Uploaded November 2025 | Updated September 2026, 2 weeks ago
From '' Hey Joe / Deception's Ice ''
Label: Eadit – none
Format: Vinyl, 7", 45 RPM
Country: US
Released: Jul 1967
Tracklist
A Hey Joe
Written-By – Dino Valenti
B Deception's Ice
Written-By – Jay Snyder
Producer – Joe Saia
------------------------
"Hey Joe" is an American popular song from the 1960s that has become a rock standard and has been performed in many musical styles by hundreds of different artists.
"Hey Joe" tells the story of a man who is on the run and planning to head to Mexico after shooting his unfaithful wife.
The song was registered for copyright in the United States in 1962 by Billy Roberts.
However, diverse credits and claims have led to confusion about the song's authorship.
The earliest known commercial recording of the song is the late-1965 single by the Los Angeles garage band the Leaves; the band then re-recorded the track and released it in 1966 as a follow-up single which became a hit.
The best-known version is the Jimi Hendrix Experience's 1966 recording.
Authorship
While claimed by singer Tim Rose to be a traditional song, or often erroneously attributed to the pen of American musician Dino Valenti (who also went by the names Chester or Chet Powers, and Jesse Farrow), "Hey Joe" was registered for copyright in the U.S. in 1962 by Billy Roberts. Scottish folk singer Len Partridge has claimed that he helped write the song with Roberts when they both performed in clubs in Edinburgh in 1956. Other sources (including singer Pat Craig) claim that Roberts assigned the rights to the song to his friend Valenti while Valenti was in jail, in order to give him some income upon release.
Roberts was a relatively obscure California-based folk singer, guitarist, and harmonica player who performed on the West Coast coffeehouse circuit. He recorded the country rock album Thoughts of California with the band Grits in San Francisco in 1975, produced by Hillel Resner.
Roberts may have drawn inspiration for "Hey Joe" from three earlier works: his girlfriend Niela Miller's 1955 song "Baby, Please Don’t Go To Town" (which uses a similar chord progression based on the circle of fifths); Carl Smith's 1953 US country hit "Hey Joe!" (written by Boudleaux Bryant), which shared the title and the "questioning" format; and the early 20th century traditional ballad "Little Sadie", which tells of a man on the run after he has shot his wife.
Rights to the song were administered from 1966 into the 2000s by the music publisher Third Story Music (now Third Palm Music); there the author is listed as Billy Roberts.
Selected list of recorded versions
Cher
Wilson Pickett
The Surfaris
Love
The Byrds
The Standells
The Music Machine
The Shadows of Knight
Warlocks
Tim Rose
The Cryan' Shames
Gonn
The SoulBenders
The Stillroven
The Hazards
Johnny Hallyday
Martò
Los Locos
Ant Trip Ceremony
The Golden Cups
The Creation
Marmalade
The Mothers of Invention
Johnny Rivers
Band of Joy
Fever Tree
Lee Moses
Carson
The Les Humphries Singers
Roy Buchanan
Spirit
Suzie Hendrix
Alvin Lee
Buldožer
Soft Cell
"Weird Al" Yankovic
Nash The Slash
Nick Cave and the Bad Seeds
Dead Moon
Francesco Di Giacomo
Seal
The Offspring
Willy DeVille
Type O Negative
Jerry Douglas
Buckwheat Zydeco
Roy Buchanan
Body Count
Eddie Murphy
Captain Sensible
Mathilde Santing
Lick the Tins
Brazilian Band O Rappa
Fifteen
Otis Taylor
The Make-Up
Axel Rudi Pell
Medeski Martin & Wood
Franco Battiato
Robert Plant
Brant Bjork
Gabe Dixon Band
Cassie Steele
Psychedelic Deja Vu
Guitar Shorty
Arklio Galia
Bap Kennedy
Brown Sugar
Josh Charles
In the media
The Jimi Hendrix Experience version appears in the following films:
Forrest Gump
Empire Records
Wayne's World 2
Death Sentence
Reaper
Harold & Kumar Escape from Guantanamo Bay
Crooklyn
#garagerock
From '' Hey Joe / Deception's Ice ''
Label: Eadit – none
Format: Vinyl, 7", 45 RPM
Country: US
Released: Jul 1967
Tracklist
A Hey Joe
Written-By – Dino Valenti
B Deception's Ice
Written-By – Jay Snyder
Producer – Joe Saia
------------------------
"Hey Joe" is an American popular song from the 1960s that has become a rock standard and has been performed in many musical styles by hundreds of different artists.
"Hey Joe" tells the story of a man who is on the run and planning to head to Mexico after shooting his unfaithful wife.
The song was registered for copyright in the United States in 1962 by Billy Roberts.
However, diverse credits and claims have led to confusion about the song's authorship.
The earliest known commercial recording of the song is the late-1965 single by the Los Angeles garage band the Leaves; the band then re-recorded the track and released it in 1966 as a follow-up single which became a hit.
The best-known version is the Jimi Hendrix Experience's 1966 recording.
Authorship
While claimed by singer Tim Rose to be a traditional song, or often erroneously attributed to the pen of American musician Dino Valenti (who also went by the names Chester or Chet Powers, and Jesse Farrow), "Hey Joe" was registered for copyright in the U.S. in 1962 by Billy Roberts. Scottish folk singer Len Partridge has claimed that he helped write the song with Roberts when they both performed in clubs in Edinburgh in 1956. Other sources (including singer Pat Craig) claim that Roberts assigned the rights to the song to his friend Valenti while Valenti was in jail, in order to give him some income upon release.
Roberts was a relatively obscure California-based folk singer, guitarist, and harmonica player who performed on the West Coast coffeehouse circuit. He recorded the country rock album Thoughts of California with the band Grits in San Francisco in 1975, produced by Hillel Resner.
