Uploaded June 2015 | Updated September 2026, 2 hours ago
This is a test made by D J Clark that helps you to understand more about how a preamp to be useful for a DSLR video.
The job of the preamp is to take the signal from the microphone and boost its signal to reach your desired levels – normally between -12db and -6 db for an interview. Simply put the better the preamp the less additional hiss and buzz is added to your audio as it is boosted to the right level. Adding XLR connections, rather than the standard mini jack found on DSLRs with their additional earth wire and solid connections can also help cut down on unwanted noises.
You can find the Saramonic XLR audio adapter SR-AX101 here:
amazon.com/Saramonic-SR-AX101-Universal-Adapter-Camcorders/dp/B00N2G3JUC/ref=sr_1_1?ie=UTF8&qid=1433831353&sr=8-1&keywords=saramonic+sr-ax101
For more information, please click in saramonic.com or email us sales@dsqn.biz
This is a test made by D J Clark that helps you to understand more about how a preamp to be useful for a DSLR video.
The job of the preamp is to take the signal from the microphone and boost its signal to reach your desired levels – normally between -12db and -6 db for an interview. Simply put the better the preamp the less additional hiss and buzz is added to your audio as it is boosted to the right level. Adding XLR connections, rather than the standard mini jack found on DSLRs with their additional earth wire and solid connections can also help cut down on unwanted noises.
You can find the Saramonic XLR audio adapter SR-AX101 here:
amazon.com/Saramonic-SR-AX101-Universal-Adapter-Camcorders/dp/B00N2G3JUC/ref=sr_1_1?ie=UTF8&qid=1433831353&sr=8-1&keywords=saramonic+sr-ax101
For more information, please click in saramonic.com or email us sales@dsqn.biz










