Uploaded April 2024 | Updated September 2026, 2 weeks ago
For the past 20 years, Alex Garland has brought to life some uniquely strange and interesting worlds that have both been entertaining to watch and challenging to view. In my eyes, he is a filmmaker and storyteller who seems to enjoy riding this line of division between entertainment and discomfort, making us feel both excited to have watched his new body of work while also being fearful of what actually happens.
But it seems like the Alex Garland era is coming to an end and for what it’s worth, I feel like it’s important to reflect upon his entire body of work and what made his writing so special. This is a man who has written stories that have explored dystopian settings and life-threatening situations, questions what it means to be who we are and what happens at the very edge of new frontiers that are not of human nature.
With what looks to be his final film called Civil War, Alex Garland looks to be leaving a legacy of stories that challenge the existing narrative both by providing outlooks to future scenarios that are not too hard to imagine, but that are incredibly creative and fascinatingly brutal to watch. The world of cinema won’t feel the same without him, but at the same time, I am glad that he has given us some thoughtful pieces of art to date, and I am hopeful that he will continue to work in some form or capacity on other works of different mediums in the future.
Thank you to my incredible Patreons for continuing to support this channel. You guys are amazing.
These include the lovely people “Matthew McKinley", "Adam McCarter", "FloNess" and "ThatEvilCanadian” at the time this was made.
If you’d also like the option of becoming a Patreon, head to:
patreon.com/motioninart
For more of my reviews, analyses, and other articles:
motioninartmedia.com
Twitter:
twitter.com/motion_in_art
Reddit:
reddit.com/user/motioninart
Who is Alex Garland?
Alexander Medawar Garland (born 26 May 1970) is an English novelist, screenwriter, and director. He rose to prominence with his novel The Beach (1996). He subsequently received praise for writing the Danny Boyle films 28 Days Later (2002) and Sunshine (2007), as well as Never Let Me Go (2010) and Dredd (2012). In video games, he co-wrote Enslaved: Odyssey to the West (2010) and served as a story supervisor on DmC: Devil May Cry (2013).
Garland made his directorial debut when he wrote and directed the sci-fi thriller Ex Machina (2014). The film earned him an Academy Award nomination for Best Original Screenplay, and won him three British Independent Film Awards, including Best Screenplay, Best Director, and Best British Independent Film. His second film, Annihilation (2018), an adaptation of the 2014 novel of the same name, was also a critical success. This was followed by the horror thriller Men (2022) and action epic Civil War (2024), both produced by A24. In television, Garland served as a writer, director and executive producer for the FX miniseries Devs (2020).
In 2002, Garland wrote the screenplay for Danny Boyle's film 28 Days Later, starring Cillian Murphy. He has said that the script was influenced by 1970s zombie films and English science fiction like The Day of the Triffids. Video games such as the Resident Evil series also served as an influence for 28 Days Later, with Garland crediting the first game for revitalizing the zombie genre. Inspiration for the "Rage" virus came from real-world infections such as Ebola and filoviruses. He won a Best Screenplay honor at the 2004 Fangoria Chainsaw Awards for his script of the film.
In 2005, Garland wrote a screenplay for a film adaptation of Halo. D. B. Weiss and Josh Olson rewrote this during 2006 for a 2008 release, although the film was later canceled. In 2007, he wrote the screenplay for the film Sunshine, which was his second screenplay to be directed by Danny Boyle and to star Cillian Murphy. Garland served as an executive producer on 28 Weeks Later, the sequel of 28 Days Later. He wrote the screenplay for the 2010 film Never Let Me Go, based on the novel by Kazuo Ishiguro. He also wrote the script for Dredd, an adaptation of the Judge Dredd comic book series from 2000 AD. In 2018, Karl Urban, who played the eponymous role in the film, stated that it was Garland who deserved credit for also directing Dredd.
Garland made his directorial debut with Ex Machina, a 2014 feature film based on his own story and screenplay, starring Domhnall Gleeson, Alicia Vikander and Oscar Isaac. The film won a Jury Prize at the 2015 Gerardmer Film Festival, and earned Garland a nomination for an Academy Award for Best Original Screenplay.
And if you’re still reading this – hello.
