Collider Interviews | Connie Britton's Supernatural Thriller Here After Was Almost a Real-Life Horror | Robert Salerno Q&A @ColliderInterviews | Uploaded September 2024 | Updated October 2024, 6 hours ago.
Nominated for both a BAFTA and an Independent Spirit Award, Robert Salerno produces prestige films. Salerno has helped bring critical smash after smash to the silver screen. He is one of the colossal creative forces behind Tom Ford’s spectacular outing, A Single Man, as well as his sophomore effort, Nocturnal Animals. He’s also fostered Lynne Ramsey’s gut-dropping We Need To Talk About Kevin, Charlie Kaufman’s poignant adaptation, I’m Thinking of Ending Things, as well as fan-favorite horror franchise, Smile. Now, Salerno has swapped out his producing cap for his directorial debut, Here After.
The horror drama Here After tells the story of Claire Hiller, played by the exceptional Connie Britton, and her talented daughter Robin (Freya Hannan-Mills). After a piano recital, Robin is in an accident, and Claire is confronted with the possibility that her daughter may not survive. Overjoyed by Robin’s miraculous revival, Claire’s relief turns to dread as she notices changes in her daughter, suspecting something dark has followed her back from near-death. Here After also features Giovanni Cirfiera (Ford v Ferrari) and Tommaso Basili (Ferrari).
Collider’s Steve Weintraub was thrilled to sit down with Salerno after Collider's early screening of Here After. Together in front of a live audience, the two discussed the immense influence of independent producing on Salerno’s directing craft, what it’s like to receive notes from Michael Mann on your film, and the excruciatingly refreshing style of shooting a movie in Italy.
#ConnieBritton #HereAfter #RobertSalerno
For interviews, movie reviews, and more visit collider.com
FOLLOW US ON SOCIAL
twitter.com/collider
instagram.com/collider
facebook.com/collider
Nominated for both a BAFTA and an Independent Spirit Award, Robert Salerno produces prestige films. Salerno has helped bring critical smash after smash to the silver screen. He is one of the colossal creative forces behind Tom Ford’s spectacular outing, A Single Man, as well as his sophomore effort, Nocturnal Animals. He’s also fostered Lynne Ramsey’s gut-dropping We Need To Talk About Kevin, Charlie Kaufman’s poignant adaptation, I’m Thinking of Ending Things, as well as fan-favorite horror franchise, Smile. Now, Salerno has swapped out his producing cap for his directorial debut, Here After.
The horror drama Here After tells the story of Claire Hiller, played by the exceptional Connie Britton, and her talented daughter Robin (Freya Hannan-Mills). After a piano recital, Robin is in an accident, and Claire is confronted with the possibility that her daughter may not survive. Overjoyed by Robin’s miraculous revival, Claire’s relief turns to dread as she notices changes in her daughter, suspecting something dark has followed her back from near-death. Here After also features Giovanni Cirfiera (Ford v Ferrari) and Tommaso Basili (Ferrari).
Collider’s Steve Weintraub was thrilled to sit down with Salerno after Collider's early screening of Here After. Together in front of a live audience, the two discussed the immense influence of independent producing on Salerno’s directing craft, what it’s like to receive notes from Michael Mann on your film, and the excruciatingly refreshing style of shooting a movie in Italy.
#ConnieBritton #HereAfter #RobertSalerno
For interviews, movie reviews, and more visit collider.com
FOLLOW US ON SOCIAL
twitter.com/collider
instagram.com/collider
facebook.com/collider
