Uploaded December 2025 | Updated September 2026, 2 days ago
Track List: 7-10
7. Bugs (0:00)
8. Hurry Tuesday Child (2:11)
9. Lazy Willie (6:07)
10. Ode to Billie Joe (8:50)
Part 1. youtu.be/fdCuiE_mHhQ
Part 2. youtu.be/mRW-swH0m1c
Part 3. youtu.be/jZVEBdyPLRA
Playlist: youtube.com/playlist?list=PLkWvh9BoHZBpCRxmxshuvp2lUh8Otlz-Y
'Ode to Billie Joe' Allmusic Review by Richie Unterberger:
Gentry's debut LP, which went to number one on the pop charts, was a promising but not wholly satisfying disc, with the singer penning all but one of the songs. Inevitably, the title track dwarfed everything else by comparison, but a greater problem was that several of the other tunes recycled variations of the "Ode to Billie Joe" riff. On the other hand, "Mississippi Delta" is gloriously tough, throaty swamp rock; few other women pop singers have sounded as raw. Other good cuts were "I Saw an Angel Die," an effective mating of Gentry's country-blues guitar riffs and low-key orchestration, and the jazz waltz-timed "Papa, Woncha Let Me Go to Town With You." Her vocals are poised and husky throughout the record, on which she was definitely on the right track -- one that she was quickly diverted from, into more MOR-oriented sounds.
Personnel:
Bobbie Gentry – vocals, acoustic guitar
Kelly Gordon – producer
Jimmie Haskell – arranger, conductor
George Fields – harmonica & harp
Harold Diner, Barrett O’hara – trombone
Jack Sheldon – trumpet
James Burton, Mike Deasy – guitar
Norman Serkin, Joseph Saxon, Jesse Ehrlich – cello & bass
Carl Nashan. Ralph Schaeffer, William Kurasch – violin
Dale Anderson – percussion
Earl Palmer – drums
Joe Polito – engineer
Ed Simpson – cover photo
Track List: 7-10
7. Bugs (0:00)
8. Hurry Tuesday Child (2:11)
9. Lazy Willie (6:07)
10. Ode to Billie Joe (8:50)
Part 1. youtu.be/fdCuiE_mHhQ
Part 2. youtu.be/mRW-swH0m1c
Part 3. youtu.be/jZVEBdyPLRA
Playlist: youtube.com/playlist?list=PLkWvh9BoHZBpCRxmxshuvp2lUh8Otlz-Y
'Ode to Billie Joe' Allmusic Review by Richie Unterberger:
Gentry's debut LP, which went to number one on the pop charts, was a promising but not wholly satisfying disc, with the singer penning all but one of the songs. Inevitably, the title track dwarfed everything else by comparison, but a greater problem was that several of the other tunes recycled variations of the "Ode to Billie Joe" riff. On the other hand, "Mississippi Delta" is gloriously tough, throaty swamp rock; few other women pop singers have sounded as raw. Other good cuts were "I Saw an Angel Die," an effective mating of Gentry's country-blues guitar riffs and low-key orchestration, and the jazz waltz-timed "Papa, Woncha Let Me Go to Town With You." Her vocals are poised and husky throughout the record, on which she was definitely on the right track -- one that she was quickly diverted from, into more MOR-oriented sounds.
Personnel:
Bobbie Gentry – vocals, acoustic guitar
Kelly Gordon – producer
Jimmie Haskell – arranger, conductor
George Fields – harmonica & harp
Harold Diner, Barrett O’hara – trombone
Jack Sheldon – trumpet
James Burton, Mike Deasy – guitar
Norman Serkin, Joseph Saxon, Jesse Ehrlich – cello & bass
Carl Nashan. Ralph Schaeffer, William Kurasch – violin
Dale Anderson – percussion
Earl Palmer – drums
Joe Polito – engineer
Ed Simpson – cover photo










![Melissa Manchester - Home To Myself (1973) 1/3
Track List: 1-4
1. If It Feels Good (Let It Ride) (0:00)
2. Easy (3:23)
3. Something To Do With Loving You (9:10)
4. Funny That Way (12:07)
Part 1. https://youtu.be/mBZ0SPS80mA
Part 2. https://youtu.be/B6MDAEbb_6A
Part 3. https://youtu.be/j9KZuqrSQjE
Playlist: https://www.youtube.com/playlist?list=PLkWvh9BoHZBohavPO9ChgzAZIkFcjjI5R
Home to Myself Review by William Ruhlmann:
Now, I dont have the soul of Joni, and I cannot see myself like Miss Laura, sang Melissa Manchester on Funny That Way, thus marking out the competition. Like Mitchell and Nyro, Manchester was a piano-playing female singer, but she was right in noting that while there was a surface similarity in their musical approaches, she did not dig quite as deep emotionally as her predecessors. Manchester came from a lighter pop, supper club tradition, and on her debut album, singing songs most of which had lyrics by Carole Bayer Sager, she explored a territory that seemed almost barren at the time a sophisticated, non-rock pop/jazz style that emphasized delivery and chops over individualistic, confessional writing. (It bore some similarities to the style of Manchesters former employer, the more flamboyant Bette Midler.) Not surprisingly, she did not find an immediate audience for such an approach, though this promising album did reach the charts.
Production:
Arranged By [Strings, Horns, Woodwinds], Conductor – Chris Dedrick
Art Direction [Art Director] – Richard Mantel
Concertmaster – David Nadien
Cover [Cover Coordination] – Beverly Weinstein
Engineer – Bill Radice
Photography By – Alen MacWeeney
Producer – Dave Appell
Producer, Mixed By – Hank Medress
Technician [Technical Assistant] – Tom Coleman Melissa Manchester - Home To Myself (1973) 1/3](https://i.ytimg.com/vi/mBZ0SPS80mA/mqdefault.jpg)