Uploaded March 2024 | Updated September 2026, 2 days ago
My student Melina performing Friedrich Kuhlau‘s Sonatina in C Major 55 no.3.
0:00 Allegro con spirito
2:00 Allegretto grazioso
Melina is 8 years old and studies the piano with me for 3 years. She already took part at Jugend Musiziert competition. Beside her solo piano she likes to play duets with her sister Lucy as well as learning the flute as a second instrument.
Melina‘s sister Lucy performing Brahms‘ Hungarian dance: youtu.be/rsW0RNm6YFE
Friedrich Daniel Rudolf Kuhlau (German; Danish sometimes Frederick Kulav) (11 September 1786 – 12 March 1832) was a German-Danish pianist and composer during the late Classical and early Romantic periods. He was a central figure of the Danish Golden Age and is immortalized in Danish cultural history through his music for Elves' Hill, the first true work of Danish National Romanticism and a concealed tribute to the absolute monarchy. To this day it is his version of this melody which is the definitive arrangement.
During his lifetime, Kuhlau was known primarily as a concert pianist and composer of Danish opera, but was responsible for introducing many of Beethoven's works, which he greatly admired, to Copenhagen audiences. Kuhlau was a prolific composer, as evidenced by the fact that although his house burned down, destroying all of his unpublished manuscripts, he still left a legacy of more than 200 published works in most genres.
Early life and education
Kuhlau was born on 11 September 1786 just south of Lüneburg in the Uelzen district of Lower Saxony (Germany). At the age of seven, he lost his right eye when he slipped on ice and fell. His father, grandfather, and uncle were military oboists. Even though Kuhlau was born to a poor family, his parents managed to pay for piano lessons. In 1802 he moved to Hamburg where he began learning the piano with scholar C.F.G Schwencke.
Career
In 1804, Kuhlau made his debut and began working as a concert pianist. It was around this time that he began composing songs and chamber music to earn money. Many of Kuhlau's compositions throughout his life were for the flute, though he himself did not play the instrument. In 1810, he fled to Copenhagen to avoid conscription in the Napoleonic Army, which overwhelmed the many small principalities and duchies of northern Germany. In the same year, Kuhlau published his first piano and flute compositions. Kuhlau made a living in Copenhagen as a piano teacher and composer in 1811. He was later appointed as a non-salaried musician in the Danish Court in 1812. Kuhlau eventually became a Danish citizen in 1813. Following the success of his singspiel, The Robber's Castle, Kuhlau gained a high-paying position as a singing teacher at the Royal Theater in 1816. Kuhlau's works between 1817 and 1820 failed to gain much prominence. His opera, The Magic Harp, was said to have failed due to a controversial libretto. In 1821 and 1825, Kuhlau travelled to Vienna where he befriended Ludwig van Beethoven. Beethoven's influence is evidential in Kuhlau's later works such as his singspiel, Elverhøj or Elves' Hill, a work widely regarded as a tribute to the Danish Monarchy and an inspiring piece from the Danish Golden Age. In 1828, Kuhlau was awarded an honorary professorship.
#piano #sonatina #kuhlau
My student Melina performing Friedrich Kuhlau‘s Sonatina in C Major 55 no.3.
0:00 Allegro con spirito
2:00 Allegretto grazioso
Melina is 8 years old and studies the piano with me for 3 years. She already took part at Jugend Musiziert competition. Beside her solo piano she likes to play duets with her sister Lucy as well as learning the flute as a second instrument.
Melina‘s sister Lucy performing Brahms‘ Hungarian dance: youtu.be/rsW0RNm6YFE
Friedrich Daniel Rudolf Kuhlau (German; Danish sometimes Frederick Kulav) (11 September 1786 – 12 March 1832) was a German-Danish pianist and composer during the late Classical and early Romantic periods. He was a central figure of the Danish Golden Age and is immortalized in Danish cultural history through his music for Elves' Hill, the first true work of Danish National Romanticism and a concealed tribute to the absolute monarchy. To this day it is his version of this melody which is the definitive arrangement.
During his lifetime, Kuhlau was known primarily as a concert pianist and composer of Danish opera, but was responsible for introducing many of Beethoven's works, which he greatly admired, to Copenhagen audiences. Kuhlau was a prolific composer, as evidenced by the fact that although his house burned down, destroying all of his unpublished manuscripts, he still left a legacy of more than 200 published works in most genres.
Early life and education
Kuhlau was born on 11 September 1786 just south of Lüneburg in the Uelzen district of Lower Saxony (Germany). At the age of seven, he lost his right eye when he slipped on ice and fell. His father, grandfather, and uncle were military oboists. Even though Kuhlau was born to a poor family, his parents managed to pay for piano lessons. In 1802 he moved to Hamburg where he began learning the piano with scholar C.F.G Schwencke.
