg Concerto No. 3 in G major, BWV 1048, performed by A Far Cry and available on IMSLP: https://tinyurl.com/yykz5yum
- Babbitt: Piano Concerto No. 2 (1998), performed by Conor Hanick and the Juilliard Orchestra conducted by Jeffrey Milarsky [original: XUdgKl7ZMN4]
- Babbitt: Composition for Synthesizer (1960) [original: bRzFhY7hygY]
- Babbitt: Philomel (1964) [original: 3SMR5WIgSUg]
- Babbitt: All Set (1957), performed by the NEC Wind Ensemble conducted by Charles Peltz [original: TYsDztD9iv4]
- Babbitt: Composition for Four Instruments (1948), performed by Time’s Arrow [original: _fkx5IYfiPs]
- Babbitt: Semi-Simple Variations (1956), MIDI render
- Babbitt: Post-Partitions (1966), MIDI render [original: rBvgd0LYUyw]
nerdofclassical [at] gmail.com
https://www.facebook.com/classicalnerd/
https://www.instagram.com/the_classical_nerd/
This video is for educational purposes and falls under fair use statutes. Milton Babbitt’s Musical Tetris](https://i.ytimg.com/vi/c9WvSCrOLY4/mqdefault.jpg)
![Francis Poulenc: Whimsy and Sarcasm [Les Six, Pt. 6/7]
🎶 Support the channel:
🎼 https://lentovivace.bandcamp.com
🎼 https://www.patreon.com/classicalnerd
This was requested by Agis Vlaxos, Sean Ramsdell, portwain, Cole Fortier, Magnus Saar, Kevin OConnor, Sizalyth, UCDrumline77, and Carson Clegg. See all requests at http://lentovivace.com/classicalnerd.html
📚 Sources/further reading:
“Poulenc: A Biography” by Roger Nichols (Yale University Press, 2020)
“Poulenc: The Life in the Songs” by Graham Johnson (Norton, 2020)
“Les Six: The French Composers and Their Mentors Jean Cocteau and Erik Satie,” edited by Robert Shapiro (Peter Owen Publishers, 2011)
“Poulenc’s Development as a Piano Composer: A Comparison of the Solo Piano Works and the Mélodies” by Kirk A. Severtson (DMA thesis, University of Cincinnati, 2005): https://etd.ohiolink.edu/apexprod/rws_etd/send_file/send?accession=ucin1117195467&disposition=inlin
“Unifying Devices in Poulenc: A Study of the Cycles Banalités and Tel Jour Telle Nuit” by Terence Evan Dawson (DMA thesis, University of British Columbia, 1991)
“Rhythmic, Phrasing, and Dramatic Concerns in Poulenc’s Tel Jour Telle Nuit” by Wesley B. Morgan (DMA monograph, Temple University, 2019): https://scholarshare.temple.edu/bitstream/handle/20.500.12613/3305/TETDEDXMorgan-temple-0225E-13634.pdf?sequence=1
“A Stylistic Analysis of Banalités by Francis Poulenc” by Joy Ann Allen (MM thesis, University of North Texas, 1968): https://digital.library.unt.edu/ark:/67531/metadc699446/m2/1/high_res_d/1002774320-Allen.pdf
“A Comparative Study of Selected Clarinet Works by Arthur Honegger, Darius Milhaud and Francis Poulenc” by Thomas D. Stirzaker (PhD dissertation, Texas Tech University, 1988): https://ttu-ir.tdl.org/bitstream/handle/2346/61651/31295019375103.pdf?seq
“A Historical, Literary, and Musical Analysis of Francis Poulenc’s Dialogues des Carmélites” by Gail Elizabeth Lowther (MM thesis, Bowling Green State University, 2010): https://static1.squarespace.com/static/5a96c9ee0dbda34913bde7f6/t/5b1838576d2a73e172170a74/1528313946253/bgsu1273832192.pdf
“Cohesion of Composer and Singer: The Female Singers of Poulenc” by Susan Joanne Musselman (DMA document, The Ohio State University, 2007): https://etd.ohiolink.edu/apexprod/rws_etd/send_file/send?accession=osu1196185791&disposition=inline
“Francis Poulenc’s Sonata for Horn, Trumpet and Trombone: A Structural Analysis Identifying Historical Significance, Form and Implications for Performance” by John T. Cord, (DMA dissertation, University of North Texas, 2009): https://digital.library.unt.edu/ark:/67531/metadc12104/m2/1/high_res_d/dissertation.pdf
“A Pedagogical and Performance Analysis of Francis Poulenc’s Works for Two Pianos and Four Hands” by Mai Li (DMA dissertation, University of Kansas, 2019): https://kuscholarworks.ku.edu/bitstream/handle/1808/30189/Li_ku_0099D_16967_DATA_1.pdf?sequence=1
“An Analysis of Francis Poulenc’s Sextour, First Movement” by Malorie Danielle Jessup (MM research paper, Ball State University, 2009): https://cardinalscholar.bsu.edu/bitstream/handle/123456789/193566/Mjessup_2009-2_BODY.pdf?sequence=1&isAllowed=y
Classical Nerd is a video series covering music history, theoretical concepts, and techniques, hosted by composer, pianist, and music history aficionado Thomas Little.
