Uploaded September 2021 | Updated September 2026, 9 hours ago
Hi, here's my instrumental guitar and bass cover of "There's a Time and Place for Everything" by The Tony Danza Tapdance Extravaganza! I hope you like it.
~ * ~ follow my socials and stream my music ~ * ~
*Twitter:* twitter.com/kadekalka
*Instagram:* instagram.com/kadekalka
*Bandcamp:* kadekalka.bandcamp.com
*Streaming* (Spotify, Apple Music, etc.): songwhip.com/kadekalka
~ * ~ S O U N D S T U F F ~ * ~
- Rhythm Guitars: Archetype: Gojira
- Bass: Darkglass Ultra + Amplitube 5
- Drums: GGD Modern Fusion + Logic East Bay Snare
Rhythm guitar were pretty fun on this one. Since my pickups are pretty lame and dull, I had to boost a lot of highs before the amp. Though, that brings out a lot of noise, so I put iZotope RX 8 Voice Denoise in before the EQ. My EQ settings were pretty simple. I did a ~10dB High Shelf at 6k and a narrow bell boost at 5k. After that, another 10dB high shelf. That's why it was necessary to denoise a lot.
The actual amp settings were pretty basic tho. I used the first OD pedal, and both the crunch amp and cab. A little more gain, a lot of lows and highs, turned down depth and presence. I believe I used the 57 and 414's like usual for mics.
I also did some multiband comp after the amp and did a subtle sidchain comp using the kick as the source.
Bass was kinda my usual, but kinda not. I used Neural DSP's Darkglass Ultra plugin, but only for the gate lmao. I used Amplitube 5's free bass amp, but I didn't use a lot of gain this time. I boosted 50-80 Hz and cut/shelf'd out most of the highs/mids after the amp. Multiband comped it.
Drumsssssss. I actually didn't go all out with the drums. Just used GGD Modern Fusion, threw some expanders on kick and snare, comped the rooms and overheads a bit. I felt like the snare wasn't clicky enough, so I layered it one of Logic's East Bay snares. I used Logic's Enveloper plugin on the East Bay snare so that it was all transient. It definitely takes away some of the realism, but it sounds dope to me.
I also did a little compression on the drum bus and threw Analog Obsessions' TUBA on it.
~ * ~ V I D E O S T U F F ~ * ~
- Camera: Canon M50
- Lenses: Canon EF-M 18-45mm and Sigma DC f/1.4 30mm
- Lights: idk, some Neewer Bi-color LED panels I got for like $200
This time, I decided to record two extra wide shots at 15mm with the kit lens. I usually hate the kit lens, but I'm starting to realize it looks great when you give it some light. All the other shots were on the Sigma 30mm.
~ * ~ T H E S O N G ~ * ~
The other day, Andrew Baena and Johnny Ciardullo uploaded a cover of "Trapped like Rats" by Glass Cloud and that inspired me to learn some more Danza stuff. I listened through Danza III and this song stood out to me this time. I spent like 3 hours learning it and recorded it the next day!
I recorded 2-3 takes for each section, and did some slight comping. I didn't do any editing, time alignment, or anything. It turned out a little rough, but I like it that way!
I love Josh Travis's writing and playing so much, it's always a treat learning on of his songs.
~ * ~ if you're here, why did you read all that? ~ * ~
#Danza #Mathcore #8string
Hi, here's my instrumental guitar and bass cover of "There's a Time and Place for Everything" by The Tony Danza Tapdance Extravaganza! I hope you like it.
