Uploaded August 2013 | Updated September 2026, 40 minutes ago
This movie and its soundtrack have been created by Arthur Stammet in August 2013.
Based on a Fractal eXtreme Zoom, the animation has been tweaked in Premiere CS5 with the RE:Map Distort plugin in order to give it an organic touch.
The soundtrack has been improvised by playing on the Waldorf Nave, the next generation Wavetable Synthesizer for iOS. While exploring the possibilities of the Nave sound engine, including two novel wavetable oscillators with sonic possibilities way beyond the scope of conventional wavetable synthesis, I've been inspired to realize this dense soundscape, adding sequence on sequence in Premiere. In this first touch to that new synthesizer, I only used some of the presets which all seriously showcase the depth and diversity of this impressive and inspirational iOS synthesizer. For more information about this instrument, please go to the Waldorf website: waldorf-music.info/en/products/nave.html
This movie and its soundtrack have been created by Arthur Stammet in August 2013.
Based on a Fractal eXtreme Zoom, the animation has been tweaked in Premiere CS5 with the RE:Map Distort plugin in order to give it an organic touch.
The soundtrack has been improvised by playing on the Waldorf Nave, the next generation Wavetable Synthesizer for iOS. While exploring the possibilities of the Nave sound engine, including two novel wavetable oscillators with sonic possibilities way beyond the scope of conventional wavetable synthesis, I've been inspired to realize this dense soundscape, adding sequence on sequence in Premiere. In this first touch to that new synthesizer, I only used some of the presets which all seriously showcase the depth and diversity of this impressive and inspirational iOS synthesizer. For more information about this instrument, please go to the Waldorf website: waldorf-music.info/en/products/nave.html










