The Bold and The Beautiful/ Art Course: Artists Illuminated QAGOMA 2023-08-29 | Join Dr Andrea Bubenik (Senior Lecturer, School of Communication and Arts, The University of Queensland) on a three–part art historical journey that traces universal themes seen across historic, modern and contemporary art. Links between artworks, including works from QAGOMA’s Collection are illuminated. Discover the fascinating stories behind artists from the past through to Michael Zavros and eX de Medici.The views and opinions expressed in this video are those of the presenter.SESSION 1 LECTURE: THE BOLD AND THE BEAUTIFULDo portrait paintings still matter? Portraiture is one of the most familiar and conventional genres in art history, from the elevation of Renaissance nobility, to the annual Archibald Prize, with entire galleries and museums dedicated to the theme. Within such a lofty genre, how do artists continuously reinvent what it means to capture a likeness and create portraits that stand apart as innovative and brave? In this session, we will examine portraits from the QAGOMA Collection.Session 1 Lecture: The Beautiful and The Beautiful youtube.com/watch?v=FUgTF0DsiVk Session 1 Artist Q&A with Michael Zavros youtube.com/watch?v=NlE0V1UInbc Session 2 Lecture: Inside and Outside the Venice Biennale youtube.com/watch?v=LI64oWUpJbESession 3 Lecture: Microcosms of the World youtu.be/A61JMiKykVw Session 3 Artist Q&A with eX de Medici youtu.be/OCrnyqVV-H0 Featured image: William Dobell, Australia 1899-1970 / The Cypriot 1940 / Oil on canvas / 123.3 x 123.3cm / Gift of the Godfrey Rivers Trust through Miss Daphne Mayo 1943 / Collection: Queensland Art Gallery | Gallery of Modern Art / © QAGOMAQueensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2023#QAGOMA #captioned #irresistableGOMA #MichaelZavros #portraiture #artcourse #arthistory
Salote Tawale discusses her involvement in the exhibition sis QAGOMA 2024-04-28 | For nearly two decades, Salote Tawale has upended viewers’ and critics’ expectations of who she is and what she is likely to do next. Significantly, she refuses for her art practice to be categorised as a symbol of ‘Pacific-ness’ or her place of birth – Fiji. Tawale's work is included in the exhibition ‘sis: Pacific Art 1980–2023’ at the Gallery of Modern Art until 25 August 2024"I think role playing and humour functions as a tool for my art in the same way it does in my life. It can be used as a coping mechanism. It can break the tension. I’m hoping that when people come and view these works that they do have a chuckle and think about what’s so funny, because within that entangled is the concepts of the work." – Salote Tawale‘sis’ is a term of familiarity and endearment used throughout the Pacific, and the exhibition ‘sis: honours and celebrates the work and stories of women artists from across the Pacific. ‘sis’ offers a deeper understanding of the contribution that our Pacific sisters make to the art of the region by redressing past wrongs and engaging in new conversations about the world and our place in it.SIS: PACIFIC ART 1980-2023https://www.qagoma.qld.gov.au/exhibition/sisWHEREGallery of Modern Art (GOMA)WHENRotation 2: 30 March 2024 - 25 August 2024 / 10.00AM - 5.00PMDELVE DEEPERhttps://blog.qagoma.qld.gov.au/tag/sis-pacific-art-1980-2023/Queensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2024https://www.qagoma.qld.gov.au#qagoma #caption #captioned #subtitles #subtitle
Fairy Tales: Behind-the-seams of the costumes from Mirror Mirror (2012) QAGOMA 2024-04-18 | QAGOMA conservator Dr Michael Marendy takes us behind-the-scenes of the exquisitely made costumes from Mirror Mirror (2012). The ‘Cream wedding dress’ costume worn by Julia Roberts as ‘Queen Clementianna’ is made from 70 metres of Dutch silk satin creating a multitude of overlapping petals and and vine tendrils from bodice to skirt, and because it is so large and heavy, required a remake of both the hoop petticoat and the soft covering before it could go on display in ‘Fairy Tales’. Here we show you the preparation required to display these stunning costumes.The ‘Fairy Tales’ exhibition at Brisbane’s Gallery of Modern Art (GOMA) explores our fascination with this much-loved genre through a multifaceted telling of these tales in art, film and design. ‘Fairy Tales‘ unfolds across three themed chapters. ‘Into the Woods’ which explores the conventions and characters of traditional fairy tales alongside their contemporary retellings. ‘Through the Looking Glass’ presents newer tales of parallel worlds that are filled with unexpected ideas and paths. ‘Ever After’ brings together classic and current tales to celebrate aspirations, challenge convention and forge new directions.WHEREGallery of Modern Art (GOMA)WHEN2 December 2023 – 28 April 2024 / 10.00AM - 5.00PMDELVE DEEPERhttps://blog.qagoma.qld.gov.au/tag/fairy-tales/Tarsem Singh (director), India/United States b.1961Eiko Ishioka (designer), Japan 1938–2012Costumes from 'Mirror Mirror' (2012) installed in ‘Fairy Tales’, Gallery of Modern Art (GOMA), BrisbaneCarelli Costumes (costumier), United States est. 1982‘Cream wedding dress’ / Duchess silk satin, Swarovski crystals‘Rabbit suit’ / Silk, polyester, cotton, silk jacquard, synthetic fur, synthetic velvet, leather, rhinestones‘Wedding suit’ / Silk, cotton, synthetic, leather, rubber, plastic, metalTricorne Costumes (costumier), United States est. 2000‘Swan dress’ / Silk, synthetic tulle, plastic, metal, nylon, feathers, resin‘Wedding dress’ / Silk, synthetic, cotton‘Yellow dress with hood’ / Silk taffeta, polyester, nylon tulle, synthetic taffetaEric Winterling (costumier), United States‘Green dress’ / Silk, synthetic taffeta, nylon netting, plastic‘Peach dress’ / Silk, plastic, beads, rhinestones, cotton, polyesterCollection: The Academy Museum of Motion Pictures, Los Angeles, Gift of Nico Soultanakis, 2013-2014Queensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2024https://www.qagoma.qld.gov.au#qagoma #fairytalesgoma #caption #captioned #subtitles #subtitle
Timothy Horn discusses his coach made of sugar in ‘Fairy Tales’ at GOMA QAGOMA 2024-03-26 | The 'Fairy Tales' exhibition comes alive with magical moments that defy expectations. Timothy Horn’s 'Mother-load' 2008 presents an improbable object — a coach made of sugar — rendering make‑believe into reality, while 'Glass slipper (ugly blister)' 2001 gives a modern take on the 'Cinderella' story with an oversized, highly embellished jewel-encrusted slipper.The ‘Fairy Tales’ exhibition at Brisbane’s Gallery of Modern Art (GOMA) explores our fascination with this much-loved genre through a multifaceted telling of these tales in art, film and design. ‘Fairy Tales‘ unfolds across three themed chapters. ‘Into the Woods’ which explores the conventions and characters of traditional fairy tales alongside their contemporary retellings. ‘Through the Looking Glass’ presents newer tales of parallel worlds that are filled with unexpected ideas and paths. ‘Ever After’ brings together classic and current tales to celebrate aspirations, challenge convention and forge new directions.WHEREGallery of Modern Art (GOMA)WHEN2 December 2023 – 28 April 2024 / 10.00AM - 5.00PMDELVE DEEPERhttps://blog.qagoma.qld.gov.au/tag/fairy-tales/https://blog.qagoma.qld.gov.au/tag/ever-after/Timothy Horn, Australia/United States b.1964 / Mother-load 2008, installed in ‘Fairy Tales’, Gallery of Modern Art (GOMA), Brisbane 2023 / Crystalised rock sugar, plywood, steel / Courtesy: Timothy Horn / © Timothy HornQueensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2024#qagoma #fairytalesgoma #caption #captioned #subtitles #subtitle
Watch as we install Hrafnhildur Arnardóttirs Nervescape V QAGOMA 2024-03-26 | Nervescape V 2016 by Icelandic artist Hrafnhildur Arnardóttir adorns the walls of the Long Gallery, transforming GOMA in 2016 as we celebrate it turning ten. Exuberant, tactile and sprawling, her installation is constructed from massed bundles of synthetic hair. Under her influence, the smooth white walls of the gallery become something much more animal, untamed and surreal.DELVE DEEPERhttps://blog.qagoma.qld.gov.au/how-did-we-install-hrafnhildur-arnardottirs-nervescape-v-at-goma/Hrafnhildur Arnardóttir a.k.a. Shoplifter, Iceland/United States b.1969 / ‘Nervescape V’ 2016 commissioned for ‘Sugar Spin: you, me, art and everything’, Gallery of Modern Art (GOMA) Brisbane, 3 December 2016 – 17 April 2017 / Modacrylic fiber, nylon zip ties, steel staples / © Hrafnhildur Arnardóttir Sugar Spin: You, me, art and everything / Gallery of Modern Art / 3 December 2016 – 17 April 2017#QAGOMA
