Gilles Deleuzes Cinema Books Part 3: The Frame @filmandmediastudieschannel
Gilles Deleuzes Cinema Books Part 3: The Frame  @filmandmediastudieschannel
Uploaded August 2022 | Updated September 2026, 1 week ago
In this video, our third installment on Gilles Deleuze's cinema books, we look at the beginning of Chapter 2 of Cinema 1: The Movement-Image, entitled Frame and Shot, Framing and Cutting. In particular, I emphasize how the categories of film form that Deleuze examines in this chapter--frame, shot, montage--are related to his responses to Henri Bergson's philosophy of movement and time in the first chapter, especially the role that "closed set" and "open whole" will play in his analyses of films in the entire book.

The bulk of the discussion is analysis of what Deleuze calls the "out-of-field" (hors champ), an idea similar to what Noel Burch and others have called "offscreen space." Film examples include The Lonedale Operator (Griffith), The Marriage Circle (Lubitsch), Inglourious Basterds (Tarantino), The Passion of Joan of Arc (Dreyer), and Ordet (Dreyer).

Deleuze and Cinema Video Part 1: youtu.be/xbYYrRDKm5I
Deleuze and Cinema Video Part 2: youtu.be/9rf2H-IykDk
Deleuze and Cinema Video Part 3: youtu.be/jVJkIRiaESI
Gilles Deleuzes Cinema Books Part 3: The FrameSlasher Horror and Film Form: Killer POV and the Jump ScareWhat is Mise-en-scène?: Marie Antoinette (Coppola, 2006)Susan Sontags Against Interpretation and The Shining | Video EssayIcon, Symbol, Index: C.S. Peirces Three SignsWhat is Classical Hollywood Narration?What is Off-Screen Space?Siegfried Kracauers Theory of FilmHow Cinematography in It Follows (2014) Challenges Slasher HorrorWhat is Photogenie?: Jean Epstein and The MasterEisenstein, Battleship Potemkin, and Editing and MeaningLaura Mulvey and the Female Gaze
Film & Media Studies |

Gilles Deleuze's Cinema Books Part 3: The Frame

SHARE TO X SHARE TO REDDIT SHARE TO FACEBOOK WALLPAPER