~ * ~ follow my socials and stream my music ~ * ~
*Twitter:* twitter.com/kadekalka
*Instagram:* instagram.com/kadekalka
*Bandcamp:* kadekalka.bandcamp.com
*Streaming* (Spotify, Apple Music, etc.): songwhip.com/kadekalka
~ * ~ S O U N D S T U F F ~ * ~
- Rhythm Guitars: Archetype: Gojira
- Bass: Darkglass Ultra + Amplitube 5
- Drums: GGD Modern Fusion + Logic East Bay Snare
Rhythm guitar were pretty fun on this one. Since my pickups are pretty lame and dull, I had to boost a lot of highs before the amp. Though, that brings out a lot of noise, so I put iZotope RX 8 Voice Denoise in before the EQ. My EQ settings were pretty simple. I did a ~10dB High Shelf at 6k and a narrow bell boost at 5k. After that, another 10dB high shelf. That's why it was necessary to denoise a lot.
The actual amp settings were pretty basic tho. I used the first OD pedal, and both the crunch amp and cab. A little more gain, a lot of lows and highs, turned down depth and presence. I believe I used the 57 and 414's like usual for mics.
I also did some multiband comp after the amp and did a subtle sidchain comp using the kick as the source.
Bass was kinda my usual, but kinda not. I used Neural DSP's Darkglass Ultra plugin, but only for the gate lmao. I used Amplitube 5's free bass amp, but I didn't use a lot of gain this time. I boosted 50-80 Hz and cut/shelf'd out most of the highs/mids after the amp. Multiband comped it.
Drumsssssss. I actually didn't go all out with the drums. Just used GGD Modern Fusion, threw some expanders on kick and snare, comped the rooms and overheads a bit. I felt like the snare wasn't clicky enough, so I layered it one of Logic's East Bay snares. I used Logic's Enveloper plugin on the East Bay snare so that it was all transient. It definitely takes away some of the realism, but it sounds dope to me.
I also did a little compression on the drum bus and threw Analog Obsessions' TUBA on it.
~ * ~ V I D E O S T U F F ~ * ~
- Camera: Canon M50
- Lenses: Canon EF-M 18-45mm and Sigma DC f/1.4 30mm
- Lights: idk, some Neewer Bi-color LED panels I got for like $200
This time, I decided to record two extra wide shots at 15mm with the kit lens. I usually hate the kit lens, but I'm starting to realize it looks great when you give it some light. All the other shots were on the Sigma 30mm.
~ * ~ T H E S O N G ~ * ~
The other day, Andrew Baena and Johnny Ciardullo uploaded a cover of "Trapped like Rats" by Glass Cloud and that inspired me to learn some more Danza stuff. I listened through Danza III and this song stood out to me this time. I spent like 3 hours learning it and recorded it the next day!
I recorded 2-3 takes for each section, and did some slight comping. I didn't do any editing, time alignment, or anything. It turned out a little rough, but I like it that way!
I love Josh Travis's writing and playing so much, it's always a treat learning on of his songs.
~ * ~ if you're here, why did you read all that? ~ * ~
#Danza #Mathcore #8string





![Doughnut News - Episode 4 (Finale) [Archives]
I realized I had forgotten to upload all of the Doughnut News series, here we go.
My Bandcamp:
https://kadekalka.bandcamp.com/
For extra early content and demos:
https://soundcloud.com/kade-kalka
For my art:
http://reallyfeelingit.deviantart.com/
For my Twitter:
https://twitter.com/imfeelingit156 Doughnut News - Episode 4 (Finale) [Archives]](https://i.ytimg.com/vi/Gj36WJ_QiBY/mqdefault.jpg)
![Shitty Shortest Straw Cover [Archives]
One of the shittier covers I made during my old years of Youtube. I couldnt even edit it right at all... I did actually play the parts, you just cant see them since I was a shitty editor.
My Bandcamp:
https://kadekalka.bandcamp.com/
For extra early content and demos:
https://soundcloud.com/kade-kalka
For my art:
http://reallyfeelingit.deviantart.com/
For my Twitter:
https://twitter.com/imfeelingit156 Shitty Shortest Straw Cover [Archives]](https://i.ytimg.com/vi/GtfoXAgMzAE/mqdefault.jpg)



