Uploaded August 2026 | Updated September 2026, 2 weeks ago
It starts with the feeling of the center — this G — and how it shifts when you expand the tension a little bit around it. Knowing that 1-3-5s and the things around them sound good is the easy part; the harder question is knowing where the 1-3-5 actually is, and seeing it on the board in real time. That takes a bit of framework: looking at the fingerboard in a very specific way.
SUBSCRIBE + JOIN THE COMMUNITY · shed.rotemsivan.com
It starts with the feeling of the center — this G — and how it shifts when you expand the tension a little bit around it. Knowing that 1-3-5s and the things around them sound good is the easy part; the harder question is knowing where the 1-3-5 actually is, and seeing it on the board in real time. That takes a bit of framework: looking at the fingerboard in a very specific way.
SUBSCRIBE + JOIN THE COMMUNITY · shed.rotemsivan.com
