Uploaded May 2026 | Updated September 2026, 2 days ago
Audio: youtube.com/playlist?list=OLAK5uy_mmp80OPKG_v2IxhqLAyb73KLDVgm6V1ck
Alison Balsom, trumpet
Die Deutsche Kammerphilharmonie Bremen
Thomas Klug, conductor
0:00 I. Allegro con spirito
9:21 II. Andante
14:07 III. Rondò
15:28 - Minore
16:22 - Maggiore
*Is an inaccurate score video "better than no score video"?*
Until now, the only full/orchestra/conductor score video of Hummel's Trumpet Concerto on YouTube was the one made by fellow score video creator TheOneAndOnlyZeno. The problem is that the sheet music used in that video is not the actual score. It's a re-orchestration by trumpeter Michel Rondeau, who uploaded it to IMSLP. As the comment all the way at the bottom of Zeno's video points out, the instrumentation is incomplete (omitting the bassoons), and clearly there seem to have been creative liberties with the orchestration taken throughout. On top of that, the audio used is the commonly performed version in E-flat, while the score itself is in Hummel's original key of E major.
So the question is, does putting up a score video with the incorrect edition actually benefit the internet? The target audience for such a video is almost certainly students, perhaps trumpet players learning the concerto and wanting to understand the orchestral writing, or orchestral musicians following along with the score. For that audience, an inaccurate score is not just unhelpful, but actively misleading. The video's description reads, "The COMPLETE score to Johann Nepomuk Hummel's incredible Trumpet concerto in E Major", making it very easy for a student who doesn't know any better to assume this was the real thing. I would argue not only that putting up the incorrect score video defeats the point of using an orchestral score in the first place, but even that it does more harm than good, especially with the added assertion in the description.
When I replied to Zeno's response that an incorrect score is "better than no score-video" by asking, "is misinformation better than no information?" Zeno's reply was, "If you don't like it, don't watch it." But how is a viewer supposed to know the score is wrong before clicking, watching, noticing maybe 1 minute in that the music doesn't match, second-guessing themselves, re-reading the description that insists it's "COMPLETE", before getting their answer by scrolling to the bottom of the comment section? I can say that this is exactly what happened to me (on a few occasions). Who knows how many of the 4k+ views on that video left misinformed, since most of the other comments suggest viewers had no idea anything was off.
Since Zeno's final response to my criticism was simply "Then make your own loser", well, here we are. Thankfully I'm actually able to do something about it - not everyone would have the means to put together a video like this. I found the Breitkopf & Härtel urtext edition and made this video as a correction of sorts. I don't expect that Zeno would take down his video, so I've also used a different recording. A clean, modern recording that's beneficial for students to hear how this piece is typically played today, in Eb, matching with the score.
In conclusion, I want to encourage fellow score video makers to uphold professionalism and a desire to seek, share and publish accurate information to help the music community. These videos are educational resources, and the people watching them should be able to trust what they see.
Audio: youtube.com/playlist?list=OLAK5uy_mmp80OPKG_v2IxhqLAyb73KLDVgm6V1ck
Alison Balsom, trumpet
Die Deutsche Kammerphilharmonie Bremen
Thomas Klug, conductor
0:00 I. Allegro con spirito
9:21 II. Andante
14:07 III. Rondò
15:28 - Minore
16:22 - Maggiore
*Is an inaccurate score video "better than no score video"?*
Until now, the only full/orchestra/conductor score video of Hummel's Trumpet Concerto on YouTube was the one made by fellow score video creator TheOneAndOnlyZeno. The problem is that the sheet music used in that video is not the actual score. It's a re-orchestration by trumpeter Michel Rondeau, who uploaded it to IMSLP. As the comment all the way at the bottom of Zeno's video points out, the instrumentation is incomplete (omitting the bassoons), and clearly there seem to have been creative liberties with the orchestration taken throughout. On top of that, the audio used is the commonly performed version in E-flat, while the score itself is in Hummel's original key of E major.
So the question is, does putting up a score video with the incorrect edition actually benefit the internet? The target audience for such a video is almost certainly students, perhaps trumpet players learning the concerto and wanting to understand the orchestral writing, or orchestral musicians following along with the score. For that audience, an inaccurate score is not just unhelpful, but actively misleading. The video's description reads, "The COMPLETE score to Johann Nepomuk Hummel's incredible Trumpet concerto in E Major", making it very easy for a student who doesn't know any better to assume this was the real thing. I would argue not only that putting up the incorrect score video defeats the point of using an orchestral score in the first place, but even that it does more harm than good, especially with the added assertion in the description.