Roberts may have drawn inspiration for "Hey Joe" from three earlier works: his girlfriend Niela Miller's 1955 song "Baby, Please Don’t Go To Town" (which uses a similar chord progression based on the circle of fifths); Carl Smith's 1953 US country hit "Hey Joe!" (written by Boudleaux Bryant), which shared the title and the "questioning" format; and the early 20th century traditional ballad "Little Sadie", which tells of a man on the run after he has shot his wife.
Rights to the song were administered from 1966 into the 2000s by the music publisher Third Story Music (now Third Palm Music); there the author is listed as Billy Roberts.
Selected list of recorded versions
Cher
Wilson Pickett
The Surfaris
Love
The Byrds
The Standells
The Music Machine
The Shadows of Knight
Warlocks
Tim Rose
The Cryan' Shames
Gonn
The SoulBenders
The Stillroven
The Hazards
Johnny Hallyday
Martò
Los Locos
Ant Trip Ceremony
The Golden Cups
The Creation
Marmalade
The Mothers of Invention
Johnny Rivers
Band of Joy
Fever Tree
Lee Moses
Carson
The Les Humphries Singers
Roy Buchanan
Spirit
Suzie Hendrix
Alvin Lee
Buldožer
Soft Cell
"Weird Al" Yankovic
Nash The Slash
Nick Cave and the Bad Seeds
Dead Moon
Francesco Di Giacomo
Seal
The Offspring
Willy DeVille
Type O Negative
Jerry Douglas
Buckwheat Zydeco
Roy Buchanan
Body Count
Eddie Murphy
Captain Sensible
Mathilde Santing
Lick the Tins
Brazilian Band O Rappa
Fifteen
Otis Taylor
The Make-Up
Axel Rudi Pell
Medeski Martin & Wood
Franco Battiato
Robert Plant
Brant Bjork
Gabe Dixon Band
Cassie Steele
Psychedelic Deja Vu
Guitar Shorty
Arklio Galia
Bap Kennedy
Brown Sugar
Josh Charles
In the media
The Jimi Hendrix Experience version appears in the following films:
Forrest Gump
Empire Records
Wayne's World 2
Death Sentence
Reaper
Harold & Kumar Escape from Guantanamo Bay
Crooklyn
#garagerock

![Mr Joe English - Lay Lady Lay (Bob Dylan Cover)
From Lay Lady Lay
Label: Fontana – TF 1034 / 267 951 TF
Format: Vinyl, 7, 45 RPM, Single, Mono
Country: UK
Released: May 30, 1969
Tracklist
A Lay Lady Lay
Written-By – Bob Dylan
B Two Minute Silence
Written-By – Paul Korda
Producer – Paul Korda
Lay Lady Lay, sometimes rendered Lay, Lady, Lay, is a song written by Bob Dylan and originally released in 1969 on his Nashville Skyline album.
Like many of the tracks on the album, Dylan sings the song in a low croon, rather than in the high nasal singing style associated with his earlier (and eventually later) recordings.
The song has become a standard and has been covered by numerous bands and artists over the years.
The song, Dylans final top 10 hit, peaked at No. 7 on the Billboard Hot 100.
Bob Dylans version
Lay Lady Lay was originally written for the soundtrack of the film Midnight Cowboy but wasnt submitted in time to be included in the finished film.
Joel Whitburn said instead that the song was written for his wife Sarah Lowndes.
In a 1971 interview for which transcripts were auctioned in 2020, Dylan said the song was written for Barbra Streisand, with Streisand later adding that Dylan wanted to sing a duet with her.
Dylans recording was released as a single in July 1969 and quickly became his fourth and last top 10 U.S. hit, peaking at no.7 on the Billboard Hot 100 for the consecutive weeks of September 6 and 13.
The single did even better in the United Kingdom where it reached no.5 on the UK Singles Chart.
Covers
Phil Everly of the Everly Brothers stated in an interview that Dylan offered the song to them backstage after an appearance by the duo in New York.
Everly asked Dylan if he had any new songs that they might record, and answering Yes, Dylan picked up a guitar and proceeded to sing them the song.
But he sang so softly, the Everlys thought they heard Dylan sing, Lay lady lay, lay across my big breasts, babe.
Thinking it was a song about lesbians, Don Everly declined the song.
Months later, when they heard Dylans version on the radio and realized theyd misheard the lyrics, the Everlys felt theyd missed a big opportunity and later recorded the song on their EB 84 album.
The Byrds recording of Lay Lady Lay was released as a single on May 2, 1969 and reached No.132 on the Billboard chart but failed to break into the UK Singles Chart.
The Byrds recorded Lay Lady Lay on March 27, 1969 but producer Bob Johnston overdubbed a female choir on to the recording on April 18, 1969 without The Byrds consent.
The group were incensed, feeling that the choral overdub was incongruous and an embarrassment.
Duran Duran recorded an ethereal wave version of the song, appearing as track five on their 1995 covers album, Thank You.
The American band Ministry released a version of the song as a single and as part of their 1996 album, Filth Pig.
Made in Sweden, on the 1969 album Snakes in a Hole
Mike Melvoin, on the 1969 album The Plastic Cow Goes Moooooog
Cher, on the 1969 album 3614 Jackson Highway
Keith Jarrett, in a 1969 performance in Aarhus, Denmark.
Ben E. King, on the 1970 album Rough Edges
The Isley Brothers, on the 1971 album Givin it Back
Melanie, on the 1972 album Garden in the City
Della Reese, on the 1973 album Let Me in Your Life
Hoyt Axton, on the 1976 album Fearless
Neil Diamond, on the 1978 album Stages: Performances 1970-2002
David Kitt recorded the song during the sessions for his 2004 covers album The Black And Red Notebook; it eventually surfaced on Misfits Vol 1 (2007).
Kevin Ayers covered the song on his 1983 album Diamond Jack and the Queen of Pain and his 1984 album Deià...Vu.
