Uploaded December 2022 | Updated September 2026, 2 weeks ago
John Williams’s Violin Concerto No. 2 is the result of many years of collaboration and friendship between John Williams and Anne-Sophie Mutter. At Tanglewood in summer 2017, the violinist had given the world premiere performance with the Boston Symphony Orchestra of a new work requested by and written for her, John Williams’s "Markings" for violin and orchestra. His new Violin Concerto No. 2 is a serious and substantial addition to a tradition that encompasses some three hundred years of repertoire, from Vivaldi through Mendelssohn, Tchaikovsky through Berg, to Sofia Gubaidulina and André Previn. In requesting a new concerto from John Williams, Ms. Mutter expands her already remarkable, stylistically varied string of commissions from such composers as Witold Lutosławski, Wolfgang Rihm, Krzysztof Penderecki, Henri Dutilleux, and Sebastian Currier, among others.
Williams himself writes in the program notes:
"Composing program notes has always been challenging for me. These descriptions always seem to try to answer the question “What is this music about?” And while music has many purposes and functions, I’ve always believed that, in the end, it ought to be free to be interpreted through the prism of every listener’s own personal history, prior exposures and cultural background. One man’s sunken cathedral might be another woman’s mist at the dawning. The meaning must therefore reside, if you’ll forgive me, in the “ear of the beholder.” I can only think of this piece as being about Anne-Sophie Mutter, and the violin itself – that unsurpassed product of the luthier’s art. With so much great music already written for the instrument, much of it recently for Anne-Sophie, I wondered what further contribution I could possibly make. But I took my inspiration and energy directly from this great artist herself."
COMPOSER: John Williams
CONDUCTOR: John Williams
VIOLIN: Anne-Sophie Mutter
ORCHESTRA: Boston Symphony Orchestra
NOTE: This is a live performance! (WORLD PREMIERE performance, recorded in Tanglewood Music Center on 7-24-2021)
TRACKLIST:
0:00 - I. Prologue
11:13 - II. Rounds
20:44 - III. Dactyls
26:45 - IV. Epilogue
Please be aware that all of the music (and images) featured in this video belong to their respective owners, and I or this channel does not claim any right over them. I upload these solely for archiving purposes, and for the sharing and enjoyment of great music. Monetization is not enabled. If you are the rightful owner of copyrighted material used and would like the video removed from YouTube, please, instead of reporting/striking my channel, leave a comment below with your statement and I will take the video down effective immediately.
John Williams’s Violin Concerto No. 2 is the result of many years of collaboration and friendship between John Williams and Anne-Sophie Mutter. At Tanglewood in summer 2017, the violinist had given the world premiere performance with the Boston Symphony Orchestra of a new work requested by and written for her, John Williams’s "Markings" for violin and orchestra. His new Violin Concerto No. 2 is a serious and substantial addition to a tradition that encompasses some three hundred years of repertoire, from Vivaldi through Mendelssohn, Tchaikovsky through Berg, to Sofia Gubaidulina and André Previn. In requesting a new concerto from John Williams, Ms. Mutter expands her already remarkable, stylistically varied string of commissions from such composers as Witold Lutosławski, Wolfgang Rihm, Krzysztof Penderecki, Henri Dutilleux, and Sebastian Currier, among others.
Williams himself writes in the program notes:
"Composing program notes has always been challenging for me. These descriptions always seem to try to answer the question “What is this music about?” And while music has many purposes and functions, I’ve always believed that, in the end, it ought to be free to be interpreted through the prism of every listener’s own personal history, prior exposures and cultural background. One man’s sunken cathedral might be another woman’s mist at the dawning. The meaning must therefore reside, if you’ll forgive me, in the “ear of the beholder.” I can only think of this piece as being about Anne-Sophie Mutter, and the violin itself – that unsurpassed product of the luthier’s art. With so much great music already written for the instrument, much of it recently for Anne-Sophie, I wondered what further contribution I could possibly make. But I took my inspiration and energy directly from this great artist herself."
COMPOSER: John Williams
CONDUCTOR: John Williams
VIOLIN: Anne-Sophie Mutter
ORCHESTRA: Boston Symphony Orchestra
NOTE: This is a live performance! (WORLD PREMIERE performance, recorded in Tanglewood Music Center on 7-24-2021)
TRACKLIST:
0:00 - I. Prologue
11:13 - II. Rounds
20:44 - III. Dactyls
26:45 - IV. Epilogue
Please be aware that all of the music (and images) featured in this video belong to their respective owners, and I or this channel does not claim any right over them. I upload these solely for archiving purposes, and for the sharing and enjoyment of great music. Monetization is not enabled. If you are the rightful owner of copyrighted material used and would like the video removed from YouTube, please, instead of reporting/striking my channel, leave a comment below with your statement and I will take the video down effective immediately.






![Eric Ewazen — Fantasia for Seven Trumpets (1995) [w/ score]
This is Eric Ewazens dynamic, wonderful Fantasia for Seven Trumpets, commissioned by the Metropolitan Trumpet Ensemble. This fantastic recording is from the 1999 album “Music for the Soloists of the American Brass Quintet and Friends,” a collaboration recording with some of the best classical trumpeters around the USA.
COMPOSER: Eric Ewazen
TRUMPETS:
Ray Mase, former Principal Trumpet of the New York City Ballet Orchestra
David Krauss, Principal Trumpet of the Metropolitan Opera Orchestra
Peter Bond, former Second/Third Trumpet of the Metropolitan Opera Orchestra
Robert Sullivan, Principal Trumpet of the Cincinnati Symphony Orchestra
Mark Gould, former Principal Trumpet of the Metropolitan Opera Orchestra
Kevin Finamore, Assistant Principal Trumpet in the Dallas Symphony Orchestra
Chris Gekker, Professor of Trumpet at the University of Maryland School of Music; former Principal Trumpet of the Orchestra of St. Luke’s
Please be aware that all of the music (and images) featured in this video belong to their respective owners, and I or this channel does not claim any right over them. I upload these solely for archiving purposes, and for the sharing and enjoyment of great music. Monetization is not enabled. If you are the rightful owner of copyrighted material used and would like the video removed from YouTube, please, instead of reporting/striking my channel, leave a comment below with your statement and I will take the video down effective immediately.
#scorefollower #contemporaryclassical #classicalmusic Eric Ewazen — Fantasia for Seven Trumpets (1995) [w/ score]](https://i.ytimg.com/vi/CVAQqUxBgkc/mqdefault.jpg)


![Nahre Sol — Sideways (2020) [w/ score]
From Nahre Sols album of original works for keyboard, Alice in Wonderland, is this incredibly energetic and dashing piece Sideways for solo piano, brilliantly performed by Nahre herself.
COMPOSER: Nahre Sol
PIANO: Nahre Sol
Please be aware that all of the music (and images) featured in this video belong to their respective owners, and I or this channel does not claim any right over them. I upload these solely for archiving purposes, and for the sharing and enjoyment of great music. Monetization is not enabled. If you are the rightful owner of copyrighted material used and would like the video removed from YouTube, please, instead of reporting/striking my channel, leave a comment below with your statement and I will take the video down effective immediately.
#scorefollower #contemporaryclassical #classicalmusic Nahre Sol — Sideways (2020) [w/ score]](https://i.ytimg.com/vi/Cs9wgPFlLRs/mqdefault.jpg)
