Uploaded May 2015 | Updated September 2026, 3 hours ago
Musicor album released in January 1968.
Track 1 ( I Can't Get There From Here ) hit #5.
I remastered it to my liking pulling out some midrange and brightening the highs. I want hear Jones breathing if possible, that's just me.
I didn't remember how strong this album was till i listened to the final mix. It's good one!
For some reason the cuts from the June 13 session were the biggest problem, somewhat flat with excessive tape hiss. I wonder what happened.
Track List :
Side A
1. I Can't Get There From Here
2. Lookin' For My Feel Good ~ 2:31
4. Hangin' On To One (And Hangin' Round The Other) ~ 4:48
3. When Love Was Green ~ 7:20
5. Half Of Me Is Gone ~ 9:37
Side B
6 The Honky Tonk Downstairs ~ 12:19
7 My Baby Left Her Jinglin' John (For Foldin' Fred) ~ 14:52
8 The Girl I Almost Knew ~ 17:29
9 There Ain't No Grave Deep Enough ~ 20:16
10 There's Nothing Left For You ~ 22:22
Session Info:
January 5 1967 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – George Jones (George Jones [vcl], Bob Moore [bass] + unknown musicians + Jordanaires. Producer: Pappy Daily)
MY BABY LEFT HER JINGLIN' JOHN (FOR FOLDIN' FRED)
I CAN'T GET THERE FROM HERE
LOOKING FOR MY FEEL GOOD
January 7 1967 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – George Jones (George Jones [vcl], Bob Moore [bass] + unknown musicians + Jordanaires. Producer: Pappy Daily)
HALF OF ME IS GONE
June 13 1967 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – George Jones (George Jones [vcl], Bob Moore [bass] + unknown musicians + Jordanaires. Producer: Pappy Daily)
THE HONKY TONK DOWNSTAIRS
WHEN LOVE WAS GREEN
HANGIN' ON TO ONE (AND HANGIN' ROUND THE OTHER)
THERE AIN'T NO GRAVE DEEP ENOUGH
THE GIRL I ALMOST KNEW
June 14 1967 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – George Jones (George Jones [vcl], Bob Moore [bass] + unknown musicians + Jordanaires. Producer: Pappy Daily)
THERE'S NOTHING LEFT FOR YOU
Musicor album released in January 1968.
Track 1 ( I Can't Get There From Here ) hit #5.
I remastered it to my liking pulling out some midrange and brightening the highs. I want hear Jones breathing if possible, that's just me.
I didn't remember how strong this album was till i listened to the final mix. It's good one!
For some reason the cuts from the June 13 session were the biggest problem, somewhat flat with excessive tape hiss. I wonder what happened.
Track List :
Side A
1. I Can't Get There From Here
2. Lookin' For My Feel Good ~ 2:31
4. Hangin' On To One (And Hangin' Round The Other) ~ 4:48
3. When Love Was Green ~ 7:20
5. Half Of Me Is Gone ~ 9:37
Side B
6 The Honky Tonk Downstairs ~ 12:19
7 My Baby Left Her Jinglin' John (For Foldin' Fred) ~ 14:52
8 The Girl I Almost Knew ~ 17:29
9 There Ain't No Grave Deep Enough ~ 20:16
10 There's Nothing Left For You ~ 22:22
Session Info:
January 5 1967 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – George Jones (George Jones [vcl], Bob Moore [bass] + unknown musicians + Jordanaires. Producer: Pappy Daily)
MY BABY LEFT HER JINGLIN' JOHN (FOR FOLDIN' FRED)
I CAN'T GET THERE FROM HERE
LOOKING FOR MY FEEL GOOD
January 7 1967 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – George Jones (George Jones [vcl], Bob Moore [bass] + unknown musicians + Jordanaires. Producer: Pappy Daily)
HALF OF ME IS GONE
June 13 1967 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – George Jones (George Jones [vcl], Bob Moore [bass] + unknown musicians + Jordanaires. Producer: Pappy Daily)
THE HONKY TONK DOWNSTAIRS
WHEN LOVE WAS GREEN
HANGIN' ON TO ONE (AND HANGIN' ROUND THE OTHER)
THERE AIN'T NO GRAVE DEEP ENOUGH
THE GIRL I ALMOST KNEW
June 14 1967 Columbia Recording Studio, 804 16th Ave. South, Nashville, TN – George Jones (George Jones [vcl], Bob Moore [bass] + unknown musicians + Jordanaires. Producer: Pappy Daily)
THERE'S NOTHING LEFT FOR YOU


