Uploaded August 2019 | Updated September 2026, 2 weeks ago
Download & Stream: http://kud.li/rrep04 Subscribe: http://sb.kud.li/UC9G5WGgkv9Ikr_FZTMlfGkA Official stream from Research Records. Distributed by Kudos Records. More music playlists: http://pl.kud.li/UC9G5WGgkv9Ikr_FZTMlfGkA Album: Skin Rat / Thomas [EP] Track: 1 of 2 Title: Skin Rat Artist: Big Yawn Label: Research Records Cat#: RREP04 Formats: 7" Vinyl/Digital Digital Release: 9th August 2019 Physical Release: 16th August 2019 About This Release: After just 6 months since first seeing Big Yawn perform, we are thrilled to welcome them to the Research family. A compelling prelude to their debut album "No!" due out in late 2019. Over six years the Melbourne-based group has evolved, with members of the band running various releases through label and collective Fallopian Tunes. As of 2019, Big Yawn had become a four-member music group, motivated by a history of studio production, prolific collaboration and quality hangout time. The groups freshest effort 'Skin Rat/Thomas' captures the band performing live in the studio, and it's typical Big Yawn: fat and punchy low-end bass; drums and live drum processing; delay fx samples; thick syrupy synths. 'Skin Rat' is a hyperbolically dubbed out, tongue in cheek, magnetic blend of UK garage, footwork and breaks. And 'Thomas' takes cues from a slightly damaged post-punk sound, amplifying a brittle and sinister type of atomic porn-funk. Limited to 200 copies. Hand numbered and housed in a screen-printed sleeve, artwork by Julian Hocking. Reviews for This Release: "Packaged up in a kind of slow-motion rhythmic chaos, this oddball jam with fluttering, bubbling synth effects and beautiful warm bass creates a quirky little world to slip into." - Resident Advisor
Download & Stream: http://kud.li/rrep04 Subscribe: http://sb.kud.li/UC9G5WGgkv9Ikr_FZTMlfGkA Official stream from Research Records. Distributed by Kudos Records. More music playlists: http://pl.kud.li/UC9G5WGgkv9Ikr_FZTMlfGkA Album: Skin Rat / Thomas [EP] Track: 1 of 2 Title: Skin Rat Artist: Big Yawn Label: Research Records Cat#: RREP04 Formats: 7" Vinyl/Digital Digital Release: 9th August 2019 Physical Release: 16th August 2019 About This Release: After just 6 months since first seeing Big Yawn perform, we are thrilled to welcome them to the Research family. A compelling prelude to their debut album "No!" due out in late 2019. Over six years the Melbourne-based group has evolved, with members of the band running various releases through label and collective Fallopian Tunes. As of 2019, Big Yawn had become a four-member music group, motivated by a history of studio production, prolific collaboration and quality hangout time. The groups freshest effort 'Skin Rat/Thomas' captures the band performing live in the studio, and it's typical Big Yawn: fat and punchy low-end bass; drums and live drum processing; delay fx samples; thick syrupy synths. 'Skin Rat' is a hyperbolically dubbed out, tongue in cheek, magnetic blend of UK garage, footwork and breaks. And 'Thomas' takes cues from a slightly damaged post-punk sound, amplifying a brittle and sinister type of atomic porn-funk. Limited to 200 copies. Hand numbered and housed in a screen-printed sleeve, artwork by Julian Hocking. Reviews for This Release: "Packaged up in a kind of slow-motion rhythmic chaos, this oddball jam with fluttering, bubbling synth effects and beautiful warm bass creates a quirky little world to slip into." - Resident Advisor
![Mouche - Cosmic Twist [Audio]
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#ResearchRecords #VocalEasyListening #InstrumentalPop
Album: Live From The Bubble [ALBUM]
Track: 2 of 10
Title: Cosmic Twist
Artist: Mouche
Label: Research Records
Cat#: RRC01
Formats: Digital
Digital Release: 10th July 2020
About This Release:
Solo excursions from Tim Karmouche (The Murlocs/Crepes/Swazi Gold/Dreamin Wild) provide a joyous confluence of melody and rhythm, an instrumental ride through imaginary soundtracks and drifting liminal atmospheres.
