Adagietto | Carlos Kleiber conducts Richard Wagner "Tristan Und Isolde" @Adagietto | Uploaded November 2015 | Updated October 2024, 4 minutes ago.
Richard Wagner - Tristan and Isolde, Opera, WWV 90 | Carlos Ludwig Kleiber. Unknown recording presumably with Catarina Ligendza, Donald McIntyre, Heinz Feldhoff, Heinz Zednik, Helge Brilioth. Bayreuth Festival Orchestra, Bayreuth, c.1974-76.
Fragments:
00:00 Prelude
26:00 Love Duet
35:47 Liebestod
Live Recordings:
First part | In rehearsal youtu.be/28j92c4UI1c (1/2)
Second part | conducting youtu.be/ZbdSmDmkcIc (2/2)
Studio Recordings:
Act I. Prelude youtu.be/l25J7xdhhKc
Act III. Liebestod youtu.be/YjMwDbFng_g
Complete Opera youtu.be/SF4zN-Okonc
"ACT ONE
Prelude
At sea, on the deck of Tristan's ship during the crossing from Ireland to Cornwall."
Friedrich Nietzsche, who in his younger years was one of Wagner's staunchest allies, wrote that, for him, "Tristan and Isolde is the real opus metaphysicum of all art. . . insatiable and sweet craving for the secrets of night and death. . . it is overpowering in its simple grandeur". In a letter to his friend Erwin Rohde in October 1868, Nietzsche described his reaction to Tristan's Prelude: "I simply cannot bring myself to remain critically aloof from this music; every nerve in me is atwitch, and it has been a long time since I had such a lasting sense of ecstasy as with this overture". Even after his break with Wagner, Nietzsche continued to consider Tristan a masterpiece: "Even now I am still in search of a work which exercises such a dangerous fascination, such a spine-tingling and blissful infinity as Tristan — I have sought in vain, in every art."
Tristan und Isolde is an opera, or music drama, in three acts by Richard Wagner to a German libretto by the composer, based largely on the romance by Gottfried von Straßburg. It was composed between 1857 and 1859 and premiered in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the work not as an opera, but called it "eine Handlung" (literally a drama. a plot or an action), which was the equivalent of the term used by the Spanish playwright Calderón for his dramas.
Wagner's composition of Tristan und Isolde was inspired by his affair with Mathilde Wesendonck and the philosophy of Arthur Schopenhauer. Widely acknowledged as one of the peaks of the operatic repertory, Tristan was notable for Wagner's advanced use of chromaticism, tonality, orchestral colour and harmonic suspension.
The opera was profoundly influential among Western classical composers and provided inspiration to composers such as Gustav Mahler, Richard Strauss, Karol Szymanowski, Alban Berg and Arnold Schoenberg. Many see Tristan as the beginning of the move away from conventional harmony and tonality and consider that it lays the groundwork for the direction of classical music in the 20th century.
It was only after Ludwig II of Bavaria became a sponsor of Wagner (he granted the composer a generous stipend and in other ways supported Wagner's artistic endeavours) that enough resources could be found to mount the premiere of Tristan und Isolde. Hans von Bülow was chosen to conduct the production at the Munich Opera, despite the fact that Wagner was having an affair with his wife, Cosima von Bülow.
A lot of ink has been spilled about child prodigies like Mozart, but little attention has been paid to the phenomenon of the late bloomer. Clearly Wagner belongs to the latter group: had he died at 50, with the premiers of Tristan, Meistersinger, the Ring, and Parsifal before him, he would be considered only a musical middleweight. Tristan marks his first fully mature work and establishes Wagner as a composer of the first rank. This digital recording from the early 1980s features a good, experienced cast. Rene Kollo is nearing the end of his effective career, but turns in a workmanlike performance, while Margaret Price sounds fresh and young. During his career, Maestro Carlos Kleiber has not competed with Herbert von Karajan or Georg Solti in the number of his recordings, but the quality of his output has always been among the best, and here he offers an exceptionally delicate orchestral reading.
Richard Wagner - Tristan and Isolde, Opera, WWV 90 | Carlos Ludwig Kleiber. Unknown recording presumably with Catarina Ligendza, Donald McIntyre, Heinz Feldhoff, Heinz Zednik, Helge Brilioth. Bayreuth Festival Orchestra, Bayreuth, c.1974-76.
