Uploaded May 2016 | Updated September 2026, 2 days ago
Long a critic's darling, singer/guitarist Bonnie Raitt did not begin to win the comparable commercial success due her until the release of the aptly titled 1989 blockbuster Nick of Time; her tenth album, it rocketed her into the mainstream consciousness nearly two decades after she first committed her unique blend of blues, rock, and R&B to vinyl. Born in Burbank, CA, on November 8, 1949, she was the daughter of Broadway star John Raitt, best known for his starring performances in such smashes as Carousel and Pajama Game. After picking up the guitar at the age of 12, Raitt felt an immediate affinity for the blues, and although she went off to attend Radcliffe in 1967, within two years she had dropped out to begin playing the Boston folk and blues club circuit. Signing with noted blues manager Dick Waterman, she was soon performing alongside the likes of idols including Howlin' Wolf, Sippie Wallace, and Mississippi Fred McDowell and in time earned such a strong reputation that she was signed to Warner Bros. Debuting in 1971 with an eponymously titled effort, Raitt immediately emerged as a critical favorite, applauded not only for her soulful vocals and thoughtful song selection but also for her guitar prowess, turning heads as one of the few women to play bottleneck. Her 1972 follow-up, Give It Up, made better use of her eclectic tastes, featuring material by contemporaries like Jackson Browne and Eric Kaz, in addition to a number of R&B chestnuts and even three Raitt originals. 1973's Takin' My Time was much acclaimed, and throughout the middle of the decade she released an LP annually, returning with Streetlights in 1974 and Home Plate a year later. With 1977's Sweet Forgiveness, Raitt scored her first significant pop airplay with her hit cover of the Del Shannon classic "Runaway"; its follow-up, 1979's The Glow, appeared around the same time as a massive all-star anti-nuclear concert at Madison Square Garden mounted by MUSE (Musicians United for Safe Energy), an organization she'd co-founded earlier. Throughout her career, Raitt remained a committed activist, playing hundreds of benefit concerts and working tirelessly on behalf of the Rhythm and Blues Foundation. By the early '80s, however, her own career was in trouble -- 1982's Green Light, while greeted with the usual good reviews, again failed to break her to a wide audience, and while beginning work on the follow-up, Warner unceremoniously dropped her. By this time, Raitt was also battling drug and alcohol problems as well; she worked on a few tracks with Prince, but their schedules never aligned and the material went unreleased. Instead, she finally released the patchwork Nine Lives in 1986, her worst-selling effort since her debut. Many had written Raitt off when she teamed with producer Don Was and recorded Nick of Time; seemingly out of the blue, the LP won a handful of Grammys, including Album of the Year, and overnight she was a superstar. 1991's Luck of the Draw was also a smash, yielding the hits "Something to Talk About" and "I Can't Make You Love Me." After 1994's Longing in Their Hearts, Raitt resurfaced in 1998 with Fundamental. Silver Lining appeared in 2002, followed by Souls Alike in 2005, both on Capitol Records. A year later, a bootleg-feel live set, Bonnie Raitt and Friends, was released, featuring guest appearances from Norah Jones and Ben Harper, among others. Raitt stepped back from the life of a professional musician over the next few years as she dealt with the passing of her parents, her brother, and her best friend. The break from recording and touring was redemptive for Raitt in many ways, and she returned focused and renewed in 2012 with her first studio album in seven years, Slipstream, released on her own new Redwing label imprint. ~ Jason Ankeny & Steve Leggett, Rovi
PLEASE NOTE: I divided my uploads among multiple channels, Bookmark this link in your browser for instant access to an index with links to all of John1948's oldies classics. LINK: john1948.wikifoundry.com/page/John1948%27s+Youtube+Index
Long a critic's darling, singer/guitarist Bonnie Raitt did not begin to win the comparable commercial success due her until the release of the aptly titled 1989 blockbuster Nick of Time; her tenth album, it rocketed her into the mainstream consciousness nearly two decades after she first committed her unique blend of blues, rock, and R&B to vinyl. Born in Burbank, CA, on November 8, 1949, she was the daughter of Broadway star John Raitt, best known for his starring performances in such smashes as Carousel and Pajama Game. After picking up the guitar at the age of 12, Raitt felt an immediate affinity for the blues, and although she went off to attend Radcliffe in 1967, within two years she had dropped out to begin playing the Boston folk and blues club circuit. Signing with noted blues manager Dick Waterman, she was soon performing alongside the likes of idols including Howlin' Wolf, Sippie Wallace, and Mississippi Fred McDowell and in time earned such a strong reputation that she was signed to Warner Bros. Debuting in 1971 with an eponymously titled effort, Raitt immediately emerged as a critical favorite, applauded not only for her soulful vocals and thoughtful song selection but also for her guitar prowess, turning heads as one of the few women to play bottleneck. Her 1972 follow-up, Give It Up, made better use of her eclectic tastes, featuring material by contemporaries like Jackson Browne and Eric Kaz, in addition to a number of R&B chestnuts and even three Raitt originals. 