Uploaded September 2025 | Updated September 2026, 2 weeks ago
Diasporic Collage: Puerto Rico and the Survival of a People
Curated by Dr. Yomaira Figueroa-Vásquez, Dr. Windy M. Cosme Rosario, and Dalina A. Perdomo Álvarez
Learn more +:visit through Nov 22: https://centropr.hunter.cuny.edu/tools/diasporic-collage/
Puerto Rico’s colonial status and geographical location situate it as a locus of global encounters and ongoing displacement. As such, the Puerto Rican diaspora can be understood as a collage of overlapping histories of colonialism, resistance, and survival. This exhibition engages with collage as both practice and metaphor. A collage is an assemblage, an art technique that uses discrete materials, images, or text to create a whole picture. Countering the concept of a melting pot, which emphasizes assimilation and loss of culture, the idea of a collaged community allows for the celebration of roots and relations.
Featuring works by artists La Vaughn Belle, Rebel Betty, Mónica Ching, Frank Espada, Alia Farid, Glorimar Garcia, Daniel Lind Ramos, María Martínez-Cañas, Luis Rivera Jiménez, Edra Soto, Brenda Torres-Figueroa, and Nitza Tufiño.
Founded in 1973 by a coalition of students, faculty, and activists, the Center for Puerto Rican Studies at Hunter College (CENTRO) is the largest university-based research institute, library, and archive dedicated to the Puerto Rican experience in the United States. Learn more at centropr.hunter.cuny.edu
Follow us on social media!
Instagram: instagram.com/centropr
Facebook: facebook.com/centropr
Threads: threads.net/@centropr
TikTok: tiktok.com/@centropr
Support our work by donating today at community.hunter.cuny.edu/supportcentro
Diasporic Collage: Puerto Rico and the Survival of a People
Curated by Dr. Yomaira Figueroa-Vásquez, Dr. Windy M. Cosme Rosario, and Dalina A. Perdomo Álvarez
Learn more +:visit through Nov 22: https://centropr.hunter.cuny.edu/tools/diasporic-collage/
Puerto Rico’s colonial status and geographical location situate it as a locus of global encounters and ongoing displacement. As such, the Puerto Rican diaspora can be understood as a collage of overlapping histories of colonialism, resistance, and survival. This exhibition engages with collage as both practice and metaphor. A collage is an assemblage, an art technique that uses discrete materials, images, or text to create a whole picture. Countering the concept of a melting pot, which emphasizes assimilation and loss of culture, the idea of a collaged community allows for the celebration of roots and relations.
Featuring works by artists La Vaughn Belle, Rebel Betty, Mónica Ching, Frank Espada, Alia Farid, Glorimar Garcia, Daniel Lind Ramos, María Martínez-Cañas, Luis Rivera Jiménez, Edra Soto, Brenda Torres-Figueroa, and Nitza Tufiño.
Founded in 1973 by a coalition of students, faculty, and activists, the Center for Puerto Rican Studies at Hunter College (CENTRO) is the largest university-based research institute, library, and archive dedicated to the Puerto Rican experience in the United States. Learn more at centropr.hunter.cuny.edu
Follow us on social media!
Instagram: instagram.com/centropr
Facebook: facebook.com/centropr
Threads: threads.net/@centropr
TikTok: tiktok.com/@centropr
Support our work by donating today at community.hunter.cuny.edu/supportcentro