Fragments:
00:00 Prelude
26:00 Love Duet
35:47 Liebestod
Live Recordings:
First part | In rehearsal youtu.be/28j92c4UI1c (1/2)
Second part | conducting youtu.be/ZbdSmDmkcIc (2/2)
Studio Recordings:
Act I. Prelude youtu.be/l25J7xdhhKc
Act III. Liebestod youtu.be/YjMwDbFng_g
Complete Opera youtu.be/SF4zN-Okonc
"ACT ONE
Prelude
At sea, on the deck of Tristan's ship during the crossing from Ireland to Cornwall."
Friedrich Nietzsche, who in his younger years was one of Wagner's staunchest allies, wrote that, for him, "Tristan and Isolde is the real opus metaphysicum of all art. . . insatiable and sweet craving for the secrets of night and death. . . it is overpowering in its simple grandeur". In a letter to his friend Erwin Rohde in October 1868, Nietzsche described his reaction to Tristan's Prelude: "I simply cannot bring myself to remain critically aloof from this music; every nerve in me is atwitch, and it has been a long time since I had such a lasting sense of ecstasy as with this overture". Even after his break with Wagner, Nietzsche continued to consider Tristan a masterpiece: "Even now I am still in search of a work which exercises such a dangerous fascination, such a spine-tingling and blissful infinity as Tristan — I have sought in vain, in every art."
Tristan und Isolde is an opera, or music drama, in three acts by Richard Wagner to a German libretto by the composer, based largely on the romance by Gottfried von Straßburg. It was composed between 1857 and 1859 and premiered in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the work not as an opera, but called it "eine Handlung" (literally a drama. a plot or an action), which was the equivalent of the term used by the Spanish playwright Calderón for his dramas.
Wagner's composition of Tristan und Isolde was inspired by his affair with Mathilde Wesendonck and the philosophy of Arthur Schopenhauer. Widely acknowledged as one of the peaks of the operatic repertory, Tristan was notable for Wagner's advanced use of chromaticism, tonality, orchestral colour and harmonic suspension.
The opera was profoundly influential among Western classical composers and provided inspiration to composers such as Gustav Mahler, Richard Strauss, Karol Szymanowski, Alban Berg and Arnold Schoenberg. Many see Tristan as the beginning of the move away from conventional harmony and tonality and consider that it lays the groundwork for the direction of classical music in the 20th century.
It was only after Ludwig II of Bavaria became a sponsor of Wagner (he granted the composer a generous stipend and in other ways supported Wagner's artistic endeavours) that enough resources could be found to mount the premiere of Tristan und Isolde. Hans von Bülow was chosen to conduct the production at the Munich Opera, despite the fact that Wagner was having an affair with his wife, Cosima von Bülow.
A lot of ink has been spilled about child prodigies like Mozart, but little attention has been paid to the phenomenon of the late bloomer. Clearly Wagner belongs to the latter group: had he died at 50, with the premiers of Tristan, Meistersinger, the Ring, and Parsifal before him, he would be considered only a musical middleweight. Tristan marks his first fully mature work and establishes Wagner as a composer of the first rank. This digital recording from the early 1980s features a good, experienced cast. Rene Kollo is nearing the end of his effective career, but turns in a workmanlike performance, while Margaret Price sounds fresh and young. During his career, Maestro Carlos Kleiber has not competed with Herbert von Karajan or Georg Solti in the number of his recordings, but the quality of his output has always been among the best, and here he offers an exceptionally delicate orchestral reading.
![Claude Debussy - Clair de Lune [HD]](https://i.ytimg.com/vi/a3jpy1OzWg8/hqdefault.jpg "Claude Debussy - Clair de Lune [HD]
Claude-Achille Debussy - Clair de Lune (Mondglanz, Mondschein, Moonlight), Suite Bergamasque, Claudio Arrau pianist. The Suite bergamasque was first composed by Debussy, 1890-1905. Claudio Arrau, 88 years old. Recorded in 1991. Arrau died in June 1991.