This video is made through Fair Use under copyright law for the purposes of education in criticism or review; as well as parody or satire. copyright.gov/title17/92c https://www.copyright.org.au/ACC_Prod
For the past 20 years, Alex Garland has brought to life some uniquely strange and interesting worlds that have both been entertaining to watch and challenging to view. In my eyes, he is a filmmaker and storyteller who seems to enjoy riding this line of division between entertainment and discomfort, making us feel both excited to have watched his new body of work while also being fearful of what actually happens.
But it seems like the Alex Garland era is coming to an end and for what it’s worth, I feel like it’s important to reflect upon his entire body of work and what made his writing so special. This is a man who has written stories that have explored dystopian settings and life-threatening situations, questions what it means to be who we are and what happens at the very edge of new frontiers that are not of human nature.
With what looks to be his final film called Civil War, Alex Garland looks to be leaving a legacy of stories that challenge the existing narrative both by providing outlooks to future scenarios that are not too hard to imagine, but that are incredibly creative and fascinatingly brutal to watch. The world of cinema won’t feel the same without him, but at the same time, I am glad that he has given us some thoughtful pieces of art to date, and I am hopeful that he will continue to work in some form or capacity on other works of different mediums in the future.
Thank you to my incredible Patreons for continuing to support this channel. You guys are amazing.
These include the lovely people “Matthew McKinley", "Adam McCarter", "FloNess" and "ThatEvilCanadian” at the time this was made.
If you’d also like the option of becoming a Patreon, head to:
patreon.com/motioninart
For more of my reviews, analyses, and other articles:
motioninartmedia.com
Twitter:
twitter.com/motion_in_art
Reddit:
reddit.com/user/motioninart
Who is Alex Garland?
Alexander Medawar Garland (born 26 May 1970) is an English novelist, screenwriter, and director. He rose to prominence with his novel The Beach (1996). He subsequently received praise for writing the Danny Boyle films 28 Days Later (2002) and Sunshine (2007), as well as Never Let Me Go (2010) and Dredd (2012). In video games, he co-wrote Enslaved: Odyssey to the West (2010) and served as a story supervisor on DmC: Devil May Cry (2013).
Garland made his directorial debut when he wrote and directed the sci-fi thriller Ex Machina (2014). The film earned him an Academy Award nomination for Best Original Screenplay, and won him three British Independent Film Awards, including Best Screenplay, Best Director, and Best British Independent Film. His second film, Annihilation (2018), an adaptation of the 2014 novel of the same name, was also a critical success. This was followed by the horror thriller Men (2022) and action epic Civil War (2024), both produced by A24. In television, Garland served as a writer, director and executive producer for the FX miniseries Devs (2020).
In 2002, Garland wrote the screenplay for Danny Boyle's film 28 Days Later, starring Cillian Murphy. He has said that the script was influenced by 1970s zombie films and English science fiction like The Day of the Triffids. Video games such as the Resident Evil series also served as an influence for 28 Days Later, with Garland crediting the first game for revitalizing the zombie genre. Inspiration for the "Rage" virus came from real-world infections such as Ebola and filoviruses. He won a Best Screenplay honor at the 2004 Fangoria Chainsaw Awards for his script of the film.
In 2005, Garland wrote a screenplay for a film adaptation of Halo. D. B. Weiss and Josh Olson rewrote this during 2006 for a 2008 release, although the film was later canceled. In 2007, he wrote the screenplay for the film Sunshine, which was his second screenplay to be directed by Danny Boyle and to star Cillian Murphy. Garland served as an executive producer on 28 Weeks Later, the sequel of 28 Days Later. He wrote the screenplay for the 2010 film Never Let Me Go, based on the novel by Kazuo Ishiguro. He also wrote the script for Dredd, an adaptation of the Judge Dredd comic book series from 2000 AD. In 2018, Karl Urban, who played the eponymous role in the film, stated that it was Garland who deserved credit for also directing Dredd.
Garland made his directorial debut with Ex Machina, a 2014 feature film based on his own story and screenplay, starring Domhnall Gleeson, Alicia Vikander and Oscar Isaac. The film won a Jury Prize at the 2015 Gerardmer Film Festival, and earned Garland a nomination for an Academy Award for Best Original Screenplay.
And if you’re still reading this – hello.