The Everly Brothers, on the 1984 album EB 84
Richie Havens, on the 1986 album Sings Beatles and Dylan
Booker T. & the MGs, on the 1992 album Time is Tight
Isaac Hayes, on the 1999 album Tangled Up in Blues: Songs of Bob Dylan
Steve Howe, on the 1999 album Portraits of Bob Dylan
Eddie & Ernie
Cassandra Wilson
US Maple
Magnet and Gemma Hayes, on the 2003 album On Your Side, also featured in the 2005 film Mr. & Mrs. Smith.
Buddy Guy (featuring Anthony Hamilton)
The Stands
Maria Muldaur
Jim Ward
Deana Carter
Roch Voisine
📜 [PUBLISHING & PERMISSIONS]
Copyright music and lyrics reproduced by kind permission of Special Rider – for original, exclusive performances by Bob Dylan, check-out the official channel at https://www.youtube.com/BobDylan Mr Joe English - Lay Lady Lay (Bob Dylan Cover)](https://i.ytimg.com/vi/NUvKECgU4D8/mqdefault.jpg)
![Adrian Fuller - Everlasting Love (Robert Knight Cover)
From Everlasting Love / Love Hurts
Label: Dry Records – DRY 001
Format: Vinyl, 7, 45 RPM
Country: UK
Released: 1980
Tracklist
A Everlasting Love
AA Love Hurts
Lead Vocals – Adrian Fuller
Lead Guitar, Rhythm Guitar [Non-Lead Guitar], Backing Vocals – Greg Ainsworth
Keyboards, Backing Vocals, Producer, Arranged By – Lindsay Frost
Drums, Snare [Nuclear Snare] – Dave Albone
Bass Guitar – Simon Albone
Recorded At – September Sound Studios
Engineer – Bob Whiteley
Published By – Peter Maurice Ltd.
Published By – Acuff-Rose
🎵 [SONG INFO]
Everlasting Love is a song written by Buzz Cason and Mac Gayden, originally a 1967 hit for Robert Knight and since covered numerous times.
The most successful version in the UK was performed by Love Affair and the highest-charting version in the US was performed by Carl Carlton.
Other cover versions were performed by Town Criers, Rex Smith & Rachel Sweet, Sandra Cretu, U2 and Gloria Estefan.
The original version of Everlasting Love was recorded by Knight in Nashville, with Cason and Gayden aiming to produce it in a Motown style reminiscent of the Four Tops and the Temptations. When released as a single in the US, the song reached No. 13 on the Billboard Hot 100 in 1967. Subsequently, the song has reached the US top 40 three times, most successfully as performed by Carl Carlton, peaking at No. 6 in 1974, with more moderate success by the duo Rex Smith and Rachel Sweet (No. 32 in 1981) and Gloria Estefan (No. 27 in 1995). Robert Knights and Carl Carltons versions both peaked during the last two weeks of November, 1967 for Knight, 1974 for Carlton.
In the UK, Everlasting Love was covered by the Love Affair: it achieved No. 1 status in January 1968, eclipsing the Robert Knight original. Also in 1968, a cover by the Australian group Town Criers reached No. 2 in the Australian charts. In the 1990s Everlasting Love reached the UK top 20 three times via remakes by Worlds Apart (No. 20 in 1993), Gloria Estefan (No. 19 in 1995) and, most successfully, a charity single by the cast from Casualty that reached No. 5 in 1998. In 2004, Jamie Cullums version peaked at No. 20. Thus, Everlasting Love is one of two songs to become a Billboard Hot 100 top 40 hit in the 1960s, 1970s, 1980s, and 1990s (the other being The Way You Do the Things You Do) and the only song to become a UK top 40 hit in the 1960s, 1970s, 1980s, 1990s, and 2000s.
Robert Knight version
The original version of Everlasting Love was recorded at the Fred Foster Sound Studio in Nashville. According to Cason, the track had some different sounds on it that, for the time period, were kind of innovative. The string sound is actually a Farfisa organ that Mac came up with, and we used a lot of echo.
Robert Knight recalls: Buzz was into country [music] but Mac was R&B... so we made it more of an R&B song like the rhythm and melody Mac had. I practiced and practiced on with Mac, as he had written the song for my voice and made it mine. Mac used his bandmates: [drummer] Kenny Buttrey, [bassist] Norbert Putnam, Charlie McCoy and himself on guitar.
The background vocals on the song were performed by Buzz Cason and Carol Montgomery. Robert Knight recalls that he heard Everlasting Love for the first time at the actual recording session: I didnt sing it the [as] written[:] I made some changes to fit my voice, and I didnt do it note for note. They had the melody going too fast, and it was jamming, it wasnt doing right, it wasnt sounding right. So I started what you call a steady step. I start singing a beat and a half: hearts-go-a-stray – like that. It wasnt like that in the beginning, and I think thats what got Everlasting Love off the ground.
Debuting on the Billboard Hot 100 dated September 30, 1967, Everlasting Love had already reached No. 1 in Philadelphia and Detroit by the time of its top 40 debut on October 21, 1967. Cason admitted that the single drove ... the promotion guys nuts since it hit in one market then several weeks later pop up somewhere else. The track spent its second week at its Hot 100 peak of No. 13 on the chart dated November 25, 1967 then dropped off the Hot 100 over the next three weeks. The R&B chart peak of Everlasting Love was No. 14. In its original release, Knights Everlasting Love lost out in the UK to a cover by Love Affair, although Knights version did spend two weeks at No. 40 UK in January 1968. In the spring of 1974, Knights Everlasting Love had a second UK release to follow up the Top Ten success of the reissue of Knights Love on a Mountain Top; this time the first-named track reached No. 19.
An airplay staple on American oldies radio stations (though less so than the 1974 Carl Carlton version), Knights Everlasting Love has become a cult favorite of the beach music scene.
~more info here: https://en.wikipedia.org/wiki/Everlasting_Love
#powerpop Adrian Fuller - Everlasting Love (Robert Knight Cover)](https://i.ytimg.com/vi/Nu2ASx3tfEk/mqdefault.jpg)
![Thee Muffins - I Feel Good (Garage Rock, James Brown Cover)
From Pop Up!