Claude Debussys famous Clair de lune is the third piece of the Suite bergamasque for piano, a work whose title was chosen as much for its composers love of the word-sounds as for its Renaissance implications (though the work can rightly be described as something of a tribute to the French harpsichordists of olden days).
The D flat major of Clair de lune is perfectly chosen, the gleaming melody in parallel thirds (con sordina, Debussy requests) expertly balanced by the beautifully dissonant tempo rubato that follows it. During the un poco mosso middle section of Clair de lune, the music swells far past the pianissimo of the opening, and in its climax one might say that the young composer has crafted more of sunlight than of moonlight; the incessant arpeggios may well be overdone, but one can cherish them all the same. Little wisps of these arpeggios find their way over into the reprise of the opening music, and the rolling tones of the middle section are given a few measures to plead their case once more before the final chromatic cadence, a moment of absolute tranquility, is made.
Clair de Lune is a French poem written by Paul Verlaine in the year 1869. It is the inspiration for the third and most famous movement of Debussys 1890 Suite bergamasque of the same name. Clair de lune (Moonlight) is from Verlaines early collection Fêtes galantes (Gallant Parties, 1869).
Clair de lune
Votre âme est un paysage choisi
Que vont charmant masques et bergamasques
Jouant du luth et dansant et quasi
Tristes sous leurs déguisements fantasques.
Tout en chantant sur le mode mineur
Lamour vainqueur et la vie opportune,
Ils nont pas lair de croire à leur bonheur
Et leur chanson se mêle au clair de lune,
Au calme clair de lune triste et beau,
Qui fait rêver les oiseaux dans les arbres
Et sangloter dextase les jets deau,
Les grands jets deau sveltes parmi les marbres.
Moonlight
Your soul is a select landscape fair
Where charming masqueraders and bergamaskers go
Playing the lute and dancing and almost
Sad beneath their fantastic disguises.
All sing in a minor key
Of victorious love and the opportune life,
They do not seem to believe in their happiness
And their song mingles with the moonlight,
With the still moonlight, sad and beautiful,
Which gives the birds to dream in the trees
And makes the fountain sprays sob in ecstasy,
The tall, slender fountain sprays among the marble statues.
Moonlight
Your soul is as a moonlit landscape fair,
Peopled with maskers delicate and dim,
That play on lutes and dance and have an air
Of being sad in their fantastic trim.
The while they celebrate in minor strain
Triumphant love, effective enterprise,
They have an air of knowing all is vain,—
And through the quiet moonlight their songs rise,
The melancholy moonlight, sweet and lone,
That makes to dream the birds upon the tree,
And in their polished basins of white stone
The fountains tall to sob with ecstasy.
Luar
A tua alma é uma paisagem escolhida
Onde enganam máscaras e bergamascas
Tocam lira e dançam quase
Tristes sob os seus fantásticos disfarces.
Cantando em modo menor
O amor triunfante e a vida auspiciosa,
Não parecem acreditar na sua felicidade
E a sua canção se mistura com o luar,
Com o calmo luar triste e belo,
Que faz sonhar as aves nas árvores
E soluçar de êxtase os jactos de água,
Os grandes jactos de água esbelta entre os mármores.
Paul Verlaine, 1869
Reacting against realism and rhetoric, the Symbolists tried instead to evoke a mood, an essence, an Ideal. Just as the Moon takes its light from the Sun, they sought to illuminate seemingly inaccessible subjects indirectly, by creating reflections. Here we have masks and dancing, fantastic disguises, fountains sobbing in ecstasy, moonlight: a swirl of suggestive images that speaks volumes about the human soul without really saying anything. Rather like music, in fact. Both Ravel and Fauré composed pieces based on Verlaines poetry, and this poem inspired Claude Debussy to write his own Clair de lune, the third movement of his Suite bergamasque and the work for which he is now most famous.
SuperMoon 2016 | The most spectacular supermoon since 1948 will light up the sky, appearing 14 per cent bigger and 30 per cent brighter than usual. The event on Monday November 14 - described as undeniably beautiful by American space agency Nasa - is the result of the moon coming closer to Earth than it has done for 69 years. Nothing will match it until the moon makes a similar approach on November 25 2034.")
