Uploaded November 2022 | Updated September 2026, 2 weeks ago
F. MENDELSSOHN: piano concertos 1&2
Photos: England countryside and Eilean Donan Castle
From Wikipedia, the free encyclopedia
Jakob Ludwig Felix Mendelssohn Bartholdy[n 1] (3 February 1809 – 4 November 1847), born and widely known as Felix Mendelssohn,[n 2] was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for A Midsummer Night's Dream (which includes his "Wedding March"), the Italian Symphony, the Scottish Symphony, the oratorio St. Paul, the oratorio Elijah, the overture The Hebrides, the mature Violin Concerto and the String Octet. The melody for the Christmas carol "Hark! The Herald Angels Sing" is also his. Mendelssohn's Songs Without Words are his most famous solo piano compositions.
Mendelssohn's grandfather was the renowned Jewish philosopher Moses Mendelssohn, but Felix was initially raised without religion. He was baptised at the age of seven, becoming a Reformed Christian. He was recognised early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his talent. His sister Fanny Mendelssohn received a similar musical education and was a talented composer and pianist in her own right; some of her early songs were published under her brother's name and her Easter Sonata was for a time mistakenly attributed to him after being lost and rediscovered in the 1970s.
Mendelssohn enjoyed early success in Germany, and revived interest in the music of Johann Sebastian Bach, notably with his performance of the St Matthew Passion in 1829. He became well received in his travels throughout Europe as a composer, conductor and soloist; his ten visits to Britain – during which many of his major works were premiered – form an important part of his adult career. His essentially conservative musical tastes set him apart from more adventurous musical contemporaries such as Franz Liszt, Richard Wagner, Charles-Valentin Alkan and Hector Berlioz. The Leipzig Conservatory,[n 3] which he founded, became a bastion of this anti-radical outlook. After a long period of relative denigration due to changing musical tastes and antisemitism in the late 19th and early 20th centuries, his creative originality has been re-evaluated. He is now among the most popular composers of the Romantic era.
F. MENDELSSOHN: piano concertos 1&2
Photos: England countryside and Eilean Donan Castle
From Wikipedia, the free encyclopedia
Jakob Ludwig Felix Mendelssohn Bartholdy[n 1] (3 February 1809 – 4 November 1847), born and widely known as Felix Mendelssohn,[n 2] was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for A Midsummer Night's Dream (which includes his "Wedding March"), the Italian Symphony, the Scottish Symphony, the oratorio St. Paul, the oratorio Elijah, the overture The Hebrides, the mature Violin Concerto and the String Octet. The melody for the Christmas carol "Hark! The Herald Angels Sing" is also his. Mendelssohn's Songs Without Words are his most famous solo piano compositions.
Mendelssohn's grandfather was the renowned Jewish philosopher Moses Mendelssohn, but Felix was initially raised without religion. He was baptised at the age of seven, becoming a Reformed Christian. He was recognised early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his talent. His sister Fanny Mendelssohn received a similar musical education and was a talented composer and pianist in her own right; some of her early songs were published under her brother's name and her Easter Sonata was for a time mistakenly attributed to him after being lost and rediscovered in the 1970s.
Mendelssohn enjoyed early success in Germany, and revived interest in the music of Johann Sebastian Bach, notably with his performance of the St Matthew Passion in 1829. He became well received in his travels throughout Europe as a composer, conductor and soloist; his ten visits to Britain – during which many of his major works were premiered – form an important part of his adult career. His essentially conservative musical tastes set him apart from more adventurous musical contemporaries such as Franz Liszt, Richard Wagner, Charles-Valentin Alkan and Hector Berlioz. The Leipzig Conservatory,[n 3] which he founded, became a bastion of this anti-radical outlook. After a long period of relative denigration due to changing musical tastes and antisemitism in the late 19th and early 20th centuries, his creative originality has been re-evaluated. He is now among the most popular composers of the Romantic era.



