Uploaded September 2021 | Updated September 2026, 3 weeks ago
Elīna Garanča
Wiener Philharmoniker, conducted by Christian Thielemann
Christian Thielemann is a compelling advocate for German music, and his Salzburg Festival 2020 programme with the Wiener Philharmoniker is smack-dab at the heart of his favoured repertoire. For his long-awaited return to the Summer Festival, he opens with Wagner's Wesendock Songs, considered musical sketches for the opera Tristan und Isolde, with terrific Latvian mezzo-soprano Elīna Garanča as soloist. The centerpiece is Bruckner’s Symphony No. 4, the Romantic. Storms of applause.
“Together with an orchestra that breathes with her, Elīna Garanča proved that she currently represents the non plus ultra in the mezzosoprano category. Grandiose the fusion of intensity and noble sound” Der Standard
“An event with goose bumps“ Kurier
PROGRAM
Wagner: Five Poems for female voice and piano “Wesendonck Lieder”
Bruckner: Symphony No. 4 “Romantic”
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Twitter: twitter.com/CmajorEnt1
Cmajor Shop: shop.cmajor-entertainment.com
Elīna Garanča
Wiener Philharmoniker, conducted by Christian Thielemann
Christian Thielemann is a compelling advocate for German music, and his Salzburg Festival 2020 programme with the Wiener Philharmoniker is smack-dab at the heart of his favoured repertoire. For his long-awaited return to the Summer Festival, he opens with Wagner's Wesendock Songs, considered musical sketches for the opera Tristan und Isolde, with terrific Latvian mezzo-soprano Elīna Garanča as soloist. The centerpiece is Bruckner’s Symphony No. 4, the Romantic. Storms of applause.
“Together with an orchestra that breathes with her, Elīna Garanča proved that she currently represents the non plus ultra in the mezzosoprano category. Grandiose the fusion of intensity and noble sound” Der Standard
“An event with goose bumps“ Kurier
PROGRAM
Wagner: Five Poems for female voice and piano “Wesendonck Lieder”
Bruckner: Symphony No. 4 “Romantic”
Facebook: facebook.com/CmajorEntertainment
Twitter: twitter.com/CmajorEnt1
Cmajor Shop: shop.cmajor-entertainment.com



![Puccini: Il trittico from Salzburger Festspiele
Asmik Grigorian, Misha Kiria, Roman Burdenko, Joshua Guerrero, Karita
Mattila, Hanna Schwarz, Konzertvereinigung Wiener Staatsopernchor
Wiener Philharmoniker, conducted by Franz Welser-Möst
staged by Christof Loy
Il trittico was premiered in New York on 14 December 1918, composed while the First World War was still raging in Europe. At first glance, the three one-act operas Gianni Schicchi, Il tabarro and Suor Angelica seem to have no connection with each other; their common denominator is solely the entanglement of man in a fateful destiny that only exceptionally, for a moment, seems to promise a happy outcome to the “adventure of life” - a set of themes that in its complexity seems to be in such good hands with few directors as with Christof Loy. The main female roles in the three opera acts are performed by the Lithuanian soprano Asmik Grigorian, a very rare and tremendous feat, but once again connects the works to each other.
“Grigorian is [...] a wonderful, intense performer: a gracefully graceful Donna fragile as Lauretta, a feverishly longing for love while tormented by guilt Giorgetta, and a desperately lost Angelica rebelling with defiance.” (Frankfurter Allgemeine Zeitung)
“Loy’s direction is competent and detailed without being revelatory; this is scrupulous conservatism at its best.” (Financial Times)
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Cmajor Shop: www.shop.cmajor-entertainment.com/ Puccini: Il trittico from Salzburger Festspiele](https://i.ytimg.com/vi/q_Xzxnyar6c/mqdefault.jpg)