Live From The Bubble strikes as a pure and earnest pursuit of experimentation in a fashion that seeks to evoke lifes simple pleasures. Crafted over many an hour spent in the mysterious studio space he nicknames the bubble, the various multi-tracks are looped and layered in a way that pays homage to old library funk and conjures up images of tight, seasoned session musicians in a pre-internet era. Like an old friend youve known for years, Mouches chords and harmonies communicate sentiments in a silent, knowing fashion.
A deliberate and necessary eschewing of words. The array of styles heard across the album hint to a fondness for exotica and surf rock, basking in a sepia-toned woozy nostalgia as opposed to wallowing in melancholy. Elements of Steve Hiett or G.S. Schray flicker in and out across the stereo field, particularly on the closing piece Thinking Straight, which despite its minor keys captures a mood of warmth and content, an end of summer lullaby to close proceedings. Karmouches own admission that the process of LFTB was centred around enjoyment comes as no surprise. Mouche - Cosmic Twist [Audio]](https://i.ytimg.com/vi/Enh3hp2mZzQ/mqdefault.jpg)
![Khaled Kurbeh - Tadārīs I [Audio]
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#ResearchRecords #WorldReggae #MiddleEast
Album: Ithā Sajā [ALBUM]
Track: 5 of 9
Title: Tadārīs I
Artist: Khaled Kurbeh
Label: Research Records
Cat#: RESEARCH015
Formats: Vinyl LP/Digital
Digital Release: 4th September 2026
Physical Release: 4th September 2026
About This Release:
Ithā Sajā is an ode to dusk, dawn and what’s in between.
Or, Ithā Sajā is a collection of piano recordings I made in my Berlin studio between:
– dusk and dawn
– Hinterhof sununu chatter
– construction site clamour
– upstairs scuffles
– U-Bahn rumbles
– Kreuzberg and Tempelhof
– 2021 and 2022.
wal-Leil [by the night] is inspired by conversations with my friends Hend Alkahwaji and Wejdan Nassif during theatre rehearsals.
wal-Leili [by the night II] is an imagined conversation with my friend Raman Khalaf. An homage to the jurjina rhythm found in folk music of northern Iraq and Mesopotamia.
In wan-Najmi [by the star], one phrase repeats over and over with subtle changes – inspired by a procrastinating artist (quietly) dancing before a (nearly) stretched, (almost) blank canvas, dreaming up a (new but familiar) pattern.
In Ithā Hawā [to fall / to fall in love], a flâneur takes an early evening stroll along the Landwehr canal in Kreuzberg.
Tadāris [terrains] is an ongoing series of acoustic études – played with mallets, objects and fingers inside and outside the piano.
In Ithā Sajā [if it settles / when it darkens], my left hand keeps a steady rhythm while the right one wanders in search of a nocturnal motif. My eyes peek out the window. It’s the first attempts of dawn.
Marking Khaled Kurbeh’s second release with Research Records, Ithā Sajā is a collection of nine piano pieces. The gatefold vinyl features cover art and a booklet of drawings by Ida Lawrence – nine repetitions of Khaled’s upright piano, taking shape or disintegrating as one turns the page. Thank you to Alessandra Peach and Maryos Syawish from Research Records, and to everyone listening. Khaled Kurbeh - Tadārīs I [Audio]](https://i.ytimg.com/vi/F05-lnY9SbA/mqdefault.jpg)
![Swazi Gold - Reflections
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Album: Jehovahs Whispers [ALBUM]
Track: 6 of 6
Title: Reflections
Artist: Swazi Gold
Label: Research Records
Cat#: RESEARCH04
Formats: Vinyl LP/Digital
Digital Release: 8th March 2019
Physical Release: 8th March 2019
About This Release:
Swazi Gold have created a debut album that shimmers like the coast. There are six songs, two created by each member; through pure collaboration and participation. Swazi Gold are a true democracy.
Formed by the chief songwriters from Melbourne bands Crepes, Dreamin Wild and Sagamore, this new band brings old friends together. Chris Jennings and Sam Cooper grew up in the Victorian coastal towns of Barwon Heads and Ocean Grove, while TimKarmouche was an inland man, hailing from Ballarat in the state’s north-west.
