Uploaded February 2023 | Updated September 2026, 2 weeks ago
Though often drawing from personal pain, the work of Female Pentimento shines divine light on a world full of wonder. In his music, organ drones are layered with visceral sound design, ASMR whispers and lacerated noise to amplify a constant tension between transcendent beauty and cathartic horror. In the same way his imagery, intricate composites of photography and digital composition, conjures moments of beauty so surreal they constantly threaten to tip over into the sublime. Through the eyes of Female Pentimento, our world is teeming with apparitions, Ignes Fatui, Brocken spectres, luminous glories and Heiligenschein, natural phenomena that come the closest to manifestations of the miraculous. “I grew up in the Methodist church and I think subconsciously a lot of traditional, Christian symbolism has been embedded in my psyche and made its way into my work; light being one element,” the artist told Coeval Magazine. “Its ability to transmute the physical and speak to a more beautiful, inner world withstands the cliches and religious connotations for me.” Eschewing depictions of human beings for alternate realities inhabited by alternate forms of energy, Female Pentimento seeks to transform the world as means of exploring our place within it, a biospiritualist practice that finds divine inspiration within nature. Digital visionary Axonbody shares a similarly metaphysical approach to image making, blurring the natural with the synthetic until they are indistinguishable from each other, collapsing all matter into vibrant material, bursting with potential energy. The two share such common ground that their collaboration feels destined, the meeting of two minds dedicated to both inner and outer discovery. It’s fitting, then, that the two come together for Zugunruhe, a searing hymn to turmoil and transformation, exposing a spirit in crisis.
“In the video we use the motif of birds to speak directly to this idea of ‘zugunruhe’, which is a term that refers to the instinctive restlessness that many migratory birds experience,” explains Female Pentimento. “I think as a concept it’s an interesting metaphor for the liminal phase of a healing process, that is, wanting to change your physical or mental state but not knowing how and feeling lost amidst the desire.” Stroboscopic flares, storm clouds swollen with electricity and warped murmurations of birds depict states of continual flux, perched on a knife edge between change and destruction. Artificial light penetrates grey rock formations while ancient stones burn with pale fire, the natural world ruptured by unnatural forces. “The notions of cycles and rebirths is something that has always been very central in my work,” continues Axonbody. “What is left after a form of energy ascends from one layer of reality to another? Can some of it stay left behind, and what would it look like? I think I connected very closely to ‘Zugunruhe’ because of that. The friction between the whispered voices and the screams in the vocals feels like a very raw depiction of this state of confusion someone can feel when being on the verge of big changes, or transformation, this feeling of fear and attraction towards that next layer of reality, the next stage in your life.” Female Pentimento describes the track as “a response to my own desire to heal from abuse but not having the tools or know-how to do so,” and alternates between tender spoken word, ethereal harmonies, strangled song and eviscerated howls, lending clarity to catharsis. “I wanted to capture the longing and chaos of that process,” the artist continues. “I was interested in exploring different sonic temperatures, so there are parts of the song that are quite cold and barren, while other moments feel a bit warmer and soothing. I think this reflects the emotional ups and downs that can come with the journey to mend one’s heart.”
Though often drawing from personal pain, the work of Female Pentimento shines divine light on a world full of wonder. In his music, organ drones are layered with visceral sound design, ASMR whispers and lacerated noise to amplify a constant tension between transcendent beauty and cathartic horror. In the same way his imagery, intricate composites of photography and digital composition, conjures moments of beauty so surreal they constantly threaten to tip over into the sublime. Through the eyes of Female Pentimento, our world is teeming with apparitions, Ignes Fatui, Brocken spectres, luminous glories and Heiligenschein, natural phenomena that come the closest to manifestations of the miraculous. “I grew up in the Methodist church and I think subconsciously a lot of traditional, Christian symbolism has been embedded in my psyche and made its way into my work; light being one element,” the artist told Coeval Magazine. “Its ability to transmute the physical and speak to a more beautiful, inner world withstands the cliches and religious connotations for me.” Eschewing depictions of human beings for alternate realities inhabited by alternate forms of energy, Female Pentimento seeks to transform the world as means of exploring our place within it, a biospiritualist practice that finds divine inspiration within nature. Digital visionary Axonbody shares a similarly metaphysical approach to image making, blurring the natural with the synthetic until they are indistinguishable from each other, collapsing all matter into vibrant material, bursting with potential energy. The two share such common ground that their collaboration feels destined, the meeting of two minds dedicated to both inner and outer discovery. It’s fitting, then, that the two come together for Zugunruhe, a searing hymn to turmoil and transformation, exposing a spirit in crisis.
“In the video we use the motif of birds to speak directly to this idea of ‘zugunruhe’, which is a term that refers to the instinctive restlessness that many migratory birds experience,” explains Female Pentimento. “I think as a concept it’s an interesting metaphor for the liminal phase of a healing process, that is, wanting to change your physical or mental state but not knowing how and feeling lost amidst the desire.” Stroboscopic flares, storm clouds swollen with electricity and warped murmurations of birds depict states of continual flux, perched on a knife edge between change and destruction. Artificial light penetrates grey rock formations while ancient stones burn with pale fire, the natural world ruptured by unnatural forces. “The notions of cycles and rebirths is something that has always been very central in my work,” continues Axonbody. “What is left after a form of energy ascends from one layer of reality to another? Can some of it stay left behind, and what would it look like? I think I connected very closely to ‘Zugunruhe’ because of that. The friction between the whispered voices and the screams in the vocals feels like a very raw depiction of this state of confusion someone can feel when being on the verge of big changes, or transformation, this feeling of fear and attraction towards that next layer of reality, the next stage in your life.” Female Pentimento describes the track as “a response to my own desire to heal from abuse but not having the tools or know-how to do so,” and alternates between tender spoken word, ethereal harmonies, strangled song and eviscerated howls, lending clarity to catharsis. “I wanted to capture the longing and chaos of that process,” the artist continues. “I was interested in exploring different sonic temperatures, so there are parts of the song that are quite cold and barren, while other moments feel a bit warmer and soothing. I think this reflects the emotional ups and downs that can come with the journey to mend one’s heart.”







