Uploaded May 2020 | Updated September 2026, 2 weeks ago
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Nolan Randall playing the first guitar solo of “Cowboy Song” by Thin Lizzy from their 1976 album Jailbreak for Mercury Records.
Words and music by Phil Lynott and Brian Downey
I am just a cowboy lonesome on the trail
A starry night the campfire light
The coyote call
And the howling winds wail
So I'll ride out to the old sundown
I am just a cowboy lonesome on the trail
Lord I'm just thinkin' about a certain female
The nights we spent together ridin' on the range
Lookin' back it seems so strange
Roll me over and turn me around
Let me keep spinnin' 'til I hit the ground
Roll me over and let me go, ridin' in the rodeo
I was took in Texas I did not know her name
Lord all these southern girls they seem the same
Down below the border in a town in Mexico
I got my job bustin' broncs for the rodeo
Roll me over and turn me around
Let me keep spinnin' 'til I hit the ground
Roll me over and let me go, runnin' free with the buffalo
(Here I go)
Roll me over
And I'll turn around
And I'll move my fingers
Up and down
Up and down
It's okay amigo
Just let me go
Ridin' in the rodeo
Roll me over and turn me around
Let me keep spinnin' 'til I hit the ground
Roll me over and let me go, ridin' in the rodeo
Roll me over and set me free
The cowboy's life is the life for me
*Song Facts*
"Cowboy Song" is a song by Irish hard rock band Thin Lizzy that originally appeared on their 1976 album Jailbreak.
Released as a single in an edited version, it reached No. 77 on the US charts, but at the time did not gain as much attention as two of their most popular songs on the same album: "The Boys Are Back in Town" and "Jailbreak". The song was written by frontman Phil Lynott and drummer Brian Downey.
Written from the perspective of a cowboy, the lyrics tell of his wandering across the United States through various adventures and romances. The song begins with a mellow acoustic, country music-style introduction before a transition to up-tempo hard rock.
"Cowboy Song" has since been described as one of Thin Lizzy's great songs because it has "one of the catchiest, most memorable twin-guitar harmony leads ever". AllMusic described the song as turning the commonplace into legend, or bringing myth into the modern world. The author of Phil Lynott: The Rocker, Mark Putterford, described the song as "a cross between Clint Eastwood and Rudolph Valentino, with a bit of George Best thrown in for good measure".
Over time, it has become a fan favourite and one of Thin Lizzy's signature songs. The song is now one of their most popular and referred to as a classic.
Though the song is strong lyrically, bass player and writer Lynott was never afraid to allow the axemen to dominate a track, and it features some typically blistering Lizzy soloing.
"Cowboy Song" was used in the 2016 film Eddie the Eagle when Hugh Jackman's character, a drunk Bronson Peary, ski jumps down a 90-metre jump. The song was also featured in the 2013 independent film The Kings of Summer when the main character (Joe Toy) first bike rides into the woods.
Released in late February 2016, the authorized biography of Phil Lynott is titled Cowboy Song.
Golden Smog released a version on their 1992 five-song EP On Golden Smog.
Anthrax released a version on their 1993 studio album Sound of White Noise as the bonus track for the album's Japanese release.
Dump released a version on their 2003 studio album A Grown-Ass Man. CMJ New Music Report called the song the best track on the disc.
Supersuckers regularly sing a version at their live concerts. They also released a version on their 2008 album Get It Together (DVD [live] bonus disc).
Million Dollar Reload released a version on their 2014 live album As Real As It Gets.
PlanetMosh called the song a great choice of cover and a great way to end the [live] show.
*Noles Thoughts*
Thin Lizzy will always have a special place in my heart. I visited the Phil Lynott statue in Dublin, Ireland in 2010. Got a few pictures, and honoured the legend. As much as I love U2, Thin Lizzy would have to be my favourite Irish rock band of all time. So many great songs, and such stellar musicianship.
Phil Lynott also influences me as a vocalist. He's a hard rock pioneer, but he didn't sing with distortion like Alice Cooper or Bon Scott. Not that it's bad to sing with distortion. I just know from a personal level, I can't sing like that. Because it ruins my voice. So I look up to the singers in hard rock that have cleaner and more unique voices. And Phil Lynott was no exception. With an emphasis on vibrato.
The twin lead guitars from Brian Robertson and Scott Gorham in "Cowboy Song" are truly amazing. I could name a number of other Thin Lizzy songs that could really showcase their lead guitar harmony sound. Especially with Gary Moore. But if I were to pick one song that could illustrate their signature twin lead guitar sound, it would be "Cowboy Song".