“We’ve been playing together for so long; in different mediums and in different bands. We’ve played our own key roles, but now we know what each other wants. Swazi Gold shows off our relationship from over the years, which is really cool,” says guitarist and bassist Jennings.
Swazi Gold’s other guitarist and bass player, Cooper, has a theory about the unifying power of their regional origins:
“It’s this kind of small town thing where you strive to be different and creative. Because you’re more isolated, you focus on your creativity and align yourself to similar people. I think growing up down the coast has meant I’ve continued to be drawn to people from other isolated places,” he says.
It’s this togetherness that’s at the heart of Swazi Gold’s debut album,Jehovah’s Whispers.Recorded in a single weekend in 2017 at the Cooper’s family home in Ocean Grove (affectionately termed the “Cooper Ranch”)Jehovah’s Whisperscaptures a musical intimacy and deep friendship between the three members.
“The bond with all the tracks on the album isn’t necessarily lyrical, but it’s 100% sonic. The simplicity of the instruments we use and the set-up we have is what’s really rad,” says Jennings.
“It’s a fantasy of what we imagined Jehovah might be whispering in your ear,” he adds, grinning.
Drawing from their collective love of African music, American funk, and quirky, melody-driven pop music, the album explores the space between conventional genres and styles of production.
“Using drum machines has made the song-writing process a lot quicker and opened up a whole new avenue stylistically. We can move more into that dance or groove-based style. It’s kind of an EDM style of production, without the matching sound. That’s how it’s different,” says synth and keys player Karmouche.
Lyrically, the songs address themes like moving to Melbourne, realising personal limitations and seeing a thriving country town fade to nothingness. There’s a brooding one in there for anyone who’s ever been ripped off, too.
But withJehovah’s Whispers,it’s the impeccable timing from two drum machines that propel each track forward and bind the six songs so tightly.
“The drum machine is chomping away the whole time. In a live set, there’s a lot of energy straight away. Everyone’s dancing straight away; we’re dancing straight away. It’s really fun,” says Jennings.
Jehovah’s Whispers is an album that proves the whole is greater than the sum of its parts. And in amidst the love and equality, there’s still a heap of bite and attitude. Swazi Gold - Reflections](https://i.ytimg.com/vi/F5HdEJ2Ao4k/mqdefault.jpg)
![Mouche - A Cheery Goodbye [Audio]
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#ResearchRecords #VocalEasyListening #InstrumentalPop
Album: Live From The Bubble [ALBUM]
Track: 5 of 10
Title: A Cheery Goodbye
Artist: Mouche
Label: Research Records
Cat#: RRC01
Formats: Digital
Digital Release: 10th July 2020
About This Release:
Solo excursions from Tim Karmouche (The Murlocs/Crepes/Swazi Gold/Dreamin Wild) provide a joyous confluence of melody and rhythm, an instrumental ride through imaginary soundtracks and drifting liminal atmospheres.
Live From The Bubble strikes as a pure and earnest pursuit of experimentation in a fashion that seeks to evoke lifes simple pleasures. Crafted over many an hour spent in the mysterious studio space he nicknames the bubble, the various multi-tracks are looped and layered in a way that pays homage to old library funk and conjures up images of tight, seasoned session musicians in a pre-internet era. Like an old friend youve known for years, Mouches chords and harmonies communicate sentiments in a silent, knowing fashion.
A deliberate and necessary eschewing of words. The array of styles heard across the album hint to a fondness for exotica and surf rock, basking in a sepia-toned woozy nostalgia as opposed to wallowing in melancholy. Elements of Steve Hiett or G.S. Schray flicker in and out across the stereo field, particularly on the closing piece Thinking Straight, which despite its minor keys captures a mood of warmth and content, an end of summer lullaby to close proceedings. Karmouches own admission that the process of LFTB was centred around enjoyment comes as no surprise. Mouche - A Cheery Goodbye [Audio]](https://i.ytimg.com/vi/FOJwY96dM-E/mqdefault.jpg)
![Big Yawn - Anthem X [Audio]
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#ResearchRecords #ElectronicaDance #Garage
Album: No! [ALBUM]
Track: 9 of 13
Title: Anthem X
Artist: Big Yawn
Label: Research Records
Cat#: RESEARCH08
Formats: Vinyl LP/Digital
Digital Release: 6th March 2020
Physical Release: 6th March 2020
About This Release:
The various sides of Melbourne quartet Big Yawn fluctuate neatly across their debut full length No!. Subtle dub techno delays combine with live drums on Attaboi to formally introduce their clear affectation for the motorik sounds of 70s Deutschland. Previous single Skinrat curiously references off-rhythms and vocal cut ups a la late naughties UK bass music, while abstract jams such as For Whomst channel the adventurous live-and-direct sound of Golden Teacher and kindred experimentalist Inga Copeland.