![Luca Turilli: EXCALIBUR
Luca Turilli: EXCALIBUR
Singer : Alessandro Conti
[Intro]
Septimum
(Nunc veni)
Sigillum
(Et vide)
Septimum
(Nunc veni)
Sigillum
(Et vide)
[Verse 1]
Ego usurato, duomo ferito
Tra orgoglio e peccato, la forza del mito
Sinful, bleeding, a new lifes meaning
Your glares healing my broken feelings
In the shades of Avalons dark reign
[Pre-Chorus]
The last word of an immortal skylord
Hidden in the tears of fallen angels
Will reveal the wonders of my heaven
At the dawn of a new eternity
Shines the mighty blade of destiny
[Verse 2]
Lantico inganno al cor mai svelato
Leroico furore di un Dio tormentato
Sacred fire, gloria in profundis
Divine wisdom, my axis mundi
Mental nexus between Earth and sky
[Pre-Chorus]
The last word of an immortal skylord
Hidden in the tears of fallen angels
Will reveal the wonders of my heaven
At the dawn of a new eternity
Shines the mighty blade of destiny
[Chorus]
Ego sum unus et vivus fui mortuus
Sum vivens in saecula saeculorum
In meo sanguine libero te, domine
Quando corpus morietur fac ut animae gloria donetur
Excalibur
[Refrain]
Septimum
(Nunc veni)
Sigillum
(Et vide)
Septimum
(Nunc veni)
Sigillum
(Et vide)
[Guitar Solo]
[Verse 3]
Della terra il fuoco e il gelo
Delle acque il mormorar
Della runa il suo segreto
E dal druido il suo vibrar
[Verse 4]
Al furor di vento e mar
Mano ardita sceglierà
E dal pianto di un infante
La leggenda nascerà
[Guitar Solo]
[Spoken]
An age-old nemesis is stalking through time itself to hunt down the only one who can stand in its way.
[Bridge]
(Honor et virtus
Honor et virtus)
Honor et virtus
(Sacrus gladius
Sacrus gladius)
Sacrus gladius
Yeah!
Excalibur, oh!
[Pre-Chorus]
Only one will brandish the great sword of power
Riding winds of hope
Only one will unify the kingdoms
And will serve the angels word
Only one will brandish the great sword of power
Riding winds of hope
Only one will unify the kingdoms
And will serve the angels word
Hail the glory of Excalibur
[Chorus]
Ego sum unus et vivus fui mortuus
Sum vivens in saecula saeculorum
In meo sanguine libero te, domine
Quando corpus morietur fac ut animae gloria donetur
Excali...
Ego sum unus et vivus fui mortuus
Sum vivens in saecula saeculorum
In meo sanguine libero te, domine
Quando corpus morietur fac ut animae gloria donetur
Excali...
Excali... bur
Excali... bur!!!
[Outro]
In veritatis splendor est
Meus gladius
In veritatis splendor est
Excalibur
Sacrus gladius
In meo sanguine libero te
Sacrus gladius
Meus gladius Luca Turilli: EXCALIBUR](https://i.ytimg.com/vi/ntkUHEb4Ai0/mqdefault.jpg)





![L.V.BEETHOVEN: PIANO CONCERTO NO.5(1809) - K.ZIMERMAN;L.BERNSTEIN,Wiener Philharmoniker
L.V.BEETHOVEN: PIANO CONCERTO NO.5 - K.ZIMERMAN;L.BERNSTEIN,Wiener Philharmoniker
From Wikipedia, the free encyclopedia
The Piano Concerto No. 5 in E♭ major, Op. 73, by Ludwig van Beethoven, popularly known as the Emperor Concerto, was his last completed piano concerto. It was written between 1809 and 1811 in Vienna, and was dedicated to Archduke Rudolf, Beethovens patron and pupil. The first performance took place on 13 January 1811 at the Palace of Prince Joseph Lobkowitz in Vienna, with Archduke Rudolf as the soloist,[1] followed by a public concert on 28 November 1811 at the Gewandhaus in Leipzig under conductor Johann Philipp Christian Schulz, the soloist being Friedrich Schneider.[2][3] On 12 February 1812, Carl Czerny, another student of Beethovens, gave the Vienna debut of this work.
The epithet of Emperor for this concerto was not Beethovens own but was coined by Johann Baptist Cramer, the English publisher of the concerto.[4] Its duration is approximately forty minutes.
Instrumentation
The concerto is scored for solo piano, two flutes, two oboes, two clarinets in B♭ (clarinet I playing in A in movement 2), two bassoons, two horns, two trumpets, timpani in E♭ and B♭, and strings. In the second movement, 2nd flute, 2nd clarinet, trumpets, and timpani are tacet.
Movements
The concerto is divided into three movements:
Allegro in E♭ major
Adagio un poco mosso[a] in B major
Rondo: Allegro in E♭ major L.V.BEETHOVEN: PIANO CONCERTO NO.5(1809) - K.ZIMERMAN;L.BERNSTEIN,Wiener Philharmoniker](https://i.ytimg.com/vi/plhDymjsqa0/mqdefault.jpg)
