Uploaded July 2023 | Updated September 2026, 3 weeks ago
Taken from the album 'Dead Can Dance' (1984)
4AD RECORDS
Frontier was written and produced by Lisa Gerrard & Brendan Perry. Recorded on 4 track in Belgrave, Melbourne, 1979. Engineered by Ron Stecher; Mixed at Blackwing, London, Nov '86; Egineered by Jonathan Dee.
Dead Can Dance History: 4ad.com/forewords/dcd
The Quietus: "The track ‘Frontier’ shows some evidence that the band were keen on trimming back on some of their more free-form tendencies, where they tried to shorten the track to make it sound more concise - it originally started off as a long improvisation piece fashioned out of banging kerosene cans and a chair leg. Though it’s crucial to note that they didn’t have the backing of a label and so probably had to rely on really basic ‘found’ instruments in order to become less traditional at this point. Still, this is a crucial moment in the band’s development, immediately defining them as musicians with far bigger motives that they’re perhaps slightly reluctant to fully explore."
♾️♾️♾️♾️♾️♾️♾️♾️♾️♾️♾️♾️♾️♾️♾️♾️♾️
Video footage:
- African Musicians (GERARD DE BOE)
- Le Sang 'The Blood' (JEAN-DANIEL POLLET)
Taken from the album 'Dead Can Dance' (1984)
4AD RECORDS
Frontier was written and produced by Lisa Gerrard & Brendan Perry. Recorded on 4 track in Belgrave, Melbourne, 1979. Engineered by Ron Stecher; Mixed at Blackwing, London, Nov '86; Egineered by Jonathan Dee.
Dead Can Dance History: 4ad.com/forewords/dcd
The Quietus: "The track ‘Frontier’ shows some evidence that the band were keen on trimming back on some of their more free-form tendencies, where they tried to shorten the track to make it sound more concise - it originally started off as a long improvisation piece fashioned out of banging kerosene cans and a chair leg. Though it’s crucial to note that they didn’t have the backing of a label and so probably had to rely on really basic ‘found’ instruments in order to become less traditional at this point. Still, this is a crucial moment in the band’s development, immediately defining them as musicians with far bigger motives that they’re perhaps slightly reluctant to fully explore."
♾️♾️♾️♾️♾️♾️♾️♾️♾️♾️♾️♾️♾️♾️♾️♾️♾️
Video footage:
- African Musicians (GERARD DE BOE)
- Le Sang 'The Blood' (JEAN-DANIEL POLLET)






![Shine On (Theres Another Day After Tomorrow): The Soundtrack Of Our Lives
Shine On (Theres Another Day After Tomorrow ) (Lyrics)
Shine on
Theres another day after tomorrow
Theres another day after the end
Shine on
Theres another day after tomorrow
Theres another life for you to miss
So young, so old
But you never run out of time
Youre beautiful
And forever to be found
Shine on
Theres another day after tomorrow
Theres another day after the end
Shine on
Theres another life for you to borrow
Theres another life for you to rent
So young, so old
But you never run out of time
Youre beautiful
And forever to be found
[Chorus]
Shine on
Theres another day after tomorrow
Theres another day after the end
Shine on
Theres another life for you to borrow
Theres another life for you to mend
Forever to be found
Forever in my mind
Forever everyone we have
We are
Shine on
[Chorus]
The Soundtrack of Our Lives, often abbreviated T.S.O.O.L., were a Swedish rock band that was formed in Gothenburg in 1995 and disbanded in 2012. All lyrics are sung in English. The bands style draws heavily on sixties and seventies punk rock, early Rolling Stones and also Iggy and the Stooges. Psychedelic rock forms another strong influence, and psychedelic and mystical references are also prominent in the bands lyrics and aesthethics. The abbreviation OEOC, which features on all their albums, refers to the phrase as above, so below from Hermeticism
This track was off the final album throw it to the universe Shine On (Theres Another Day After Tomorrow): The Soundtrack Of Our Lives](https://i.ytimg.com/vi/vApFsasFsFE/mqdefault.jpg)



