Uploaded February 2024 | Updated September 2026, 2 weeks ago
CMU - Voodoo Man
Album: Open Spaces (1971)
CMU, also known as CONTEMPORARY MUSIC UNIT were an UK band active in the early 1970's. They were fusing various aspects of art-rock, jazz-rock and folk with a nod to the psychedelic rock.
A unique (at the time) characteristic of the band was a combination of female and male vocals, making an interesting blend. The male vocalist was James Gordon (who was also participating with percussion in the band),the female vocalist being Larraine Odell (later of RED EXPRESS, still active in various jazz projects nowadays). Other members were keyboardist Terry Mortimer (who also played some violin), Ian Hamlett (guitar, flute), Ed Lee (bass) and Larraine's husband Roger Odell (on drums).
The band released their debut 'Open Spaces' for Transatlantic in 1971. The record is an unpretentious mixture of psychedelia and blues, with some bizarre sonic patches here and there.
They changed their line-up drastically for the following album: instead of Mortimer, Gordon and Lee, the band hired Richard Joseph on acoustic guitar (and vocals), Steve Cook on bass and Leary Hasson on keyboards (Hasson came from MARSUPILAMI, which was also on Transatlantic label).
Reinforced with new members, and a moderate shift in their sound (the presence of Mellotron and spacey synthesizers), the band released their second (and last) album titled 'Space Cabaret' in 1973. This effort was much more elaborate, complex and original.
By the 1975, the band was no more. Both Transatlantic vinyl were re-released on CD's.
CMU are often compared to Arthur Brown and AFFINITY; but fans of CURVED AIR might also enjoy the music of CMU. Both albums are worth checking, especially the second.
CMU - Voodoo Man
Album: Open Spaces (1971)
CMU, also known as CONTEMPORARY MUSIC UNIT were an UK band active in the early 1970's. They were fusing various aspects of art-rock, jazz-rock and folk with a nod to the psychedelic rock.
A unique (at the time) characteristic of the band was a combination of female and male vocals, making an interesting blend. The male vocalist was James Gordon (who was also participating with percussion in the band),the female vocalist being Larraine Odell (later of RED EXPRESS, still active in various jazz projects nowadays). Other members were keyboardist Terry Mortimer (who also played some violin), Ian Hamlett (guitar, flute), Ed Lee (bass) and Larraine's husband Roger Odell (on drums).
The band released their debut 'Open Spaces' for Transatlantic in 1971. The record is an unpretentious mixture of psychedelia and blues, with some bizarre sonic patches here and there.
They changed their line-up drastically for the following album: instead of Mortimer, Gordon and Lee, the band hired Richard Joseph on acoustic guitar (and vocals), Steve Cook on bass and Leary Hasson on keyboards (Hasson came from MARSUPILAMI, which was also on Transatlantic label).
Reinforced with new members, and a moderate shift in their sound (the presence of Mellotron and spacey synthesizers), the band released their second (and last) album titled 'Space Cabaret' in 1973. This effort was much more elaborate, complex and original.
By the 1975, the band was no more. Both Transatlantic vinyl were re-released on CD's.
CMU are often compared to Arthur Brown and AFFINITY; but fans of CURVED AIR might also enjoy the music of CMU. Both albums are worth checking, especially the second.




![Eivør Pálsdóttir - Trøllabundin (faroe islands)
Eivør Pálsdóttir - Trøllabundin
Album: Eivør (2004)
Eivør Pálsdóttir [ˈaivœɹ ˈpɔlsˌdœʰtːɪɹ], née le 21 juillet 1983 à Syðrugøta (Îles Féroé), est une chanteuse, auteure-compositrice-interprète et musicienne féroïenne.
Eivør a été parfois surnommée à ses débuts la Björk des Féroé, davantage du fait de la proximité géographique et culturelle de ces îles avec lIslande et de son niveau artistique que de son style proprement dit. Talent précoce, sa voix claire de soprano excelle aussi bien dans le répertoire jazz, folk, pop et country que dans celui de la musique classique et sacrée.
Elle trouve son inspiration dans les ballades traditionnelles des îles Féroé et chante dans sa langue maternelle, le féroïen, mais également en anglais, danois, suédois et islandais.
Dès lâge de 12 ans, Eivør se produit en Italie en tant que soliste avec un chœur dhommes des îles Féroé. En 1997, à 13 ans, elle fait sa première apparition à la télévision féroïenne et remporte la même année un concours national de chant. En 1999, âgée de 15 ans, Eivør rejoint le groupe rock Clickhaze.
Un an plus tard, en 2000, elle sort son premier album, intitulé simplement Eivør Pálsdóttir, sur le label Tutl. Cest un mélange de ballades féroïennes accompagnées simplement à la guitare et à la basse, avec des influences jazz et des textes d’écrivains féroïens connus, qui se termine par deux chants religieux. Ceux-ci sont interprétés en danois, toutes les autres chansons sont en féroïen. Plusieurs chansons ont été écrites par Eivør. Dès ce moment, elle devient artiste professionnelle. Eivør Pálsdóttir - Trøllabundin (faroe islands)](https://i.ytimg.com/vi/MjA55sWS9G4/mqdefault.jpg)





