Uploaded April 2026 | Updated September 2026, 4 days ago
Texas territory band Boots And His Buddies play the unissued take 2 of "East Commerce Stomp", with great trumpet, tenor sax and piano solos. The trumpet soloist has a wonderful growl. There's a great arranged passage for the sax section after the trumpet solo - some pretty nifty playing here! The brass section is great too, playing powerful punchy riffs.
Take 1 is the issued take, released on Bluebird B-10036. This transfer is from a vinyl 78 master pressing.
Jazz writer Gunther Schuller described Clifford "Boots" Douglas as "a kind of western Chick Webb". There's a bit of a Mid-West Kansas City style to the band as well, I feel, and the pianist sounds like he's been listening to Count Basie!
The title refers to East Commerce Street, one of the main thoroughfares traversing the East side of San Antonio. There were several clubs along the street, where black bands would play, most notably the Avalon Grill, which had a 24-hour Chinese restaurant and liquor store on the ground floor and a 5,000 square foot nightclub on the first floor.
I will be uploading some more unissued test pressings by the band soon.
BOOTS AND HIS BUDDIES
Clifford "Boots" Douglas, drums, directing: C. H. Jones, Percy Bush, L. D. Harris and Charles Anderson - trumpets / George Corley - trombone / Alva Brooks and Artie Hampton - alto sax, baritone sax / Baker Millian and David Ellis - tenor sax / A. J. Johnson - piano / Jeff Thomas - guitar / Walter McHenry - string bass
Recorded San Antonio, Texas, October 28th, 1938
028741-2 …….East Commerce Stomp…….Bluebird B-7217
Texas territory band Boots And His Buddies play the unissued take 2 of "East Commerce Stomp", with great trumpet, tenor sax and piano solos. The trumpet soloist has a wonderful growl. There's a great arranged passage for the sax section after the trumpet solo - some pretty nifty playing here! The brass section is great too, playing powerful punchy riffs.
Take 1 is the issued take, released on Bluebird B-10036. This transfer is from a vinyl 78 master pressing.
Jazz writer Gunther Schuller described Clifford "Boots" Douglas as "a kind of western Chick Webb". There's a bit of a Mid-West Kansas City style to the band as well, I feel, and the pianist sounds like he's been listening to Count Basie!
The title refers to East Commerce Street, one of the main thoroughfares traversing the East side of San Antonio. There were several clubs along the street, where black bands would play, most notably the Avalon Grill, which had a 24-hour Chinese restaurant and liquor store on the ground floor and a 5,000 square foot nightclub on the first floor.
I will be uploading some more unissued test pressings by the band soon.
BOOTS AND HIS BUDDIES
Clifford "Boots" Douglas, drums, directing: C. H. Jones, Percy Bush, L. D. Harris and Charles Anderson - trumpets / George Corley - trombone / Alva Brooks and Artie Hampton - alto sax, baritone sax / Baker Millian and David Ellis - tenor sax / A. J. Johnson - piano / Jeff Thomas - guitar / Walter McHenry - string bass
Recorded San Antonio, Texas, October 28th, 1938
028741-2 …….East Commerce Stomp…….Bluebird B-7217





![Paul Whiteman And His Orchestra - Rhapsody In Blue (FIRST RECORDING, 1924)
Paul Whiteman And His Concert Orchestra play George Gershwins Rhapsody In Blue, with the composer at the piano. This is the first recording of the Rhapsody, featuring a superb arrangement for dance band by Ferde Grofé.
As Whitemans main arranger, Grofé knew the Whiteman Orchestras strengths, and sometimes exchanged suggestions with its sidemen….for instance, saxophonist and clarinettist Ross Gorman came up with the idea for the clarinet glissando at the start of the piece. As Don Rayno notes in his bio-discography Paul Whiteman - Pioneer In American Music: [Grofés] manuscript was replete with handwritten notes at various points in the score, instructing Ross Gorman, Donald Clark, Henry Busse, Roy Maxon and other key players in the Whiteman Orchestra how to obtain desired musical colorings.
It was George Gershwin of course who was the central figure and key interpreter of the composition. In fact, when Rhapsody In Blue was introduced at New Yorks Aeolian Hall, in the famous Paul Whiteman concert of February 12th, 1924, entitled An Experiment In Modern Music, the programme listed it as being by George Gershwin (piano) accompanied by the orchestra.
It was only in 1942 that Grofé produced the much grander symphony orchestra score that most people are familiar with. This reduced the role of the saxophones, and dispensed with the banjo. The original dance band score is much more exciting…faster, more vigorous and a closer interpretation of the composers intention that Rhapsody In Blue represent the blending of elements of classical and jazz/dance band genres to create a new type of American modern music. Some still consider the experiment a failure, and that classical music and jazz are immiscible, but I think it works very well here, perhaps uniquely so. This recording, made when the Rhapsody was fresh and so different from anything else, is probably the most vivacious and spirited interpretation of all.
Issued on a blue-label 12 inch Victor 78, this first recording of Rhapsody In Blue is acoustically recorded. In March 1927, Victor had Whiteman re-record it, this time electrically; Grofé revised and expanded the score to incorporate additional instrumentation.
PAUL WHITEMAN AND HIS CONCERT ORCHESTRA
Paul Whiteman, directing: George Gershwin - piano / Henry Busse and Frank Siegrist - trumpets / Roy Maxon and Wilbur Hall - trombones / Arturo Arthur Cerino and Al Corrado - French horns / Ross Gorman - alto sax, sopranino sax, clarinet, bass clarinet, oboe / Charles Strickfaden - alto sax, soprano sax, baritone sax, clarinet / Eddie Sharpe - alto sax, soprano sax, clarinet / Edward Stannard - tenor sax, clarinet, bass clarinet / Kurt Dieterle, George Torde, Alex Drassein and Mario Perry - violins / Mike Pingitore - banjo / Al Armer - brass bass / George Marsh - drums & percussion
Recorded in New York, July 10th, 1924
30174-1 / 30173-2.......Rhapsody In Blue…….Victor 55225
Note: Side two was recorded first! Paul Whiteman And His Orchestra - Rhapsody In Blue (FIRST RECORDING, 1924)](https://i.ytimg.com/vi/AxTr1qC9Q8U/mqdefault.jpg)