Music:
- Francis Poulenc: Selections from Nocturnes (1930–8), performed by John Robson (#1, #3) and Monica Hart (#7, #8) [free recordings courtesy pianosociety.com]
- Thomas Little: Dance! #2, performed by Rachel Fellows, Michael King, and Bruce Tippette
- Francis Poulenc: Selections from Improvisations (1932–59), performed by Monica Hart (#5, #7, #10, #13, #15) [free recordings courtesy pianosociety.com]
- Francis Poulenc: Mélancolie (1940), performed by Dr. David April [free recording courtesy pianosociety.com]
- Francis Poulenc: Selections from Suite Française (1935), performed by Chris Breemer (#1, #3, #6, #7) [free recordings courtesy pianosociety.com]
- Francis Poulenc: Sonata for Clarinet and Piano (1962), performed by Michael Schönfelder and Andreas Pfaul [free recording courtesy pianosociety.com]
Contact Information:
Questions and comments can be directed to:
nerdofclassical [at] gmail.com
Facebook:
https://www.facebook.com/classicalnerd/
Instagram:
https://www.instagram.com/the_classical_nerd/
All images and audio in this video are for educational purposes only and are not intended as copyright infringement. If you have a copyright concern, please contact me using the above information. Francis Poulenc: Whimsy and Sarcasm [Les Six, Pt. 6/7]](https://i.ytimg.com/vi/cayIzSKe36A/mqdefault.jpg)
![Scott Joplin: Champion of Ragtime
🎶 Support the channel:
🎼 https://lentovivace.bandcamp.com
🎼 https://www.patreon.com/classicalnerd
This was requested by Heather M., Eric Rakestraw, Sean Ramsdell, Ronnie Roddy Jr., Krzysztof Q, YO BOY SEMAJ, and i know i may sound gay when i say this but yeah. See all requests at http://lentovivace.com/classicalnerd.html
📚 Sources/further reading:
“Scott Joplin: The Man Who Made Ragtime” by James Haskins and Kathleen Benson (1978)
“Julius Weiss: Scott Joplin’s First Piano Teacher” by Theodore Albrecht (College Music Symposium, Vol. 19 No. 2 (Fall 1979)
https://www.crj-online.org/v4/CRJ-Treemonisha.php
http://www.classical.net/music/comp.lst/joplin.php
https://tshaonline.org/handbook/online/articles/fwe40
https://historicmissourians.shsmo.org/historicmissourians/name/j/joplin/index.html
https://www.sdjewishworld.com/2014/09/28/play-scott-joplin-electrifying/
Classical Nerd is a video series covering music history, theoretical concepts, and techniques, hosted by composer, pianist, and music history aficionado Thomas Little.
