Uploaded August 2026 | Updated September 2026, 2 weeks ago
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Sicilienne, Op. 78, is a short work by Gabriel Fauré, composed in 1893. It was originally an orchestral piece, written for a theatrical production that was abandoned. In 1898 Fauré arranged the unperformed music as a work for cello and piano, and in the same year incorporated it into his incidental music for Maurice Maeterlinck's play, Pelléas et Mélisande, in an orchestration for theatre orchestra. It took its final form as part of a suite arranged for full orchestra by Fauré, published in 1909.
Performers:
- Andreas Brantelid (Cello)
- Bengt Forsberg (Piano)
New videos and pieces everyday.
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Sicilienne, Op. 78, is a short work by Gabriel Fauré, composed in 1893. It was originally an orchestral piece, written for a theatrical production that was abandoned. In 1898 Fauré arranged the unperformed music as a work for cello and piano, and in the same year incorporated it into his incidental music for Maurice Maeterlinck's play, Pelléas et Mélisande, in an orchestration for theatre orchestra. It took its final form as part of a suite arranged for full orchestra by Fauré, published in 1909.
Performers:
- Andreas Brantelid (Cello)
- Bengt Forsberg (Piano)









![Ravel - Pavane pour une infante défunte, M. 19a (Orchestral version)
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Pavane pour une infante défunte (Pavane for a Dead Princess) is a work for solo piano by Maurice Ravel, written in 1899 while the French composer was studying at the Conservatoire de Paris under Gabriel Fauré. Ravel published an orchestral version in 1910 using two flutes, an oboe, two clarinets (in B♭), two bassoons, two horns, harp, and strings.
Ravel described the piece as an evocation of a pavane that a little princess [Infanta] might, in former times, have danced at the Spanish court. The pavane was a slow processional dance that enjoyed great popularity in the courts of Europe during the sixteenth and seventeenth centuries.
This antique miniature is not meant to pay tribute to any particular princess from history, but rather expresses a nostalgic enthusiasm for Spanish customs and sensibilities, which Ravel shared with many of his contemporaries (most notably Debussy and Albéniz) and which is evident in some of his other works such as the Rapsodie espagnole and the Boléro.
Performers:
- Orchestre symphonique de Trois-Rivières
- Valérie Milot (Harp)
- Élisabeth Pion (Piano)
- Alain Trudel (Conductor) Ravel - Pavane pour une infante défunte, M. 19a (Orchestral version)](https://i.ytimg.com/vi/bhyvrSTENYw/mqdefault.jpg)
