Uploaded September 2023 | Updated September 2026, 2 weeks ago
Frank Zappa discussing orchestration, music theory, the the music of Edgard Varèse.
#classicalmusic #musictheory #orchestration
Frank Vincent Zappa[nb 1] (December 21, 1940 – December 4, 1993) was an American musician, composer, and bandleader. His work is characterized by nonconformity, free-form improvisation, sound experimentation, musical virtuosity and satire of American culture.[2] In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works; he also produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist.[3] Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation.[4][5]
As a self-taught composer and performer, Zappa had diverse musical influences that led him to create music that was sometimes difficult to categorize. While in his teens, he acquired a taste for 20th-century classical modernism, African-American rhythm and blues, and doo-wop music.[6] He began writing classical music in high school, while at the same time playing drums in rhythm and blues bands, later switching to electric guitar. His debut studio album with the Mothers of Invention, Freak Out! (1966), combined songs in conventional rock and roll format with collective improvisations and studio-generated sound collages. He continued this eclectic and experimental approach whether the fundamental format was rock, jazz, or classical.
Zappa's output is unified by a conceptual continuity he termed "Project/Object", with numerous musical phrases, ideas, and characters reappearing across his albums.[2] His lyrics reflected his iconoclastic views of established social and political processes, structures and movements, often humorously so, and he has been described as the "godfather" of comedy rock.[7] He was a strident critic of mainstream education and organized religion, and a forthright and passionate advocate for freedom of speech, self-education, political participation and the abolition of censorship. Unlike many other rock musicians of his generation, he disapproved of recreational drug use, but supported decriminalization and regulation.
Zappa was a highly productive and prolific artist with a controversial critical standing; supporters of his music admired its compositional complexity, while detractors found it lacking emotional depth. He had greater commercial success outside the US, particularly in Europe. Though he worked as an independent artist, Zappa mostly relied on distribution agreements he had negotiated with the major record labels. He remains a major influence on musicians and composers. His many honors include his posthumous 1995 induction into the Rock and Roll Hall of Fame and the 1997 Grammy Lifetime Achievement Award.
Frank Zappa discussing orchestration, music theory, the the music of Edgard Varèse.
#classicalmusic #musictheory #orchestration
Frank Vincent Zappa[nb 1] (December 21, 1940 – December 4, 1993) was an American musician, composer, and bandleader. His work is characterized by nonconformity, free-form improvisation, sound experimentation, musical virtuosity and satire of American culture.[2] In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works; he also produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist.[3] Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation.[4][5]
As a self-taught composer and performer, Zappa had diverse musical influences that led him to create music that was sometimes difficult to categorize. While in his teens, he acquired a taste for 20th-century classical modernism, African-American rhythm and blues, and doo-wop music.[6] He began writing classical music in high school, while at the same time playing drums in rhythm and blues bands, later switching to electric guitar. His debut studio album with the Mothers of Invention, Freak Out! (1966), combined songs in conventional rock and roll format with collective improvisations and studio-generated sound collages. He continued this eclectic and experimental approach whether the fundamental format was rock, jazz, or classical.
Zappa's output is unified by a conceptual continuity he termed "Project/Object", with numerous musical phrases, ideas, and characters reappearing across his albums.[2] His lyrics reflected his iconoclastic views of established social and political processes, structures and movements, often humorously so, and he has been described as the "godfather" of comedy rock.[7] He was a strident critic of mainstream education and organized religion, and a forthright and passionate advocate for freedom of speech, self-education, political participation and the abolition of censorship. Unlike many other rock musicians of his generation, he disapproved of recreational drug use, but supported decriminalization and regulation.
Zappa was a highly productive and prolific artist with a controversial critical standing; supporters of his music admired its compositional complexity, while detractors found it lacking emotional depth. He had greater commercial success outside the US, particularly in Europe. Though he worked as an independent artist, Zappa mostly relied on distribution agreements he had negotiated with the major record labels. He remains a major influence on musicians and composers. His many honors include his posthumous 1995 induction into the Rock and Roll Hall of Fame and the 1997 Grammy Lifetime Achievement Award.

![A Sad Song - Super Mario RPG #pianocover
A solo piano cover of A Sad Song from Super Mario RPG
#videogamecover #supermariorpg
Super Mario RPG: Legend of the Seven Stars[a] is a role-playing video game developed by Square and published by Nintendo for the Super Nintendo Entertainment System in 1996.[b] It was the final Mario game published for the SNES. The game was directed by Chihiro Fujioka and Yoshihiko Maekawa, produced by Shigeru Miyamoto, and scored by Yoko Shimomura.