Fairy Tales: Explore the many dimensions of love QAGOMA 2024-03-22 | When entering 'Ever After', the final chapter of our 'Fairy Tales' exhibition, we explore the many dimensions of love in all its complexities.The ‘Fairy Tales’ exhibition at Brisbane’s Gallery of Modern Art (GOMA) explores our fascination with this much-loved genre through a multifaceted telling of these tales in art, film and design. ‘Fairy Tales‘ unfolds across three themed chapters. ‘Into the Woods’ which explores the conventions and characters of traditional fairy tales alongside their contemporary retellings. ‘Through the Looking Glass’ presents newer tales of parallel worlds that are filled with unexpected ideas and paths. ‘Ever After’ brings together classic and current tales to celebrate aspirations, challenge convention and forge new directions.WHEREGallery of Modern Art (GOMA)WHEN2 December 2023 – 28 April 2024 / 10.00AM - 5.00PMDELVE DEEPERhttps://blog.qagoma.qld.gov.au/tag/fairy-taleshttps://blog.qagoma.qld.gov.au/tag/ever-after/Costumes from 'Mirror Mirror' (2012) installed in ‘Fairy Tales’, Gallery of Modern Art (GOMA), Brisbane 2023Carelli Costumes (costumier), United States est. 1982‘Cream wedding dress’ / Duchess silk satin, Swarovski crystals‘Rabbit suit’ / Silk, polyester, cotton, silk jacquard, synthetic fur, synthetic velvet, leather, rhinestones‘Wedding suit’ / Silk, cotton, synthetic, leather, rubber, plastic, metalCollection: The Academy Museum of Motion Pictures, Los AngelesTricorne Costumes (costumier), United States est. 2000‘Swan dress’ / Silk, synthetic tulle, plastic, metal, nylon, feathers, resin‘Wedding dress’ / Silk, synthetic, cotton‘Yellow dress with hood’ / Silk taffeta, polyester, nylon tulle, synthetic taffetaCollection: The Academy Museum of Motion Pictures, Los AngelesEric Winterling (costumier), United States‘Green dress’ / Silk, synthetic taffeta, nylon netting, plastic‘Peach dress’ / Silk, plastic, beads, rhinestones, cotton, polyesterCollection: The Academy Museum of Motion Pictures, Los AngelesMIRROR MIRROR (2012)Director: Tarsem SinghCostume Designer: Eiko IshiokaCast: Julia Roberts, Lily Collins, Armie Hammer, Nathan Lane, Jordan Prentice, Mark Povinelli,Joe Gnoffo, Danny Woodburn, Sebastian Saraceno, Martin Klebba, Ronald Lee ClarkQueensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2024https://www.qagoma.qld.gov.au#qagoma #fairytalesgoma #caption #captioned #subtitles #subtitle
Fairy Tales: Explore the many dimensions of love #shorts QAGOMA 2024-03-21 | When entering 'Ever After', the final chapter of our 'Fairy Tales' exhibition, we explore the many dimensions of love in all its complexities.The ‘Fairy Tales’ exhibition at Brisbane’s Gallery of Modern Art (GOMA) explores our fascination with this much-loved genre through a multifaceted telling of these tales in art, film and design. ‘Fairy Tales‘ unfolds across three themed chapters. ‘Into the Woods’ which explores the conventions and characters of traditional fairy tales alongside their contemporary retellings. ‘Through the Looking Glass’ presents newer tales of parallel worlds that are filled with unexpected ideas and paths. ‘Ever After’ brings together classic and current tales to celebrate aspirations, challenge convention and forge new directions.BUY TICKETS TO 'FAIRY TALES'https://www.qagoma.qld.gov.au/exhibition/fairy-talesWHEREGallery of Modern Art (GOMA)WHEN2 December 2023 – 28 April 2024 / 10.00AM - 5.00PMDELVE DEEPERhttps://blog.qagoma.qld.gov.au/tag/fairy-talesQueensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2024https://www.qagoma.qld.gov.au#qagoma #fairytalesgoma #shorts
Mirror Mirror (2012) Official Trailer/ Relativity Media QAGOMA 2024-03-20 | Eiko Ishioka’s costumes are richly detailed and sumptuously executed constructions, which bring the impossible luxury of fairy tales to life and highlight the aspirational nature of stories in which characters rise above servitude to a life of privilege and financial security.A romantic fairy tale requires a wardrobe to match. Dress is critical to the identity of manyfairy‑tale characters, signposting status or profession and signalling magical transformation. ‘Fairy Tales’ showcases eight incredible creations by Japanese designer Eiko Ishioka from 'Mirror Mirror' (2012).On display in ‘Fairy Tales’, Gallery of Modern Art (GOMA), Brisbane / Tarsem Singh’s fractured retelling of the Brothers Grimm’s ‘Snow White’ is narrated by the wicked and insecure Queen Clementianna (Julia Roberts). When her headstrong stepdaughter Princess Snow (Lily Collins) is abandoned in the woods and threatened by the mysterious beast which terrorises the icy kingdom, she is adopted by a team of seven bandit outcasts who train her as a fighter. With extraordinary costumes by Japanese designer Eiko Ishioka, this joyous romp brings a fresh and nuanced approach to the archetypal characters of the beloved fairy tale.WHEREGallery of Modern Art (GOMA)WHEN2 December 2023 – 28 April 2024 / 10.00AM - 5.00PMDELVE DEEPERhttps://blog.qagoma.qld.gov.au/tag/fairy-tales/https://blog.qagoma.qld.gov.au/tag/mirror-mirror/https://blog.qagoma.qld.gov.au/tag/ever-after/Costumes from 'Mirror Mirror' (2012) installed in ‘Fairy Tales’, Gallery of Modern Art (GOMA), Brisbane 2023Carelli Costumes (costumier), United States est. 1982‘Cream wedding dress’ / Duchess silk satin, Swarovski crystals‘Rabbit suit’ / Silk, polyester, cotton, silk jacquard, synthetic fur, synthetic velvet, leather, rhinestones‘Wedding suit’ / Silk, cotton, synthetic, leather, rubber, plastic, metalCollection: The Academy Museum of Motion Pictures, Los AngelesTricorne Costumes (costumier), United States est. 2000‘Swan dress’ / Silk, synthetic tulle, plastic, metal, nylon, feathers, resin‘Wedding dress’ / Silk, synthetic, cotton‘Yellow dress with hood’ / Silk taffeta, polyester, nylon tulle, synthetic taffetaCollection: The Academy Museum of Motion Pictures, Los AngelesEric Winterling (costumier), United States‘Green dress’ / Silk, synthetic taffeta, nylon netting, plastic‘Peach dress’ / Silk, plastic, beads, rhinestones, cotton, polyesterCollection: The Academy Museum of Motion Pictures, Los AngelesMIRROR MIRROR (2012)35mm, colour, Dolby Digital, 106 minutes, United States/Canada, EnglishDirector: Tarsem SinghProducers: Bernie Goldmann, Ryan Kavanaugh, Brett RatnerScript: Marc Klein, Jason Keller, Melisa WallackCinematographer: Brendan GalvinEditors: Robert Duffy, Nick MooreCostume Designer: Eiko IshiokaProduction Designer: Tom FodenCast: Julia Roberts, Lily Collins, Armie Hammer, Nathan Lane, Jordan Prentice, Mark Povinelli,Joe Gnoffo, Danny Woodburn, Sebastian Saraceno, Martin Klebba, Ronald Lee Clark© 2012 / UV RML NL Assets LLC.© 2012 / Relativity Media. All Rights ReservedMirror Mirror (2012) Official TrailerUsed with permissionyoutube.com/@rmlyoutuberelativitymedia.com/home#relativitymedia#qagoma #fairytalesgoma #eikoIshioka #mirrormirror #officialtrailer
Timothy Horn discusses his jewel-encrusted slipper in ‘Fairy Tales’ at GOMA QAGOMA 2024-03-14 | The 'Fairy Tales' exhibition comes alive with magical moments that defy expectations. Timothy Horn’s 'Mother-load' 2008 presents an improbable object — a coach made of sugar — rendering make‑believe into reality, while 'Glass slipper (ugly blister)' 2001 gives a modern take on the 'Cinderella' story with an oversized, highly embellished jewel-encrusted slipper.The ‘Fairy Tales’ exhibition at Brisbane’s Gallery of Modern Art (GOMA) explores our fascination with this much-loved genre through a multifaceted telling of these tales in art, film and design. ‘Fairy Tales‘ unfolds across three themed chapters. ‘Into the Woods’ which explores the conventions and characters of traditional fairy tales alongside their contemporary retellings. ‘Through the Looking Glass’ presents newer tales of parallel worlds that are filled with unexpected ideas and paths. ‘Ever After’ brings together classic and current tales to celebrate aspirations, challenge convention and forge new directions.WHEREGallery of Modern Art (GOMA)WHEN2 December 2023 – 28 April 2024 / 10.00AM - 5.00PMDELVE DEEPERhttps://blog.qagoma.qld.gov.au/tag/fairy-tales/https://blog.qagoma.qld.gov.au/tag/ever-after/Timothy Horn, Australia/United States b.1964 / Glass slipper (ugly blister) 2001, installed in ‘Fairy Tales’, Gallery of Modern Art (GOMA), Brisbane 2023 / Lead crystal, nickel-plated bronze, Easter egg foil, silicon / 51 x 72 x 33cm / Purchased 2002 / Collection: National Gallery of Australia, Canberra / © Timothy HornQueensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2024#qagoma #fairytalesgoma #caption #captioned #subtitles #subtitle
Fairy Tales: Through the Looking Glass #shorts QAGOMA 2024-03-08 | ‘Through the Looking Glass’ — the second major theme of the 'Fairy Tales' exhibition — brings together art, film and design that embrace exploratory stories of fantastical parallel worlds.The ‘Fairy Tales’ exhibition at Brisbane’s Gallery of Modern Art (GOMA) explores our fascination with this much-loved genre through a multifaceted telling of these tales in art, film and design. ‘Fairy Tales‘ unfolds across three themed chapters. ‘Into the Woods’ which explores the conventions and characters of traditional fairy tales alongside their contemporary retellings. ‘Through the Looking Glass’ presents newer tales of parallel worlds that are filled with unexpected ideas and paths. ‘Ever After’ brings together classic and current tales to celebrate aspirations, challenge convention and forge new directions.BUY TICKETS TO 'FAIRY TALES'https://www.qagoma.qld.gov.au/exhibition/fairy-tales/WHEREGallery of Modern Art (GOMA)WHEN2 December 2023 – 28 April 2024 / 10.00AM - 5.00PMDELVE DEEPERhttps://blog.qagoma.qld.gov.au/tag/fairy-tales/Queensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2024#qagoma #fairytalesgoma #shorts