Label: Not On Label – none
Format: Vinyl, LP, Album
Country: US
Released: 1966
Tracklist
A1 I Feel Good
A2 Calija
A3 Not Fade Away
A4 Crying Over You
A5 Oh Poppa Do
B1 Surpise Surpise
B2 You Got Love
B3 Dont Let The Sun Catch You Crying
B4 Do You Love Me
B5 Im Comin Home
Lead Vocals – Russ Eden
Lead Guitar, Organ – Walter Condi
Rhythm Guitar – Al Dawn
Drums, Percussion – Danny Lee
Bass – Skitch
Notes
Lake George NY ’66.
🎵 [SONG INFO]
I Got You (I Feel Good) is a song by the American singer James Brown.
First recorded for the 1964 album Out of Sight and then released in an alternate take as a single in 1965 and included on the compilation album of the same name, it was his highest-charting song on the Billboard Hot 100 and is arguably his best-known recording.
In 2013, the 1965 recording was inducted into the Grammy Hall of Fame.
Description
I Got You (I Feel Good) is a twelve-bar blues with a brass-heavy instrumental arrangement similar to James Browns previous hit, Papas Got a Brand New Bag.
It also features the same emphasis on the one (i.e. the first beat of the measure) that characterizes Browns developing funk style.
The lyrics have Brown exulting in how good he feels (nice, like sugar and spice) now that he has the one he loves, his vocals punctuated by screams and shouts.
The song includes an alto sax solo by Maceo Parker.
Precursors
I Got You (I Feel Good) developed from an earlier Brown-penned song, I Found You, with a nearly identical melody and lyrics. I Found You had been recorded by Browns back-up singer Yvonne Fair and released as a single (King 5594) in 1962, with little success.
In 1964, Brown recorded an early version of I Got You (I Feel Good) with a different arrangement, including a stuttering rhythm and prominent baritone sax line, under the title I Got You. This version appeared on the Smash Records album Out of Sight and in the 1965 film Ski Party, in which Brown and the Famous Flames appear and lip sync a performance of the song. The film was released on June 30, 1965. It was intended for a single release but was withdrawn due to a court order from King Records, with whom Brown was involved in a contract dispute.
Recording
In 1965, after visiting Criteria Studios in Miami and being impressed by the sound of the studios custom recording console, King Records owner Syd Nathan booked a recording session for Brown, during which he recorded the version of I Got You (I Feel Good) released by the label as a single.
Reception
The song entered the Billboard charts on November 13, 1965 following an October release, and reached number three on December 18.
Of Browns 91 hits to reach the Billboard Hot 100, I Got You (I Feel Good) is Browns highest-charting song.
The song remained at the top of the Billboard Rhythm and Blues Singles chart for six non-consecutive weeks, after his previous single, Papas Got a Brand New Bag, held the number-one spot for eight weeks.
Browns screams at the beginning and end of the song have been sampled a number of times for hip hop and dance songs.
The song has also been covered many times by other performers, and is frequently played at sporting events.
The song is played at the Zentralstadion whenever RB Leipzig scores a goal.
Cash Box described it as a rhythmic, funky ode about a real lucky guy who wants nothing more than to be near his gal.
In 2000, I Got You (I Feel Good) reached No. 21 on VH1s 100 Greatest Songs in Rock and Roll and No. 75 on VH1s 100 Greatest Dance Songs, one of only seven songs to make both lists.
In 2004, I Got You (I Feel Good) was ranked No. 78 on Rolling Stone magazines list of the 500 Greatest Songs of All Time.
Chart positions
Year / Chart / Peak position
1965 / US Billboard Hot 100 / 3
1965 / US Billboard Rhythm and Blues Singles / 1
1965 / UK Singles (OCC) / 29
1992 / Belgium (Ultratop 50 Flanders) / 49
Legacy
During the late 1980s through the mid 1990s, the San Francisco Giants used the song in their publicity campaigns.
The song was used in an animation test for the 2001 film Shrek in 1996, though the clip was considered lost media until 2023.
The song is featured in the 2010 video game Just Dance 2.
The song was sampled by American rapper Yung Gravy in the song Supa Good!!!, featuring Brown, for the DreamWorks film, Dog Man.
#jamesbrowncover
#garagerock
#ifeelgood
#theemuffins Thee Muffins - I Feel Good (Garage Rock, James Brown Cover)](https://i.ytimg.com/vi/Nw-LwJxWPMo/mqdefault.jpg)
![Los Grimm - Hoja De Trebol (Crimson And Clover in Spanish, Tommy James And The Shondells)
From Para Lograr Que Me Quieras
Label: Philips – 360 246 PF
Format: Vinyl, 7
Country: Spain
Released: 1969
Tracklist
A Para Lograr Que Me Quieras
B Hoja De Trebol
Notes
This single includes spanish cover versions of big 60s hits.
Side A is a version of Im gonna make you love me (performed by The Supremes). Side B covers Tommy James & the Shondells Crimson and Clover.
🎵 [SONG INFO]
Crimson and Clover is a 1968 song by American rock band Tommy James and the Shondells. Written by the duo of Tommy James and drummer Peter Lucia Jr., it was intended as a change in direction of the groups sound and composition.
Crimson and Clover was released in late 1968 as a rough mix after a radio station leaked it.
It spent 16 weeks on the U.S. charts, reaching number one in the United States (in February 1969) and at least five other countries.
The single has sold 5 million copies, making it Tommy James and the Shondells best-selling song. (The RIAA did not award a gold record, so the 5 million sales number is not officially acknowledged.) It has been covered by many artists, most notably by Joan Jett.
In 2006, Pitchfork Media named it the 57th best song of the 1960s.
Composition and recording
Following the release of Mony Mony, Tommy James wanted to change direction of the groups sound, and began producing his own material. At the time, James said this was out of necessity and ambition, wanting to move from singles into albums. He departed from the groups principal songwriters Bo Gentry and Ritchie Cordell, and was given complete artistic control by Roulette Records.