Music:
- Scott Joplin: The Chrysanthemum, performed by Gerlüz and available on IMSLP: https://tinyurl.com/yxtzyjnm
- Thomas Little: Dance! #2 in E minor, performed by Rachel Fellows, Michael King, and Bruce Tippette
- Scott Joplin: Combination March, performed by Gerlüz and available on IMSLP: https://tinyurl.com/y3vd47uo
- Scott Joplin: Gladiolus Rag, performed by Peter Bradley-Fulgoni and available on IMSLP: https://tinyurl.com/y4w8oety
- Scott Joplin: Harmony Club Waltz, performed by Gerlüz and available on IMSLP: https://tinyurl.com/y69bgvep
- Scott Joplin/Scott Hayden: Kismet Rag, performed by Tony Wilkenson and available on IMSLP: https://tinyurl.com/yxq2wk7p
- Scott Joplin: The Nonpareil, performed by Gerlüz and available on IMSLP: https://tinyurl.com/y5m262gr
- Scott Joplin: Paragon Rag, performed by Gerlüz and available on IMSLP: https://tinyurl.com/y2atde57
- Scott Joplin: Peacherine Rag, performed by Gerlüz and available on IMSLP: https://tinyurl.com/yy3gyozh
- Scott Joplin: Pleasant Moments, performed by Gerlüz and available on IMSLP: https://tinyurl.com/y3eeef2z
- Scott Joplin: Magnetic Rag, performed by Constantin Stephan and available on IMSLP: https://tinyurl.com/y4hxl2aq
- Scott Joplin: Wall Street Rag, performed by Constantin Stephan and available on IMSLP: https://tinyurl.com/yyynmwgh
Contact Information:
Questions and comments can be directed to:
nerdofclassical [at] gmail.com
Tumblr:
https://classical-nerd.tumblr.com
Facebook:
https://www.facebook.com/classicalnerd/
Instagram:
https://www.instagram.com/the_classical_nerd/
All images and audio in this video are for educational purposes only and are not intended as copyright infringement. If you have a copyright concern, please contact me using the above information. Scott Joplin: Champion of Ragtime](https://i.ytimg.com/vi/ck3mD7RKWOg/mqdefault.jpg)
![Louis Durey: The Composer Who Set Mao to Music [Les Six, Pt. 3/7]
🎶 Support the channel:
🎼 https://lentovivace.bandcamp.com
🎼 https://www.patreon.com/classicalnerd
📚 Sources/further reading:
“Les Six: The French Composers and Their Mentors Jean Cocteau and Erik Satie,” edited by Robert Shapiro (Peter Owen Publishers, 2011)
“Louis Durey: Homme de tête,” by Marc Wood (The Musical Times, Vol. 141, No. 1873): https://www.jstor.org/stable/1004733
Classical Nerd is a video series covering music history, theoretical concepts, and techniques, hosted by composer, pianist, and music history aficionado Thomas Little.
Music:
- Louis Durey: Le bestiaire ou cortège d’Orphée (1919), performed by Sophie De Tillesse and Ensemble Quartz conducted by Jean Thorel [original upload: R22qrxvwEj0]
- Thomas Little: Dance! #2, performed by Rachel Fellows, Michael King, and Bruce Tippette
Contact Information:
Questions and comments can be directed to:
nerdofclassical [at] gmail.com
Facebook:
https://www.facebook.com/classicalnerd/
Instagram:
https://www.instagram.com/the_classical_nerd/
All images and audio in this video are for educational purposes only and are not intended as copyright infringement. If you have a copyright concern, please contact me using the above information. Louis Durey: The Composer Who Set Mao to Music [Les Six, Pt. 3/7]](https://i.ytimg.com/vi/d4qNHBjT3B0/mqdefault.jpg)
![Schumann’s Diminished Ninth
🎶 Support the channel: http://www.patreon.com/classicalnerd
📚 Sources mentioned in the video:
- “The Songs of Robert Schumann” by Eric Sams, third edition (Indiana University Press, 1993)
- “The Genesis of Schumann’s ‘Dichterliebe:’ A Source Study” by Rufus E. Hallmark (UMI Research Press, 1976/9)
- “The Inner Musical Workings of Robert Schumann” by Geoffrey Narramore Moon (PhD dissertation, Adelaide University, Nov. 2001)
Music:
- Robert Schumann: “Am leuchtenden Sommermorgen” from Dichterliebe (1840), performed by Anton Belov and Lydia Brown and available on IMSLP: https://tinyurl.com/diminishedninth
Contact Information:
Questions and comments can be directed to:
nerdofclassical [at] gmail.com
Facebook:
https://www.facebook.com/classicalnerd/
Instagram:
https://www.instagram.com/the_classical_nerd/
All images and audio in this video are for educational purposes only and are not intended as copyright infringement. If you have a copyright concern, please contact me using the above information. Schumann’s Diminished Ninth](https://i.ytimg.com/vi/dIt2c0aY4Dc/mqdefault.jpg)
![The Fractal Music of Charles Wuorinen
This work was sponsored by a Humanities New York Public Humanities Grant.