#ThinLizzy #CowboySong #HardRock
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Nolan Randall playing the first guitar solo of “Cowboy Song” by Thin Lizzy from their 1976 album Jailbreak for Mercury Records.
Words and music by Phil Lynott and Brian Downey
I am just a cowboy lonesome on the trail
A starry night the campfire light
The coyote call
And the howling winds wail
So I'll ride out to the old sundown
I am just a cowboy lonesome on the trail
Lord I'm just thinkin' about a certain female
The nights we spent together ridin' on the range
Lookin' back it seems so strange
Roll me over and turn me around
Let me keep spinnin' 'til I hit the ground
Roll me over and let me go, ridin' in the rodeo
I was took in Texas I did not know her name
Lord all these southern girls they seem the same
Down below the border in a town in Mexico
I got my job bustin' broncs for the rodeo
Roll me over and turn me around
Let me keep spinnin' 'til I hit the ground
Roll me over and let me go, runnin' free with the buffalo
(Here I go)
Roll me over
And I'll turn around
And I'll move my fingers
Up and down
Up and down
It's okay amigo
Just let me go
Ridin' in the rodeo
Roll me over and turn me around
Let me keep spinnin' 'til I hit the ground
Roll me over and let me go, ridin' in the rodeo
Roll me over and set me free
The cowboy's life is the life for me
*Song Facts*
"Cowboy Song" is a song by Irish hard rock band Thin Lizzy that originally appeared on their 1976 album Jailbreak.
Released as a single in an edited version, it reached No. 77 on the US charts, but at the time did not gain as much attention as two of their most popular songs on the same album: "The Boys Are Back in Town" and "Jailbreak". The song was written by frontman Phil Lynott and drummer Brian Downey.
Written from the perspective of a cowboy, the lyrics tell of his wandering across the United States through various adventures and romances. The song begins with a mellow acoustic, country music-style introduction before a transition to up-tempo hard rock.
"Cowboy Song" has since been described as one of Thin Lizzy's great songs because it has "one of the catchiest, most memorable twin-guitar harmony leads ever". AllMusic described the song as turning the commonplace into legend, or bringing myth into the modern world. The author of Phil Lynott: The Rocker, Mark Putterford, described the song as "a cross between Clint Eastwood and Rudolph Valentino, with a bit of George Best thrown in for good measure".
Over time, it has become a fan favourite and one of Thin Lizzy's signature songs. The song is now one of their most popular and referred to as a classic.
Though the song is strong lyrically, bass player and writer Lynott was never afraid to allow the axemen to dominate a track, and it features some typically blistering Lizzy soloing.
"Cowboy Song" was used in the 2016 film Eddie the Eagle when Hugh Jackman's character, a drunk Bronson Peary, ski jumps down a 90-metre jump. The song was also featured in the 2013 independent film The Kings of Summer when the main character (Joe Toy) first bike rides into the woods.
Released in late February 2016, the authorized biography of Phil Lynott is titled Cowboy Song.
Golden Smog released a version on their 1992 five-song EP On Golden Smog.
Anthrax released a version on their 1993 studio album Sound of White Noise as the bonus track for the album's Japanese release.
Dump released a version on their 2003 studio album A Grown-Ass Man. CMJ New Music Report called the song the best track on the disc.
Supersuckers regularly sing a version at their live concerts. They also released a version on their 2008 album Get It Together (DVD [live] bonus disc).
Million Dollar Reload released a version on their 2014 live album As Real As It Gets.
PlanetMosh called the song a great choice of cover and a great way to end the [live] show.
*Noles Thoughts*
Thin Lizzy will always have a special place in my heart. I visited the Phil Lynott statue in Dublin, Ireland in 2010. Got a few pictures, and honoured the legend. As much as I love U2, Thin Lizzy would have to be my favourite Irish rock band of all time. So many great songs, and such stellar musicianship.
Phil Lynott also influences me as a vocalist. He's a hard rock pioneer, but he didn't sing with distortion like Alice Cooper or Bon Scott. Not that it's bad to sing with distortion. I just know from a personal level, I can't sing like that. Because it ruins my voice. So I look up to the singers in hard rock that have cleaner and more unique voices. And Phil Lynott was no exception. With an emphasis on vibrato.