This video is made through Fair Use under copyright law for the purposes of education in criticism or review; as well as parody or satire. copyright.gov/title17/92c https://www.copyright.org.au/ACC_Prod







![BORINGheimer
This is my video essay on the movie Oppenheimer because while I love Christopher Nolan, I did not love this film. Instead of a narrative focused on the interesting progression of science that led up to the development of the atomic bomb, we’re given a series of scenes of people talking intensely in rooms from 3 different timelines.
Each timeline muddles the narrative, and by choosing to do so, it feels like the story is constantly being interrupted and shifts the focus of what this film wants to be.
Is it about the science? Is it about Oppenheimer? Or is it about Strauss’s vindictive revenge? Or is it about the fear of communism and ensuing governmental witch hunts?
That’s the crux of the issue: Oppenheimer doesn’t know what it wants to be.
This is my video exploring those ideas and questions.
Thank you to my incredible Patreons for continuing to support this channel. You guys are amazing.
At the time of this being made, these include the lovely people: “Matthew McKinley, Dr_Slurp, ThatEvilCanadian”.
If you’d also like the option of becoming a Patreon, head to:
https://www.patreon.com/motioninart
For more of my reviews, analyses, and other articles:
https://motioninartmedia.com/
Twitter:
https://twitter.com/motion_in_art
Reddit:
https://www.reddit.com/user/motioninart
Odysee:
https://odysee.com/@motioninart:3
What is Oppenheimer?
Oppenheimer is a 2023 biographical drama film written and directed by Christopher Nolan. Based on the 2005 biography American Prometheus by Kai Bird and Martin J. Sherwin, the film chronicles the life of American theoretical physicist and polymath J. Robert Oppenheimer. The story predominantly focuses on Oppenheimers early studies, his direction of the Manhattan Project during World War II, and his eventual fall from grace due to his 1954 security hearing; juxtaposed with this are events surrounding Oppenheimers relationship with Lewis Strauss, a senior member of the United States Atomic Energy Commission who sees Oppenheimer as a rival. It stars Cillian Murphy as Oppenheimer and Robert Downey Jr. as Strauss, with the remaining ensemble supporting cast including Emily Blunt, Matt Damon, Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek and Kenneth Branagh.
The film was announced in September 2021 after Universal Pictures won a bidding war for Nolans screenplay, following Nolans conflict with longtime distributor Warner Bros. Pictures. Murphy was the first cast member to be signed on, to portray Oppenheimer in October, with others in the main cast joining between November 2021 and April 2022. Pre-production was underway by January 2022, with filming taking place from February to May. Oppenheimer was filmed in a combination of IMAX 65 mm and 65 mm large-format film, including, for the first time in history, sections in IMAX black-and-white film photography. It is Nolans first film to receive R-rating since Insomnia (2002). Like his previous works, Nolan used extensive practical effects and minimal computer-generated imagery.
Oppenheimer premiered at Le Grand Rex in Paris on July 11, 2023, and was theatrically released in the United States and United Kingdom on July 21, 2023, by Universal Pictures. Its simultaneous release with Warner Bros. Barbie led to the Barbenheimer phenomenon on social media, which encouraged audiences to see both films as a double feature. The film has grossed over $412 million worldwide on a $100 million production budget and received critical acclaim, with particular praise for its cast, screenplay, and visuals.
Oppenheimer is the first script written by Christopher Nolan in the first person, as he wanted the narrative to be conveyed from Oppenheimers perspective. He described the texture of the film being how the personal interacts with the historic and the geopolitical with the intention of making it a cautionary tale. He had begun writing the script after he had finished Tenet and wrote it in only a few months; he had already been thinking about making a film about Oppenheimer for over 20 years. A major plot element is Oppenheimers response to the long-term consequences of his actions. Nolan wished to explore the phenomenon of delayed reactions, as he felt people are not necessarily confronted with the strongest or worst elements of [their actions] in the moment. He also chose to alternate between scenes in color and black-and-white to convey the story from both subjective and objective perspectives, respectively, with most of Oppenheimers view shown via the former, while the latter depicts a more objective view of his story from a different characters point of view.
And if you’re still reading this – hello.
This video is made through Fair Use under copyright law for the purposes of education in criticism or review; as well as parody or satire.
https://www.copyright.gov/title17/92c
https://www.copyright.org.au/ACC_Prod BORINGheimer](https://i.ytimg.com/vi/hjAIjhOdg9Q/mqdefault.jpg)


