Uploaded January 2023 | Updated September 2026, 1 hour ago
Friday, May 20, 2022, 5:30 PM at Einstein Forum in Potsdam
Iryna Sklokina, Lviv
The Russian invasion of Ukraine has led to numerous death casualties among both the military and civilians, as well as the destruction of infrastructure and residential areas, including cultural infrastructure and symbolically important objects. In media discourses and eyewitnesses’ accounts, the death of humans and animals is discussed along with the destruction of things. Dehumanization and defamiliarization, the distinction between “our” dead bodies and those of the enemy that is typical of wartime propaganda, coexists with attempts to build alternative narratives of human rights, civility, humanity, and “Europe.” However, discourse on survivors prevails over the representation of death in Ukraine’s public sphere. In my talk I will analyze news media coverage and oral interviews with evacuated civilians collected between March and May 2022 by the Center for Urban History in Lviv.
Iryna Sklokina holds a PhD in history and is a research fellow at the Center for Urban History in Lviv, Ukraine. Her research interests include heritage and memory studies, the Soviet politics of WWII memory, and industrial history and heritage. Mostly recently she has co-authored and co-edited The Political Cult of the Dead in Ukraine. Traditions and Dimensions from the First World War to Today (with Guido Hausmann, 2021) and a special issue of the journal Region: Regional Studies of Russia, Eastern Europe, and Central Asia titled Donbas Imaginaries: Heritage, Culture, Communities (with Victoria Donovan, 2021).
Friday, May 20, 2022, 5:30 PM at Einstein Forum in Potsdam
Iryna Sklokina, Lviv
The Russian invasion of Ukraine has led to numerous death casualties among both the military and civilians, as well as the destruction of infrastructure and residential areas, including cultural infrastructure and symbolically important objects. In media discourses and eyewitnesses’ accounts, the death of humans and animals is discussed along with the destruction of things. Dehumanization and defamiliarization, the distinction between “our” dead bodies and those of the enemy that is typical of wartime propaganda, coexists with attempts to build alternative narratives of human rights, civility, humanity, and “Europe.” However, discourse on survivors prevails over the representation of death in Ukraine’s public sphere. In my talk I will analyze news media coverage and oral interviews with evacuated civilians collected between March and May 2022 by the Center for Urban History in Lviv.
Iryna Sklokina holds a PhD in history and is a research fellow at the Center for Urban History in Lviv, Ukraine. Her research interests include heritage and memory studies, the Soviet politics of WWII memory, and industrial history and heritage. Mostly recently she has co-authored and co-edited The Political Cult of the Dead in Ukraine. Traditions and Dimensions from the First World War to Today (with Guido Hausmann, 2021) and a special issue of the journal Region: Regional Studies of Russia, Eastern Europe, and Central Asia titled Donbas Imaginaries: Heritage, Culture, Communities (with Victoria Donovan, 2021).


![Jan Philipp Reemtsma: Monsieur Bovary
Saturday, July 2 2022 at Einstein Forum, Potsdam
Jean Améry’s Charles Bovary, Landarzt is a novel and should be read as such. The novel is a trial Charles Bovary vs. Gustave Flaubert, and Charles Bovary wins–whatever that means. Flaubert is accused of misusing the freedom of creation by creating a Charles Bovary not fit to be the lover Emma Bovary deserved. He is accused to be not a true realist as an author, because he did not show reality as a bundle of possibilities. Instead as an It-is-what-it-is-prison (for Charles). Améry defends Charles Bovary against his creator because he himself wants an appropriate lover for Emma—not those she had chosen. Améry defends Charles and his defence transforms in a love-phantasy. Charles Bovary, Landarzt is a novel of and about the author Jean Améry to a woman another author had created. A strange book—and a fascinating one.
Jan Philipp Reemtsma is the founder and chair of the Hamburg Foundation for the Advancement of Scholarship and Culture and the founder of the Arno Schmidt Foundation. Until March 2015, he was the director of the Hamburg Institute for Social Research, which he also founded. Among his many works, those available in English include Trust and Violence (2012 [2008]), In the Cellar (1999 [1997]), and More than a Champion. The Style of Muhammad Ali (1998 [1997]). His latest publication is Helden und andere Probleme (2020). Jan Philipp Reemtsma: Monsieur Bovary](https://i.ytimg.com/vi/YGQ4ZGsTOs0/mqdefault.jpg)







