Mercatus Center | Coleman Hughes on Colorblindness, Jazz, and Identity | Conversations with Tyler @MercatusCenter | Uploaded May 2024 | Updated October 2024, 6 hours ago.
Coleman Hughes believes we should strive to ignore race both in public policy and in our private lives. But when it comes to personal identity and expression, how feasible is this to achieve? And are there any other individual traits we should also seek to ignore?
Coleman and Tyler explore the implications of colorblindness, including whether jazz would've been created in a color-blind society, how easy it is to disentangle race and culture, whether we should also try to be 'autism-blind', and Coleman's personal experience with lookism and ageism. They also discuss what Coleman’s learned from J.J. Johnson, the hardest thing about performing the trombone, playing sets in the Charles Mingus Big Band as a teenager, whether Billy Joel is any good, what reservations he has about his conservative fans, why the Beastie Boys are overrated, what he's learned from Noam Dworman, why Interstellar is Chris Nolan's masterpiece, the Coleman Hughes production function, why political debate is so toxic, what he'll do next, and more.
Recorded March 6th, 2024
Transcript and links: conversationswithtyler.com/episodes/coleman-hughes
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conversationswithtyler.com
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Photo Credit: Evan Mann
Coleman Hughes believes we should strive to ignore race both in public policy and in our private lives. But when it comes to personal identity and expression, how feasible is this to achieve? And are there any other individual traits we should also seek to ignore?
Coleman and Tyler explore the implications of colorblindness, including whether jazz would've been created in a color-blind society, how easy it is to disentangle race and culture, whether we should also try to be 'autism-blind', and Coleman's personal experience with lookism and ageism. They also discuss what Coleman’s learned from J.J. Johnson, the hardest thing about performing the trombone, playing sets in the Charles Mingus Big Band as a teenager, whether Billy Joel is any good, what reservations he has about his conservative fans, why the Beastie Boys are overrated, what he's learned from Noam Dworman, why Interstellar is Chris Nolan's masterpiece, the Coleman Hughes production function, why political debate is so toxic, what he'll do next, and more.
Recorded March 6th, 2024
Transcript and links: conversationswithtyler.com/episodes/coleman-hughes
Stay connected:
Follow us on X, IG, and Facebook: @cowenconvos
twitter.com/cowenconvos
facebook.com/cowenconvos
instagram.com/cowenconvos
Join us on Discord: discord.gg/JAVWP7vTxt
conversationswithtyler.com
mercatus.org
Photo Credit: Evan Mann
