Uploaded April 2026 | Updated September 2026, 9 hours ago
Catherine Tatiana Dunlop, "The Mistral: An In-Depth Look at the Hidden Power of the Mistral Wind and its Effects on Modern French History"
Catherine Tatiana Dunlop (University of Montana, Bozeman)
2025 American Historical Association George L. Mosse Prize Recipient
Comment by: Emma Kuby (UW-Madison
Sponsored by:
George L. Mosse Program in History
University of Wisconsin-Madison Department of History
University of Wisconsin-Madison European Studies
With the support of the Cultural Services of the Embassy of France in the United States through the Center for Interdisciplinary French Studies at the University of Wisconsin-Madison
An in-depth look at the hidden power of the mistral wind and its effect on modern French history.
Every year, the chilly mistral wind blows through the Rhône valley of southern France, across the Camargue wetlands, and into the Mediterranean Sea. Most forceful when winter turns to spring, the wind knocks over trees, sweeps trains off their tracks, and destroys crops. Yet the mistral turns the sky clear and blue, as it often appears in depictions of Provence. The legendary wind is central to the area’s regional identity and has inspired artists and writers near and far for centuries.
This force of nature is the focus of Catherine Dunlop’s The Mistral, a wonderfully written examination of the power of the mistral wind, and in particular, the ways it challenged central tenets of nineteenth-century European society: order, mastery, and predictability. As Dunlop shows, while the modernizing state sought liberation from environmental realities through scientific advances, land modification, and other technological solutions, the wind blew on, literally crushing attempts at control, and becoming increasingly integral to regional feelings of place and community.
Catherine Tatiana Dunlop: My research explores historical conflicts over the meaning and use of natural landscapes in modern Europe. My first book, Cartophilia, examined the role of mapmakers in the French-German border dispute over Alsace-Lorraine. My second book, The Mistral, focused on the environmental history of Provence’s violent and uncontrollable mistral wind. The Mistral was awarded the J. Russell Major Prize in French History and the George L. Mosse Prize in European Intellectual and Cultural History from the American Historical Association in 2025. I am currently at work on a new research project that investigates the role of environmental knowledge in the planning, execution, and aftermath of the D-Day landings in Normandy.
Emma Kuby: I am an intellectual, political and cultural historian of modern France and its empire. To date, my research has focused on the legacies of World War II’s violence during the era of decolonization. My first book, Political Survivors: The Resistance, the Cold War, and the Fight against Concentration Camps after 1945, examined a French-led activist campaign by Nazi camp survivors to expose ongoing crimes against humanity in the postwar USSR, Francoist Spain, Maoist China, French Algeria, and beyond. It showed that the project championed by these non-state actors — centered not on genocide but on concentration camps as sites of political repression — helped foster a universalist paradigm for defending human rights but foundered on the limits of members’ own memory politics, the ideological pressures of the Cold War, and an inability to adapt to new forms of European violence in the context of decolonizing warfare. The book received the George Louis Beer Prize from the American Historical Association, the David H. Pinkney Prize from the Society for French Historical Studies, and the Council for European Studies Book Award.
Catherine Tatiana Dunlop, "The Mistral: An In-Depth Look at the Hidden Power of the Mistral Wind and its Effects on Modern French History"
Catherine Tatiana Dunlop (University of Montana, Bozeman)
2025 American Historical Association George L. Mosse Prize Recipient
Comment by: Emma Kuby (UW-Madison
Sponsored by:
George L. Mosse Program in History
University of Wisconsin-Madison Department of History
University of Wisconsin-Madison European Studies
With the support of the Cultural Services of the Embassy of France in the United States through the Center for Interdisciplinary French Studies at the University of Wisconsin-Madison
An in-depth look at the hidden power of the mistral wind and its effect on modern French history.
Every year, the chilly mistral wind blows through the Rhône valley of southern France, across the Camargue wetlands, and into the Mediterranean Sea. Most forceful when winter turns to spring, the wind knocks over trees, sweeps trains off their tracks, and destroys crops. Yet the mistral turns the sky clear and blue, as it often appears in depictions of Provence. The legendary wind is central to the area’s regional identity and has inspired artists and writers near and far for centuries.
This force of nature is the focus of Catherine Dunlop’s The Mistral, a wonderfully written examination of the power of the mistral wind, and in particular, the ways it challenged central tenets of nineteenth-century European society: order, mastery, and predictability. As Dunlop shows, while the modernizing state sought liberation from environmental realities through scientific advances, land modification, and other technological solutions, the wind blew on, literally crushing attempts at control, and becoming increasingly integral to regional feelings of place and community.
Catherine Tatiana Dunlop: My research explores historical conflicts over the meaning and use of natural landscapes in modern Europe. My first book, Cartophilia, examined the role of mapmakers in the French-German border dispute over Alsace-Lorraine. My second book, The Mistral, focused on the environmental history of Provence’s violent and uncontrollable mistral wind. The Mistral was awarded the J. Russell Major Prize in French History and the George L. Mosse Prize in European Intellectual and Cultural History from the American Historical Association in 2025. I am currently at work on a new research project that investigates the role of environmental knowledge in the planning, execution, and aftermath of the D-Day landings in Normandy.