![embryoroom - Escape From Coney Island
Back in 2021 experimental filmmaker, musician and multimedia artist Edward Quist, better known by his mysterious alias, embryoroom, channeled a year’s worth of pandemic-induced angst, anguish and anxiety into Ravaged By The Sun (American Cannibalism), an ambitious, feature-length collage of stroboscopic imagery, textural CGI and a seething score of desolate electronics and chilly techno. A nihilistic sci-fi response to being locked down in New York City, Ravaged By The Sun is set in a world in which the Coney Island amusement park has been transformed into a concentration camp guarded by bio-engineered zombies and the Empire State Building serves as a relay antenna transmitting a death ray used for submission and control in a totalitarian America. In the sequel, Escape From Coney Island, Quist explores this world further, pitching headlong into a breathless sprint of monochrome and fire. Featuring sound and performance from Ilpo Väisänen of Pan Sonic, the dark magus of the American underground John Duncan, Helsinki-based, Italian duo Nona Et Decima, NYC artist Qvorg and Mute Records engineer Paul Kendall, the film sees Quist inviting a new cast of collaborators to engage with the world of Ravaged By The Sun.
“Brain fog is a symptom of our time,” explains writes collaborator and cultural theorist Alexei Monroe. “Two years into the pandemic and weeks into the catastrophic war in the Ukraine, many are numb and digitally shell-shocked. Nothing cuts through and each new shock is witnessed passively. This ‘new’ symptom is itself the result of over two decades of web-based digital information overload. This can be even more marked in those of us who spent decades attending or performing at intense, audiovisual techno and electronic events. We’ve seen and heard so much electronic intensity. Numbness can creep in, making it hard for anything to really cut through and disturb or inspire us. The tragedy of indifference is unfolded before us. The decaying, serially overloaded senses – the withered cultural muscles – the metaphorical toll of the bell.”
Drawing on Quist’s love of ’60s cathode ray television aesthetics, as well as obscure televisual references such as the original run of The Twilight Zone, the pioneering title sequences and the BBC’s Radiophonic Workshop’s score of Doctor Who, as well as old TV test cards, Monroe traces the connections between Quist’s love of science fiction and horror and his disturbing caricature of an America divided by surveillance and propaganda. “After a brief, ominous introduction, jaded senses are pressed into service by infinitely strobing, ever-evolving signals that seem to infest and to haunt the screen. Biomechanical demons, tortured prisoners contorted into anguished digital caricatures and an ever-intensifying soundtrack propel the viewer forward relentlessly.”
“Quist reunites with another old collaborator, the great Ilpo Vaisanen of Pan Sonic,” continues Monroe. “Quist filmed many of Pan Sonic’s intense performances in 1999 and some of this rich material found its way into the seminal 2008 Kuvaputki DVD. The ghostly, distorted visual textures of this eeriest of concert films has surely filtered through into embryoroom’s audiovisual techniques as can be seen in some of the blurred motion trails surrounding the human figures seen in the film. With the benefit of hindsight, some of the ghostly figures seen in Kuvaputki could almost fit into the new film.” Careening towards a climax of catharsis, Escape From Coney Island concludes in flames of both destructive power and of hopeful renewal, the twisted, mechanised abominations of man melted down, paving the way for for whatever comes next. embryoroom will return.
Escape From Coney Island Credits:
Producer, Director – Edward Quist
Soundtrack – Ilpo Väisänen of Pan Sonic, John Duncan, Nona Et Decima, Qvorg, Paul Kendall and embryoroom
Second Unit Camera – Lyydia Osara
Production Assistant – Kamil Karpinski
Custom Sound Equipment – Lateral Sound UK
1. Ministry of Fear / Astroland – embryoroom (00.00)
2. Anodyne Tunnel / Terminal Wonder Wheel – embryoroom (8:42)
3. Bio Cell / Electric Throne – embryoroom [Feat. Nona Et Decima] (Karpinski Remix) (13:24)
4. Psychogenic killgrid / Screen Memory – embryoroom (20:29)
5. Archetype Implant / Dark Island – Qvorg (24:41)
6. Reanimated War Cadaver / Ghost of Chance – John Duncan, embryoroom (28:42)
7. Ministry of Disease / The 5th Vial – embryoroom [Feat. Paul Kendall] (32:45)
8. The Last Human / American Cannibalism – Ilpo Väisänen (39:51)
9. Shadow Sporogenesis, Dispersal / Primitive Injection – embryoroom) (44:47)
10. End Credits (52:06) embryoroom - Escape From Coney Island](https://i.ytimg.com/vi/rKfknuOpje0/mqdefault.jpg)