1973's Takin' My Time was much acclaimed, and throughout the middle of the decade she released an LP annually, returning with Streetlights in 1974 and Home Plate a year later. With 1977's Sweet Forgiveness, Raitt scored her first significant pop airplay with her hit cover of the Del Shannon classic "Runaway"; its follow-up, 1979's The Glow, appeared around the same time as a massive all-star anti-nuclear concert at Madison Square Garden mounted by MUSE (Musicians United for Safe Energy), an organization she'd co-founded earlier. Throughout her career, Raitt remained a committed activist, playing hundreds of benefit concerts and working tirelessly on behalf of the Rhythm and Blues Foundation. By the early '80s, however, her own career was in trouble -- 1982's Green Light, while greeted with the usual good reviews, again failed to break her to a wide audience, and while beginning work on the follow-up, Warner unceremoniously dropped her. By this time, Raitt was also battling drug and alcohol problems as well; she worked on a few tracks with Prince, but their schedules never aligned and the material went unreleased. Instead, she finally released the patchwork Nine Lives in 1986, her worst-selling effort since her debut. Many had written Raitt off when she teamed with producer Don Was and recorded Nick of Time; seemingly out of the blue, the LP won a handful of Grammys, including Album of the Year, and overnight she was a superstar. 1991's Luck of the Draw was also a smash, yielding the hits "Something to Talk About" and "I Can't Make You Love Me." After 1994's Longing in Their Hearts, Raitt resurfaced in 1998 with Fundamental. Silver Lining appeared in 2002, followed by Souls Alike in 2005, both on Capitol Records. A year later, a bootleg-feel live set, Bonnie Raitt and Friends, was released, featuring guest appearances from Norah Jones and Ben Harper, among others. Raitt stepped back from the life of a professional musician over the next few years as she dealt with the passing of her parents, her brother, and her best friend. The break from recording and touring was redemptive for Raitt in many ways, and she returned focused and renewed in 2012 with her first studio album in seven years, Slipstream, released on her own new Redwing label imprint. ~ Jason Ankeny & Steve Leggett, Rovi
PLEASE NOTE: I divided my uploads among multiple channels, Bookmark this link in your browser for instant access to an index with links to all of John1948's oldies classics. LINK: john1948.wikifoundry.com/page/John1948%27s+Youtube+Index


![The Brothers Four - Frog Went a Courtin
The Brothers Four are an American folk singing group, founded in 1957 in Seattle, Washington, known for their 1960 hit song Greenfields. Bob Flick, John Paine, Mike Kirkland, and Dick Foley met at the University of Washington, where they were members of the Phi Gamma Delta fraternity in 1956 (hence the Brothers appellation). Their first professional performances were the result of a prank played on them in 1958 by a rival fraternity, who had arranged for someone to call them, pretend to be from Seattles Colony Club, and invite them to come down to audition for a gig. Even though they were not expected at the club, they were allowed to sing a few songs anyway, and were subsequently hired. Flick recalls them being paid mostly in beer.
They left for San Francisco in 1959, where they met Mort Lewis, Dave Brubecks manager. Lewis became their manager and later that year secured them a contract with Columbia Records. Their second single, Greenfields, released in January 1960, hit #2 on the pop charts,[2] and their first album, Brothers Four, released toward the end of the year, made the top 20. Other highlights of their early career included singing their fourth single, The Green Leaves of Summer, from the John Wayne movie The Alamo, at the 1961 Academy Awards, and having their second album, BMOC/Best Music On/Off Campus, go top 10. They also recorded the theme song for the ABC television series Hootenanny, Hootenanny Saturday Night, in 1963. They also gave a try at Sloop John B, released as The John B Sails.[3]
The British Invasion and the ascendance of edgier folk rock musicians such as Bob Dylan put an end to the Brothers Fours early period of success, but they kept performing and making records, doing particularly well in Japan and on the American hotel circuit.
The group co-built with Jerry Dennon a radio station in Seaside, Oregon (KSWB) in 1968.[4] The station was subsequently sold in 1972 to a group from Montana, and later to a self-proclaimed minister, and finally merged into a larger conglomerate of radio stations.
The group attempted a comeback by recording a highly commercial version of Dylans Mr. Tambourine Man, but were unable to release it due to licensing issues, and The Byrds eventually stole their thunder by releasing their heralded version.[5]
Mike Kirkland left the group in 1969, and was replaced by Mark Pearson, another University of Washington alumnus. In 1971, Pearson left and was replaced by Bob Haworth, who stayed until 1989 and was replaced by a returning Pearson. Dick Foley left the group in 1990 and was replaced by Terry Lauber. Despite all the changes and having spent 54 years in the business, the group is still active. ~SOURCE: Wikipedia
PLEASE NOTE: I divided my uploads among multiple channels, Bookmark this link in your browser for instant access to an index with links to all of John1948s oldies classics. LINK: http://john1948.wikifoundry.com/page/John1948%27s+Youtube+Index The Brothers Four - Frog Went a Courtin](https://i.ytimg.com/vi/GRmk_nKfn9Q/mqdefault.jpg)