Emma Kuby: I am an intellectual, political and cultural historian of modern France and its empire. To date, my research has focused on the legacies of World War II’s violence during the era of decolonization. My first book, Political Survivors: The Resistance, the Cold War, and the Fight against Concentration Camps after 1945, examined a French-led activist campaign by Nazi camp survivors to expose ongoing crimes against humanity in the postwar USSR, Francoist Spain, Maoist China, French Algeria, and beyond. It showed that the project championed by these non-state actors — centered not on genocide but on concentration camps as sites of political repression — helped foster a universalist paradigm for defending human rights but foundered on the limits of members’ own memory politics, the ideological pressures of the Cold War, and an inability to adapt to new forms of European violence in the context of decolonizing warfare. The book received the George Louis Beer Prize from the American Historical Association, the David H. Pinkney Prize from the Society for French Historical Studies, and the Council for European Studies Book Award.










![Omer Bartov, The Different Wars of the Great War and their Multiple Ramifications
60 Years: Fascism Seminar Revisited
mosseprogram.wisc.edu/rome
11 January 2025
Session VIII: Violence and War
Annette Becker, The Great War: A Laboratory of Violence for the Twentieth and Twenty-First Century
Moderated by Manuela Consonni
Responses by Sven Reichardt, Omer Bartov
Sponsored by:
George L. Mosse Program in History
American Academy in Rome
Sapienza Università di Roma
Vidal Sassoon International Center for the Study of Antisemitism
Leo Baeck Institute
Manuela Consonni is the Pela and Adam Starkopf Chair in Holocaust Studies at the Department of Jewish History and Contemporary Jewry at the Hebrew University of Jerusalem. She is also the current director of the Vidal Sassoon International Center for the Study of Antisemitism. Her books include: Resistance or Holocaust: The Memory of the Deportation and Extermination in Italy, 1945-1985 (2010); L’eclisse dell’antifascismo. Resistenza, questione ebraica e cultura politica in Italia dal 1943 al 1989 (2015); Three Faces of Antifascism: Narratives of Resistance in Italian Political Culture, forthcoming in spring-summer 2024, and a forthcoming book on Primo Levi, titled: Shedding Skins: Primo Levi on Human Evil, Suffering, and the Power to Resist.
Annette Becker is Professor Emerita of Modern History at Paris-Nanterre and a senior member of the Institut Universitaire de France. She has written extensively on the Two World Wars and the extreme violence they nurtured, with an emphasis on military occupations. She is now devoting her research to genocides (against the Armenians, against the Tutsi in Rwanda, and the Holocaust) including humanitarian politics, trauma and memory, particularly among intellectuals and artists. Her latest publications include Messagers du désastre: Raphaël Lemkin, Jan Karski et les genocides (2018) (Messengers of Disaster: Raphaël Lemkin, Jan Karski and Twentieth-Century Genocides [2021]); L’Immontrable. Guerres et violences extrêmes dans l’art et la littérature (2021); Des Juifs trahis par leur France, 1939-1944 (2024); and Le choc. Le génocide des Tutsi du Rwanda, 1994, with Jean-Philippe Schreiber, Samuel Kuhn, Stéphane Audoin-Rouzeau (2024).
Sven Reichardt is Distinguished Professor of Contemporary History at the University of Konstanz. He has published widely on the history of fascism, the history of war, civil war and terrorism and on social movements and civil societies in late twentieth century history. He has several international awards and fellowships. In summer 2025 he will be senior fellow at the International Research Center for Cultural Studies in Vienna.
Omer Bartov is the Samuel Pisar Professor of Holocaust and Genocide Studies at Brown University. Born in Israel and educated at Tel Aviv University and St. Antony’s College, Oxford, his early research concerned war crimes in World War II and the links between war and genocide. He has also written on representations of antisemitism in twentieth-century cinema. More recently he has focused on interethnic relations, violence, and population displacement in Europe and Palestine. His latest books include Anatomy of a Genocide: The Life and Death of a Town Called Buczacz (2018), Tales from the Borderlands: Making and Unmaking the Galician Past (2022), and Genocide, The Holocaust and Israel-Palestine: First-Person History in Times of Crisis (2023). He is currently writing a book tentatively titled “The Broken Promise: A Personal-Political History of Israel and Palestine,” which is dedicated to investigating the first generation of Jews and Palestinians in Israel, a generation to which he also belongs. His novel, The Butterfly and the Axe, was published in 2023 in the United States and Israel.
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In 1963, historian George L. Mosse led a landmark seminar at Stanford University, bringing together scholars from diverse disciplines and countries to analyze the history of Nazism and Italian Fascism, just eighteen years after World War II. Their discussions defined the early parameters of European fascism amidst the post-war era’s intellectual landscape.
Sixty years later, the George L. Mosse Program in History organized a multi-day conference from January 9 to January 12, 2025, to reassess fascism in the context of contemporary European movements. More than thirty scholars from the US, Europe, the UK, and Israel gathered to critically examine and redefine “fascism” in light of present-day populist, anti-democratic, illiberal, and authoritarian ideologies. Omer Bartov, The Different Wars of the Great War and their Multiple Ramifications](https://i.ytimg.com/vi/aJiEB9wCTQw/mqdefault.jpg)