When I replied to Zeno's response that an incorrect score is "better than no score-video" by asking, "is misinformation better than no information?" Zeno's reply was, "If you don't like it, don't watch it." But how is a viewer supposed to know the score is wrong before clicking, watching, noticing maybe 1 minute in that the music doesn't match, second-guessing themselves, re-reading the description that insists it's "COMPLETE", before getting their answer by scrolling to the bottom of the comment section? I can say that this is exactly what happened to me (on a few occasions). Who knows how many of the 4k+ views on that video left misinformed, since most of the other comments suggest viewers had no idea anything was off.
Since Zeno's final response to my criticism was simply "Then make your own loser", well, here we are. Thankfully I'm actually able to do something about it - not everyone would have the means to put together a video like this. I found the Breitkopf & Härtel urtext edition and made this video as a correction of sorts. I don't expect that Zeno would take down his video, so I've also used a different recording. A clean, modern recording that's beneficial for students to hear how this piece is typically played today, in Eb, matching with the score.
In conclusion, I want to encourage fellow score video makers to uphold professionalism and a desire to seek, share and publish accurate information to help the music community. These videos are educational resources, and the people watching them should be able to trust what they see.
![[Full Score] Florent Schmitt - Dionysiaques (for wind band), Op. 62 (1913)
Reupload with recording of original version
Score: https://ks15.imslp.org/files/imglnks/usimg/7/73/IMSLP21323-PMLP49211-Schmitt Dionysiaques,_Op.62_(full_score).pdf
Audio: https://www.youtube.com/watch?v=shCGskjvht8
Kanagawa University Symphonic Band
Toshiro Ozawa, conductor [Full Score] Florent Schmitt - Dionysiaques (for wind band), Op. 62 (1913)](https://i.ytimg.com/vi/5bN2LpA2ZrI/mqdefault.jpg)
![[Score] Bach/Schumann - Sonata No. 3 in C major (BWV 1005) for violin and piano
Score: https://ks15.imslp.org/files/imglnks/usimg/a/ab/IMSLP921729-PMLP244088-Bach-Schumann_Sonate_C.pdf
Audio: https://www.youtube.com/playlist?list=OLAK5uy_mLTKaxOdKk_M-qu3JKa2DbQ6_edeoKBxg
Benjamin Schmid, violin
Lisa Smirnova, piano
0:00 I. Adagio
4:34 II. Fuga. Alla breve
14:03 III. Largo
17:29 IV. Allegro assai [Score] Bach/Schumann - Sonata No. 3 in C major (BWV 1005) for violin and piano](https://i.ytimg.com/vi/5g8wyIT5kyI/mqdefault.jpg)
![[Full Score] Penderecki - Concerto for horn and orchestra Winterreise (2007/2009)
Score (in C): https://www.schott-music.com/en/concerto-no228742.html
Audio: https://www.youtube.com/watch?v=VDqHMl27Le4
Kateřina Javůrková, horn
Polish Sinfonia Iuventus Orchestra
Krzysztof Penderecki, conductor [Full Score] Penderecki - Concerto for horn and orchestra Winterreise (2007/2009)](https://i.ytimg.com/vi/5zMKRmUDIC8/mqdefault.jpg)
![[Full Score] Richard Rodney Bennett - Concerto for Stan Getz (1990) for tenor sax, timpani & strings
Score: https://issuu.com/scoresondemand/docs/concerto_for_stan_getz_8181
Audio: https://www.youtube.com/playlist?list=OLAK5uy_kRtYbYFd8ueVXUhJOmLO6JnJsQqkv8HPk
Howard McGill, tenor saxophone
BBC Scottish Symphony Orchestra
John Wilson, conductor
0:00 I. Con fuoco
5:27 - Cadenza
8:04 II. Elegy. Lento
15:59 III. Con brio [Full Score] Richard Rodney Bennett - Concerto for Stan Getz (1990) for tenor sax, timpani & strings](https://i.ytimg.com/vi/6vS8I_t8Xow/mqdefault.jpg)
![[Audio] Ravel - Le tombeau de Couperin, orchestration completed by Michael Round (1917/2003?)
NHK Symphony Orchestra
Vladimir Ashkenazy, conductor
0:00 I. Prélude
3:13 II. Fugue (orch. Michael Round)
7:17 III. Forlane
13:10 IV. Rigaudon
16:19 V. Menuet
21:13 VI. Toccata (orch. Michael Round) [Audio] Ravel - Le tombeau de Couperin, orchestration completed by Michael Round (1917/2003?)](https://i.ytimg.com/vi/7WA5uI9LDKY/mqdefault.jpg)
![[Score] Terrence Wong - The Legacy of Teresa Hsu (2021/2025) for concert band
The Legacy of Teresa Hsu
for Concert Band
Grade 3
by Terrence Wong Fei Yang @TerrenceWong89
Buy the score: https://terrencewong89.wixsite.com/mysite/the-legacy-of-teresa-hsu
Band Academy Singapore (BAS) Ensemble @BandAcademySingapore
https://www.bandacademysingapore.com/
Adrian Chiang, conductor @adrianchiang8493
“If you think old, you are old. If you think young, you are young. Even when you are 100+, you can still do a lot.”
