Uploaded September 2026 | Updated September 2026, 17 hours ago
The selections are as follows:
00:00 Dumbarton's Drums: This song was named for Lord George Douglas, the 1st Earl of Dumbarton (1635 - 1692), and was a march of The Royal Scots (also known as The Royal Regiment), an infantry regiment of the British Army from 1633 to 2006.
01:37 Polwart on the Green: The title refers to Polwarth, a village in Berwickshire, Scotland. From the fourteenth century, there was a tradition of celebrating weddings with a dance around two thorn trees in the village, which the song lyrics reference.
02:57 Rosline Castle: The title is drawn from a castle, now partially in ruins, near the village of Roslin in Midlothian, Scotland.
04:35 Sae Merry As We Twa Ha'e Been: The lament of a woman whose love is across the seas.
05:55 The Birks of Endermay: A young man's exhortation to a young woman to enjoy the pleasures of love while they are still young. Endermay is modern Invermay in Perth and Kinross, Scotland.
07:40 The Bush Aboon Traquair: The title refers to a place where the singer fell in love with a young lady named Peggy. Apparently, he was too persistent and ended up offending her. "Aboon" means "above," and Traquair is a small village in the Scottish Borders.
09:21 The Lass of Pattie's Mill: The title is thought to refer to the daughter of John Anderson from the parish of Keithhall, Aberdeenshire, Scotland, allegedly a beautiful young lady. Furthermore, the same melody is used with different lyrics in John Gay's "The Beggar's Opera" (1728). The name "Pattie" is variously spelled in different sources.
10:54 The Last Time I Came O'er the Moor: A poem by Robert Burns telling of the speaker's anguish upon seeing his love with his rival.
12:30 The Young Laird: A "laird" is a Scottish aristocrat, and the song describes the speaker's attempt to woo a young lady named Katie.
14:01 Tweed Side: The title refers to the River Tweed, which for much of its length forms the border between Scotland and England.
The selections are as follows:
00:00 Dumbarton's Drums: This song was named for Lord George Douglas, the 1st Earl of Dumbarton (1635 - 1692), and was a march of The Royal Scots (also known as The Royal Regiment), an infantry regiment of the British Army from 1633 to 2006.
01:37 Polwart on the Green: The title refers to Polwarth, a village in Berwickshire, Scotland. From the fourteenth century, there was a tradition of celebrating weddings with a dance around two thorn trees in the village, which the song lyrics reference.
02:57 Rosline Castle: The title is drawn from a castle, now partially in ruins, near the village of Roslin in Midlothian, Scotland.
04:35 Sae Merry As We Twa Ha'e Been: The lament of a woman whose love is across the seas.
05:55 The Birks of Endermay: A young man's exhortation to a young woman to enjoy the pleasures of love while they are still young. Endermay is modern Invermay in Perth and Kinross, Scotland.
07:40 The Bush Aboon Traquair: The title refers to a place where the singer fell in love with a young lady named Peggy. Apparently, he was too persistent and ended up offending her. "Aboon" means "above," and Traquair is a small village in the Scottish Borders.
09:21 The Lass of Pattie's Mill: The title is thought to refer to the daughter of John Anderson from the parish of Keithhall, Aberdeenshire, Scotland, allegedly a beautiful young lady. Furthermore, the same melody is used with different lyrics in John Gay's "The Beggar's Opera" (1728). The name "Pattie" is variously spelled in different sources.
10:54 The Last Time I Came O'er the Moor: A poem by Robert Burns telling of the speaker's anguish upon seeing his love with his rival.
12:30 The Young Laird: A "laird" is a Scottish aristocrat, and the song describes the speaker's attempt to woo a young lady named Katie.
14:01 Tweed Side: The title refers to the River Tweed, which for much of its length forms the border between Scotland and England.







![Renaissance Lute: Polish Dances from the Danzig Lute Book (1621) Part One
The Danzig Lute Book, published in Gdansk, Poland in 1621, contains forty-four Polish Dances (Balleti Polachi), which I intend to present in four videos of eleven pieces each. For this series, I am playing from Sarge Gerbodes wonderful edition of this manuscript. The present video offers Polish Dances one to eleven. ( Please note that the numbers of these dances refer simply to their order of appearance on Sarges website [lutemusic.org], not to their order in the original manuscript.)
Those of you who listen to my recordings regularly know that I generally illustrate them with works of art. Since I have had trouble finding paintings of Polish dances, I have chosen to illustrate these four videos with paintings of the city of Gdansk (by the way, Danzig was the name of Gdansk when it belonged to Prussia or Germany).
If you enjoy this music, you might like to consult my playlist of lute videos here: https://studio.youtube.com/playlist/PLg2GtsZ0EeLtMBkiDQDVzG8rARl6X3WEh/videos. Renaissance Lute: Polish Dances from the Danzig Lute Book (1621) Part One](https://i.ytimg.com/vi/QFJN9cCLy3M/mqdefault.jpg)


