Filmmaker Phedon Papamichael ASC GSC on cinematography and directing @panavision
Filmmaker Phedon Papamichael ASC GSC on cinematography and directing  @panavision
Uploaded June 2024 | Updated September 2026, 3 days ago
“I’ve always thought of myself not so specifically as a cinematographer,” says Phedon Papamichael, ASC, GSC. Indeed, the renowned director of photography has also directed numerous features of his own, and as he shares in this video, he has found that all parts of the filmmaking process — including working with actors, editors, and composers — inform one another. Here, Papamichael also reflects on the key lessons he’s learned from his multiple collaborations with directors Alexander Payne (on the features Sideways, The Descendants, Nebraska and Downsizing) and James Mangold (Identity, Walk the Line, 3:10 to Yuma, Knight and Day, Ford v Ferrari, Indiana Jones and the Dial of Destiny, and the upcoming A Complete Unknown).
Filmmaker Phedon Papamichael ASC GSC on cinematography and directingBuilding Trust with Directors | Mandy Walker, AM, ASC, ACSA Historic First, Then Back to Work | Autumn Durald Arkapaw ASCThe Physics of Lens Bokeh | Dan Sasaki“A Movie Is the Lenses” | Autumn Durald ArkapawDan Sasaki on the Magic of Lens AberrationsDesigning Two Different Oz Worlds | Alice Brooks ASCHow Seamus McGarvey Captured the Psyche of Die My LovePVintage & Petzval Lenses in Die My Love | Seamus McGarveyThe Secret to Shooting Fast Without Losing QualityHow Harry Styles Music Videos Get Shot (Fast!) | DP Nikita KuzmenkoIt became a representation of death. #KillersOfTheFlowerMoon #Cinematographer
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Filmmaker Phedon Papamichael ASC GSC on cinematography and directing

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