Uploaded March 2026 | Updated September 2026, 2 weeks ago
This is the humble tennis racquet. You can’t blame it for anything; it did nothing wrong, as it is an inanimate object. However, one would think it was the root of all worldly evil based on how some players behave with their equipment—especially after losing.
Back in 2023, soon-to-be world number one Aryna Sabalenka did something truly unconscionable to her innocent racquet after losing the US Open final to Coco Gauff. As Tennis World USA put it: “Aryna Sabalenka destroys a racket in frustration after losing US Open final.”
This was no mere spur-of-the-moment act. She walked calmly into an empty training room, opened her bag, and retrieved an unsuspecting object that had done nothing wrong. She looked at it, then repeatedly smashed it against the floor, damaging the racquet and mercilessly assaulting the flooring in the process—leaving behind a collection of large scuff marks as a permanent testament to her mood.
She then calmly walked to a nearby bin and threw the dented, malformed remains into it. I know it goes without saying, but I’m sure there was a poor South Sudanese fan watching on a community television who could have used that racquet. Now, thanks to Aryna, she has to continue perfecting her backhand with a rusted frying pan salvaged from the local tip.
In 2025, having been world number one for a couple of years now, I’m sure you’d expect her to have learnt to control her temper and realise that smashing her own equipment is futile. Well, after losing the 2025 Australian Open final, what do you think happened?
Did she retreat to the changing room to privately process her disappointment? No, she smashed her racquet on the court in full display of the crowds. The Independent summed up the scene quite plainly: “Aryna Sabalenka smashes racket after Australian Open final defeat to Madison Keys.”
Unfortunately, the poor South Sudanese fan will have to continue drilling her volleys with a piece of scrap sheet metal she found behind a shipping container—her dreams of a professional racquet shattered as quickly as its frame.
More recently, Coco Gauff lost a match at the Australian Open earlier this year. What do you think she did after the match? Did she donate her equipment to a local youth clinic? No, she smashed her racquet; the only difference being that there were people around to witness her little hissy fit.
As NBC News put it: “Coco Gauff repeatedly smashes her racket after loss at the Australian Open.” Again, it goes without saying: little Isabel in Mozambique, a huge fan of Coco’s, could have used that racquet instead of the warped piece of plywood she currently uses to practise her serves.
How do you think the ABC reported on Ms Gauff’s outburst? Did they take the opportunity to remind their audience that smashing equipment is a poor example for the thousands of kids watching at home?
No, they instead chose to pivot to a narrative of victimhood with headlines like: “Coco Gauff calls for greater privacy at Australian Open after racquet smash clip goes viral.” And another one: “‘Animals in the zoo’: Gauff backed by rival after smashing racquet.”
You see, according to our national broadcaster, the issue isn’t a blatant lack of self-control or a disregard for the value of the equipment—the real problem is a lack of privacy. Players should be allowed to smash up their equipment in the privacy of a special room.
And if you think I’m joking, I’m deadly serious. Reuters recently reported: “Sabalenka, Gauff back ‘rage rooms’ for players to blow off steam.” Yes, the ATX Open in Austin, Texas, has introduced a rage room in response to Coco Gauff’s racquet-smashing antics. Instead of calling out bad behaviour, it seems modern tennis is actively enabling it.
MUSIC
Allégro by Emmit Fenn
This is the humble tennis racquet. You can’t blame it for anything; it did nothing wrong, as it is an inanimate object. However, one would think it was the root of all worldly evil based on how some players behave with their equipment—especially after losing.
Back in 2023, soon-to-be world number one Aryna Sabalenka did something truly unconscionable to her innocent racquet after losing the US Open final to Coco Gauff. As Tennis World USA put it: “Aryna Sabalenka destroys a racket in frustration after losing US Open final.”
This was no mere spur-of-the-moment act. She walked calmly into an empty training room, opened her bag, and retrieved an unsuspecting object that had done nothing wrong. She looked at it, then repeatedly smashed it against the floor, damaging the racquet and mercilessly assaulting the flooring in the process—leaving behind a collection of large scuff marks as a permanent testament to her mood.
She then calmly walked to a nearby bin and threw the dented, malformed remains into it. I know it goes without saying, but I’m sure there was a poor South Sudanese fan watching on a community television who could have used that racquet. Now, thanks to Aryna, she has to continue perfecting her backhand with a rusted frying pan salvaged from the local tip.
In 2025, having been world number one for a couple of years now, I’m sure you’d expect her to have learnt to control her temper and realise that smashing her own equipment is futile. Well, after losing the 2025 Australian Open final, what do you think happened?
Did she retreat to the changing room to privately process her disappointment? No, she smashed her racquet on the court in full display of the crowds. The Independent summed up the scene quite plainly: “Aryna Sabalenka smashes racket after Australian Open final defeat to Madison Keys.”
Unfortunately, the poor South Sudanese fan will have to continue drilling her volleys with a piece of scrap sheet metal she found behind a shipping container—her dreams of a professional racquet shattered as quickly as its frame.
More recently, Coco Gauff lost a match at the Australian Open earlier this year. What do you think she did after the match? Did she donate her equipment to a local youth clinic? No, she smashed her racquet; the only difference being that there were people around to witness her little hissy fit.
As NBC News put it: “Coco Gauff repeatedly smashes her racket after loss at the Australian Open.” Again, it goes without saying: little Isabel in Mozambique, a huge fan of Coco’s, could have used that racquet instead of the warped piece of plywood she currently uses to practise her serves.