Super Mario RPGs story focuses on Mario and his friends as they seek to defeat Smithy, who has crashed into their world and scattered the seven star pieces of Star Road. Super Mario RPG is the first RPG in the Mario franchise, drawing from major elements of Squares RPG franchises such as Final Fantasy. The main form of fighting enemies is turn-based combat with a party of up to three characters. It is also the first game in the Mario franchise to have gameplay within an isometric 3D environment, allowing for a new variety of the exploration and platforming elements reminiscent of the Super Mario series.
Super Mario RPG was critically acclaimed, and particularly praised for its humor and 3D-rendered graphics. It was the inspiration for Nintendos other role-playing series, Paper Mario and Mario & Luigi, and both are spiritual successors which retain some gameplay elements. Super Mario RPG was released on the Wii Virtual Console service in 2008, marking its debut in Europe and Australia, and later for the Wii Us Virtual Console in 2015. It was also included with the Super NES Classic Edition in 2017. A remake for Nintendo Switch is set to be released in November 2023. A Sad Song - Super Mario RPG #pianocover](https://i.ytimg.com/vi/vmFvNV2MsGk/mqdefault.jpg)





![Sinfonia No.4 in D Minor BWV #790 [Chip Tune Arrangement]
The fourth of Bachs 15 Sinfonias (three part inventions) arranged for FamiTracker.
I took a different approach with this project than I did with the Two Part Inventions. Since latter is composed of only two voices, I used the empty channels in the FamiTracker to simulate reverb and delay effects to give the pieces a sense of depth, space, and life. I also kept them in mono, so they were generally a more pure representation of the NES hardware.
Since the Sinfonias introduce a third voice, I decided that I would do most of the sound design inside FamiTracker and export the stems to process inside Ableton Live. The result is less pure to the Chip Tune ethos, but I think service the music in a deeper way. The use of stereo mixing allows for the 3 parts to be spread out across the stereo field, giving the piece a wider sense of perspective - and the use of more conventional reverb and delay effects puts it in more of a real world environment.
As for the pieces themselves, I was less familiar with the Sinfonias than I was the Two Part Inventions. I also didnt do as much consulting of existing recordings for reference. Instead I tried to rely more on my own decisions about tempo, phrasing, and articulations so the interpretations may be less conventional.
Thanks for Listening!
🎵 Spotify: https://open.spotify.com/artist/4deXK...
🎵 Apple Music https://music.apple.com/us/artist/inn...
📷 Instagran https://www.instagram.com/innermotion...
☕ Ko-Fi https://ko-fi.com/innermotionmusic
#Chiptune #Famitracker #Bach #2partinvention #JSBach #twopartinvention #threepartinvention #3partinvention #sinfonia #Baroquemusic #8bit #8bitmusic #NES #NESmusic Sinfonia No.4 in D Minor BWV #790 [Chip Tune Arrangement]](https://i.ytimg.com/vi/yWKX7pETfRQ/mqdefault.jpg)

![How To Improvise ► Miles Davis #jazz
Miles Davis talks about his mind set when improvising in music.
#milesdavis #improvisation
Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American jazz musician, trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz.[1]
Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parkers bebop quintet from 1944 to 1948. Shortly after, he recorded the Birth of the Cool sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract with Columbia Records, and recorded the album Round About Midnight in 1955.[2] It was his first work with saxophonist John Coltrane and bassist Paul Chambers, key members of the sextet he led into the early 1960s. During this period, he alternated between orchestral jazz collaborations with arranger Gil Evans, such as the Spanish music-influenced Sketches of Spain (1960), and band recordings, such as Milestones (1958) and Kind of Blue (1959).[3] The latter recording remains one of the most popular jazz albums of all time,[4] having sold over five million copies in the U.S.
