Uploaded November 2022 | Updated September 2026, 2 weeks ago
Gustav Gerson Kahn (November 6, 1886 – October 8, 1941) was an American lyricist who contributed a number of songs to the Great American Songbook, including "Pretty Baby", "Ain't We Got Fun?", "Carolina in the Morning", "Toot, Toot, Tootsie (Goo' Bye!)", "My Buddy" "I'll See You in My Dreams", "It Had to Be You", "Yes Sir, That's My Baby", "Love Me or Leave Me", "Makin' Whoopee", "My Baby Just Cares for Me", "I'm Through with Love", "Dream a Little Dream of Me" and "You Stepped Out of a Dream""Driftwood" and many others.
Lewis Milton Goldwasser (Lew Gold) (1885 ,Congress Poland - 1950, Miami, Florida, US) was a composer, pianist and band leader immensely popular in New York City from the late-1910s to the early 1930s. His orchestra was an all-white band (as were most of the commercially successful bands in those days due to the limitations placed on African American musicians at the time) playing African American music active at first during the late 1910s and early 1920s in live music venues and later, from the mid 1920s through the 1930s, mostly in studio recordings, using several pseudonyms for the different labels.
Over the years, his birth name of Lewis Milton Goldwasser metamorphosed first into Lew Gold, then Lou Gold, and finally into Louis M. Gould (the name that appears on his tombstone). In 1932, he and his wife Doris A. Mabel (Reynolds) Gould, relocated to Miami, Florida, where he played at the Triton Hotel in Miami Beach for seven years. Lou died in 1950, and his wife followed him in 1951. He worked with Benny Goodman, Vincent Lopez, Tommy Dorsey, Abe Lyman, and many others.
Gustav Gerson Kahn (November 6, 1886 – October 8, 1941) was an American lyricist who contributed a number of songs to the Great American Songbook, including "Pretty Baby", "Ain't We Got Fun?", "Carolina in the Morning", "Toot, Toot, Tootsie (Goo' Bye!)", "My Buddy" "I'll See You in My Dreams", "It Had to Be You", "Yes Sir, That's My Baby", "Love Me or Leave Me", "Makin' Whoopee", "My Baby Just Cares for Me", "I'm Through with Love", "Dream a Little Dream of Me" and "You Stepped Out of a Dream""Driftwood" and many others.
Lewis Milton Goldwasser (Lew Gold) (1885 ,Congress Poland - 1950, Miami, Florida, US) was a composer, pianist and band leader immensely popular in New York City from the late-1910s to the early 1930s. His orchestra was an all-white band (as were most of the commercially successful bands in those days due to the limitations placed on African American musicians at the time) playing African American music active at first during the late 1910s and early 1920s in live music venues and later, from the mid 1920s through the 1930s, mostly in studio recordings, using several pseudonyms for the different labels.
Over the years, his birth name of Lewis Milton Goldwasser metamorphosed first into Lew Gold, then Lou Gold, and finally into Louis M. Gould (the name that appears on his tombstone). In 1932, he and his wife Doris A. Mabel (Reynolds) Gould, relocated to Miami, Florida, where he played at the Triton Hotel in Miami Beach for seven years. Lou died in 1950, and his wife followed him in 1951. He worked with Benny Goodman, Vincent Lopez, Tommy Dorsey, Abe Lyman, and many others.



![BIG CITY BLUES - Imperial 07348
Imperial 07348
Big City Blues
Written by
Archie Gottler, Con Conrad, Sidney D. Mitchell
Big City Blues was composed by Con Conrad, with words by Archie Gottler and Sydney Mitchell. Aside from being recorded by Annette, this song was also featured that year in the Fox Movietone Follies of 1929 and would peak at #10 on the U.S. Billboard charts.
Con Conrad (born Conrad K. Dober; June 18, 1891 – September 28, 1938) was an American songwriter and producer.
Conrad was born in Manhattan, New York, and published his first song, Down in Dear Old New Orleans, in 1912. Conrad produced the Broadway show The Honeymoon Express, starring Al Jolson, in 1913. By 1918, Conrad was writing and publishing with Henry Waterson (1873–1933). He co-composed Margie in 1920 with J. Russel Robinson and lyricist Benny Davis, which became his first major hit. He went on to compose hits that became standards, including:
Palesteena with co-composer and co-lyricist J. Russel Robinson (1920)
Singin the Blues with co-composer J. Russel Robinson and lyricists Sam M. Lewis and Joe Young (1920)
Youve Got to See Mama Evry Night with co-composer and co-lyricist Billy Rose (1923) c
Come on Spark Plug with co-composer and co-lyricist Billy Rose (1923)
Barney Google with co-composer and co-lyricist Billy Rose (1923)
Memory Lane with lyricist Buddy DeSylva and co-composer Larry Spier (1924)
Lonesome and Sorry with lyricist Benny Davis (1926)
Ma! Hes Making Eyes at Me with lyricist Sidney Clare (1928)[1]
In 1923, Conrad focused on the stage and wrote the scores for the Broadway shows: The Greenwich Village Follies, Moonlight, Betty Lee, Kitty’s Kisses and Americana. In 1924 the Longacre Theatre staged the small musical Moonlight, with a score by Conrad and William B. Friedlander. The next year Conrad and Friedlanders Mercenary Mary was presented at the Longacre. In 1929, Conrad moved to Hollywood after losing all of his money on unsuccessful shows. There he worked on films such as: Fox Movietone Follies, Palmy Days, The Gay Divorcee and Here’s to Romance.
Conrad received the first Academy Award for Best Song for The Continental in 1934 along with collaborator Herb Magidson. He died four years later in Van Nuys, California.
His spouse was actress Francine Larrimore. He died in Van Nuys, California, aged 47.
Conrad was posthumously inducted into the Songwriters Hall of Fame in 1970. BIG CITY BLUES - Imperial 07348](https://i.ytimg.com/vi/kYevWx2GnIY/mqdefault.jpg)






