Uploaded June 2026 | Updated September 2026, 2 weeks ago
Lydia Lunch (lydia-lunch.net/) unpacks the raw origins of No Wave, her squatting-and-surviving New York story, and why after five decades of confrontational art, pleasure remains the ultimate rebellion.
Australian tour tickets and show info here. (pressplaypresents.com/artists/lydia-lunch/)
Topics Include:
• Lydia Lunch is touring Australia and New Zealand in June
• She's performing Suicide and Alan Vega covers across multiple cities
• Australia holds deep personal meaning — Roland S. Howard, Tex Perkins, lifelong friends
• Lydia considers herself a comedian; most people are just too afraid to laugh
• Words are her primary art — music is just the machine gun
• She sleeps in two-hour shifts and wakes famished at 5am every day
• Creativity has no fixed time — she writes song lyrics in five minutes flat
• She self-publishes through 48-hour printing, selling books for $20, cost $4
• True crime forensics and Matthew McConaughey in Magic Mike are her guilty pleasures
• Daily she rotates between war, politics, and apocalyptic comedy — Dear Ivanka included
• She's actively promoting new bands: Genra's Death, Bog Creeper, New City Slang
• Instrumental music — Budos Band, Yusef Lateef, Baba Zula — is her listening diet
• Suicide and Mars were already playing when she arrived in New York
• Suicide actually coined the term "punk rock" on flyers back in 1972
• No Wave wasn't a movement — it was personal insanity in a decaying city
• The name "No Wave" just came out of her mouth in one interview
• If you couldn't play, you had to be brutally tight — or else
• She taught a homeless man she'd befriended to play drums for Teenage Jesus
• Teenage Jesus songs were written on a borrowed bass she barely understood
• She squatted an abandoned Tribeca building, running electricity from neighbours to rehearse
• Teenage Jesus singles on Migraine Records likely preceded the No New York compilation
• Beirut Slump was horror rock — described as a slug over a razor blade
• She arrived in New York with $200, a suitcase, and zero contacts
• Seeing Suicide at Max's Kansas City with ten people changed everything instantly
• Martin Rev gave teenage Lydia vitamins; Alan Vega was leather-bound and irresistible
• She boycotted Bowie and Iggy in Rochester — accidentally saving them from a drug bust
• Mick Ronson's Slaughter on 10th Avenue: the glam record Bowie quietly stole from
• Lou Reed — always a dick; Warhol — vapid, but his car crashes were great
• She owns every recording, every publishing right — everything she's ever made
• Her reward for a lifetime of rebellion: pleasure, rage, and zero regrets
High resolution version of this podcast is available at: Patreon.com/VinylGuide (patreon.com/VinylGuide)
• Apple: tinyurl.com/tvg-ios
• Spotify: tinyurl.com/tvg-spot
• Amazon Music: tinyurl.com/tvg-amazon
• Support the show at Patreon.com/VinylGuide (patreon.com/vinylguide)
Lydia Lunch (lydia-lunch.net/) unpacks the raw origins of No Wave, her squatting-and-surviving New York story, and why after five decades of confrontational art, pleasure remains the ultimate rebellion.
Australian tour tickets and show info here. (pressplaypresents.com/artists/lydia-lunch/)
Topics Include:
• Lydia Lunch is touring Australia and New Zealand in June
• She's performing Suicide and Alan Vega covers across multiple cities
• Australia holds deep personal meaning — Roland S. Howard, Tex Perkins, lifelong friends
• Lydia considers herself a comedian; most people are just too afraid to laugh
• Words are her primary art — music is just the machine gun
• She sleeps in two-hour shifts and wakes famished at 5am every day
• Creativity has no fixed time — she writes song lyrics in five minutes flat
• She self-publishes through 48-hour printing, selling books for $20, cost $4
• True crime forensics and Matthew McConaughey in Magic Mike are her guilty pleasures
• Daily she rotates between war, politics, and apocalyptic comedy — Dear Ivanka included
• She's actively promoting new bands: Genra's Death, Bog Creeper, New City Slang
• Instrumental music — Budos Band, Yusef Lateef, Baba Zula — is her listening diet
• Suicide and Mars were already playing when she arrived in New York
• Suicide actually coined the term "punk rock" on flyers back in 1972
• No Wave wasn't a movement — it was personal insanity in a decaying city
• The name "No Wave" just came out of her mouth in one interview
• If you couldn't play, you had to be brutally tight — or else
• She taught a homeless man she'd befriended to play drums for Teenage Jesus
• Teenage Jesus songs were written on a borrowed bass she barely understood
• She squatted an abandoned Tribeca building, running electricity from neighbours to rehearse
• Teenage Jesus singles on Migraine Records likely preceded the No New York compilation
• Beirut Slump was horror rock — described as a slug over a razor blade
• She arrived in New York with $200, a suitcase, and zero contacts
• Seeing Suicide at Max's Kansas City with ten people changed everything instantly
• Martin Rev gave teenage Lydia vitamins; Alan Vega was leather-bound and irresistible
• She boycotted Bowie and Iggy in Rochester — accidentally saving them from a drug bust
• Mick Ronson's Slaughter on 10th Avenue: the glam record Bowie quietly stole from
• Lou Reed — always a dick; Warhol — vapid, but his car crashes were great
• She owns every recording, every publishing right — everything she's ever made
• Her reward for a lifetime of rebellion: pleasure, rage, and zero regrets
High resolution version of this podcast is available at: Patreon.com/VinylGuide (patreon.com/VinylGuide)
• Apple: tinyurl.com/tvg-ios
• Spotify: tinyurl.com/tvg-spot
• Amazon Music: tinyurl.com/tvg-amazon
• Support the show at Patreon.com/VinylGuide (patreon.com/vinylguide)