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0:00:00 Introduction
0:01:22 I: The Serial Question
0:08:34 II: Time Points and Fractals
0:16:35 III: The Group for Contemporary Music
0:23:35 IV: The Columbia Fiasco
0:40:05 V: Conservative, or Revolutionary?
0:53:01 VI: The End of the Group
0:59:35 VII: High Culture
1:06:12 VIII: The Legacy
📚 Sources/further reading:
“Charles Wuorinen: A Bio-Bibliography” by Richard D. Burbank (Greenwood Press, 1994)
“Simple Composition” by Charles Wuorinen (C.F. Peters, 1979)
“Soundpieces: Interviews with American Composers” by Cole Gagne and Tracy Caras (Scarecrow Press, 1982)
https://www.charleswuorinen.com/
“The Piano Sonatas of Charles Wuorinen: An Evolution of Style” by Joseph C. Schiavo (PhD dissertation, Rutgers, 2006)
“Notes on the Performance of Contemporary Music” by Charles Wuorinen — Perspectives of New Music, Vol. 3, No. 1 (Autumn–Winter, 1964), pp. 10-21
“The Group for Contemporary Music, 1962 to 1992” by Susan Elizabeth Deaver (DMA dissertation, MSM, 1993): https://www.stokar.com/site/assets/files/1048/deaver.pdf
“The Recent Music of Charles Wuorinen” by Jeffrey Kresky — Perspectives of New Music, Vol. 25, No. 1/2, 25th Anniversary Issue (Winter–Summer, 1987), pp. 410-417
“Charles Wuorinens Third Piano Sonata: A Performers Perspective” by Alan Feinberg — Perspectives of New Music, Vol. 56, No. 2 (Summer 2018), pp. 55-66
A Conversation with Charles Wuorinen by James Romig: https://www.jamesromig.com/uploads/5/6/2/5/56250769/jr-cw-pnm.pdf
https://newmusicusa.org/nmbx/charles-wuorinen-art-and-entertainment/4/
https://www.drapersguild.com/my-life-in-music
https://www.nytimes.com/1971/08/08/archives/are-the-arts-doomed-on-campus.html
https://www.nytimes.com/1971/08/29/archives/music-at-columbia-will-endure-even-without-wuorinen.html
https://www.nytimes.com/1971/08/29/archives/on-tenure.html
https://www.washingtonpost.com/local/obituaries/charles-wuorinen-pulitzer-winning-modernist-composer-dies-at-81/2020/03/13/26170eb4-64d7-11ea-acca-80c22bbee96f_story.html
https://newcriterion.com/2020/03/a-major-brain-and-his-music/
Music (all by Charles Wuorinen):
- New York Notes for Pierrot Ensemble, performed by Will Adams, Alex Dergal, Will Crock, an unknown cellist, Louis Pino, and Amanda Lubin
- Music for Orchestra, performers unknown (possibly the Columbia University Orchestra)
- Janissary Music, performed by Brandon Lim
- The Blue Bamboula, performed by Alan Feinberg
- String Trio, performers unknown (possibly Rolf Schulte, John Graham, and Fred Sherry)
- Percussion Symphony, performed by the New Jersey Percussion Ensemble conducted by Peter Jarvis
- Time’s Encomium
- Iridule, performed by Andrew Blanke and Ensemble id conducted by Edo Frenkel
- Piano Sonata No. 3, performed by Alan Feinberg
- Brokeback Mountain, performed by the chorus and orchestra of the Teatro Real de Madrid
- Genesis, performed by the Minnesota Orchestra and the Minnesota Chorale conducted by Edo deWaart
- Microsymphony, performers unknown (possibly the Philadelphia Orchestra)
- Xenolith, performed by Lois Martin and Michael Truesdell
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