How do you think the ABC reported on Ms Gauff’s outburst? Did they take the opportunity to remind their audience that smashing equipment is a poor example for the thousands of kids watching at home?
No, they instead chose to pivot to a narrative of victimhood with headlines like: “Coco Gauff calls for greater privacy at Australian Open after racquet smash clip goes viral.” And another one: “‘Animals in the zoo’: Gauff backed by rival after smashing racquet.”
You see, according to our national broadcaster, the issue isn’t a blatant lack of self-control or a disregard for the value of the equipment—the real problem is a lack of privacy. Players should be allowed to smash up their equipment in the privacy of a special room.
And if you think I’m joking, I’m deadly serious. Reuters recently reported: “Sabalenka, Gauff back ‘rage rooms’ for players to blow off steam.” Yes, the ATX Open in Austin, Texas, has introduced a rage room in response to Coco Gauff’s racquet-smashing antics. Instead of calling out bad behaviour, it seems modern tennis is actively enabling it.
MUSIC
Allégro by Emmit Fenn




![Australia Gave Her Everything. It Wasn’t Enough.
From refugee to elite lawyer, Australia gave her every opportunity. But after an $800k diversity project failed, she’s returning her OAM, renouncing her citizenship, and leaving. When a land of endless opportunity is never enough. Oh well. Safe travels.
Meet Nyadol Nyuon: an Australian lawyer and human rights advocate born in an Ethiopian refugee camp after her family fled civil war in Sudan. For years, she’s been a staple of Australia’s Left-leaning media, owing largely to her background and her “inspirational” story.
Back in 2012, she was featured in the human rights magazine Right Now in a piece titled “Being African women, being Australian women.” At the time, she was a 23-year-old post-graduate law student at the University of Melbourne, already recognised as one of the 100 most influential African Australians.
By 2016, she seemed thrilled with her adopted country and was featured in a piece by the Melbourne Law School titled “Calling Australia home.” She had plenty of glowing things to say: “I remember thinking how big and clean it was,” and, “I actually looked around to see whether there were any police with AK-47s on the side of the road enforcing the law. Funnily, there were none, which was very surprising.”
At 29, working as a junior lawyer at a top firm, Australia had certainly delivered on opportunity. She noted that her greatest pride was watching her family reach their potential in a peaceful, prosperous country—proudly pointing out that her younger brother, Gach, played for the Essendon Football Club.
Fast-forward to 2020, during the height of the George Floyd and Black Lives Matter protests in America, and Australia was apparently no longer a land of opportunity for Ms Nyuon, but a hopelessly racist one instead. The ABC dutifully announced: “SA Police officer investigated for racist messages to Sudanese-Australian Q+A guest Nyadol Nyuon.” She was even featured in an opinion piece titled: “My employer spelled my name wrong twice — this is why it matters.” Here’s a revolutionary thought: people spell my name wrong all the time. It’s not a systemic hate crime; sometimes names are just hard to spell.
Naturally, she hit up Australia’s other taxpayer-funded network, SBS, to blame—guess who? “Nyadol Nyuon speaks out about the ‘avalanche of hate’ sent to her by right-wing extremists.” Of course. Because in media land, only one side of politics ever commits hate.
Skip ahead to 2025, and the ABC reported: “High-profile lawyer says Victorian project to protect women at work ended in ‘perfect failure’.”
Basically, Ms Nyuon was put in charge of a Victorian Government project aimed at protecting diverse women in the workplace. However, she had to leave the project early after claiming it left her feeling “victimised” in her own role. She stated that despite the project’s explicit focus on diversity, she experienced systemic racism while working on it, telling the ABC: “This is a typical everyday experience of being a black woman, especially a black woman in a position of leadership,” while referring to the project as “a completely toxic environment.”
So, the very government initiative designed to eliminate racism and workplace toxicity was itself racist and toxic. You couldn’t script it.
Unfortunately, all this endless racism in Australia has made Ms Nyuon question her life choices. As reported on news[dot]com[dot]au: “Prominent lawyer vows to leave Australia after ‘racism’ claims at $800k Victorian government project.”
On her LinkedIn page, in a piece she wrote back in May titled: “The Goodbye Chronicle (4): Seven suicide attempts, the consequence of epistemic institutional violence,” she revealed the depth of her distress. Clearly, she has been struggling mentally, although she framed it differently, writing: “In my own case, the end point of sustained epistemic institutional violence was seven suicide attempts. Suicide in this context is not a mental illness.”
In The Goodbye Chronicles (01), she noted that she has officially written to the Governor-General’s office to begin returning her Medal of the Order of Australia, stating: “This is the first step in my slow and certain process of leaving Australia and releasing my connections to this country.” She then added that “the next steps are to renounce my Australian citizenship and then to leave. This process requires I obtain evidence of citizenship of another country. I have been working on it.”
Despite Australia graciously accepting her as a refugee, despite her studies at one of the top universities in the world, despite holding a stream of powerful, high-paying jobs, and despite having virtually unlimited access to taxpayer funded media to air her grievances—none of it was ever enough. Her obsession with systemic racism ultimately won out, and according to her own posts, she’s packing her bags.
Oh well. Safe travels.
MUSIC
Allégro by Emmit Fenn Australia Gave Her Everything. It Wasn’t Enough.](https://i.ytimg.com/vi/ewaxN85XjtY/mqdefault.jpg)