Fairy Tales: ‘Through the Looking Glass’ transports us to faraway lands QAGOMA 2024-03-08 | ‘Through the Looking Glass’ — the second major theme of the 'Fairy Tales' exhibition — brings together art, film and design that embrace exploratory stories of fantastical parallel worlds.The ‘Fairy Tales’ exhibition at Brisbane’s Gallery of Modern Art (GOMA) explores our fascination with this much-loved genre through a multifaceted telling of these tales in art, film and design. ‘Fairy Tales‘ unfolds across three themed chapters. ‘Into the Woods’ which explores the conventions and characters of traditional fairy tales alongside their contemporary retellings. ‘Through the Looking Glass’ presents newer tales of parallel worlds that are filled with unexpected ideas and paths. ‘Ever After’ brings together classic and current tales to celebrate aspirations, challenge convention and forge new directions.WHEREGallery of Modern Art (GOMA)WHEN2 December 2023 – 28 April 2024 / 10.00AM - 5.00PMDELVE DEEPERhttps://blog.qagoma.qld.gov.au/tag/fairy-tales/Queensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2024#qagoma #fairytalesgoma #caption #captioned #subtitles #subtitle
Fairy Tales: Charles Blackman inspired by the visual imagery of Lewis Carroll QAGOMA 2024-03-02 | Charles Blackman first encountered 'Alice’s Adventures in Wonderland' (1865) and its sequel 'Through the Looking-Glass', and 'What Alice Found There' (1872) through his wife Barbara, a writer and poet whose progressive blindness led her to listen to recordings of the stories read by BBC announcer Robin Holmes. Inspired by the visual imagery produced by Carroll’s whimsical wordplay (rather than the book’s famous illustrations by John Tenniel, which the artist had not seen), Blackman began to draw parallels between Alice’s nonsensical and unpredictable encounters and the real-world challenges he and his wife faced as a young couple. In addition to Barbara’s failing eyesight, an impending baby and changes in their financial circumstances influenced the development of Blackman’s series of 41 paintings.Shown in ‘Fairy Tales’ are three works from the series: 'The Blue Alice' 1956, which sees Alice (Barbara) and the White Rabbit (Blackman) being wed by the story’s Dormouse; 'Feet beneath the table' 1956, which depicts a pregnant Barbara surrounded by cups and a teapot (in the vein of the ‘Mad Tea-Party’), melded with objects from Blackman’s working life as a short‑order cook; while 'Drink Me' 1956 draws a wry parallel between Alice’s encounters with liquids and the medicines prescribed to Barbara for pregnancy-related heartburn. The integration of the Blackmans’ personal experiences with those of Alice offers a whimsical transformation of the tale from fiction to reality.‘Through the Looking Glass’ — the second major theme of the 'Fairy Tales' exhibition — brings together art, film and design that embrace exploratory stories of fantastical parallel worlds.The ‘Fairy Tales’ exhibition at Brisbane’s Gallery of Modern Art (GOMA) explores our fascination with this much-loved genre through a multifaceted telling of these tales in art, film and design. ‘Fairy Tales‘ unfolds across three themed chapters. ‘Into the Woods’ which explores the conventions and characters of traditional fairy tales alongside their contemporary retellings. ‘Through the Looking Glass’ presents newer tales of parallel worlds that are filled with unexpected ideas and paths. ‘Ever After’ brings together classic and current tales to celebrate aspirations, challenge convention and forge new directions.WHEREGallery of Modern Art (GOMA)WHEN2 December 2023 – 28 April 2024 / 10.00AM - 5.00PMDELVE DEEPERhttps://blog.qagoma.qld.gov.au/tag/fairy-tales/Queensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2024#qagoma #fairytalesgoma #charlesblackman #australianart #australianartist #artaustralia #caption #captioned #subtitles #subtitle
The story of Fred Embreys wooden figures created in the early 1930s QAGOMA 2024-03-01 | Purchased by QAGOMA in 2020, the sculpture — known as 'Untitled ceremonial figure' c.1930s — is attributed to Fred Embrey (c.1874–1939), a notable figure in the history of Cherbourg Aboriginal Settlement and of Aboriginal performance and song in south-east Queensland. The sculpture is consistent in size, materials and finish to two figures confirmed to have been made by Fred Embrey that are held currently at Queensland Museum.This genre of figurative carving is without equal in south-east Queensland. The figure represents Djan’djari, mischievous guardian spirits who live in the forest on Kabi Kabi Country and surrounds. Carved figures such as this are artefacts of ceremony. Fred Embrey, Kabi Kabi people, Australia c.1880 - 1939 / Untitled ceremonial figure c.1930 / Carved softwood with natural pigments, emu feathers bound with bush string and resin / 65.5 x 14 x 14cm / Purchased 2020 with funds from the Mather Foundation through the QAGOMA Foundation / Collection: Queensland Art Gallery | Gallery of Modern ArtPlease noteAboriginal and Torres Strait Islander peoples are warned that this resource may contain images, transcripts or names of Aboriginal and Torres Strait Islander peoples now deceased. It may also contain historically and culturally sensitive words, terms and descriptions. Images of Fred Embrey are used with the family’s permission.The Queensland Art Gallery | Gallery of Modern Art (QAGOMA) acknowledge the Traditional Owners of the land on which the Gallery stands in Brisbane. We pay respect to Aboriginal peoples, Torres Strait Islander peoples, and Elders past and present. In the spirit of reconciliation, we acknowledge the immense creative contribution First Australians, as the first visual artists and storytellers, make to the art and culture of this country. It is customary in many Indigenous communities not to mention the name of the deceased. All such mentions and photographs are with permission, however, care and discretion should be exercised.Queensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2024#qagoma #FredEmbrey ##indigenousaustralianart indigenousartist #aboriginalaustralianart #aboriginalculture #caption #captioned #subtitles #subtitle
Fairy Tales: Charles Blackman inspired by the visual imagery of Lewis Carroll #shorts #artaustralia QAGOMA 2024-03-01 | Charles Blackman first encountered 'Alice’s Adventures in Wonderland' (1865) and its sequel 'Through the Looking-Glass', and 'What Alice Found There' (1872) through his wife Barbara, a writer and poet whose progressive blindness led her to listen to recordings of the stories read by BBC announcer Robin Holmes. Inspired by the visual imagery produced by Carroll’s whimsical wordplay (rather than the book’s famous illustrations by John Tenniel, which the artist had not seen), Blackman began to draw parallels between Alice’s nonsensical and unpredictable encounters and the real-world challenges he and his wife faced as a young couple. In addition to Barbara’s failing eyesight, an impending baby and changes in their financial circumstances influenced the development of Blackman’s series of 41 paintings.Shown in ‘Fairy Tales’ are three works from the series: 'The Blue Alice' 1956, which sees Alice (Barbara) and the White Rabbit (Blackman) being wed by the story’s Dormouse; 'Feet beneath the table' 1956, which depicts a pregnant Barbara surrounded by cups and a teapot (in the vein of the ‘Mad Tea-Party’), melded with objects from Blackman’s working life as a short‑order cook; while 'Drink Me' 1956 draws a wry parallel between Alice’s encounters with liquids and the medicines prescribed to Barbara for pregnancy-related heartburn. The integration of the Blackmans’ personal experiences with those of Alice offers a whimsical transformation of the tale from fiction to reality.‘Through the Looking Glass’ — the second major theme of the 'Fairy Tales' exhibition — brings together art, film and design that embrace exploratory stories of fantastical parallel worlds.The ‘Fairy Tales’ exhibition at Brisbane’s Gallery of Modern Art (GOMA) explores our fascination with this much-loved genre through a multifaceted telling of these tales in art, film and design. ‘Fairy Tales‘ unfolds across three themed chapters. ‘Into the Woods’ which explores the conventions and characters of traditional fairy tales alongside their contemporary retellings. ‘Through the Looking Glass’ presents newer tales of parallel worlds that are filled with unexpected ideas and paths. ‘Ever After’ brings together classic and current tales to celebrate aspirations, challenge convention and forge new directions.BUY TICKETS TO 'FAIRY TALES'https://www.qagoma.qld.gov.au/exhibition/fairy-tales/WHEREGallery of Modern Art (GOMA)WHEN2 December 2023 – 28 April 2024 / 10.00AM - 5.00PMDELVE DEEPERhttps://blog.qagoma.qld.gov.au/tag/fairy-tales/Queensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2024#qagoma #fairytalesgoma #charlesblackman #australianart #australianartist #artaustralia #shorts
