Uploaded August 2026 | Updated September 2026, 3 weeks ago
“Dan the Red Nose” words by Michael Kline, adapted from “The Cutty Wren.”
“The Cutty Wren” is a song that refers to the hunting of wrens on St. Stephen’s Day (December 26th) an old tradition found across parts of Scotland, Wales, Ireland and the Isle of Man. Variants of the song can be found across the Anglo-Celtic Isles. The earliest version known was printed in 1776, likely from Northern England/the Scottish Lowlands.
In the 20th century, this song became associated with the English Peasants Revolt of 1381, with the wren believed to represent the king being killed and his riches distributed to the poor. To the best of my knowledge, there is not a direct connection between this song and the rebellion (even though this connection is often declared as fact). However, it’s an inspiring way to learn about the revolt, and has led to further rebel-themed adaptations, like this song!
In the 1960s, communities, land and water across Appalachia were facing a crisis of devastation brought on by mountaintop removal coal mining, a form of strip mining that brutally clear cuts forests, blows up ancient topsoil, buries and pollutes water sources, and sickens people. Locals quickly found that they didn’t have the legal right to prevent strip mining on their own land, so some took it upon themselves to destroy the equipment that was destroying their hillsides, streams, family cemeteries and homes.
This song is positioned as a dialogue between two parties- one that’s going off to cause some mischief, and another person inquiring what everyone is up to. Dan the Red Nose, in a case of bad security culture, is always spilling the beans- but in doing so educates us about this historic act of rebellion. Songs like this are a vital way to remember the actions that are often necessarily kept quiet, the forms of resistance that can’t be spoken of when they take place, but that future generations need to remember.
And of course, here’s my disclaimer that no one should ever commit property destruction- it’s dangerous and illegal. This is for historical education only.
Lyrics:
“Oh where are you going?” said Steven to Gordon.
“Oh we may not tell you,” said Bethel to those.
“We’re off to the woods.” said Dan the Red Nose,
“We’re off to the woods,” said Dan the Red Nose.
“And what will you do there?” said Steven to Gordon.
“Oh we may not tell you,” said Bethel to those.
“We’ll blow the big dozer,” said Dan the Red Nose,
“We’ll blow the big dozer,” said Dan the Red Nose.
“And how will you blow it up?” said Steven to Gordon,
“Oh we may not tell you,” said Bethel to those.
“With hot lead and powder!” said Dan the Red Nose,
“With hot lead and powder!” said Dan the Red Nose.
“Dan the Red Nose” words by Michael Kline, adapted from “The Cutty Wren.”
“The Cutty Wren” is a song that refers to the hunting of wrens on St. Stephen’s Day (December 26th) an old tradition found across parts of Scotland, Wales, Ireland and the Isle of Man. Variants of the song can be found across the Anglo-Celtic Isles. The earliest version known was printed in 1776, likely from Northern England/the Scottish Lowlands.
In the 20th century, this song became associated with the English Peasants Revolt of 1381, with the wren believed to represent the king being killed and his riches distributed to the poor. To the best of my knowledge, there is not a direct connection between this song and the rebellion (even though this connection is often declared as fact). However, it’s an inspiring way to learn about the revolt, and has led to further rebel-themed adaptations, like this song!
In the 1960s, communities, land and water across Appalachia were facing a crisis of devastation brought on by mountaintop removal coal mining, a form of strip mining that brutally clear cuts forests, blows up ancient topsoil, buries and pollutes water sources, and sickens people. Locals quickly found that they didn’t have the legal right to prevent strip mining on their own land, so some took it upon themselves to destroy the equipment that was destroying their hillsides, streams, family cemeteries and homes.
This song is positioned as a dialogue between two parties- one that’s going off to cause some mischief, and another person inquiring what everyone is up to. Dan the Red Nose, in a case of bad security culture, is always spilling the beans- but in doing so educates us about this historic act of rebellion. Songs like this are a vital way to remember the actions that are often necessarily kept quiet, the forms of resistance that can’t be spoken of when they take place, but that future generations need to remember.
And of course, here’s my disclaimer that no one should ever commit property destruction- it’s dangerous and illegal. This is for historical education only.
Lyrics:
“Oh where are you going?” said Steven to Gordon.
