Uploaded February 2021 | Updated September 2026, 2 weeks ago
Etude Op.10, No.6 E♭ minor - Frederic Chopin (Music box version)
Hope you enjoy the video!
The Études by Frédéric Chopin are three sets of études (solo studies) for the piano published during the 1830s. There are twenty-seven compositions overall, comprising two separate collections of twelve, numbered Op. 10 and Op. 25, and a set of three without opus number.
Chopin's Études formed the foundation for what was then a revolutionary playing style for the piano. They are some of the most challenging and evocative pieces of all the works in concert piano repertoire. Because of this, the music remains popular and often performed in both concert and private stages. Some are so popular they have been given nicknames; arguably the most popular of all is Op. 10, No. 3, sometimes identified by the names "Tristesse" ("Sadness") or "Farewell" ("L'Adieu"), as well as the "Revolutionary Étude" (Op. 10, No. 12). No nicknames are of Chopin's original creation.
All twenty-seven études were published during Chopin's lifetime; Op. 10, the first group of twelve, were composed between 1829 and 1832, and were published in 1833, in France, Germany, and England. The twelve études of Op. 25 were composed at various times between 1832 and 1835, and were published in the same countries in 1837. The final three, part of a series called Méthode des méthodes de piano compiled by Ignaz Moscheles and François-Joseph Fétis, were composed in 1839, without an assigned opus number. They appeared in Germany and France in November 1840, and England in January 1841. Accompanying copies of these important early editions, there are usually several manuscripts of a single étude in Chopin's own hand, and additional copies made by his close friend, Jules Fontana, along with editions of Karol Mikuli, Chopin's student.
The first études of the Opus 10 set were written when Chopin was still in his teens. They rank alongside the early works of Felix Mendelssohn as rare examples of extremely youthful compositions that are regarded as both innovative and worthy of inclusion in the standard canon. Chopin's études elevated the musical form from purely utilitarian exercises to great artistic masterpieces.
The first set of Études was published in 1833 (although some had been written as early as 1829). Chopin was twenty-three years old and already famous as a composer and pianist in the salons of Paris, where he made the acquaintance of Franz Liszt. Subsequently, Chopin dedicated the entire opus to him – "à mon ami Franz Liszt" (to my friend, Franz Liszt).
The etudes 8,9,10 and 11 dating from October/November 1829, No.5 and 6 probably from summer 1830, No.1 and 2 November 2 1830 , No.12 September 1831 (?), No.7 spring 1832, No. 4 August 6 1832 and No. 3 August 25 1832 ( Paris ) (Krystyna Kobylanska).
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Etude Op.10, No.6 E♭ minor - Frederic Chopin (Music box version)
Hope you enjoy the video!
The Études by Frédéric Chopin are three sets of études (solo studies) for the piano published during the 1830s. There are twenty-seven compositions overall, comprising two separate collections of twelve, numbered Op. 10 and Op. 25, and a set of three without opus number.
Chopin's Études formed the foundation for what was then a revolutionary playing style for the piano. They are some of the most challenging and evocative pieces of all the works in concert piano repertoire. Because of this, the music remains popular and often performed in both concert and private stages. Some are so popular they have been given nicknames; arguably the most popular of all is Op. 10, No. 3, sometimes identified by the names "Tristesse" ("Sadness") or "Farewell" ("L'Adieu"), as well as the "Revolutionary Étude" (Op. 10, No. 12). No nicknames are of Chopin's original creation.
All twenty-seven études were published during Chopin's lifetime; Op. 10, the first group of twelve, were composed between 1829 and 1832, and were published in 1833, in France, Germany, and England. The twelve études of Op. 25 were composed at various times between 1832 and 1835, and were published in the same countries in 1837. The final three, part of a series called Méthode des méthodes de piano compiled by Ignaz Moscheles and François-Joseph Fétis, were composed in 1839, without an assigned opus number. They appeared in Germany and France in November 1840, and England in January 1841. Accompanying copies of these important early editions, there are usually several manuscripts of a single étude in Chopin's own hand, and additional copies made by his close friend, Jules Fontana, along with editions of Karol Mikuli, Chopin's student.
The first études of the Opus 10 set were written when Chopin was still in his teens. They rank alongside the early works of Felix Mendelssohn as rare examples of extremely youthful compositions that are regarded as both innovative and worthy of inclusion in the standard canon. Chopin's études elevated the musical form from purely utilitarian exercises to great artistic masterpieces.
The first set of Études was published in 1833 (although some had been written as early as 1829). Chopin was twenty-three years old and already famous as a composer and pianist in the salons of Paris, where he made the acquaintance of Franz Liszt. Subsequently, Chopin dedicated the entire opus to him – "à mon ami Franz Liszt" (to my friend, Franz Liszt).