Dressing Mirror Mirror (2012)/ Eiko Ishiokas costumes QAGOMA 2024-02-21 | Tarsem Singh’s fractured retelling of the Brothers Grimm’s ‘Snow White’ is narrated by the wicked and insecure Queen Clementianna (Julia Roberts). When her headstrong stepdaughter Princess Snow (Lily Collins) is abandoned in the woods and threatened by the mysterious beast which terrorises the icy kingdom, she is adopted by a team of seven bandit outcasts who train her as a fighter. With extraordinary costumes by Japanese designer Eiko Ishioka, this joyous romp brings a fresh and nuanced approach to the archetypal characters of the beloved fairy tale.Step into the enchanting world of once upon a time. From opulent carriages to sumptuous gowns, twisted woodlands to mystical mirrors, ‘Fairy Tales’ at the Gallery of Modern Art (GOMA) in Brisbane explores centuries of beloved folk stories through art, design and film.WHEREGallery of Modern Art (GOMA)Queensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia WHEN2 December 2023 – 28 April 2024 / 10.00AM - 5.00PMDELVE DEEPERhttps://blog.qagoma.qld.gov.au/tag/fairy-tales/https://blog.qagoma.qld.gov.au/tag/mirror-mirror/Costumes from 'Mirror Mirror' (2012) installed in ‘Fairy Tales’, Gallery of Modern Art (GOMA), Brisbane 2023Carelli Costumes (costumier), United States est. 1982‘Cream wedding dress’ / Duchess silk satin, Swarovski crystals‘Rabbit suit’ / Silk, polyester, cotton, silk jacquard, synthetic fur, synthetic velvet, leather, rhinestones‘Wedding suit’ / Silk, cotton, synthetic, leather, rubber, plastic, metalCollection: The Academy Museum of Motion Pictures, Los AngelesTricorne Costumes (costumier), United States est. 2000‘Swan dress’ / Silk, synthetic tulle, plastic, metal, nylon, feathers, resin‘Wedding dress’ / Silk, synthetic, cotton‘Yellow dress with hood’ / Silk taffeta, polyester, nylon tulle, synthetic taffetaCollection: The Academy Museum of Motion Pictures, Los AngelesEric Winterling (costumier), United States‘Green dress’ / Silk, synthetic taffeta, nylon netting, plastic‘Peach dress’ / Silk, plastic, beads, rhinestones, cotton, polyesterCollection: The Academy Museum of Motion Pictures, Los AngelesMIRROR MIRROR (2012)35mm, colour, Dolby Digital, 106 minutes, United States/Canada, EnglishDirector: Tarsem SinghProducers: Bernie Goldmann, Ryan Kavanaugh, Brett RatnerScript: Marc Klein, Jason Keller, Melisa WallackCinematographer: Brendan GalvinEditors: Robert Duffy, Nick MooreCostume Designer: Eiko IshiokaProduction Designer: Tom FodenCast: Julia Roberts, Lily Collins, Armie Hammer, Nathan Lane, Jordan Prentice, Mark Povinelli,Joe Gnoffo, Danny Woodburn, Sebastian Saraceno, Martin Klebba, Ronald Lee Clark© 2012 / UV RML NL Assets LLC.© 2012 / Relativity Media. All Rights ReservedUsed with permissionyoutube.com/@rmlyoutuberelativitymedia.com/home#relativitymedia#qagoma #fairytalesgoma #eikoIshioka #mirrormirror
Fairy Tales Up Late at GOMA QAGOMA 2024-02-19 | Next stop, Wonderland!Get ready to step into the enchanting world of once upon a time as a dazzling Up Late returns to GOMA to celebrate all things Fairy Tales.‘Fairy Tales Up Late’ is combining all the magic of GOMA with two nights of top-shelf live music, DJs, pop-up performances, food, bars and more. Fri 15 March: ZZADE (QUBE Effect Award Winner 2023) | Elizabeth | Maple Glider | + DJ Hol HibboSat 16 Mar: Methyl Ethel | Tjaka | + DJ Aunty Stan | Auslan interpreted performances.Exclusive to Brisbane and showcasing exceptional contemporary art, costumes, installations, and iconic cinema, ‘Fairy Tales’ is an unmissable fever-dream of art that you’ll never forgive yourself for if you miss it. So, just like Alice it’s time to go down the rabbit hole and into a night to remember. Tickets are limited and on sale now at qagoma.qld.gov.au/uplate#QAGOMA #shortsItem License Code: DMHV9TP37L
Fairy Tales: Little Red Riding Hood... a cautionary tale #shorts QAGOMA 2024-02-13 | Created in 1862, Gustave Doré’s captivating painting 'Little Red Riding Hood' was made originally as a wood-engraving for the fairy-tale publication 'Les Contes de Perrault (The Fairy Tales of Charles Perrault)', printed in 1697. Doré embraced the dramatic tension of Perrault’s original tale, depicting a young girl and the wolf, dressed in Grandma’s cap and nightgown, both beneath the bedcovers in the moment before he devours her.French aristocrat and author Charles Perrault tells the story of a young girl who meets a cunning wolf on the way to visit her ailing grandmother in the woods. Perrault wrote the story as a warning to young women tempted to stray from the safety of the path — a metaphor for the dangers of speaking to strange men in private. According to Perrault, Little Red Riding Hood’s grisly death in his version is her own fault; naive girls should know better than to associate with beasts. A later version by German folklorists the Brothers Grimm ('Little Red Cap', written in 1857) offers a kinder ending, in which a huntsman appears in time to kill the wolf and save both grandmother and grandchild.Gustave Doré, France 1832-83 / 'Little Red Riding Hood' c.1862 / Oil on canvas / 65.3 × 81.7cm / Gift of Mrs S Horne, 1962 / Collection: National Gallery of Victoria, MelbourneThe ‘Fairy Tales’ exhibition at Brisbane’s Gallery of Modern Art (GOMA) explores our fascination with this much-loved genre through a multifaceted telling of these tales in art, film and design. ‘Fairy Tales‘ unfolds across three themed chapters. ‘Into the Woods’ which explores the conventions and characters of traditional fairy tales alongside their contemporary retellings. ‘Through the Looking Glass’ presents newer tales of parallel worlds that are filled with unexpected ideas and paths. ‘Ever After’ brings together classic and current tales to celebrate aspirations, challenge convention and forge new directions.BUY TICKETS TO 'FAIRY TALES'https://www.qagoma.qld.gov.au/exhibition/fairy-tales/WHEREGallery of Modern Art (GOMA)WHEN2 December 2023 – 28 April 2024 / 10.00AM - 5.00PMDELVE DEEPERhttps://blog.qagoma.qld.gov.au/tag/fairy-tales/Queensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2024#qagoma #fairytalesgoma #caption #captioned #subtitles #subtitle #shorts
Fairy Tales: Little Red Riding Hood... a cautionary tale QAGOMA 2024-02-12 | Created in 1862, Gustave Doré’s captivating painting 'Little Red Riding Hood' was made originally as a wood-engraving for the fairy-tale publication 'Les Contes de Perrault (The Fairy Tales of Charles Perrault)', printed in 1697. Doré embraced the dramatic tension of Perrault’s original tale, depicting a young girl and the wolf, dressed in Grandma’s cap and nightgown, both beneath the bedcovers in the moment before he devours her.French aristocrat and author Charles Perrault tells the story of a young girl who meets a cunning wolf on the way to visit her ailing grandmother in the woods. Perrault wrote the story as a warning to young women tempted to stray from the safety of the path — a metaphor for the dangers of speaking to strange men in private. According to Perrault, Little Red Riding Hood’s grisly death in his version is her own fault; naive girls should know better than to associate with beasts. A later version by German folklorists the Brothers Grimm ('Little Red Cap', written in 1857) offers a kinder ending, in which a huntsman appears in time to kill the wolf and save both grandmother and grandchild.Gustave Doré, France 1832-83 / 'Little Red Riding Hood' c.1862 / Oil on canvas / 65.3 × 81.7cm / Gift of Mrs S Horne, 1962 / Collection: National Gallery of Victoria, MelbourneThe ‘Fairy Tales’ exhibition at Brisbane’s Gallery of Modern Art (GOMA) explores our fascination with this much-loved genre through a multifaceted telling of these tales in art, film and design. ‘Fairy Tales‘ unfolds across three themed chapters. ‘Into the Woods’ which explores the conventions and characters of traditional fairy tales alongside their contemporary retellings. ‘Through the Looking Glass’ presents newer tales of parallel worlds that are filled with unexpected ideas and paths. ‘Ever After’ brings together classic and current tales to celebrate aspirations, challenge convention and forge new directions.WHEREGallery of Modern Art (GOMA)WHEN2 December 2023 – 28 April 2024 / 10.00AM - 5.00PMDELVE DEEPERhttps://blog.qagoma.qld.gov.au/tag/fairy-tales/Queensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2024#qagoma #fairytalesgoma #caption #captioned #subtitles #subtitle
Rachel Mounsey captured the Black Summer bushfires of 2020 QAGOMA 2024-02-12 | Australian artist and photojournalist Rachel Mounsey captured the Black Summer bushfires that swept through her home, the remote coastal community of Mallacoota, on New Year’s Eve 2019. The fires raged across eastern Australia for months, burning millions of hectares of land and killing and displacing around three billion animals.Her images record the surreal otherworldliness of those days when the air was thick with particulate matter, soot and burnt leaves. The sky went black mid-morning, then everything took on a red, amber, even mustard glow. Holidaymakers and locals alike, beach towels wrapped over their mouths and noses, were evacuated by the Navy. In 'Mallacoota fires in the sky 3' (from ‘Mallacoota fires in the sky’ series) 2020, there is a sense that the end of the world may not be all that far away. Against the burnt dusty brown of water and sky, a group of children on Christmas holiday paddle the inlet — a plastic orange kayak signalling ‘emergency’ amid the uncanny stillness.DELVE DEEPER: https://blog.qagoma.qld.gov.au/tag/air/'Air' / 26 Nov 2022 – 23 Apr 2023 / Gallery of Modern Art (GOMA)THUMBNAIL DETAIL: Rachel Mounsey, Australia b.1975 / ‘Mallacoota fires in the sky 3’ (from 'Mallacoota fires in the sky' series) 2020 / Inkjet print on Canson Platine Fibre Rag paper / 100 x 150cm / Purchased 2021. Queensland Art Gallery | Gallery of Modern Art Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Rachel MounseyQueensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2022#QAGOMA #AirGOMA #RachelMounsey
