Art History School | Discover the Pioneering Spirit of Amrita Sher-Gil: India's Great Modernist - Art History School @ArtHistorySchool | Uploaded April 2022 | Updated October 2024, 17 hours ago.
Amrita Sher-Gil was a true pioneer of Indian Modern art. She explored female themes and has become one of Indian's greatest painters. Learn about the life and painting of Indian artist Amrita Sher-Gil in this Amrita Sher-Gil biography. The Indian artist Amrita Sher-Gil was born in Budapest in Hungary on the 30th January 1913. Her parents had met in London and married in 1912 in Lahore, India, which today is in Pakistan. Her father Umrao Singh Sher-Gil was a Sikh aristocrat from the Punjab, India, a Persian and Sanskrit scholar and pioneer photographer. Her mother Marie Antoinette Gottesmann was a red headed Hungarian Jewish singer.
She had a relatively privileged upbringing and at the age of eight Sher-Gil started formal art lessons with a Major Whitmarsh, but it wasn’t long before she refused to follow his very formal drawing instruction.
She first enrolled at the Grande Chaumière Academy in Paris in 1929 at the age of 16, under the watchful eye of painter Pierre Valliant who did much to improve her drawings. Later in October 1929 she attended Lucien Simon’s classes at the prestigious Ecole des Beaux Arts in Paris. He encouraged her and allowed her to attend his classes despite her being underage.
Checkout my video of Indian Artist: M F Husain youtu.be/OsVQKR918RQ
Shergil enthusiastically embraced Indian culture, deciding to wear only saris and focused on painting India’s poor, particularly the everyday lives of women. She painted them at the market, at weddings, and undertaking menial domestic chores. The paintings were infused with melancholy and loneliness, but there is a raw honesty about them. At a time when most artists portrayed women as content and compliant, Sher-Gil’s treatment of female subjects was singularly unique, revealing their dignity and silent resolve. Her paintings are not a romanticised view of the poor. Her most famous paintings are Two Women and Self Portrait as a Tahitian.
Amrita Sher-Gil’s legacy is unparalleled, in both her life and art, she was a woman both within and ahead of her time and became one of India's most compelling artists of the 20th century.
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PATREON: I'd like to thank the following patrons whose support in the making of this video is much appreciated: Dee Ann Havely, Deirdre Feely, Denise Berg, Ivan Gilbert Rappaport, Mary Stewart, Nicolae Opris, S. Ryckman, Tatiana Lostorto, Tina Valentine, Visnja Zeljeznjak, Linda Frazier, Marnie Coutts, Stein Harald Os, Emily Liss, William Scott Griffiths, Dinny Hinds, Patrick Lefebvre, Philip Levene, Alena Sidorkina, Jeff Smith, Ashok Kanagasundram, Olivia McGoldrick, Rahman Yii, Sarah Hirsch, Kevin Coburn, Stacy Schweigler, Jennifer Ranghelli, Deborah Smith, Emily, Carol Tenson, Min A, Colin Parrish, Larry Specht, Rachel Bussert, David Cornwell, Kerri Southern, Yvonne Tsang, Lena Allen, Pierrette Konikow Kathy Anderson and Susan Valliant
Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.
Amrita Sher-Gil was a true pioneer of Indian Modern art. She explored female themes and has become one of Indian's greatest painters. Learn about the life and painting of Indian artist Amrita Sher-Gil in this Amrita Sher-Gil biography. The Indian artist Amrita Sher-Gil was born in Budapest in Hungary on the 30th January 1913. Her parents had met in London and married in 1912 in Lahore, India, which today is in Pakistan. Her father Umrao Singh Sher-Gil was a Sikh aristocrat from the Punjab, India, a Persian and Sanskrit scholar and pioneer photographer. Her mother Marie Antoinette Gottesmann was a red headed Hungarian Jewish singer.
She had a relatively privileged upbringing and at the age of eight Sher-Gil started formal art lessons with a Major Whitmarsh, but it wasn’t long before she refused to follow his very formal drawing instruction.
She first enrolled at the Grande Chaumière Academy in Paris in 1929 at the age of 16, under the watchful eye of painter Pierre Valliant who did much to improve her drawings. Later in October 1929 she attended Lucien Simon’s classes at the prestigious Ecole des Beaux Arts in Paris. He encouraged her and allowed her to attend his classes despite her being underage.
Checkout my video of Indian Artist: M F Husain youtu.be/OsVQKR918RQ
Shergil enthusiastically embraced Indian culture, deciding to wear only saris and focused on painting India’s poor, particularly the everyday lives of women. She painted them at the market, at weddings, and undertaking menial domestic chores. The paintings were infused with melancholy and loneliness, but there is a raw honesty about them. At a time when most artists portrayed women as content and compliant, Sher-Gil’s treatment of female subjects was singularly unique, revealing their dignity and silent resolve. Her paintings are not a romanticised view of the poor. Her most famous paintings are Two Women and Self Portrait as a Tahitian.
Amrita Sher-Gil’s legacy is unparalleled, in both her life and art, she was a woman both within and ahead of her time and became one of India's most compelling artists of the 20th century.
Please consider subscribing to this channel: youtube.com/c/arthistoryschool?sub_confirmation=1
And supporting this channel on Patreon, patreon.com/paulpriestleyart many thanks!
Interested in DRAWING? Check out my drawing channel: youtube.com/paulpriestleyart
Would you like me to critique your drawing? Sign up here:- https:patreon.com/paulpriestleyart
Want this video in your own language? Check out my video to see how: youtu.be/ZnoxutAvyaI
For drawing and painting art tutorials designed for beginners - visit my website: -
paulpriestleyart.com Follow our Facebook Page:
facebook.com/PaulPriestleyArtVideos
Follow our Twitter page: twitter.com/PriestleyonArt
PATREON: I'd like to thank the following patrons whose support in the making of this video is much appreciated: Dee Ann Havely, Deirdre Feely, Denise Berg, Ivan Gilbert Rappaport, Mary Stewart, Nicolae Opris, S. Ryckman, Tatiana Lostorto, Tina Valentine, Visnja Zeljeznjak, Linda Frazier, Marnie Coutts, Stein Harald Os, Emily Liss, William Scott Griffiths, Dinny Hinds, Patrick Lefebvre, Philip Levene, Alena Sidorkina, Jeff Smith, Ashok Kanagasundram, Olivia McGoldrick, Rahman Yii, Sarah Hirsch, Kevin Coburn, Stacy Schweigler, Jennifer Ranghelli, Deborah Smith, Emily, Carol Tenson, Min A, Colin Parrish, Larry Specht, Rachel Bussert, David Cornwell, Kerri Southern, Yvonne Tsang, Lena Allen, Pierrette Konikow Kathy Anderson and Susan Valliant
Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.