The title, Crimson and Clover, was decided before a song had been written for it. The combination of unknown meaning came to James as he was waking up, comprising his favorite color – crimson – and his favorite flower – clover. (There is also a species of clover native to Europe called the crimson clover.) A song to fit the phrase was written by Tommy James and bassist Mike Vale, but was scrapped. His following collaboration with drummer Peter Lucia, Jr. was more successful. Lucia has said that he himself came up with the Crimson and Clover phrase while watching a high school football game between his hometown Morristown, New Jersey Crimson and Hopatcong, New Jersey (green, or clover). During the songs production, Roulette Records wanted a new single, so the group agreed to release Do Something to Me to gain time to complete the song.
Crimson and Clover was recorded in late 1968 in about five hours and is one of the earliest songs recorded on 16-track equipment, which resulted in clearer vocal and instrumental audio quality that would pave the way for future music recording. Tommy James played the rhythm guitar on his 1967 Fender Jazzmaster through an Ampeg Gemini 1, while Eddie Gray played lead guitar on his 1968 Gibson Les Paul Custom through an Ampeg Gemini 2 GV-22 with tremolo effect on, Mike Vale played bass and Peter Lucia, Jr. played drums. The song contains a tremolo effect on the guitar, set so that it vibrated in time with the songs rhythm. Near the end of the recording, the band had an idea of utilizing the tremolo effect with vocals. To achieve this, the voice microphone was plugged into an Ampeg guitar amplifier with tremolo turned on, and the output from the amplifier was recorded while James sang Crimson and clover, over and over.
Single release
Tommy James made a rough mix of Crimson and Clover to show to Roulette Records executive Morris Levy for evaluation. The band was still intending to improve on the mix with ambient sound and echo. A few days later, James stopped at Chicago radio station WLS, where he had previously had a positive experience, to get their reaction. After an interview discussing the single, he was persuaded to play his copy of the rough mix off-air for WLS. Unbeknownst to James, the station recorded the song which they aired with little delay – in November 1968 – as a world exclusive.
Crimson and Clover entered the U.S. charts on December 14, where it stayed for 16 weeks on Billboard Hot 100 and 15 weeks on Cash Box Top 100. Following a performance of the song on The Ed Sullivan Show on January 26, it became number one on February 1, 1969, a position held for one week on Cash Box Top 100 and two weeks on both Billboard Hot 100 and Record World 100 Top Pops. Internationally, the song reached number one in Canada, Germany, New Zealand, Singapore, South Africa, and Switzerland. It also charted in Austria, Brazil, France, The Netherlands, Italy, Israel, Malaysia, Mexico, Philippines, and Puerto Rico. Despite this, the song did not chart in the United Kingdom.
In popular culture
The song is featured in The Bad Guys 2. Mr. Snake tells a story of how he first meets Doom before becoming his girlfriend.
Joan Jett and the Blackhearts covered Crimson and Clover on their debut LP in 1981.
#tommyjames
#spanishcover
#musicaenespañol
#crimsonandclover
#losgrimm Los Grimm - Hoja De Trebol (Crimson And Clover in Spanish, Tommy James And The Shondells)](https://i.ytimg.com/vi/OJ2ZoCOvIlA/mqdefault.jpg)

![The Salsoul Orchestra - Sgt. Peppers Lonely Hearts Club Band (The Beatles Cover)
From Up The Yellow Brick Road
Label: Salsoul Records – SA 8500
Format: Vinyl, LP, Album, Stereo, Terre Haute Pressing
Country: US
Released: 1978
Tracklist
A1 Ease On Down The Road
Written-By – Charlie Smalls
West Side Story (Medley)
A2.1 Fanfare
A2.2 America
A2.3 Maria
A2.4 Somewhere Interlude
A2.5 Tonight
B1 Sgt. Peppers Lonely Hearts Club Band
Written-By – Lennon-McCartney
Fiddler On The Roof (Medley)
B2.1 Fiddler On The Roof
B2.2 Matchmaker
B2.3 Sherele
Written-By – Vincent Montana, Jr.
B2.4 Sunrise, Sunset
B2.5 If I Were A Richman
B2.6 Havah Nagila
Arranged By – Vincent Montana, Jr.
B2.7 Theme From Exodus
Written-By – Ernest Gold
B3 Evergreen (Love Theme From A Star Is Born)
Written-By – Barbra Streisand, Paul Williams
Written-By – Leonard Bernstein, Stephen Sondheim (track: A2), Jerry Bock, Sheldon Harnick (track: B2)
Producer, Arranged By, Conductor, Timpani [Tympani], Bells, Chimes, Vibraphone [Vibraharp] – Vincent Montana, Jr.
Vocals – Barbara Ingram, Carla Benson, Evette Benton, The Sweethearts
Guitar – Bobby Eli, Ronnie James, TJ Tindall
Trumpet – Evan Solot, Joseph Cataldo, Rocco Bene
Trombone – Edward Cascarella, Fred Linge, Richard Genovese, Robert Moore, Roger DeLillo
Violin – Americus Mungliole, Charles Apollonia, Christine Reeves, Diane Barnett, Don Renaldo, Rudolph Malizia, Vito J. Kasiello
Viola – Anthony Sinagoga, Davis Barnett
Alto Saxophone – John Bonnie
Baritone Saxophone – William P. Zaccagni
Bass – Gordon Edwards
Cello – Richard Amoroso
Congas, Timbales, Bongos – James Walker, Larry Washington
Drums – Earl Young, Keith Benson (track: A2), Keith Benson (track: B2)
Flute, Piccolo Flute – Jack Faith
French Horn – Joe De Angelis
Keyboards – Carlton Kent, Eddie Green
Soloist, Clarinet – George Shaw (track: B2)
Synthesizer – Bill OBrien
Technician [Recording Technician] – Darrell Rogers, Jim Dougherty, Judy Stewart, Peter Humphreys, Rocky Schnaars
Copyist – Jack Faith, Renée Farber, Tina Silverman
Engineer [Mixing Engineer] – Arthur Stoppe
Engineer [Recording Engineer] – Arthur Stoppe, Dirk Devlin, Jim Gallagher, Kenny Present
Mastered By – José Rodriguez
Mixed By – Tom Moulton
Lacquer Cut By – Tom Moulton & José Rodriguez
Executive-Producer – Joe Cayre, Ken Cayre, Stan Cayre
Art Direction [Art Director] – Stan Hochstadt
Design – Lori L. Lambert
Design [Graphics Supervisor] – Lloyd Gelassen
Photography By – Don Hunstein
Other [Stylist] – David Carrington
© 1978 Salsoul Records
℗ 1978 Salsoul Records
🎵 [SONG INFO]
Sgt. Peppers Lonely Hearts Club Band is a song by the English rock band the Beatles, written by Paul McCartney, credited to Lennon–McCartney, and released in 1967 on the album of the same name.
