Crash Course on the 2024 Whitney Biennial: Sensation @whitney_museum
Crash Course on the 2024 Whitney Biennial: Sensation  @whitney_museum
Uploaded July 2024 | Updated September 2026, 3 weeks ago
This course explores how artists use instruments to inform performances or as tools for purposes beyond music-making, including interpersonal communication, scientific and archaeological inquiry, and therapeutic care. Looking closely at works by Nikita Gale, Clarissa Tossin, Constantina Zavitsanos, and Julia Phillips, among others, we consider instruments and objects modified by the artists that blur the line between art and functionality. Through these instruments, artists communicate ideas, systems, stories, and emotions, transforming them from tools for producing sound into dynamic mediums for acquiring, sensing, and generating knowledge about the world around us. This session is led by Fred Cruz Nowell, Joan Tisch Teaching Fellow.
Crash Course on the 2024 Whitney Biennial: SensationWest Side Fest | Join Us, July 11th-13th!How this Painting was Translated into a Massive Mural | Mary Heilmann: Long Line | BEHIND THE SCENESWhitney Biennial 2024: Even Better Than the Real ThingBefore the Volcanoes Sing: A Conversation with Clarissa TossinBlack Chord by Louise Nevelson (1964) | Installation Timelapse | Behind the ScenesConserving Eddie Rodolfo Aparicios Paloma Blanca Deja Volar | 2024 Whitney BiennialThe Laughing Snake: An Evening with Morehshin Allahyari and Ozlem Goner | Live from the WhitneyMaking the AIDS Memorial Quilt Square for Alvin Ailey | Missa Marmalstein | Edges of Ailey InterviewWhitney Snapshot: Ruth Asawa at Black Mountain CollegeMaking Collections, Revealing HistoriesJoin us for Mixtape Vol. 2 | Free Friday Night | Sept. 19, 2025
Whitney Museum of American Art |

Crash Course on the 2024 Whitney Biennial: Sensation

SHARE TO X SHARE TO REDDIT SHARE TO FACEBOOK WALLPAPER