Art & Blaktivism QAGOMA 2024-02-06 | Art can create compelling conversations. But when it comes to social, political and environmental justice in Queensland, can art truly help make a difference? First Nations artists and advocates discuss the intersection of art and social activism. Explore the important ways art can educate, empower and enact real change.Featuring Ryan Presley, Megan Cope and Katina Davidson (Curator, Indigenous Australian Art, QAGOMA).Thumbnail image: Katina Davidson, Ryan Presley and Megan Cope / ‘Discussion: Art & Blaktivism’ at ‘Embodied Knowledge: Queensland Contemporary Art’, Queensland Art Gallery, Nov 2022‘Embodied Knowledge: Queensland Contemporary Art’ / Queensland Art Gallery, Gallery 4, Gallery 5 (Henry and Amanda Bartlett Gallery) and the Watermall / 13 August 2022 to 22 January 2023Auslan: Sign language of the Australian Deaf communityAcknowledgment of CountryThe Queensland Art Gallery | Gallery of Modern Art acknowledges the Traditional Owners of the land on which the Gallery stands in Brisbane. We pay respect to Aboriginal and Torres Strait Islander Elders past and present and, in the spirit of reconciliation, acknowledge the immense creative contribution First Australians make to the art and culture of this country.It is customary in many Indigenous communities not to mention the name or reproduce photographs of the deceased. All such mentions and photographs are with permission, however, care and discretion should be exercised.Queensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2023#QAGOMA #EmbodiedKnowledgeQAG #auslan
Watch the pan of Houses of Parliament, Brisbane by Harriet Jane Neville-Rolfe QAGOMA 2024-02-06 | Harriet Jane Neville-Rolfe’s watercolour and pencil Houses of Parliament, Brisbane 1885 (illustrated) was painted just before the artist left Australia to return to England. We can clearly see Queensland’s Parliament House and recognisable landmarks from across the river in a depiction of the daily life of a port city named after the river that runs through it.DELVE DEEPER: https://blog.qagoma.qld.gov.au/go-back-in-time-when-harriet-jane-neville-rolfe-painted-brisbane-when-a-young-township-queensland-australia/https://blog.qagoma.qld.gov.au/tag/harriet-jane-neville-rolfe/Harriet Jane Neville-Rolfe, England/Australia 1850-1928 / Houses of Parliament, Brisbane 1885 / Watercolour over pencil on wove paper / 17.6 x 25.3cm / Gift of the artist’s son in her memory 1964 / Collection: Queensland Art Gallery | Gallery of Modern ArtQueensland Art Gallery | Gallery of Modern Art, Brisbane Australia© Queensland Art Gallery Board of Trustees, 2023#QAGOMA #HarrietJaneNevilleRolfe
Watch our time-lapse as we restore our George Romney frame QAGOMA 2024-02-06 | In QAGOMA's Framing Workshop, watch Robert Zilli (Conservation Framer) and Damian Buckley (Conversation Framing Technician) set about the epic task of restoring a 250-year-old carved and gilded pine frame using a blend of innovative and centuries-old methods. At nearly three metres long, the frame for George Romney's 'Mrs Yates as the Tragic Muse, Melpomene' 1771 presents unique challenges, including using era-appropriate techniques to remove and repair centuries' worth of DIY quick-fixes.George Romney, England 1734–1802 / 'Mrs Yates as the Tragic Muse, Melpomene' 1771 / Oil on canvas / 238 x 151.5cm / Gift of Lady Trout 1988 / Collection: Queensland Art Gallery | Gallery of Modern ArtLearn more about the Romney frame: https://collection.qagoma.qld.gov.au/page/tragic-museDelve into QAGOMA's art conservation projects: https://blog.qagoma.qld.gov.au/category/qagoma/art-conservation/Visit the QAGOMA Website: https://www.qagoma.qld.gov.auQueensland Art Gallery | Gallery of Modern Art, Brisbane Australia© Queensland Art Gallery Board of Trustees, 2023#QAGOMA #GeorgeRomney
Plenty: The Bequest of Thomas Lodge Murray-Prior QAGOMA 2024-02-05 | The 2023 collection focused display ‘Plenty’ at the Queensland Art Gallery’s International Art Collection, Philip Bacon Galleries (7-9) is based on two groups of historical international paintings drawn from the Gallery’s Collection. Perhaps unexpectedly, these apparently gentle paintings can be traced to Australia’s early colonial period and the violent settler frontier.Two gifts are central. First, the Gallery’s founding bequest, made in 1892, from British settler the Hon. Thomas Lodge Murray-Prior MLC, of 11 Flemish and Dutch still-life paintings. These treasured works were offered to the new state of Queensland on the condition that a public gallery be created, so that they might be enjoyed by the wider community. And second, more than 70 years later, the 1964 gift of Major Clement Rolfe Ingleby in memory of his mother, Harriet Jane Neville-Rolfe, comprising 87 watercolours she painted while visiting family in Australia in 1883–84.DELVE DEEPER: https://blog.qagoma.qld.gov.au/plenty-family-stories/Queensland Art Gallery | Gallery of Modern Art (QAGOMA), Brisbane Australia © Queensland Art Gallery Board of Trustees, 2023 #QAGOMA
Plenty: The Art of Harriet Jane Neville Rolf QAGOMA 2024-02-05 | The 2023 collection focused display ‘Plenty’ at the Queensland Art Gallery’s International Art Collection, Philip Bacon Galleries (7-9) is based on two groups of historical international paintings drawn from the Gallery’s Collection. Perhaps unexpectedly, these apparently gentle paintings can be traced to Australia’s early colonial period and the violent settler frontier.Two gifts are central. First, the Gallery’s founding bequest, made in 1892, from British settler the Hon. Thomas Lodge Murray-Prior MLC, of 11 Flemish and Dutch still-life paintings. These treasured works were offered to the new state of Queensland on the condition that a public gallery be created, so that they might be enjoyed by the wider community. And second, more than 70 years later, the 1964 gift of Major Clement Rolfe Ingleby in memory of his mother, Harriet Jane Neville-Rolfe, comprising 87 watercolours she painted while visiting family in Australia in 1883–84.DELVE DEEPER: https://blog.qagoma.qld.gov.au/plenty-family-stories/Queensland Art Gallery | Gallery of Modern Art (QAGOMA), Brisbane Australia © Queensland Art Gallery Board of Trustees, 2023 #QAGOMA
Fairy Tales: Many classic tales are set in the woods #shorts QAGOMA 2024-02-02 | The ‘Fairy Tales’ exhibition at Brisbane’s Gallery of Modern Art (GOMA) explores our fascination with this much-loved genre through a multifaceted telling of these tales in art, film and design. ‘Fairy Tales‘ unfolds across three themed chapters. ‘Into the Woods’ which explores the conventions and characters of traditional fairy tales alongside their contemporary retellings. ‘Through the Looking Glass’ presents newer tales of parallel worlds that are filled with unexpected ideas and paths. ‘Ever After’ brings together classic and current tales to celebrate aspirations, challenge convention and forge new directions.BUY TICKETS TO 'FAIRY TALES'https://www.qagoma.qld.gov.au/exhibition/fairy-tales/WHEREGallery of Modern Art (GOMA)WHEN2 December 2023 – 28 April 2024 / 10.00AM - 5.00PMDELVE DEEPERhttps://blog.qagoma.qld.gov.au/tag/fairy-tales/Queensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2024#qagoma #fairytalesgoma #caption #captioned #subtitles #subtitle #shorts
Fairy Tales: Many classic tales are set in the woods QAGOMA 2024-02-01 | The ‘Fairy Tales’ exhibition at Brisbane’s Gallery of Modern Art (GOMA) explores our fascination with this much-loved genre through a multifaceted telling of these tales in art, film and design. ‘Fairy Tales‘ unfolds across three themed chapters. ‘Into the Woods’ which explores the conventions and characters of traditional fairy tales alongside their contemporary retellings. ‘Through the Looking Glass’ presents newer tales of parallel worlds that are filled with unexpected ideas and paths. ‘Ever After’ brings together classic and current tales to celebrate aspirations, challenge convention and forge new directions.WHEREGallery of Modern Art (GOMA)WHEN2 December 2023 – 28 April 2024 / 10.00AM - 5.00PMDELVE DEEPERhttps://blog.qagoma.qld.gov.au/tag/fairy-tales/Queensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2024#qagoma #fairytalesgoma #caption #captioned #subtitles #subtitle