The twin lead guitars from Brian Robertson and Scott Gorham in "Cowboy Song" are truly amazing. I could name a number of other Thin Lizzy songs that could really showcase their lead guitar harmony sound. Especially with Gary Moore. But if I were to pick one song that could illustrate their signature twin lead guitar sound, it would be "Cowboy Song".
#ThinLizzy #CowboySong #HardRock

![Maybe (Guitar Riff & Solo) - Plaid On Flannel
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Nolan Randall playing the guitar riff and solo of “Maybe” by Plaid On Flannel from the 2016 EP Rising Above.
Personnel includes:
Nolan Randall (Vocals/Guitars)
Jen Doyon (Keyboards/Vocals)
Les Cassling (Bass)
Minas Hatzigiannatzoglou (Drums/Cowbell)
Produced by Ruben Huizenga
Words and music by Nolan Randall
Thought you might reciprocate your alternate affairs
Somebody else, somebody else
Looking for the answers in the desert of the sun
Youve come so far, youve come so far
Doesnt matter if were early or late
Feel the pressure when you carry the weight
Dig a hole in front of the garden gate
And youre trying to avoid the things
you havent planned, where we began
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
Maybe its something that you are
Maybe its close to feeling far
Maybe we look like we are through
Maybe we thought more than we knew
Maybe you just need a place where nothings typical
Where have you gone? Where have you gone?
Never thought youd settle for less than what you bargained for
Dont be afraid, dont be afraid
Doesnt matter if were early or late
Feel the pressure when you carry the weight
Dig a hole in front of the garden gate
And youre trying to avoid the things
you havent planned, where we began
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
Maybe youre falling out of grace
Maybe your fears are out of place
Maybe the people are the same
Maybe they are what we became
Doesnt matter if were early or late
Feel the pressure when you carry the weight
Dig a hole in front of the garden gate
And youre trying to avoid the things
you havent planned, where we began
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
Maybe its something that you are
Maybe its close to feeling far
Maybe the people are the same
Maybe they are what we became
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
© Copyright 2016 Plaid On Flannel
*Song Description By Noles*
Maybe was written all in one day on April 29, 2013 as the last song recorded for Plaid On Flannels sophomore album Mission Of Mercy. It was a song I wrote through my subconscious, where I didnt know its meaning until a few days later when I learned my girlfriend had cheated on me. She slept with a guy who worked as a cook in the kitchen of a bar my group High Waters Band played at. I started recording the Mission Of Mercy version of Maybe on April 30, 2013 and finished the song on May 8, 2013. The entire Mission Of Mercy album was released on May 20, 2013.
After experiencing that heartbreak to end the album, I broke up with my girlfriend and moved to Toronto in September of 2013. Months later, the Plaid On Flannel band started on February 15, 2014, and Maybe was part of the first batch of my original songs that we played. The songs key was transposed down a minor-third from A to F# for my vocal range. Bassist Les Cassling called the song anthemic. I called it a tale of whoa. Woe spelled differently because the chorus consists of whoas. With the subject matter of the woe that I felt from breaking up with my girlfriend.
When keyboardist Jen Doyon joined Plaid On Flannel the next year on February 22, 2015, her presence completely transformed how Maybe sounded. With superb backup vocals in the bridges and choruses. And of course, her use of funky clavinet. We started recording the Rising Above EP on November 28, 2015, and Maybe was included on it. Minas Hatzigiannatzoglous drum fills in the choruses of Maybe are incredible with so much feel to them. He also added cowbell to the guitar riff. Les Cassling used an effects pedal for his bass over the guitar riff and also performed quite well on the song. Especially in the post-choruses. This might be my favourite song that the other 3 Plaid On Flannel members performed on. They all really delivered on this track and improved the tune from the original version. Maybe is a song that will live on in POFs live repertoire for a long time.
#AltRock #RetroRock #FunkRock Maybe (Guitar Riff & Solo) - Plaid On Flannel](https://i.ytimg.com/vi/nOTTRkEFFns/mqdefault.jpg)



![Born On The Bayou (Guitar Solo) Creedence Clearwater Revival - Nolan Randall Of Plaid On Flannel
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Nolan Randall playing the guitar solo of “Born On The Bayou” by Creedence Clearwater Revival from their 1969 album Bayou Country for Fantasy Records.
Words and music by John Fogerty
When I was just a little boy
Standin to my daddys knee
My papa said Son, dont let the man get you
And do what he done to me?