![Ernest Tubb ~ Ernest Tubb ~ 1975
Got a request for this album and though its ET past his prime and its a little noisy it still has its charms.
The Door Is Always Open was the very last track ET ever recorded for Decca/MCA ending a very solid 35 year run and he didnt step into a studio until he did the Last Generation recordings for Pete Drake in March of 1977.
Tracklist
A1 ~ If You Dont Quit Checkin On Me (Im Checkin Out On You) ~ 0:01
A2 ~ The Busiest Memory In Town ~ 2:32
A3 ~ Im Living In Sunshine ~ 5:24
A4 ~ Youre My Best Friend ~ 8:20
A5 ~ Its Time To Pay The Fiddler ~ 11:18
B1 ~ Shes Already Gone ~ 14:37
B2 ~ Id Like To Live It Again ~ 17:01
B3 ~ The Doors Always Open ~ 19:46
B4 ~ Somewhere County-Somewhere City U.S.A. ~ 22:35
B5 ~ Holding Things Together ~ 25:14
Session Info:
May 28 1975 ~ Bradleys Barn, Benders Ferry Road, Mount Juliet, TN - Ernest Tubb (Charlie Hammond, Pete Michaud, Howard Owsley, David Evans, Don Mills, Henry Dunlap. Producer: Owen Bradley)
THE BUSIEST MEMORY IN TOWN ~ MCA 496 BCD
ID LIKE TO LIVE IT AGAIN ~ MCA-40436/MCA 496
IF YOU DONT OUT CHECKIN ON ME ~ MCA-40436/MCA 496
May 29 1975 ~ Bradleys Barn, Benders Ferry Road, Mount Juliet, TN - Ernest Tubb (Charlie Hammond, Pete Michaud, Howard Owsley, David Evans, Harold Bradley, Don Mills, Hargus Robbins. Producer: Owen Bradley)
SOMEWHERE COUNTY-SOMEWHERE CITY U.S.A. ~ MCA 496
HOLDING THINGS TOGETHER ~ MCA 496
IM LIVING IN SUNSHINE ~ MCA 496
June 17 1975 ~ Bradleys Barn, Bender,s Ferry Road, Mount Juliet, TN - Ernest Tubb (Charlie Hammond, Pete Michaud, Howard Owsley, David Evans, Don Mills, Owen Bradley [p]. Producer: Owen Bradley)
YOURE MY BEST FRIEND ~ MCA 496
SHES ALREADY GONE ~ MCA 496
June 18 1975 ~ Bradleys Barn, Bender,s Ferry Road, Mount Juliet, TN - Ernest Tubb (Charlie Hammond, Pete Michaud, Howard Owsley, David Evans, Harold Bradley, Don Mills, Owen Bradley [p], Johnny Gimble. Producer: Owen Bradley)
ITS TIME TO PAY THE FIDDLER ~ MCA 496
THE DOOR IS ALWAYS OPEN ~ MCA 496 Ernest Tubb ~ Ernest Tubb ~ 1975](https://i.ytimg.com/vi/aOcrAyUsNqc/mqdefault.jpg)

![Luscious Liberal Lady Libtards Who In No Way Are Destroying This Country
Recorded 7 October 1960 Radio Recorders, Studio B, 7000 Santa Monica Blvd., Hollywood, CA – Jan Howard [vcl], Alan Norris [gt], Lewis Talley [gt], Ralph Mooney [steel], Bob Morris [bass], Pee Wee Adams [drums], George French [piano]. Producer: Joe Johnson)
PROGRESSIVE LUNACY: UC Faculty Trained to Banish Microaggressions
Janet Napolitano wants her professors to stop saying, America is the land of opportunity.
Janet Napolitano, former secretary of Homeland Security and current president of the University of California, has been offeringtraining to faculty members so that they can identify and correct any implicit bias, or microaggressions, within themselves so that all students feel included and accepted on campus.
The seminars define implicit bias and microaggressions as such:
Implicit Bias: A positive or negative mental attitude towards a person, thing, or group that a person holds at an unconscious level.
Microaggressions: “The everyday verbal, nonverbal, and environmental slights, snubs, or insults, whether intentional or unintentional, that communicate hostile, derogatory, or negative messages to target persons based solely upon their marginalized group membership.”
A spreadsheet distributed to attendees helped professors identify their own microaggressions and helped them understand what messages they may be unconsciously sending to their students. Here are just a few examples:
Asking any non-white student, Where are you from or where were you born? is like saying, You are not a true American.
Saying to a woman of color, I would have never guessed that you were a scientist, is really telling them that, It is unusual for a woman to have strong mathematical skills.
If a professor says, America is a melting pot, they arent acknowledging that race exists and therefore are really denying individuality and demanding them to assimilate to the dominant culture.
If a student of color is roaming around the hallways and a faculty member asks if they are lost, they would thus be making the assumption that this person is trying to break into one of the classrooms. The message sent is, You are a criminal, or You are dangerous.
Saying, as President Obama often does, America is the land of opportunity, or Everyone can succeed in this society, if they work hard enough could somehow be translated as meaning people of color are lazy and/or incompetent and need to work harder. (Perhaps Napoltiano should send the president an invite to one of these seminars to correct his microaggression.)
Using the pronoun he in reference to all people is off limits because it makes the statement that the male experience is universal while the female experience is invisible.
Here is the suggestion on how to recognize impact (intended or not):
In as diverse an academic environment as the University of California, we cannot assume to know everything about what is appropriate for every culture. If we keep in mind that “we do not know what we do not know” and that sometimes our actions may inadvertently cause people pain, we can acknowledge that pain and take the opportunity to learn from our experiences.
And this only scratches the surface of the depth at which Napolitano is helping UC campuses build and sustain a culture of inclusion. Luscious Liberal Lady Libtards Who In No Way Are Destroying This Country](https://i.ytimg.com/vi/aeFNNQrggEw/mqdefault.jpg)





![Webb Pierce ~ New Silver Bells ~ Wondering ~ Decca 9-46364
Session Info: Both songs were recorded in order, same day, same session.
Recorded ~ August 13 1951 Castle Studio, The Tulane Hotel, 206 8th Ave. North, Nashville, TN ~ Webb Pierce (Webb Pierce [vcl], Grady Martin [gt], Hank Garland [gt], Billy Robinson [steel], prob Ernie Newton [bass], Owen Bradley [piano], Tommy Jackson [fiddle])
NEW SILVER BELLS ~ 9-46364 ~ ED 2243 ~ DL 8129
WONDERING ~ 2:42 ~ 9-46364 ~ ED 2144 ~ DL 5536 ~ DL-8295 Webb Pierce ~ New Silver Bells ~ Wondering ~ Decca 9-46364](https://i.ytimg.com/vi/brUZGCPyACo/mqdefault.jpg)