The song appears twice on the album: as the opening track (segueing into With a Little Help from My Friends), and as Sgt. Peppers Lonely Hearts Club Band (Reprise), the penultimate track (segueing into A Day in the Life). As the title song, the lyrics introduce the fictional band that performs on the album.
Since its original album release, Sgt. Peppers Lonely Hearts Club Band has also been released on various Beatles singles and compilation albums. The song has also been performed by several other artists, including Jimi Hendrix and U2.
Authorship and recording
In November 1966, on the flight back to England after a holiday in Kenya, McCartney conceived an idea in which an entire album would be role-played, with each of the Beatles assuming an alter-ego in the Lonely Hearts Club Band, which would then perform a concert in front of an audience. The inspiration is said to have come when roadie Mal Evans asked McCartney what the letters S and P stood for on the pots on their in-flight meal trays, and McCartney explained it was for salt and pepper. This then led to the Sgt. Peppers Lonely Hearts Club Band concept, as well as the song.
The groups road manager, Neil Aspinall, suggested the idea of Sgt. Pepper being the compère, as well as the reprise at the end of the album. According to his diaries, Evans may have also contributed to the song. John Lennon attributed the idea for Sgt. Pepper to McCartney, although the song is officially credited to Lennon–McCartney. The Beatles recorded the track in Abbey Roads studio 2, with George Martin producing, and Geoff Emerick engineering. Work on the song started on 1 February 1967, and after three further sessions the recording was completed on 6 March 1967.
Cover versions
Jimi Hendrix
Zinatra
Bryan Adams and Stereophonics
Cheap Trick
Robbie Williams (2011)
The Flaming Lips (2014)
Glim Spanky.
Other Use
In the Glee episode Tina in the Sky with Diamonds.
🔗 [LINKS]
https://thesalsoulorchestra.bandcamp.com/
https://thesalsoulorchestra.yourwebsitespace.com/
https://www.facebook.com/thesalsoulorchestra
Available on bandcamp:
https://thesalsoulorchestra.bandcamp.com/album/up-the-yellow-brick-road
and Spotify:
https://open.spotify.com/album/3TbMDFUCnPMv2wAviQz3IN The Salsoul Orchestra - Sgt. Peppers Lonely Hearts Club Band (The Beatles Cover)](https://i.ytimg.com/vi/OfmzQluH4Ds/mqdefault.jpg)
![The Metropolitan POPS Orchestra - Like A Rolling Stone (Bob Dylan Cover)
From Plays Instrumental Versions Of Bob Dylan Favorites
Label: Metro Records – MS-597
Format: Vinyl, LP, Album, Stereo
Country: US
Released: 1966
Tracklist
A1 Like A Rolling Stone
A2 It Aint Me Babe
A3 Its All Over Now Baby Blue
A4 She Belongs To Me
A5 Dont Think Twice, Its All Right
B1 One Too Many Mornings
B2 Positively 4th Street
B3 All I Really Want To Do
B4 Mr. Tambourine Man
B5 The Times They Are A-Changin
Written-By – Bob Dylan
Artwork – Peter Max
Engineer – Val Valentin
Producer, Arranged By – Alan Lorber
Like a Rolling Stone is a 1965 song by American singer-songwriter Bob Dylan.
Its confrontational lyrics originate in an extended piece of verse Dylan wrote in June 1965, when he returned exhausted from a grueling tour of England.
After the lyrics were heavily edited, Like a Rolling Stone was recorded a few weeks later as part of the sessions for the forthcoming album Highway 61 Revisited.
During a difficult two-day preproduction, Dylan struggled to find the essence of the song, which was demoed without success in 3/4 time.
A breakthrough was made when it was tried in a rock music format, and rookie session musician Al Kooper improvised the organ riff for which the track is known.
However, Columbia Records was unhappy with both the songs length at over six minutes and its heavy electric sound, and was hesitant to release it.
It was only when a month later a copy was leaked to a new popular music club and heard by influential DJs that the song was put out as a single.
Although radio stations were reluctant to play such a long track, Like a Rolling Stone reached number two in the US charts and became a worldwide hit.
The track has been described as revolutionary in its combination of different musical elements, the youthful, cynical sound of Dylans voice, and the directness of the question in the chorus: How does it feel?.
Like a Rolling Stone transformed Dylans career and is today considered one of the most influential compositions in post-war popular music and has since its release been both a music industry and popular culture milestone which elevated Dylans image to iconic.
Cover versions
Johnny Thunders,
David Bowie,
The Four Seasons,
The Rascals,
Judy Collins,
Johnny Winter,
Cher,
The Rolling Stones,
Spirit, Michael Bolton,
The Creation,
David Gilmour,
John Mellencamp,
The Wailers
Green Day and many others.
Guitarist Jimi Hendrix, performing with The Jimi Hendrix Experience, recorded a live version at the Monterey Pop Festival.
Hendrix was an avid fan of Bob Dylan, and especially liked Like a Rolling Stone.
It made me feel that I wasnt the only one whod ever felt so low ... Hendrix said.
