Uploaded February 2023 | Updated September 2026, 2 weeks ago
Welcome to this low light cinematic video footage example of city lights shot from an airplane flying over at night. This was all shot on the Fuji XT4 camera using the Fujinon XF 50mm F2 R WR prime lens only.
#fujifilm #lowlight #fujixt4
While filming from an airplane can offer a unique and breathtaking view of nocturnal cityscapes, it doesn't mean it's easy. Shooting through the airplane window is unavoidable, and the resulting video footage is fairly rough due to reflections, diffraction, and distortions.
The Fujifilm X-T4 camera does pretty well in this less than idea cinematic filming condition. However, the rough quality of the footage does give it a vibe. The Fujinon XF 50mm F2 R WR prime lens is also ideal for low light situations in video, with its pretty wide aperture. It also has a decently shallow depth of field and satisfying bokeh.
To capture the best footage possible, I shot this in manual mode with the Fuji XF 50mm f2 wide open. I still had to push the ISO as high as 6400 to pull any detail from the black abyss below. IBIS and Digital Image stabilisation were both engaged, as well as the fixed movie magnification crop (x1.39 I think).
The Fujifilm X-T4 is no slouch when it comes to video, with features like 4K video recording at 60fps, slow-motion recording up to 240fps, and a nice big electronic viewfinder. It also allows for manual control over video settings like aperture, shutter speed, and ISO, as well as image stabilization and (decent-ish) autofocus (when it wants to cooperate).
One cool feature for me is the ability to use Fujifilm's famous film simulations while shooting video. This capability provides a range of distinct color and contrast profiles that emulate classic Fuji film stocks. The fact that these are not limited to photos but can also be applied to 10-bit video is huge! This allows Fuji users to achieve a defined look in their footage already baked-in, without needing extensive post-processing.
In conclusion, while filming low light cinematic video footage of city lights from an airplane at night can be challenging, with the right equipment and techniques, it is possible to capture stunning footage. Keep in mind the necessary compromises, such as shooting through the airplane window, and adjust your settings accordingly to make the most out of your footage.
Current channel music compilation: mamotreco.bandcamp.com
Previous music releases available here: synthandsundry.bandcamp.com
Check out more synth live jams and tracks on these playlists:
Hardware and Software synth jams
youtube.com/playlist?list=PL4sH2riiuaz0JE2WUt9aeauw2Q2V3nLTw
Synth music
youtube.com/watch?v=bFkNTEojXp0&list=PL4sH2riiuaz2YwGe-z6-OGuDqFGCJ75Di
Welcome to Mamotreco! This channel covers a lot topics: synthesizers, electronic instruments, making and listening to music and photography. The aim is to post weekly, though that isn't always possible. Thanks for watching.
Welcome to this low light cinematic video footage example of city lights shot from an airplane flying over at night. This was all shot on the Fuji XT4 camera using the Fujinon XF 50mm F2 R WR prime lens only.
#fujifilm #lowlight #fujixt4
While filming from an airplane can offer a unique and breathtaking view of nocturnal cityscapes, it doesn't mean it's easy. Shooting through the airplane window is unavoidable, and the resulting video footage is fairly rough due to reflections, diffraction, and distortions.
The Fujifilm X-T4 camera does pretty well in this less than idea cinematic filming condition. However, the rough quality of the footage does give it a vibe. The Fujinon XF 50mm F2 R WR prime lens is also ideal for low light situations in video, with its pretty wide aperture. It also has a decently shallow depth of field and satisfying bokeh.
To capture the best footage possible, I shot this in manual mode with the Fuji XF 50mm f2 wide open. I still had to push the ISO as high as 6400 to pull any detail from the black abyss below. IBIS and Digital Image stabilisation were both engaged, as well as the fixed movie magnification crop (x1.39 I think).
The Fujifilm X-T4 is no slouch when it comes to video, with features like 4K video recording at 60fps, slow-motion recording up to 240fps, and a nice big electronic viewfinder. It also allows for manual control over video settings like aperture, shutter speed, and ISO, as well as image stabilization and (decent-ish) autofocus (when it wants to cooperate).
One cool feature for me is the ability to use Fujifilm's famous film simulations while shooting video. This capability provides a range of distinct color and contrast profiles that emulate classic Fuji film stocks. The fact that these are not limited to photos but can also be applied to 10-bit video is huge! This allows Fuji users to achieve a defined look in their footage already baked-in, without needing extensive post-processing.
In conclusion, while filming low light cinematic video footage of city lights from an airplane at night can be challenging, with the right equipment and techniques, it is possible to capture stunning footage. Keep in mind the necessary compromises, such as shooting through the airplane window, and adjust your settings accordingly to make the most out of your footage.
Current channel music compilation: mamotreco.bandcamp.com
Previous music releases available here: synthandsundry.bandcamp.com
Check out more synth live jams and tracks on these playlists:
Hardware and Software synth jams
youtube.com/playlist?list=PL4sH2riiuaz0JE2WUt9aeauw2Q2V3nLTw
Synth music
youtube.com/watch?v=bFkNTEojXp0&list=PL4sH2riiuaz2YwGe-z6-OGuDqFGCJ75Di
Welcome to Mamotreco! This channel covers a lot topics: synthesizers, electronic instruments, making and listening to music and photography. The aim is to post weekly, though that isn't always possible. Thanks for watching.
