Emily Snee | Call Me Cruella! Making a 70s PUNK ballgown @EmilySnee | Uploaded August 2021 | Updated October 2024, 13 minutes ago.
Curious about that Edwardian shirtwaist I mentioned? You can watch the video here: youtu.be/oRez9aG4u_A
You can check out this big ol' master playlist for all the amazing content that was created for the WHOLE of the Costube Symposium 2021:
youtube.com/playlist?list=PL3z00JFxdhfFWeTnhniEjLYLOF6SbXUml
And follow the Costube Symposium IG to get updates about next year's event! instagram.com/costubesymposium
Oh, and if you love that design sketch, you can buy a print of it here: etsy.me/3EzCzVR
SUPPORT ME:
By becoming a patron and getting additional content as thanks for your ongoing support of my and my work!
patreon.com/EmilySnee
Or if that feels like too much of a commitment right now, don’t worry. We can keep it casual and you can support me with a one-off tip on my Ko-fi to help me make that Jack Skellington project!
ko-fi.com/emilysnee
Follow me on the Social Medias!
instagram.com/emilyjsnee
pinterest.co.uk/emilysnee
twitter.com/emilysnee
Cruella Poster image use rationale:
The poster art for Cruella (2021) copyright is believed to belong to the distributor of the item promoted, Walt Disney Studios Motion Pictures, the publisher of the item promoted or the graphic artist. Because the image is poster art, a form of product packaging or service marketing, the entire image is needed to identify the product or service, properly convey the meaning and branding intended, and avoid tarnishing or misrepresenting the image. The copy is of sufficient resolution for commentary and identification but lower resolution than the original poster. Copies made from it will be of inferior quality, unsuitable as counterfeit artwork, pirate versions or for uses that would compete with the commercial purpose of the original artwork.
As poster art, the image is not replaceable by free content; any other image that shows the same artwork or poster would also be copyrighted, and any version that is not true to the original would be inadequate for identification or commentary.
Curious about that Edwardian shirtwaist I mentioned? You can watch the video here: youtu.be/oRez9aG4u_A
You can check out this big ol' master playlist for all the amazing content that was created for the WHOLE of the Costube Symposium 2021:
youtube.com/playlist?list=PL3z00JFxdhfFWeTnhniEjLYLOF6SbXUml
And follow the Costube Symposium IG to get updates about next year's event! instagram.com/costubesymposium
Oh, and if you love that design sketch, you can buy a print of it here: etsy.me/3EzCzVR
SUPPORT ME:
By becoming a patron and getting additional content as thanks for your ongoing support of my and my work!
patreon.com/EmilySnee
Or if that feels like too much of a commitment right now, don’t worry. We can keep it casual and you can support me with a one-off tip on my Ko-fi to help me make that Jack Skellington project!
ko-fi.com/emilysnee
Follow me on the Social Medias!
instagram.com/emilyjsnee
pinterest.co.uk/emilysnee
twitter.com/emilysnee
Cruella Poster image use rationale:
The poster art for Cruella (2021) copyright is believed to belong to the distributor of the item promoted, Walt Disney Studios Motion Pictures, the publisher of the item promoted or the graphic artist. Because the image is poster art, a form of product packaging or service marketing, the entire image is needed to identify the product or service, properly convey the meaning and branding intended, and avoid tarnishing or misrepresenting the image. The copy is of sufficient resolution for commentary and identification but lower resolution than the original poster. Copies made from it will be of inferior quality, unsuitable as counterfeit artwork, pirate versions or for uses that would compete with the commercial purpose of the original artwork.
As poster art, the image is not replaceable by free content; any other image that shows the same artwork or poster would also be copyrighted, and any version that is not true to the original would be inadequate for identification or commentary.