After the second verse, Hendrix skipped to the fourth. Hendrix played the electric guitar, and music critic Greil Marcus described the atmosphere of the Hendrix recording thus:
Huge chords ride over the beginning of each verse like rain clouds; the tune is taken very slowly, with Hendrixs thick, street-talk drawl sounding nothing at all like Dylans Midwestern dust storm.
Release
According to Shaun Considine, release coordinator for Columbia Records in 1965, Like a Rolling Stone was first relegated to the graveyard of canceled releases because of concerns from the sales and marketing departments over its unprecedented six-minute length and raucous rock sound. In the days following the rejection, Considine took a discarded acetate of the song to a club called Arthur—a newly opened disco popular with celebrities and media people. At the crowds insistence, the demo was played over and over, until finally it wore out. The next morning, a disc jockey and a programming director from the citys leading top 40 stations called Columbia and demanded copies. Shortly afterwards, on July 20, 1965, Like a Rolling Stone was released as a single with Gates of Eden as its B-side.
The song has also been covered in various languages.
Hugues Aufray covered the song in French (Comme des pierres qui roulent (Aufray Trans Dylan, 1995)),
Wolfgang Ambros included an Austrian-German dialect version Allan Wia a Stan on his 1978 LP Wie Im Schlaf which reached position 8 in the Austrian charts for 8 weeks,
German band Bap created a dialect of Cologne version Wie ne Stein and Lars Winnerbäck did a performance of the song in Swedish titled Som en hemlös själ.
Articolo 31 recorded an Italian version titled Come una Pietra Scalciata.
#instrumentalcover
#easylistening
#bobdylancover
📜 [PUBLISHING & PERMISSIONS]
Copyright music and lyrics reproduced by kind permission of Special Rider – for original, exclusive performances by Bob Dylan, check-out the official channel at https://www.youtube.com/BobDylan The Metropolitan POPS Orchestra - Like A Rolling Stone (Bob Dylan Cover)](https://i.ytimg.com/vi/PEt6LipSIWc/mqdefault.jpg)
![Bonehedz - Its All Over Now + 96 Tears + Ooh La La
👥 [BAND INFO]
Bonehedz are:
Mike Keegan - Vocals
George Caravella - Keyboards, Vocals
Joe Cuzino - Vocals, Percussion
Mick Garaffa - Guitar, Vocals
Matt Monis - Bass Guitar
Kenny Muller - Drums
Ed Skalandunas - Lead Guitar (and any other instrument that the rest of us didn’t play)
Notes about the video
Matt Monis audio track recorded and engineered by Brent Cormier in Austin TX.
All other audio tracks recorded in Connecticut, Wyoming and Arizona.
All audio tracks produced, engineered, mixed and mastered by Ed Skalandunas at Pseudo Studios, Greenwich CT
Video produced, directed and edited by Michael S. Garaffa at Amberwood Studios, Phoenix AZ.
Video shot on location in Nashville TN, Connecticut, Casa Grande AZ and Jackson WY.
Matt Monis video shot by Glenn Harcrow in Austin, TX.
“Ooh La La” (intro/end music) performed by:
Ed Skalandunas - All instruments
Mick Garaffa, Mike Keegan, Joe Cuzino, George Caravella and Ed Skalandunas - Vocals
“96 Tears” (end credit music) performed by
‘Eddie Slick & Mick’
Ed Skalandunas - All Music
Mick Garaffa - Vocals, Handclaps
🎵 [SONG INFO]
Its All Over Now is a song written by Bobby Womack and his sister-in-law Shirley Womack.
It was first released by The Valentinos, featuring Bobby Womack, in 1964.
The Rolling Stones heard it on its release and quickly recorded a cover version, which became their first number one hit in the United Kingdom, in July 1964.
The Valentinos Original version
The Valentinos recorded the song at United Recording in Hollywood on March 24, 1964, and released it two months later.
It entered the Billboard Hot 100 on June 27, 1964, and stayed on the chart for two weeks, peaking at number 94.
The Rolling Stones version
The Rolling Stones landed in New York on June 1, 1964, for their first North American tour, around the time the Valentinos recording was released. New York radio DJ Murray the K played the song to the Rolling Stones. He also played the Stones King Bee (their Slim Harpo cover) the same night and remarked on their ability to achieve an authentic blues sound. After hearing Its All Over Now on that WINS show, the band recorded their version nine days later at Chess Studios in Chicago. Years later, Bobby Womack said in an interview that he had told Sam Cooke he did not want the Rolling Stones to record their version of the song, and that he had told Mick Jagger to get his own song. Cooke convinced him to let the Rolling Stones record the song. Six months later, after receiving the royalty check for the song, Womack told Cooke that Mick Jagger could have any song he wanted.
The Rolling Stones version of Its All Over Now is the most famous version of the song. It was first released as a single in the UK, where it peaked at number 1 on the UK Singles Chart, giving the Rolling Stones their first number one hit. It was the bands third single released in America, and stayed in the Billboard Hot 100 for ten weeks, peaking at number 26. Months later it appeared on their second American album 12 X 5. The song was a big hit in Europe and was part of the bands live set in the 1960s. Cash Box described it as a contagious cover of the Valentinos click and an infectious thumper that should head right for chartsville.
In 1964 Bill Wyman said, We just liked the sound of it. We didnt think it sounded country and western until we read it somewhere. Its the 12-string guitar and harmonising that do it. Every one of our records has been different. We dont want to do the same old thing every time or people will get fed up with it.
🎵 [SONG INFO]
Ooh La La is a 1973 song by the band Faces, written by Ronnie Lane and Ronnie Wood. It is the title song of the bands last studio album, Ooh La La.
The lead vocals were provided by Wood, a rarity in the bands catalogue; lead vocals were usually performed by Rod Stewart and less often by Ronnie Lane.
In 2021, it was listed at No. 246 on Rolling Stone magazines list of the 500 Greatest Songs of All Time.