Cause hell get you
Cause hell get ya now, now
And I can remember the Fourth of July
Runnin through the backwood bay
I can still hear my old hound dog barkin
Chasin down a hoodoo there
Chasin down a hoodoo there
Born on the bayou
Born on the bayou
Born on the bayou
Lord, lord
Wish I were back on the bayou
Rollin with some Cajun queen
Wishin I were a fast freight train
A-just a-choogling on down to New Orleans
Born on the bayou
Born on the bayou
Born on the bayou
Do it, do it, do it, do it
And I can remember the Fourth of July
Runnin through the backwood bay
And I can still hear my old hound dog barkin
Chasin down a hoodoo there
Chasin down a hoodoo there
Born on the bayou
Born on the bayou, Lord, Lord
Born on the bayou
Alright, do
Do it, do it, do it, do it
*Song Facts*
Born on the Bayou is the first track on Creedence Clearwater Revivals second album, Bayou Country (1969). It was released as the B-side of the single Proud Mary that reached No. 2 on the Billboard charts. The song was covered by Little Richard.
Songwriter John Fogerty set the song in the South, despite neither having lived nor widely traveled there. He commented: Born on the Bayou was vaguely like Porterville, about a mythical childhood and a heat-filled time, the Fourth of July. I put it in the swamp where, of course, I had never lived. It was late as I was writing. I was trying to be a pure writer, no guitar in hand, visualizing and looking at the bare walls of my apartment. Tiny apartments have wonderful bare walls, especially when you cant afford to put anything on them. Chasing down a hoodoo. Hoodoo is a magical, mystical, spiritual, non-defined apparition, like a ghost or a shadow, not necessarily evil, but certainly other-worldly. I was getting some of that imagery from Howlin Wolf and Muddy Waters.
Hoodoo was the name of a 1976 solo album by John Fogerty that he never released. By his own account, it was terrible. A couple of singles leaked out, though. Unfortunately for Fogerty, at least one (Youve got the Magic) can be found on YouTube.
Born on the Bayou, Proud Mary, and Choolgin were all connected in Fogertys mind. In Bad Moon Rising, he said: I was writing these at night, and I remember that Bobby Kennedy got killed during this time. I saw that late at night. They kept showing it over and over. Bayou and Proud Mary and Chooglin were all kind of cooking at that time. Id say that was when the whole swamp bayou myth was born—right there in a little apartment in El Cerrito. It was late at night and I was probably delirious from lack of sleep. I remember that I thought it would be cool if these songs cross-referenced each other. Once I was doing that, I realized that I was kind of working on a mythical place.
In Rolling Stones 100 Greatest Guitar Songs issue, John Fogerty explained that Born On The Bayou originated when Creedence Clearwater Revival were booked at San Franciscos Avalon Ballroom in 1968. Said Fogerty: We were the #7 act on the bill, bottom of the totem pole. And as the first guys to go on, we were the last to soundcheck before they opened the doors. It was like, Heres the drums, boom, boom; heres the guitar, clank, clank. I looked over at the guys and said, Hey, follow this! Basically, it was the riff and the attitude of Born on the Bayou, without the words.
Born on the Bayou was the first song Creedence played in their set at Woodstock in 1969. They were a big part of the festival, performing 11 songs on the second day. The band first hit the stage at 3:30 am when the majority of the Woodstock crowd was zonked out. Fogerty recalled: We were ready to rock out and we waited and waited and finally it was our turn ... there were a half million people asleep. These people were out. It was sort of like a painting of a Dante scene, just bodies from hell, all intertwined and asleep, covered with mud. And this is the moment I will never forget as long as I live: A quarter mile away in the darkness, on the other edge of this bowl, there was some guy flicking his Bic [lighter], and in the night I hear, Dont worry about it, John. Were with you. I played the rest of the show for that guy.
Bon on the Bayou is an example of swamp rock, a genre associated with John Fogerty, Little Feat/Lowell George, The Band, J.J. Cale and Tony Joe White. The guitar setting for the intro is over-driven with amp tremolo on a slow setting; Fogerty used a Gibson ES-175 (which was stolen from his car soon after recording this track).
#CreedenceClearwaterRevival #BornOnTheBayou #RootsRock Born On The Bayou (Guitar Solo) Creedence Clearwater Revival - Nolan Randall Of Plaid On Flannel](https://i.ytimg.com/vi/ob2U4fsI3EE/mqdefault.jpg)