Trulee Hall discusses her work Witch House (Umbilical Coven) QAGOMA 2024-01-31 | Witches in fairy tales commonly live far away from towns and villages. Self-sufficient, they rarely choose to live with others. A witch’s home is often enchanted, filled with magical objects, ancient knowledge and power.Sculptor, painter and filmmaker Trulee Hall’s wonderfully theatrical Witch House (Umbilical Coven) 2023 revels in the power of witches and the positive aspects of non-conformity. Jet-black and precariously constructed, this dwelling is at once alluring and daunting. Inside is a video work combining elements of live action with stop-motion animation, featuring images of feminine energy, fertility and a seance. A place of power, transgression and action, Witch House (Umbilical Coven) reclaims and celebrates the figure of the witch.WHEREGallery of Modern Art (GOMA)WHEN2 December 2023 – 28 April 2024 / 10.00AM - 5.00PMDELVE DEEPERhttps://blog.qagoma.qld.gov.au/tag/fairy-tales/Trulee Hall, United States b.1976 / Witch House (Umbilical Coven) 2023, Gallery of Modern Art (GOMA) Brisbane 2023 / Wood, papier-mache, resin, fabric, stuffing, fake fur, synthetic hair, altered sex dolls, synthetic polymer paint, spray-paint, found candle holders, cornucopia baskets, found ceramic cornucopia, found crystal balls, convex mirror, polymer clay, hardware, LED candles / 431.8 x 685.8 x 436.9cm / © Trulee HallQueensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2024#qagoma #fairytalesgoma #truleehall #contemporaryinternationalart #caption #captioned #subtitles #subtitle #MusicbedSync ID#MB01BEPWPINK6WP
The Films of Powell & Pressburger at the Australian Cinémathèque, GOMA QAGOMA 2024-01-31 | 'Technicolor Dreams and Transcendent Reality: The Films of Powell & Pressburger' brings together the twenty collaborations of two of Britain's foremost filmmakers. Presented with the support of the British Film Institute in London, this program includes rare archival prints, digital restorations and new 35mm prints of some of the duo's most renowned works.FREE SCREENINGShttps://www.qagoma.qld.gov.au/cinema/program/technicolor-dreamsWHEREAustralian CinémathèqueGallery of Modern Art (GOMA)WHEN3 February – 27 April 2024Queensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2024#qagoma
Abdul Abdullah discusses his work Troubling the margins (from ‘Interloper’ series) 2022 QAGOMA 2024-01-25 | In fairy tales, many characters live by their wits rather than by the comforts of birthright and status. Often taking the form of an animal with human traits, they rely on their resourcefulness and trickery to create a life of adventure and reward.Australian artist Abdul Abdullah comments on ideas of ownership, place and belonging in the large-scale photograph 'Troubling the margins' 2022, from his ‘Interloper’ series. Majestic in size, Abdullah casts himself as the fox, a trickster figure in many fairy tales, seated among the chickens, comfortably laying claim to the hen house, an esky by his side. The work was inspired by Abdullah’s time in London, where he noticed a fox darting in and out of London alleyways as he passed by at night. The sense of being an unwanted presence at the urban margins struck a chord with Abdullah, whose practice looks closely at the way marginalised communities can become are targets for vilification.WHEREGallery of Modern Art (GOMA)WHEN2 December 2023 – 28 April 2024 / 10.00AM - 5.00PMDELVE DEEPERhttps://blog.qagoma.qld.gov.au/tag/fairy-tales/Abdul Abdullah, Australia b.1986 / Troubling the margins (from ‘Interloper’ series) 2022 / Digital print, made with the assistance of David Charles Collins / 162.5 x 130cm / © Abdul Abdullah / Courtesy: The artist and Yavuz Gallery, SydneyQueensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2024#qagoma #fairytalesgoma #abdulabdullah #contemporaryaustralianart #caption #captioned #subtitles #subtitle #MusicbedSync ID#MB01UZBAIBFGR5S
Fairy Tales/ Watch the time-lapse as Henrique Oliveira creates a gnarled & twisted woodland QAGOMA 2024-01-24 | Henrique Oliveira has transformed the ‘Fairy Tales’ entrance into a gnarled and twisted woodland. Corupira 2023 combines the key fairy tale themes of pathways and transformation alongside ideas of nature as a powerful and enchanting force. The work incorporates found tree branches, sustainably sourced plywood and strips of 'tapumes' veneer salvaged from construction sites in Brazil. The title stems from a Tupi-Guarani story, now widespread in Brazilian folklore, of a small, flame-haired forest-dweller, who misleads those trying to track him with his use of backward-facing footprints — a disorientating trick that soon sees his foe lost deep in the woods. A guardian of the Amazon rainforest, the Corupira protects plants and animals from hunters and loggers by transforming predators into prey.WHEREGallery of Modern Art (GOMA)WHEN2 December 2023 – 28 April 2024 / 10.00AM - 5.00PMDELVE DEEPERhttps://blog.qagoma.qld.gov.au/tag/fairy-tales/Henrique Oliveira, Brazil b.1973 / Corupira 2023, commissioned for ‘Fairy Tales’, Gallery of Modern Art (GOMA) Brisbane 2023 / Plywood, 'tapumes' veneer and tree branches / © Henrique OliveiraQueensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2023#qagoma #fairytalesgoma #henriqueoliveira #contemporaryinternationalart
Henrique Oliveira transforms the ‘Fairy Tales’ entrance with Corupira 2023 QAGOMA 2024-01-08 | Henrique Oliveira has transformed the ‘Fairy Tales’ entrance into a gnarled and twisted woodland. Corupira 2023 combines the key fairy tale themes of pathways and transformation alongside ideas of nature as a powerful and enchanting force. The work incorporates found tree branches, sustainably sourced plywood and strips of 'tapumes' veneer salvaged from construction sites in Brazil. The title stems from a Tupi-Guarani story, now widespread in Brazilian folklore, of a small, flame-haired forest-dweller, who misleads those trying to track him with his use of backward-facing footprints — a disorientating trick that soon sees his foe lost deep in the woods. A guardian of the Amazon rainforest, the Corupira protects plants and animals from hunters and loggers by transforming predators into prey.WHEREGallery of Modern Art (GOMA)WHEN2 December 2023 – 28 April 2024 / 10.00AM - 5.00PMDELVE DEEPERhttps://blog.qagoma.qld.gov.au/tag/fairy-tales/Henrique Oliveira, Brazil b.1973 / 'Corupira' 2023, commissioned for ‘Fairy Tales’, Gallery of Modern Art (GOMA) Brisbane 2023 / Plywood, 'tapumes' veneer and tree branches / © Henrique OliveiraQueensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2023#qagoma #fairytalesgoma #caption #captioned #subtitles #subtitle #HenriqueOliveira
Visit Fairy Tales: Brisbanes enchanting exhibition at GOMA until 28 April 2024 QAGOMA 2024-01-08 | Step into the enchanting world of once upon a time. From opulent carriages to sumptuous gowns, twisted woodlands to mystical mirrors, ‘Fairy Tales’ at the Gallery of Modern Art in Brisbane explores centuries of beloved folk stories through art, design and film.WHEREGallery of Modern Art (GOMA), South BankWHEN2 December 2023 – 28 April 2024 / 10.00AM - 5.00PMDELVE DEEPERhttps://blog.qagoma.qld.gov.au/tag/fairy-tales/Queensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2023#qagoma #fairytalesgoma
Queensland Premiere WINHANGANHA: A visual film poem by Jazz Money QAGOMA 2023-12-13 | On 26 January 2024, the Australian Cinémathèque screens the Queensland Premiere of WINHANGANHA, a powerful new film work by acclaimed Wiradjuri artist and poet, Jazz Money. The film was commissioned by the National Film and Sound Archive of Australia (NFSA) to demonstrate the potential of an archive to ask the difficult questions, to reflect and advance the dialogue, to bear witness to undeniable anguish, but also to act as the gateway to richer and more nuanced conversations. Across a two-year period working closely with the NFSA collection, Money sifted through and reflected on the institution's extensive collections of works made by and about First Nations Australian people. The result is a lyrical journey of archival footage and sound, poetry and original composition.WHEREAustralian Cinémathèque, Gallery of Modern Art (GOMA)WHEN26 January 2024 / 1.00PMDELVE DEEPERhttps://www.qagoma.qld.gov.au/cinema/program/winhanganhaQueensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2023#qagoma
Fairy Tales Brisbanes enchanting exhibition opens December #shorts QAGOMA 2023-11-22 | Step into the enchanting world of once upon a time. From opulent carriages to sumptuous gowns, twisted woodlands to mystical mirrors, ‘Fairy Tales’ at the Gallery of Modern Art in Brisbane explores centuries of beloved folk stories through art, design and film.BUY TICKETShttps://www.qagoma.qld.gov.au/exhibition/fairy-tales/WHEREGallery of Modern Art (GOMA)WHEN2 December 2023 – 28 April 2024DELVE DEEPERhttps://blog.qagoma.qld.gov.au/tag/fairy-tales/Video stills from 'The Nightingale and the Rose' 2015Del Kathryn Barton (artist, director), Australia b.1973 / Brendan Fletcher (director), Australia / The Nightingale and the Rose (still) 2015 / Single-channel video: 14 minutes, colour, sound / Animators: Chris Breeze, Simon Bronson, David Edwards, Liz Ellis, Richard Swan / Music: Sarah Blasko / Gift of Del Kathryn Barton through the QAGOMA Foundation 2022. Donated through the Australian Government’s Cultural Gifts Program / Collection: Queensland Art Gallery | Gallery of Modern Art / © Del Kathryn BartonQueensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2023#qagoma #fairytalesgoma #shorts