Heavy low-end bass frequencies and twitches of dub fx permeate the LP, shades of post-punk and loopy minimal wave (Doodle Damage) contrasting with the more jagged dance orientated moments. In opting to close No! with their most expansive recording (Body Double), Big Yawn delve deeper into the tense and ritualistic atmospheres the prior tracks only hint at. The effect seems akin to a snapshot into their lengthy freestyle practice sessions; a process honed and refined here for the LP format. Until their next outing, the relentless groove of Anthem X will keep hips swaying during those sweaty early morning club hours. Big Yawn - Anthem X [Audio]](https://i.ytimg.com/vi/FU_nMv_KD0M/mqdefault.jpg)

![Mouche - Forest Solitude [Audio]
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#ResearchRecords #VocalEasyListening #InstrumentalPop
Album: Lake Songs [ALBUM]
Track: 5 of 10
Title: Forest Solitude
Artist: Mouche
Label: Research Records
Cat#: RESEARCH011
Formats: Vinyl LP/Digital
Digital Release: 26th May 2023
Physical Release: 26th May 2023
About This Release:
Mouche (real name Tim Karmouche) returns to Australian label Research Records with another full-length of imaginary soundtracks, instrumentals and sun-kissed digital jazz. Active on the Melbourne scene in projects such as Crepes/The Murlocs/Swazi Gold/Dreamin Wild, Tims first album Live From The Bubble arrived back in 2020 as an ode to his aptly named studio space - The Bubble.
Lake Songs builds on those same atmospheres, showcasing the inward-looking craft of his one-man band. Cicada field recordings and light keys open proceedings, reflecting the warmer side of 80s new age, though before long were introduced to a variety of stylistic shifts incorporating elements of cosmic funk, lounge and library-style compositions. There are traces of Steve Hiett, Max Groove or even the recently re-discovered Ronald Langestraat, though the strength of Mouches talent for harmony shines through on its own level.
Shifting between moods yet reflecting an overarching sense of positivity, listening through the ten tracks gives off a real sense of place, though time is somewhat irrelevant. The warm climate and sandy beaches of Australia seem eternally embodied in Juice or Crystal Water. Perhaps where Live From The Bubble was dedicated to the very studio that birthed it, Lake Songs is dedicated to the vast land that surrounds it. Mouche - Forest Solitude [Audio]](https://i.ytimg.com/vi/FwIEYTjVheU/mqdefault.jpg)
![Big Yawn - Negative Trigger [Audio]
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#ResearchRecords #ElectronicaDance #Garage
Album: No! [ALBUM]
Track: 7 of 13
Title: Negative Trigger
Artist: Big Yawn
Label: Research Records
Cat#: RESEARCH08
Formats: Vinyl LP/Digital
Digital Release: 6th March 2020
Physical Release: 6th March 2020
About This Release:
The various sides of Melbourne quartet Big Yawn fluctuate neatly across their debut full length No!. Subtle dub techno delays combine with live drums on Attaboi to formally introduce their clear affectation for the motorik sounds of 70s Deutschland. Previous single Skinrat curiously references off-rhythms and vocal cut ups a la late naughties UK bass music, while abstract jams such as For Whomst channel the adventurous live-and-direct sound of Golden Teacher and kindred experimentalist Inga Copeland.