Davis made several line-up changes while recording Someday My Prince Will Come (1961), his 1961 Blackhawk concerts, and Seven Steps to Heaven (1963), another mainstream success that introduced bassist Ron Carter, pianist Herbie Hancock, and drummer Tony Williams.[3] After adding saxophonist Wayne Shorter to his new quintet in 1964,[3] Davis led them on a series of more abstract recordings often composed by the band members, helping pioneer the post-bop genre with albums such as E.S.P (1965) and Miles Smiles (1967),[5] before transitioning into his electric period. During the 1970s, he experimented with rock, funk, African rhythms, emerging electronic music technology, and an ever-changing line-up of musicians, including keyboardist Joe Zawinul, drummer Al Foster, and guitarist John McLaughlin.[6] This period, beginning with Daviss 1969 studio album In a Silent Way and concluding with the 1975 concert recording Agharta, was the most controversial in his career, alienating and challenging many in jazz.[7] His million-selling 1970 record Bitches Brew helped spark a resurgence in the genres commercial popularity with jazz fusion as the decade progressed.[8]
After a five-year retirement due to poor health, Davis resumed his career in the 1980s, employing younger musicians and pop sounds on albums such as The Man with the Horn (1981) and Tutu (1986). Critics were often unreceptive but the decade garnered Davis his highest level of commercial recognition. He performed sold-out concerts worldwide, while branching out into visual arts, film, and television work, before his death in 1991 from the combined effects of a stroke, pneumonia and respiratory failure.[9] In 2006, Davis was inducted into the Rock and Roll Hall of Fame,[10] which recognized him as one of the key figures in the history of jazz.[10] Rolling Stone described him as the most revered jazz trumpeter of all time, not to mention one of the most important musicians of the 20th century,[9] while Gerald Early called him inarguably one of the most influential and innovative musicians of that period.[11] How To Improvise ► Miles Davis #jazz](https://i.ytimg.com/vi/yhJ6C9xIjXI/mqdefault.jpg)
![SUPER MARIO 64 ✇ File Select [Instrumental Cover]
This is an instrumental cover music video for the File Select music from Super Mario 64 for Nintendo 64.
Watch more Super Mario Cover videos here ➡️ https://www.youtube.com/playlist?list=PLQkyXzRvm_jAgf6otxtX2aDsYMN6O5lO9
🔗 *Music Links*
🎵 *Spotify* https://open.spotify.com/artist/4deXKpk5X04fXVQh6LDYeS
🎵 *Apple Music* https://music.apple.com/us/artist/inner-motion-music/1529898132
🎵 *Band Camp* https://innermotionmusic.bandcamp.com/
🔗 *Socials*
🐦 *Twitter* https://twitter.com/InrMotionMusic
☁️ *BlueSky* https://bsky.app/profile/innermotionmusic.bsky.social
📷 *Instagram* https://www.instagram.com/innermotionmusic/
📷 *tiktok* https://www.tiktok.com/@innermotionmusic?lang=en
🪢 *Threads* https://www.threads.net/@innermotionmusic
☕ *Ko-Fi* https://ko-fi.com/innermotionmusic
Super Mario 64 is a 1996 platform game developed and published by Nintendo for the Nintendo 64. It was released in Japan and North America in 1996 and PAL regions in 1997. It is the first Super Mario game to feature 3D gameplay, combining traditional Super Mario gameplay, visual style, and characters in a large open world. In the game, Bowser, the primary antagonist of the Super Mario franchise, invades Princess Peachs castle and hides the castles sources of protection, the Power Stars, in many different worlds inside magical paintings. As Mario, the player collects Power Stars to unlock enough of Princess Peachs castle to get to Bowser and rescue Princess Peach.
Director Shigeru Miyamoto conceived a 3D Super Mario game during the production of Star Fox (1993). Development lasted nearly three years: about one year on design and twenty months on production, starting with designing the virtual camera system. The team continued with illustrating the 3D character models—at the time a relatively unattempted task—and refining sprite movements. The sound effects were recorded by Yoji Inagaki and the score was composed by Koji Kondo.
Super Mario 64 was highly anticipated by video game journalists and audiences, boosted by advertising campaigns and showings at the 1996 E3 trade show. It received critical acclaim, with reviewers praising its ambition, visuals, level design, and gameplay, though some criticized its virtual camera system. It is the best-selling Nintendo 64 game, with nearly twelve million copies sold by 2015.
Retrospectively, Super Mario 64 has been considered one of the greatest video games of all time. Numerous developers have cited it as an influence on 3D platform games, with its dynamic camera system and 360-degree analog control establishing a new archetype for the genre, much as Super Mario Bros. did for side-scrolling platform games. It was remade as Super Mario 64 DS for the Nintendo DS in 2004, and has been ported to other Nintendo consoles since. The game has attracted a cult following, spawning many fangames and mods, a large speedrunning presence, and enduring rumors surrounding game features.
*Original composer:* Koji Kondo
*Produced by:* Inner Motion Music
*Arranged, performed and mixed by:* Jerrold Kavanagh
#videogamecover #supermario #nintendo64
Relaxing video game music for sleeping. Relaxing video game music for art, painting, and drawing. Relaxing mario music. super mario music video. Music for inspiration. canción de videojuegos. ゲーム音楽 ゲームミュージック. वीडियो गेम संगीत. SUPER MARIO 64 ✇ File Select [Instrumental Cover]](https://i.ytimg.com/vi/ykhEo9K5u_U/mqdefault.jpg)