Uploaded April 2019 | Updated September 2026, 2 weeks ago
Giuseppe Martucci : piano concerto no.2
Gesualdo Coggi, piano
Photos: ITALY
Compositore Martucci, Giuseppe
Op.66
Tonalità B-flat minor
3 movements:
-Allegro giusto
-Larghetto (G♭ major)
-Allegro con spirito
Anno/Data di composizione 1884-5 (October)
Prima edizione 1886
Dedica Doctor Filippo Filippi
Durata media 40 minutes
Periodo del compositore Romantic
Stile del brano Romantic
Piano solo and orchestra (2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, ophicleide, timpani, and strings)
Description by James Leonard
Sometimes called "the Italian Brahms," Giuseppe Martucci abjured the traditional Italian fascination with opera for a musical career as a conductor, pianist, and composer. His two symphonies and two piano concertos all demonstrate his allegiance in what he called "absolute music." His Second Piano Concerto in B flat minor, Op. 66, (1884-1885) is a massive work in three movements. The opening movement, Allegro giusto, alone is more than 20 minutes long and contains three themes, an extensive development section, and an enormous cadenza. The central movement, Larghetto, has two contrasted themes which reach their climax in a section which recalls the piano recitative central movement of Beethoven's Fourth Piano Concerto. The closing movement, Allegro con spirito, is a brilliant virtuoso work for both soloist and orchestra ending in resounding triumph. The Second Piano Concerto was premiered on January 31, 1885, with the composer as the soloist.
Giuseppe Martucci : piano concerto no.2
Gesualdo Coggi, piano
Photos: ITALY
Compositore Martucci, Giuseppe
Op.66
Tonalità B-flat minor
3 movements:
-Allegro giusto
-Larghetto (G♭ major)
-Allegro con spirito
Anno/Data di composizione 1884-5 (October)
Prima edizione 1886
Dedica Doctor Filippo Filippi
Durata media 40 minutes
Periodo del compositore Romantic
Stile del brano Romantic
Piano solo and orchestra (2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, ophicleide, timpani, and strings)
Description by James Leonard
Sometimes called "the Italian Brahms," Giuseppe Martucci abjured the traditional Italian fascination with opera for a musical career as a conductor, pianist, and composer. His two symphonies and two piano concertos all demonstrate his allegiance in what he called "absolute music." His Second Piano Concerto in B flat minor, Op. 66, (1884-1885) is a massive work in three movements. The opening movement, Allegro giusto, alone is more than 20 minutes long and contains three themes, an extensive development section, and an enormous cadenza. The central movement, Larghetto, has two contrasted themes which reach their climax in a section which recalls the piano recitative central movement of Beethoven's Fourth Piano Concerto. The closing movement, Allegro con spirito, is a brilliant virtuoso work for both soloist and orchestra ending in resounding triumph. The Second Piano Concerto was premiered on January 31, 1885, with the composer as the soloist.





![Franz LISZT: BALLADE no.2 S. 171 - Valentina LISITSA
Franz LISZT: BALLADE no.2 S. 171 - Valentina LISITSA
Photos:Hungary
From Wikipedia, the free encyclopedia
The Ballade (ballad) No. 2 in B minor, S. 171, is a piano composition by Franz Liszt, written in 1853. Liszt plied one of his favorite genres—the programmatic one movement tone poem designed to provide both the variety and unity of a sonata or symphony.
He drew his program from Gottfried August Bürger’s once widely read Gothic horror ballad Lenore. Punctuated with the grisly refrain The dead ride quickly! Are you afraid, the poem tells of Lenore’s wild hundred-mile midnight ride with the zombie of her recently slain soldier-fiancé, toward a cemetery where their nuptials are solemnized amid a riotous gathering of skeletons and spectres. However, Claudio Arrau, who studied under Liszts disciple Martin Krause, defended that the Ballade was actually based in the Greek myth of Hero and Leander, with the pieces chromatic ostinati representing the sea: You really can perceive how the journey turns more and more difficult each time. In the fourth night he drowns. Next, the last pages are a transfiguration.[1]
The ballad is based largely on two themes: a broad opening melody underpinned by menacing rumbles and a luminous ensuing chordal meditation. These themes are repeated a half-step lower; then march-like triplet-rhythms unleash a flood of virtuosity. Eventually, Liszt transforms the opening melody into a rocking major-key cantabile and reiterates this with ever-more grandiose exultation. The luminous chords provide a contemplative close.[ Franz LISZT: BALLADE no.2 S. 171 - Valentina LISITSA](https://i.ytimg.com/vi/gYg6uM87N5U/mqdefault.jpg)