Career
In 1804, Kuhlau made his debut and began working as a concert pianist. It was around this time that he began composing songs and chamber music to earn money. Many of Kuhlau's compositions throughout his life were for the flute, though he himself did not play the instrument. In 1810, he fled to Copenhagen to avoid conscription in the Napoleonic Army, which overwhelmed the many small principalities and duchies of northern Germany. In the same year, Kuhlau published his first piano and flute compositions. Kuhlau made a living in Copenhagen as a piano teacher and composer in 1811. He was later appointed as a non-salaried musician in the Danish Court in 1812. Kuhlau eventually became a Danish citizen in 1813. Following the success of his singspiel, The Robber's Castle, Kuhlau gained a high-paying position as a singing teacher at the Royal Theater in 1816. Kuhlau's works between 1817 and 1820 failed to gain much prominence. His opera, The Magic Harp, was said to have failed due to a controversial libretto. In 1821 and 1825, Kuhlau travelled to Vienna where he befriended Ludwig van Beethoven. Beethoven's influence is evidential in Kuhlau's later works such as his singspiel, Elverhøj or Elves' Hill, a work widely regarded as a tribute to the Danish Monarchy and an inspiring piece from the Danish Golden Age. In 1828, Kuhlau was awarded an honorary professorship.
#piano #sonatina #kuhlau
![J.S.Bach: Polonaise in g minor (BWV Anh. 119) - Notebook for Anna Magdalena Bach
Hey Guys! This time I am playing the famous Polonaise in g-minor collected by J.S. Bach. The composer of this piece is unknown and Bach noted this composition in his Second Notebook for his wife Anna Magdalena Bach in 1725 where he collected typical dances of the era. While the first Notebook from 1722 contain a lot of own compositions by Bach such as his French Suites nr. 4 and 5, the 1725 notebook contains compositions that where the composer is unknown. Both notebooks represent the musical taste of the Bach family.
More Classical Performances:
Beethoven: Sonata c-Minor op.10 nr.1 https://youtu.be/u2HMg6SeXmc
Haydn: Sonata D Major: https://youtu.be/yXQZMX4A-HE
Schubert Impromptu op.142 nr.2: https://youtu.be/FxfStd_lSSo
Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the Brandenburg Concertos; instrumental compositions such as the Cello Suites; keyboard works such as the Goldberg Variations and The Well-Tempered Clavier; organ works such as the Schubler Chorales and the Toccata and Fugue in D minor; and vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music.
The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant churches in Arnstadt and Mühlhausen and, for longer stretches of time, at courts in Weimar, where he expanded his organ repertory, and Köthen, where he was mostly engaged with chamber music. From 1723 he was employed as Thomaskantor (cantor at St Thomass) in Leipzig. There he composed music for the principal Lutheran churches of the city, and for its universitys student ensemble Collegium Musicum. From 1726 he published some of his keyboard and organ music. In Leipzig, as had happened during some of his earlier positions, he had difficult relations with his employer, a situation that was little remedied when he was granted the title of court composer by his sovereign, Augustus III, Elector of Saxony and King of Poland, in 1736. In the last decades of his life he reworked and extended many of his earlier compositions. He died of complications after eye surgery in 1750 at the age of 65.
Bach enriched established German styles through his mastery of counterpoint, harmonic, and motivic organisation, and his adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bachs compositions include hundreds of cantatas, both sacred and secular. He composed Latin church music, Passions, oratorios, and motets. He often adopted Lutheran hymns, not only in his larger vocal works, but for instance also in his four-part chorales and his sacred songs. He wrote extensively for organ and for other keyboard instruments. He composed concertos, for instance for violin and for harpsichord, and suites, as chamber music as well as for orchestra. Many of his works employ the genres of canon and fugue.
Throughout the 18th century, Bach was primarily valued as an organist, while his keyboard music, such as The Well-Tempered Clavier, was appreciated for its didactic qualities. The 19th century saw the publication of some major Bach biographies, and by the end of that century all of his known music had been printed. Dissemination of scholarship on the composer continued through periodicals (and later also websites) exclusively devoted to him, and other publications such as the Bach-Werke-Verzeichnis (BWV, a numbered catalogue of his works) and new critical editions of his compositions. His music was further popularised through a multitude of arrangements, including the Air on the G String and Jesu, Joy of Mans Desiring, and of recordings, such as three different box sets with complete performances of the composers oeuvre marking the 250th anniversary of his death.
#polonaise #bach #gminor J.S.Bach: Polonaise in g minor (BWV Anh. 119) - Notebook for Anna Magdalena Bach](https://i.ytimg.com/vi/5rih4PzZU8k/mqdefault.jpg)









![[Morning Jazz] Jazzy Friday #9 ”Breeze“ by Herman Beeftink
Jazzy Friday is my 10 part series where I present the piano pieces of the Junior Jazz 1 Series by Herman Beeftink. This is a great book to start in Jazz Piano. The melodies are catchy, the chords pretty cool. On the left page there are always exercises for rhythmic patterns and on the right is the piece. Breeze“ is written in Morning Jazz Style.
For a relaxing weekend check out my 80 minutes Ghibli Playlist:
https://youtu.be/PzUiA9mNVNk
I didn‘t know Herman Beeftink before. He is a composer who dares to write modern instrumental music beautifully especially for flute and piano: https://www.youtube.com/user/EliteSourceMusic
Have nice weekend!
#HermanBeeftink #ChilloutJazz #piano [Morning Jazz] Jazzy Friday #9 ”Breeze“ by Herman Beeftink](https://i.ytimg.com/vi/A43H9rUjcPg/mqdefault.jpg)