🎵 [SONG INFO]
96 Tears is a song recorded by the American garage rock band ? and the Mysterians in 1966.
In October of that year, it was no.1 on the Billboard Hot 100 in the U.S. and on the RPM 100 in Canada. Billboard ranked the record as the no.5 song for 1966.
It was ranked no.213 on the Rolling Stone list of the 500 Greatest Songs of All Time in 2010.
🔗 [LINKS]
Bonehedz on YouTube:
@wearebonehedz3924
Spotify:
https://open.spotify.com/artist/7rVLyxqtHJF7T0i6Vmz2K1?si=Bhi60n9ASOi4pdmjYXe42g&nd=1&dlsi=fee3dfc24b2e4896
Apple Music:
https://music.apple.com/us/artist/bonehedz/1669928941
and Facebook:
https://www.facebook.com/p/The-Bonehedz-100063496959679/
Available on Spotify:
https://open.spotify.com/track/2YRM690DgCnPJty6OSzrGh
and Apple Music:
https://music.apple.com/us/album/its-all-over-now-single/1816343644
Original video here:
https://www.youtube.com/watch?v=mqxx5QE3ExQ Bonehedz - Its All Over Now + 96 Tears + Ooh La La](https://i.ytimg.com/vi/PJNyjm0azd8/mqdefault.jpg)
![Antoine - Pop Corn (with French lyrics, Gershon Kingsley)
From Pop Corn
Label: Disques Vogue – 45. V. 4140
Series: Hitcolor
Format: Vinyl, 7, 45 RPM, Stereo
Country: France
Released: 1972
Tracklist
A Pop Corn
Written-By – Antoine, Gershon Kingsley
B Feuilles Dautomne
Written-By – Antoine
Arranged By – Antoine
Record Company – Vogue International Industries
Published By – Vogue International
Published By – Editions Pactole
Published By – Edition Bourne France
👤 [ARTIST INFO]
Born on January 23th, 1945 in Toamasina, Madagascar. Antoine is a French singer, and also a sailor and adventurer, writer, photographer, and filmmaker. He was very popular in the 1960s and 1970s. He stopped his musical career to travel around the world.
🎵 [SONG INFO]
Popcorn is an early electronic pop instrumental, originally composed by Gershon Kingsley in 1969 on his album Music to Moog By.
The same year this tune was released and recorded at Audio Fidelity Records label in New York City.
In 1972, Hot Butters rerecording was a huge hit in many countries.
That version is by far the most well-known of this tune.
The tune was very popular in the Soviet Union and was featured in one of the Nu, pogodi! animated series.
Original version - Background
Composer Gershon Kingsley (of Perrey and Kingsley) first recorded it for his 1969 album Music to Moog By. In 1971 the song was re-recorded by Kingsleys band First Moog Quartet. Stan Free, member of the First Moog Quartet, rerecorded the instrumental with his band Hot Butter in 1972.
The title refers to the short staccato or sharp popping sound used.
Other cover versions
It has since been covered by various artists, including DJ Voyager, Anarchic System with vocal version, a pre-fame Jean Michel Jarre (under the pseudonyms of The Popcorn Orchestra and Jamie Jefferson), Arthur Fiedler and the Boston Pops, Unter Null, Richard D. James AKA Aphex Twin, M&H Band, Muse, DJ Fantomas, Gigi DAgostino, Guru Josh, Iranian artist Shadmehr Aghili, Afrosound, The Time Frequency (TTF), Herb Alpert and the Tijuana Brass, Norrie Paramor & the Midland Radio Orchestra, Ronnie Aldrich, The Treble Spankers, the Boomtang Boys, Space Penguins, Pattie Brooks (disco version as part of a medley that also included Black is Black & Na Na Hey Hey Kiss Him Goodbye), Bass Bumpers (fronted by the Crazy Frog cartoon), Liars, Finnish band Seidat, Swedish DJ Richi M, the Irish DJ Showey, South African Psytrance act Parana, Italian pop band La Strana Società, Japanese electronic artists Denki Groove, Russian Virtuoso Guitar Player Victor Zinchuk, Spanish rock band Los Pekenikes, Shadowy Men On A Shadowy Planet, and the Swedish Chef. It has also been remixed by Hexstatic on the Pick n Mix album. In 2003 Greek synthpop Duo Marsheaux released a darker mix of Popcorn as their debut single, which became a radio play hit in Europe. The song was also featured as the background music in the first version of the 1982 arcade game Pengo, the 1983 IBM PC game Digger, and the 1984 Mikro-Gen microcomputer game Pyjamarama. Many cover versions were made on popular home computers such as Atari, ZX Spectrum, Commodore 64 and Amiga, often by anonymous artists. On the 17th of September, 2007, Electropop group Plemo released a free track on micromusic.net based on the original Popcorn melody. It includes samples from (You Gotta) Fight for Your Right (To Party!) of the Beastie Boys. In 1976, the tenth episode of Nu, Pogodi! includes this song as Volk (The Wolf) tries to get closer and closer to Zayats (The Hare) at a construction site.
Big band arranger James Last recorded Popcorn in 1972
The song has never been covered by Kraftwerk although there are mistagged copies of the song allegedly by them (most frequently the version by M&H Band) in circulation. There is also a version circulating on the internet that is claimed to have been made by avant-garde group The Residents even though it sounds vastly different from The Residents usual experimental sound. This version is actually made by the hard house artists called The Rezidents, hence the confusion between the two.
Most recently, alternative rock band Muse performed this song live in Teignmouth, UK during their two nights at The Den. The song featured prominent electric guitar along with heavy percussion and bass. A studio version of their cover was released on the 2010 single Resistance. Faith No More covered the song live in Argentina in The Second Coming Tour.
🔗 [LINKS]
http://www.antoine.tv/site2016/
#antoine
#popcorn
#gershonkingsley
#chanson Antoine - Pop Corn (with French lyrics, Gershon Kingsley)](https://i.ytimg.com/vi/P_vRwim-rWI/mqdefault.jpg)