The countdown is on to the opening of Fairy Tales in December #shorts QAGOMA 2023-11-20 | The countdown is on to the opening weekend of ‘Fairy Tales’ across the entire ground floor of the Gallery of Modern Art (GOMA) in Brisbane, Australia on Saturday 2 & Sunday 3 December 2023. BUY TICKETShttps://www.qagoma.qld.gov.au/exhibition/fairy-tales/WHEREGallery of Modern Art (GOMA)WHEN2 December 2023 – 28 April 2024DELVE DEEPERhttps://blog.qagoma.qld.gov.au/tag/fairy-tales/Video still from 'The Nightingale and the Rose' 2015Del Kathryn Barton (artist/director), Australia b.1973 / Brendan Fletcher (director), Australia / The Nightingale and the Rose 2015 / Single-channel video: 14 minutes, colour, sound / Animators: Chris Breeze, Simon Bronson, David Edwards, Liz Ellis, Richard Swan; Music: Sarah Blasko / Gift of Del Kathryn Barton through the QAGOMA Foundation 2022. Donated through the Australian Government’s Cultural Gifts Program / Collection: Queensland Art Gallery | Gallery of Modern Art / © Del Kathryn BartonQueensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2023#qagoma #fairytalesgoma #shorts
Why we ask you not to touch artworks #shorts QAGOMA 2023-11-09 | Anne Carter, one of the painting conservators at QAGOMA answers why we ask you not to touch artworks.ArtworkR Godfrey Rivers, England/Australia 1858-1925 / Under the jacaranda 1903 / Oil on canvas / 143.4 x 107.2 cm / Purchased 1903 / Collection: Queensland Art Gallery | Gallery of Modern ArtQueensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2023#qagoma #shorts #captioned
Craig Koomeeta discusses his work and technique QAGOMA 2023-11-09 | Australian artist Craig Koomeeta discusses that the inspiration for his work and who taught him to carve.Artwork thumbnailCraig Koomeeta, Wik-Alkan people, Australia b.1977 / Saltwater crocodile 2002 / Carved milkwood with synthetic polymer paint / 30 x 155 x 27cm / Purchased 2002. QAG Foundation Grant / Collection: Queensland Art Gallery | Gallery of Modern Art / © Craig KoomeetaAcknowledgment of CountryThe Queensland Art Gallery | Gallery of Modern Art (QAGOMA) acknowledges the traditional custodians of the land upon which the Gallery stands in Brisbane. We pay respect to Aboriginal and Torres Strait Islander elders past and present and, in the spirit of reconciliation, acknowledge the immense creative contribution Indigenous people make to the art and culture of this country. It is customary in many Indigenous communities not to mention the name of the deceased. All such mentions and photographs are with permission, however, care and discretion should be exercised.Queensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2003#qagoma #craigkoomeeta #indigenousaustralianart #caption #captioned #subtitles #subtitle
Fiona Foley discusses Badtjala woman inspiration QAGOMA 2023-11-09 | Australian artist Fiona Foley discusses that the inspiration for the 'Badtjala woman' series of photographs where she used herself as the model is inspired by a historical photograph of a young Fraser Island Badtjala woman.Artwork thumbnailFiona Foley (artist), Badtjala people, Wondunna clan, K’gari (Fraser Island), Australia b.1964 / Greg Weight (photographer) b.1946 / Badtjala woman 1994 / Gelatin silver photograph on paper / Three sheets: 50.5 x 40.6cm (each) / Purchased 2001. QAG Foundation Grant / Collection: Queensland Art Gallery | Gallery of Modern Art / © Fiona FoleyAcknowledgment of CountryThe Queensland Art Gallery | Gallery of Modern Art (QAGOMA) acknowledges the traditional custodians of the land upon which the Gallery stands in Brisbane. We pay respect to Aboriginal and Torres Strait Islander elders past and present and, in the spirit of reconciliation, acknowledge the immense creative contribution Indigenous people make to the art and culture of this country. It is customary in many Indigenous communities not to mention the name of the deceased. All such mentions and photographs are with permission, however, care and discretion should be exercised.Queensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 1994#qagoma #fionafoley #indigenousaustralianart #caption #captioned #subtitles #subtitle
Judy Watson discusses the inspiration for memory bones QAGOMA 2023-11-09 | Australian artist Judy Watson discusses that the inspiration for 'memory bones' was the Palm Island death in custody incident relating to Aboriginal resident Cameron Doomadgee.Judy Watson, Waanyi people, Australia b.1959 / memory bones 2007 / Pigment and pastel on canvas / 211 x 127cm / The James C. Sourris AM Collection. Gift of James C. Sourris through the QAG Foundation 2010. Donated through the Australian Government's Cultural Gifts Program / Collection: Queensland Art Gallery | Gallery of Modern Art / © Judy Watson/Copyright AgencyAcknowledgment of CountryThe Queensland Art Gallery | Gallery of Modern Art (QAGOMA) acknowledges the traditional custodians of the land upon which the Gallery stands in Brisbane. We pay respect to Aboriginal and Torres Strait Islander elders past and present and, in the spirit of reconciliation, acknowledge the immense creative contribution Indigenous people make to the art and culture of this country. It is customary in many Indigenous communities not to mention the name of the deceased. All such mentions and photographs are with permission, however, care and discretion should be exercised.Queensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2007#qagoma #judywatson #indigenousaustralianart #caption #captioned #subtitles #subtitle
Fairy Tales: Brisbanes enchanting exhibition this summer QAGOMA 2023-11-06 | Step into the enchanting world of once upon a time. From opulent carriages to sumptuous gowns, twisted woodlands to mystical mirrors, ‘Fairy Tales’ at the Gallery of Modern Art in Brisbane explores centuries of beloved folk stories through art, design and film.WHEREGallery of Modern Art (GOMA), South BankWHEN2 December 2023 – 28 April 2024 / 10.00AM - 5.00PMDELVE DEEPERhttps://blog.qagoma.qld.gov.au/tag/fairy-tales/Video stills from 'The Nightingale and the Rose' 2015 / Del Kathryn Barton (artist, director), Australia b.1973 / Brendan Fletcher (director), Australia / The Nightingale and the Rose (still) 2015 / Single-channel video: 14 minutes, colour, sound / Animators: Chris Breeze, Simon Bronson, David Edwards, Liz Ellis, Richard Swan / Music: Sarah Blasko / Gift of Del Kathryn Barton through the QAGOMA Foundation 2022. Donated through the Australian Government’s Cultural Gifts Program / Collection: Queensland Art Gallery | Gallery of Modern Art / © Del Kathryn BartonQueensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2023#qagoma #fairytalesgoma
City Symphony Live Music & Film #shorts QAGOMA 2023-10-31 | 'Man with a Movie Camera' highlights how a live music accompaniment can change your experience of a film. Accompanied by acclaimed violinist Jonny Ng will play violin and viola combining classical music, minimalism and cinematic soundscapes.🎟️ GET TICKETS: https://www.qagoma.qld.gov.au/cinema/program/city-symphonyVENUE: Australian Cinémathèque, Gallery of Modern Art, Cinema A11.00am, Sunday 25 November 2023Queensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2023#qagoma Sync ID : MB01YVMYIWZOOSW
Cinematographer Jean Seale in conversation QAGOMA 2023-10-25 | Academy Award winning John Seale is one of Australia’s foremost cinematographers. Generously sharing insights he gathered while working across Hollywood and Australian film industries, Seale recounts challenges and triumphs on the set of Mad Max: Fury Road 2015 through to his work with many talented film practitioners including Tilda Swinton on Three Thousand Years of Longing 2022. Interviewed by Professor Jane Stadler as part of ‘Eye of the Storm: The Cinematography of John Seale’, Australian Cinémathèque, Gallery of Modern Art from 8 Sep – 4 Oct 2023 Blog: https://blog.qagoma.qld.gov.au/john-seale-five-unmissable-films/Find out more: https://www.qagoma.qld.gov.au/cinema/program/eye-of-the-storm Queensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2023#QAGOMA #caption #captioned #subtitles #subtitle
Bringing Isaac Walter Jenners paintings back to life QAGOMA 2023-10-17 | Two oil paintings — 'Kelly & Cussen's Pearl Shelling Station on Prince of Wales Island, Torres Straits and O'Hagan' & McAlister's Pearl Shelling Station, Friday Island, Torres Straits — by Isaac Walter Jenner (1836–1902) painted in 1897 both needed significant interventive structural and cosmetic conservation treatment. Ruby Awburn, then Assistant Conservator (Paintings) at QAGOMA, describes the months of careful work required to restore these important works.READ MORE ON THE BLOG: https://blog.qagoma.qld.gov.au/bringing-isaac-walter-jenners-oil-paintings-from-1897-back-to-life/ART CONSERVATION BEHIND-THE-SCENES: https://blog.qagoma.qld.gov.au/category/qagoma/art-conservation/DIGITAL STORY: https://collection.qagoma.qld.gov.au/page/jennerQueensland Art Gallery | Gallery of Modern Art, Brisbane Australia © Queensland Art Gallery Board of Trustees, 2023 #QAGOMA #isaacwalterjenner #australianart Sync IDMB01GZSGXUTQ76VMB01QUYV6YQNYEBMB015Q8OSBQSUNQ