“If you see someone fall, you do not ask him why he did not see the stone. You help him up and ask him to be more careful next time.” - Teresa Hsu
Originally commissioned by Adrian Chiang and the Convent of the Holy Infant Jesus (CHIJ) Secondary School Concert Band in 2021 for performance at the Singapore Youth Festival Arts Presentation for School Bands, this piece is part of a series of compositions celebrating Singapore’s unsung heroes.
The piece serves as a tribute to Teresa Hsu (1898 – 2011), who was born in extreme poverty and yet helped the poor and the destitute in Singapore for most of her life, continuing her humanitarian work even after turning a hundred years old. The music exemplifies her triumph over her struggles against the numerous difficult circumstances she had to experience, as well as the relief and joy that she brought to others through her tireless, lifelong work that helped to make the world a better place.
This edition is a revised version for full concert band. [Score] Terrence Wong - The Legacy of Teresa Hsu (2021/2025) for concert band](https://i.ytimg.com/vi/7koh58JhE34/mqdefault.jpg)
![[Score] Eric Ewazen - A Philharmonic Fanfare (1997) for brass trio
Score: https://www.scribd.com/document/570661980/Philharmonic-Fanfare-Ewazen
Audio: https://www.youtube.com/watch?v=5udqLmTLwDE
The University of Maryland Brass Trio
Chris Gekker, trumpet
Gregory Miller, horn
Matthew Guilford, trombone [Score] Eric Ewazen - A Philharmonic Fanfare (1997) for brass trio](https://i.ytimg.com/vi/7x7JG_Jut_E/mqdefault.jpg)

![[Score] Korngold - Much Ado About Nothing Suite (1920) for orchestra
Score: https://www.schott-music.com/en/suite-no159098.html
Audio: https://www.youtube.com/playlist?list=OLAK5uy_nfMVp4gGGXpEQYMaWcGtq68tRu8xDgGpE
Nordwestdeutsche Philharmonie
Werner Andreas Albert, conductor
0:00 1. Ouvertüre
5:14 2. Mädchen im Brautgemach Maiden in the Bridal Chamber
9:11 3. Holzapfel und Schlehwein Dogberry and the Verges (Marsch der Wache)
12:17 4. Intermezzo (Gartenszene)
14:36 5. Mummenschanz (Hornpipe) [Score] Korngold - Much Ado About Nothing Suite (1920) for orchestra](https://i.ytimg.com/vi/8BSMsFa3I28/mqdefault.jpg)
![[Score] Malcolm Arnold - Peterloo, Op. 97 (overture for orchestra)
Score: https://www.fabermusic.com/music/peterloo-696
Audio: https://www.youtube.com/watch?v=HayZyS9ztAs
City of Birmingham Symphony Orchestra
Malcolm Arnold, conductor
Peterloo is the derisive name given to an incident on 16 August 1819, in St Peter’s Fields, Manchester, when an orderly crowd of some 8,000 people met to hear a speech on political reform. On the orders of the magistrates they were interrupted by the Yeomanry, attempting to seize the banners they carried, and to arrest their speaker, Henry Hunt. Cavalry were sent in, and eleven people were killed and four hundred injured in the ensuing panic.
This overture attempts to portray these happenings musically, but after a lament for the killed and injured, it ends in triumph, in the firm belief that all those who have suffered and died in the cause of unity amongst mankind will not have done so in vain. - Malcolm Arnold [Score] Malcolm Arnold - Peterloo, Op. 97 (overture for orchestra)](https://i.ytimg.com/vi/8_Fo31rcnjk/mqdefault.jpg)
![[Score] Franz Waxman - A Christmas Carol (suite from the 1938 film)
A Christmas Carol: Five Sketches for Orchestra After Dickens
music from the 1938 Joseph L. Mankiewicz’ production of the Dickensian classic A Christmas Carol, starring Reginald Owen as Ebenezer Scrooge, directed by Edwin L. Marin for MGM
orchestrated by Leonid Raab
arranged by Christopher Palmer
Score: https://issuu.com/scoresondemand/docs/christmas_carol_five_sketches_62530
Audio: https://www.youtube.com/watch?v=5UIWsAf29eM
Queensland Symphony Orchestra
Richard Mills, conductor
0:00 1. Prelude and Threadneedle Street
2:46 2. Mr. Scrooge
4:07 3. Ghosts and Spirits
6:21 4. Snowball Fight
8:08 5. Christmas Morning (based on Galop from Jeux denfants by Bizet)
9:03 - Finale [Score] Franz Waxman - A Christmas Carol (suite from the 1938 film)](https://i.ytimg.com/vi/8co2lGrclP4/mqdefault.jpg)