The etudes 8,9,10 and 11 dating from October/November 1829, No.5 and 6 probably from summer 1830, No.1 and 2 November 2 1830 , No.12 September 1831 (?), No.7 spring 1832, No. 4 August 6 1832 and No. 3 August 25 1832 ( Paris ) (Krystyna Kobylanska).
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SUBSCRIBE : bit.ly/37O2glB
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![93% [Tijuana] - GLK (Music box version)
93% [Tijuana] - GLK (Music box version)
Sous marijuana, faut jamais la légaliser
9.3, cest Tijuana
Personne va nous canaliser
Midi-minuit, cest mort
Ça vend des barrettes au lycée
Ça vient des cités dor
Ça marche en bandes organisées
Et sous marijuana, faut jamais la légaliser
9.3, cest Tijuana
Personne va nous canaliser
Midi-minuit, cest mort
Ça vend des barrettes au lycée
Ça vient des cités dor
Ça marche en bandes organisées
Ne sois pas choqué
Pour nous, tout est normal: cest la street
Jla pe-cou à lhôtel
Que dla vente emportée, cest rapide
Toujours la même dégaine
Sacoche, jogging tout noir, paire dAsics
À lheure pour faire dloseille
En retard quand faut aller chez la SPIP
Sors ton parapluie, les balles vont pleuvoir, cest réel
En sens interdit, on sfait courser en TDN
Les ptits de la tess veulent tous devenir ssistes-gro
Lunettes sirop dpèche, jsuis dans ma matrix, igo
Département le plus criminel (93)
Faits divers parisiens, ouvre-le, tu vois ma tess (Boboch)
Pas trop la tête au taf
On fait tourner la puce, le tit-pe gère les basses
Dans la drogue, dans les armes
Dans nos âmes, tous banlieusards
Y a des sommes, des soldats, 7.62, 11.43
9.3, faits divers pas fini dles visser
Bats les couilles dton humeur
Bats les couilles dta lumière
Haut les mains, dans le sac, on pénètre dans le sas
Kichta max sur le T-Max (hey hey)
Et le guetteur crie ça passe, vlà la descente de condés
Faut qutu penses à nous khalass et nos derrière les teinter
Sous marijuana, faut jamais la légaliser
9.3, cest Tijuana
Personne va nous canaliser
Midi-minuit, cest mort
Ça vend des barrettes au lycée
Ça vient des cités dor
Ça marche en bandes organisées
Et sous marijuana, faut jamais la légaliser
9.3, cest Tijuana
Personne va nous canaliser
Midi-minuit, cest mort
Ça vend des barrettes au lycée
Ça vient des cités dor
Ça marche en bandes organisées
Jai connu le vide
Jai volé, jai braqué, jai fini dans lfond dla cellule
Dans l9.3, y a plein dAvon Barksdale
Largent éloignera les partenaires
Avant jvendais, maintenant, cest mieux (ouais, cest mieux)
On est des vaillants, on fait avant de paraître
Cest quoi qui nous veulent?
Payer la verte, payer louvreuse
Sevran trois tours, y a Carrefour à côté
Jai tiré des morts, cest Gotham pour de vrai
Voisine en pleur, y a des keufs cagoulés
Peu dchez nous dis où on va, jtourne en rond comme un compas
Tracé ma route et perdu des compères
Jai gardé les vrais frères, cest pour ça qujsuis content
Pochton gonflé, ients-cli conquis midi-minuit
Cest mort, lbosseur doit rentrer, il est en condi
Petit revend celle quon tamponne
Capuché, jpillave dans mon coin
Toi, tes niya, tire sur mon joint
La madremilla, jen prends soin
Eux, cest des bizarres, jles vois dloin
Familles nombreuses dans un taudis
Ldaron pense quon est maudit
La poukie noublie pas dtout dire
Orgemont résonne dans ltalkie
Jessuie mon canon-scié
Gosse donne pour moins ddix balles
Jentends quils veulent massassiner
Jles attends, jfume la médicale
Sous marijuana, faut jamais la légaliser
9.3, cest Tijuana
Personne va nous canaliser
Midi-minuit, cest mort
Ça vend des barrettes au lycée
Ça vient des cités dor
On marche en bandes organisées
Et sous marijuana, faut jamais la légaliser
9.3, cest Tijuana
Personne va nous canaliser
Midi-minuit, cest mort
Ça vend des barrettes au lycée
Ça vient des cités dor
Ça marche en bandes organisées
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━━━━━━━━━━━━━━━━━━ 93% [Tijuana] - GLK (Music box version)](https://i.ytimg.com/vi/HA2erACRuUk/mqdefault.jpg)