Michael Zavros discusses his practice QAGOMA 2023-09-11 | Known for his extraordinary technical prowess, Michael Zavros has captivated audiences with his sumptuous realist renderings and surreal juxtapositions. Frequently engrossed in notions of quality and luxury, fashion and appearance, Zavros's idealised imagery has developed alongside Australia's pronounced turn to conspicuous consumption and aspirational individualism.‘The Favourite’ (24 Jun – 2 Oct 2023) profiles significant thematic explorations of the artist, including fashion magazines, European palaces, luxury cars, his children, Narcissus and still life, in addition to his self-portraits and reflections upon his heritage. It will survey 25 years of painting, sculpture, photography and video by this leading contemporary Queensland artist.Queensland Art Gallery | Gallery of Modern Art (QAGOMA), Brisbane Australia © Queensland Art Gallery Board of Trustees, 2023 #QAGOMA #michaelzavros #contemporaryaustralianart #caption #captioned #subtitles #subtitle #irresistibleGOMA
Natalya Hughes introduces The Castle of Tarragindi QAGOMA 2023-09-06 | Australian artist Natalya Hughes creates paintings, textiles, sculptures and installations informed by decorative and ornamental traditions. A way in which she does this, is to create immersive interiors that draw on art history.READ MORE ON THE BLOG: https://blog.qagoma.qld.gov.au/natalya-hughes-the-castle-of-tarragindi/For 'The Castle of Tarragindi', Natalya invites children to explore the imaginative artform of the ‘grotesque’ through hands-on and multimedia interactives. Grotesque designs are characterised by hybrid forms made up of parts of animals, plants, and other shapes.The exhibition design will feature a striking blue and white colour palette, referencing grotesque imagery in the style of French designer Jean Bérain, combined with Australian flora and fauna.Children's Art Centre, Gallery of Modern Art / 9 September 2023 – 14 July 2024Queensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2023#QAGOMA #kids #children #natalyahughes #caption #captioned #subtitles #subtitle
Microcosms of the World/ Art Course: Artists Illuminated QAGOMA 2023-08-29 | Join Dr Andrea Bubenik (Senior Lecturer, School of Communication and Arts, The University of Queensland) on a three–part art historical journey that traces universal themes seen across historic, modern and contemporary art. Links between artworks, including works from QAGOMA’s Collection are illuminated. Discover the fascinating stories behind artists from the past through to Michael Zavros and eX de Medici.The views and opinions expressed in this video are those of the presenter.SESSION 2 LECTURE: INSIDE AND OUTSIDE THE VENICE BIENNALEIn this session we will contemplate the cabinets of curiosities prevalent in early modern European courts. These predecessors of modern museums were encyclopaedic in scope, with paintings and sculptures displayed alongside scientific instruments and preserved plants and animals. Within this framework tiny creatures such as insects and simple flowers became protagonists of still life paintings and beyond. What do these collections and paintings, as microcosms of the 17th century world, tell us today? We will consider the artwork of eX de Medici, whose exhibition ‘Beautiful Wickedness’ teems with moths, guns, and skulls, and critiques mechanisms of control and display. Session 1 Lecture: The Beautiful and The Beautiful youtube.com/watch?v=FUgTF0DsiVk Session 1 Artist Q&A with Michael Zavros youtube.com/watch?v=NlE0V1UInbc Session 2 Lecture: Inside and Outside the Venice Biennale youtube.com/watch?v=LI64oWUpJbESession 3 Lecture: Microcosms of the World youtu.be/A61JMiKykVw Session 3 Artist Q&A with eX de Medici youtu.be/OCrnyqVV-H0 Image caption: eX de Medici, Australia b.1959 / The theory of everything 2005 / Watercolour and metallic pigment on paper / 114.3 x 176.3cm / Purchased 2005 / Collection: Queensland Art Gallery | Gallery of Modern Art / © eX de MediciQueensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2023#QAGOMA #irresistableGOMA #eXdeMedici #artcourse #arthistory
Artist eX de Medici in conversation/ Art Course: Artists Illuminated QAGOMA 2023-08-29 | Join Dr Andrea Bubenik (Senior Lecturer, School of Communication and Arts, The University of Queensland) on a three–part art historical journey that traces universal themes seen across historic, modern and contemporary art. Links between artworks, including works from QAGOMA’s Collection are illuminated. Discover the fascinating stories behind artists from the past through to Michael Zavros and eX de Medici.The views and opinions expressed in this video are those of the speakers.To accompany the Session 3 Lecture: Microcosms of the World, hear Dr Andrea Bubenik and Curator Ellie Buttrose in conversation.Session 1 Lecture: The Beautiful and The Beautiful youtube.com/watch?v=FUgTF0DsiVk Session 1 Artist Q&A with Michael Zavros youtube.com/watch?v=NlE0V1UInbc Session 2 Lecture: Inside and Outside the Venice Biennale youtube.com/watch?v=LI64oWUpJbESession 3 Lecture: Microcosms of the World youtu.be/A61JMiKykVw Session 3 Artist Q&A with eX de Medici youtu.be/OCrnyqVV-H0 Image caption: eX de Medici, Australia b.1959 / Skull (blue and green) 2004 / Watercolour on Arches paper / 57.5 x 55cm (comp., sight) / Purchased 2004. Queensland Art Gallery Foundation Grant / Collection: Queensland Art Gallery | Gallery of Modern Art / © eX de MediciQueensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2023#QAGOMA #irresistableGOMA #eXdeMedici #artcourse #arthistory
Inside and Outside the Venice Biennale/ Art Course: Artists Illuminated QAGOMA 2023-08-29 | Join Dr Andrea Bubenik (Senior Lecturer, School of Communication and Arts, The University of Queensland) on a three–part art historical journey that traces universal themes seen across historic, modern and contemporary art. Links between artworks, including works from QAGOMA’s Collection are illuminated. Discover the fascinating stories behind artists from the past through to Michael Zavros and eX de Medici.The views and opinions expressed in this video are those of the presenter.SESSION 2 LECTURE: INSIDE AND OUTSIDE THE VENICE BIENNALEFounded in 1895 the Venice Art Biennale is the biggest and longest running art fair for contemporary art. In this session we will consider some of the Australian artists who have exhibited in the Venice Biennale, and also concurrent projects and protests that have taken place outside its structures. With this background, we can collectively look forward to 2024, when Kamilaroi/Bigambul artist Archie Moore and curator Ellie Buttrose (Curator, Australian Art, QAGOMA) will take on the Australian pavilion.Session 1 Lecture: The Beautiful and The Beautiful youtube.com/watch?v=FUgTF0DsiVk Session 1 Artist Q&A with Michael Zavros youtube.com/watch?v=NlE0V1UInbc Session 2 Lecture: Inside and Outside the Venice Biennale youtube.com/watch?v=LI64oWUpJbESession 3 Lecture: Microcosms of the World youtu.be/A61JMiKykVw Session 3 Artist Q&A with eX de Medici youtu.be/OCrnyqVV-H0 Queensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2023#QAGOMA #irresistableGOMA #MichaelZavros #portraiture #artcourse #arthistory
Artist Michael Zavros in conversation/ Art Course: Artists Illuminated QAGOMA 2023-08-29 | Join Dr Andrea Bubenik (Senior Lecturer, School of Communication and Arts, The University of Queensland) on a three–part art historical journey that traces universal themes seen across historic, modern and contemporary art. Links between artworks, including works from QAGOMA’s Collection are illuminated. Discover the fascinating stories behind artists from the past through to Michael Zavros and eX de Medici.The views and opinions expressed in this video are those of the speakers.To accompany the Session 1 Lecture: The Bold and the Beautiful, hear Dr Andrea Bubenik and artist Michael Zavros in conversationSession 1 Lecture: The Beautiful and The Beautiful youtube.com/watch?v=FUgTF0DsiVk Session 1 Artist Q&A with Michael Zavros youtube.com/watch?v=NlE0V1UInbc Session 2 Lecture: Inside and Outside the Venice Biennale youtube.com/watch?v=LI64oWUpJbESession 3 Lecture: Microcosms of the World youtu.be/A61JMiKykVw Session 3 Artist Q&A with eX de Medici youtu.be/OCrnyqVV-H0 Featured image: Michael Zavros, Australia b.1974 / Bad dad 2013 / Oil on canvas / 110 x 150cm / Purchased 2016 with funds raised through the Queensland Art Gallery | Gallery of Modern Art Foundation Appeal / Collection: Queensland Art Gallery | Gallery of Modern Art / © Michael ZavrosQueensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2023#QAGOMA #irresistableGOMA #MichaelZavros #portraiture #artcourse #arthistory
Talk: Masculinity, Fashion & Art QAGOMA 2023-08-27 | The art of Michael Zavros explores notions of masculine beauty through the lens of mythology and fashion. Yet fashion has long been seen as the domain of women, with masculinity often being left out of conversations.Join our panel as they explore how representations of fashion and beauty in Michael Zavros' work might help expand our understanding of masculinity.The views and opinions expressed in this video are those of the speakers.Speakers:Andrew Byrne (he/him) – Owner, The CloakroomDr Sal Edwards (they/them) – designer and researcherHost: Roger Leong (he/him) – Senior Curator, Powerhouse (NSW), Curator of ‘Reigning Men’Read more about ‘Michael Zavros: The Favourite: https://www.qagoma.qld.gov.au/exhibition/michael-zavrosQueensland Art Gallery | Gallery of Modern Art (QAGOMA) Brisbane Australia © Queensland Art Gallery Board of Trustees, 2023#QAGOMA #irresistableGOMA #MichaelZavros #auslan
