Uploaded January 2023 | Updated September 2026, 3 weeks ago
Ambur Braid, Fredrika Brillembourg, Clarry Bartha, Alexander Mikhailov, Scott Hendricks, Prague Philharmonic Choir
Wiener Symphoniker, conducted by Valentin Uryupin
staged by Vasily Barkhatov
Umberto Giordano’s opera Siberia with its libretto by Puccini’s successful librettist Luigi Illica (La bohème, Tosca) premiered in 1903 at La Scala as a replacement of Puccini’s Madama Butterfly, which was not finished at the time. Madama Butterfly came out in Milan shortly after Siberia and flopped completely. Umberto Giordano, however, briefly became a public favorite. Shortly after successful re-runs on important theatres, including Buenos Aires, New York and São Paulo, Siberia could not maintain its position in repertoire although Gabriel Fauré designated the second act as “one of the most remarkable and captivating that modern dramatic music can offer.“ This opera rarity performed at Bregenz Festival “is musical narrative theatre in perfection“ (Süddeutsche Zeitung) in which “Uryupin leads the agile Wiener Symphoniker through the score with a sense for delicately tinted colours. Ambur Braid sings the challenging part of Stephanas with bravour“ (Frankfurter Allgemeine Zeitung).
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Ambur Braid, Fredrika Brillembourg, Clarry Bartha, Alexander Mikhailov, Scott Hendricks, Prague Philharmonic Choir
Wiener Symphoniker, conducted by Valentin Uryupin
staged by Vasily Barkhatov
Umberto Giordano’s opera Siberia with its libretto by Puccini’s successful librettist Luigi Illica (La bohème, Tosca) premiered in 1903 at La Scala as a replacement of Puccini’s Madama Butterfly, which was not finished at the time. Madama Butterfly came out in Milan shortly after Siberia and flopped completely. Umberto Giordano, however, briefly became a public favorite. Shortly after successful re-runs on important theatres, including Buenos Aires, New York and São Paulo, Siberia could not maintain its position in repertoire although Gabriel Fauré designated the second act as “one of the most remarkable and captivating that modern dramatic music can offer.“ This opera rarity performed at Bregenz Festival “is musical narrative theatre in perfection“ (Süddeutsche Zeitung) in which “Uryupin leads the agile Wiener Symphoniker through the score with a sense for delicately tinted colours. Ambur Braid sings the challenging part of Stephanas with bravour“ (Frankfurter Allgemeine Zeitung).
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![Janácek: Jenufa from Staatsoper Unter den Linden
Camilla Nylund, Evelyn Herlitzius, Stuart Skelton, Ladislav Elgr, Hanna Schwarz, Staatsopernchor
Staatskapelle Berlin, conducted by Simon Rattle
staged by Damiano Michieletto
Jenufa is still Janácek’s most successful and most often performed opera, and the Berlin premiere at the Staatsoper in 1924 brought the work its final breakthrough on German stages. This performance from Berlin’s Staatsoper Unter den Linden is “artistically unsurpassable. There are three reasons for this. Firstly, the cast [...], secondly: the direction [...], thirdly: Simon Rattle, the Staatskapelle and the chorus of the Staatsoper” (BR Klassik). “Simon Rattle revs up the Staatskapelle Berlin with a passion as if he had to fill a melodrama by Giacomo Puccini with bursting sound life” (Süddeutsche Zeitung). “A beguiling mixture of speaking articulation and tonal roundness.” (Frankfurter Allgemeine Zeitung)
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Cmajor Shop: www.shop.cmajor-entertainment.com/ Janácek: Jenufa from Staatsoper Unter den Linden](https://i.ytimg.com/vi/SPKhwBjLm3A/mqdefault.jpg)