“Oh we may not tell you,” said Bethel to those.
“We’re off to the woods.” said Dan the Red Nose,
“We’re off to the woods,” said Dan the Red Nose.
“And what will you do there?” said Steven to Gordon.
“Oh we may not tell you,” said Bethel to those.
“We’ll blow the big dozer,” said Dan the Red Nose,
“We’ll blow the big dozer,” said Dan the Red Nose.
“And how will you blow it up?” said Steven to Gordon,
“Oh we may not tell you,” said Bethel to those.
“With hot lead and powder!” said Dan the Red Nose,
“With hot lead and powder!” said Dan the Red Nose.








![Oldest Known Secular Song in the English Language: Mirie it is while sumer ilast
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“Mirie it is while sumer ilast” is the earliest known secular song in the English language.
Written down sometime in the first half of the 13th century, it was found miraculously on a flyleaf added to a Book of Psalms created in the late 12th century. We have the melody, and one verse.
This song is all about the hardships of winter, and remembering the pleasantness of summer. The author laments the harsh weather, the long hours of darkness, hunger and sorrow.
Here are the original words in Middle English:
[M]Irie it is while sumer ilast
with fugheles song
oc nu necheth windes blast
and weder strong.
Ei ei what this nicht is long
And ich with wel michel wrong.
Soregh and murne and [fast].
Translation:
Merry it is while summer lasts
with bird song
but now, close by, the winds blast
and the weather is strong.
Oh, oh! This night is long
And I also am done much wrong.
Sorrow and mourn and go without food.
Due to deterioration of the flyleaf and the ambiguity of the notation due to inexact penmanship, there is no way to have a completely accurate interpretation of the “Mirie it is…”
What I perform here is based on the interpretation of Ian Pittaway, who has done a great deal of work wrestling with the various interpretive possibilities of the song. You can read a detailed essay about his work with “Mirie” here: https://earlymusicmuse.com/mirie-it-is-while-sumer-ilast/
I take just a few purposeful liberties with the melody, most specifically singing the last few notes of the verse differently than interpreted by Pittaway.
Also- definitely take my Middle English pronunciation with a grain of salt! I haven’t studied Middle English pronunciation (now I want to as a result of making this video!). My use of “ch” as in “nicht” for example, should probably be more like the German ich, amongst other things.
Enjoy! Oldest Known Secular Song in the English Language: Mirie it is while sumer ilast](https://i.ytimg.com/vi/b66ui8x1Yac/mqdefault.jpg)
![A Round for Lughnasadh / Lammas / Lunasa
A sweet and simple round for Lughnasadh! Today, this Irish holiday is celebrated around August first, but historically it typically took place around the time of the first harvest of grains. In early medieval Ireland, this was a period when disparate communities would come together for days of feasting, contract-making and friendly competitions- from wrestling to foot racing and horse races. Although today we associate this festival with the Irish deity Lugh, it was known by many different names in different parts of Ireland, and these gatherings were often held in honor of legendary women such as the Firbolg queen Tailtiu or the warrior and magic-wielder Carmun.
At the Lughnasadh assemblies poetry and sacred words were often recited, and listening to these sacred words could be a blessing on the recipient. This round is inspired by a blessing spoken at the Feast of Carmun in Leinster: “May there be given to them [the blessings of] the earth and her pleasant fruits” as well as an oath spoken at the assembly that was a promise to hold the assembly every three years. This oath was sworn, amongst other elements, by the “sun, moon and sea” and by “ebb and flow.”
By the way, if you’ve heard of this festival referred to as “Lammas,” this term comes from the Old English hlaf, “loaf” and mæsse, “mass.” Lughnasadh and Lammas are not actually etymologically related as names, but Lammas was a Christianized blessing of the grains that also took place in the fall in medieval England.
I’ve been creating many pagan songs like this one over the past several years, and I’m determined in the next year to finally make an album featuring some of my favorites! Be sure to join my newsletter- linked in the linktr.ee at the top of my channel- for updates about music releases and workshop offerings.
Lyrics
By ebb and by flow
Sun moon and sea
The fruit of this fertile earth
Will come to thee A Round for Lughnasadh / Lammas / Lunasa](https://i.ytimg.com/vi/bnJg11R07UI/mqdefault.jpg)
