Uploaded December 2022 | Updated September 2026, 1 week ago
Our friend Dom Lewis is back again to lift our holiday spirits up with not one, but TWO new scores that aim to spread some festive cheer. We dig into his scores to Spirited and Violent Night. One is a musical comedy, the other a violent action flick done in the spirit of Die Hard.
For Spirited, Dom scored his first musical and we talk about the composer's role in a musical when it comes to navigating around the songs that were written by Benj Pasek and Justin Paul. We also discuss leaning into that heartwarming feel of Christmas scores without getting too schmaltzy, plus the excitement of writing a big orchestral score with choir that taps into the genre.
For Violent Night we talk about creating a score that embraces the Christmas feel, but how it needed to be over the top in a very operatic way for this balls-to-the-wall action flick that subverts the genre. Dom talks about all the differences in writing this score vs Spirited, including how he recorded himself for the entire choir and recorded an original song.
It's always a pleasure to have Dom sit down and chat, and such a nice way to kick of the holiday season!
A Film.Music.Media Interview | Produced & Presented by Kaya Savas
#dominiclewis #composer #interview #podcast #soundtrack #soundtracks #behindthescenes #filmmaking #movies #television #spirited #violentnight #happyholidays #ryanreynolds #willferrell #davidharbour
Our friend Dom Lewis is back again to lift our holiday spirits up with not one, but TWO new scores that aim to spread some festive cheer. We dig into his scores to Spirited and Violent Night. One is a musical comedy, the other a violent action flick done in the spirit of Die Hard.
For Spirited, Dom scored his first musical and we talk about the composer's role in a musical when it comes to navigating around the songs that were written by Benj Pasek and Justin Paul. We also discuss leaning into that heartwarming feel of Christmas scores without getting too schmaltzy, plus the excitement of writing a big orchestral score with choir that taps into the genre.
For Violent Night we talk about creating a score that embraces the Christmas feel, but how it needed to be over the top in a very operatic way for this balls-to-the-wall action flick that subverts the genre. Dom talks about all the differences in writing this score vs Spirited, including how he recorded himself for the entire choir and recorded an original song.
It's always a pleasure to have Dom sit down and chat, and such a nice way to kick of the holiday season!
A Film.Music.Media Interview | Produced & Presented by Kaya Savas
#dominiclewis #composer #interview #podcast #soundtrack #soundtracks #behindthescenes #filmmaking #movies #television #spirited #violentnight #happyholidays #ryanreynolds #willferrell #davidharbour
