Uploaded December 2024 | Updated September 2026, 3 weeks ago
There’s a lot of fear right now for women’s safety and autonomy. In times like these, I look to old folk songs and ballads to remember how brilliant and subversive women and femmes have always been. This English folk song, known as “The Maid Who Sold Her Barley” goes back nearly 350 years, and tells the story of a clever maiden who cleverly and resoundingly rebukes an eager erm, “suitor” on the road.
If you want to feel into your own strength by singing the old songs of creative, humorous and witty women, join me for Badass Women in Folksong this winter! Our class goes from mid-January to mid-February, and every week we explore a different theme related to witty and wily women from English, Scottish and Appalachian folk song. These are stories about creativity, survival, reproductive choices, soldiering, magic wielding and more.
With the current climate in our culture, and the very real harm happening women both cisgender and trans, nonbinary folks, AFAB folks of any gender and more- this is the time to dig into feminist songs that express anger, humor and hope in the face of these struggles.
This course goes on sale next week- virtual and in-person options are available!
If you joyn my newsletter now (lynked through the linktr.ee on my creator page) you’ll get a special discount offer next week when sales begin!
*A note that when I talk about women’s experiences in this course, we’re talking about people perceived of, treated as, or identified as women both historically and today. In other words, people who have gendered themselves as women or been gendered by the broader culture as women. This includes trans women, nonbinary folks and other identities. We also talk about femmes in the context of the course as folks who might have a variety of sexual or gender identities, but who present as feminine (and as a result, can also be impacted negatively by patriarchal cultures)*
There’s a lot of fear right now for women’s safety and autonomy. In times like these, I look to old folk songs and ballads to remember how brilliant and subversive women and femmes have always been. This English folk song, known as “The Maid Who Sold Her Barley” goes back nearly 350 years, and tells the story of a clever maiden who cleverly and resoundingly rebukes an eager erm, “suitor” on the road.
If you want to feel into your own strength by singing the old songs of creative, humorous and witty women, join me for Badass Women in Folksong this winter! Our class goes from mid-January to mid-February, and every week we explore a different theme related to witty and wily women from English, Scottish and Appalachian folk song. These are stories about creativity, survival, reproductive choices, soldiering, magic wielding and more.
With the current climate in our culture, and the very real harm happening women both cisgender and trans, nonbinary folks, AFAB folks of any gender and more- this is the time to dig into feminist songs that express anger, humor and hope in the face of these struggles.
This course goes on sale next week- virtual and in-person options are available!
If you joyn my newsletter now (lynked through the linktr.ee on my creator page) you’ll get a special discount offer next week when sales begin!
*A note that when I talk about women’s experiences in this course, we’re talking about people perceived of, treated as, or identified as women both historically and today. In other words, people who have gendered themselves as women or been gendered by the broader culture as women. This includes trans women, nonbinary folks and other identities. We also talk about femmes in the context of the course as folks who might have a variety of sexual or gender identities, but who present as feminine (and as a result, can also be impacted negatively by patriarchal cultures)*
![Mirie it is While Sumer Ilast 2022
An updated version with more accurate pronunciation than last years video!
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“Mirie it is while sumer ilast” is the earliest known secular song in the English language.
Written down sometime in the first half of the 13th century, it was found miraculously on a flyleaf added to a Book of Psalms created in the late 12th century. We have the melody, and one verse.
This song is all about the hardships of winter, and remembering the pleasantness of summer. The author laments the harsh weather, the long hours of darkness, hunger and sorrow.
Here are the original words in Middle English:
[M]Irie it is while sumer ilast
with fugheles song
oc nu necheth windes blast
and weder strong.
Ei ei what this nicht is long
And ich with wel michel wrong.
Soregh and murne and [fast].
Translation:
Merry it is while summer lasts
with bird song
but now, close by, the winds blast
and the weather is strong.
Oh, oh! This night is long
And I also am done much wrong.
Sorrow and mourn and go without food.
Due to deterioration of the flyleaf and the ambiguity of the notation due to inexact penmanship, there is no way to have a completely accurate interpretation of the “Mirie it is…”
What I perform here is based on the interpretation of Ian Pittaway, who has done a great deal of work wrestling with the various interpretive possibilities of the song. You can read a detailed essay about his work with “Mirie” here: https://earlymusicmuse.com/mirie-it-i...
I take just a few purposeful liberties with the melody, most specifically singing the last few notes of the verse differently than interpreted by Pittaway. Mirie it is While Sumer Ilast 2022](https://i.ytimg.com/vi/eiHC_XifwNQ/mqdefault.jpg)