Heavy low-end bass frequencies and twitches of dub fx permeate the LP, shades of post-punk and loopy minimal wave (Doodle Damage) contrasting with the more jagged dance orientated moments. In opting to close No! with their most expansive recording (Body Double), Big Yawn delve deeper into the tense and ritualistic atmospheres the prior tracks only hint at. The effect seems akin to a snapshot into their lengthy freestyle practice sessions; a process honed and refined here for the LP format. Until their next outing, the relentless groove of Anthem X will keep hips swaying during those sweaty early morning club hours. Big Yawn - Negative Trigger [Audio]](https://i.ytimg.com/vi/GEiz_dikrrI/mqdefault.jpg)
![Doroth - Take It Easier [Audio]
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#ResearchRecords #RockPop #Pop
Album: Take It Easier [SINGLE]
Track: 1 of 2
Title: Take It Easier
Artist: Doroth
Label: Research Records
Cat#: RREP10
Formats: 7 Vinyl/Digital
Digital Release: 25th March 2022
Physical Release: 25th March 2022
About This Release:
Doroth follow on from a 2019 self-released digi EP with this fresh 7 for Research. The duo of Loretta Wilde and Maria Moles from Melbourne have established a song writing craft thats equal parts This Heat and Throwing Muses; all disjointed rhythms and dry vocal delivery that seems to come with an intentional feeling of malaise. Where their self-titled EP allowed for the sprawling Still House Plants-esque sound of On The Lamb, both Take It Easier and Picture condense the live sound into two sub 4 minute slices of indie pop / art rock goodness. Weve got no clue what photograph Wilde is singing about but the combination of bass and drums bouncing off one another underneath her prolonged strainings will be sure to stick in your brain. Doroth - Take It Easier [Audio]](https://i.ytimg.com/vi/GFFBIbT_UxU/mqdefault.jpg)
![Big Yawn - Doodle Damage (Maria Moles Remix) [Audio]
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#ResearchRecords #ElectronicaDance #Electronic
Album: No! Remixes [EP]
Track: 3 of 5
Title: Doodle Damage (Maria Moles Remix)
Artist: Big Yawn
Remixers: Maria Mole
Label: Research Records
Cat#: RREP05
Formats: 12 Vinyl/Digital
Digital Release: 5th March 2021
Physical Release: 5th March 2021
About This Release:
Electronic four-piece Big Yawn invites five revered artists to reconstruct their debut album No!, originally released in March 2020 through Research Records.
The remixes convey a unique combination of darker textures and brooding sounds, clearly indebted to their source material.
The release features interpretations from Sleep D, Jay Glass Dubs, Maria Moles, Bullant and Raymond Scottwalker.
Rhythm merchants Sleep D (Butter Sessions) up the tempo and weave their signature expansive production in their fearless take on Reflex.
Prolific producer Jay Glass Dubs (Bokeh Versions) flavours the Body Double refix with looping clattering drums and glitchy murk, creating a compelling arrangement.
Like a drift into a warm gorge, percussionist Maria Moles (Nice Music) inserts gentle sustained synth work into Doodle Damage.
Bullant (Flightless Records) pulls the listener out abruptly with a rework of Skinrat, a house-streaked churner.
Raymond Scottwalker (Fallopian Tunes) wraps up the record with another rework of Reflex, creating a mind-bending, aggressive industrial rejig.
Big Yawns remix EP is a dynamic pairing to No!, entrusting an exceptional group of musicians to adhere to the spirit of the record, yet take it in a totally re-imagined direction Big Yawn - Doodle Damage (Maria Moles Remix) [Audio]](https://i.ytimg.com/vi/GV8pvc6JWBE/mqdefault.jpg)
![Elite Beat - Roggish & Unclean [Audio] (1 of 8)
Download & Stream: http://kud.li/research07 Subscribe: http://sb.kud.li/UC9G5WGgkv9Ikr_FZTMlfGkA Official stream from Research Records. Distributed by Kudos Records. More music playlists: http://pl.kud.li/UC9G5WGgkv9Ikr_FZTMlfGkA Album: Selected Rhythms [ALBUM] Track: 1 of 8 Title: Roggish & Unclean Artist: Elite Beat Label: Research Records Cat#: RESEARCH07 Formats: Vinyl LP/Digital Digital Release: 8th November 2019 Physical Release: 8th November 2019 About This Release: Elite Beat is a musical collective from Portland, Oregon with a history spanning back to 2006. ‘Selected Rhythms’ captures the finest moments from all three of their ultra limited cassette series ‘Casual Rhythms’. Packed full of DIY dub mixing, cosmic orchestration and raw, percussion driven polyrhythms, the recordings have been remastered and put to vinyl for the first time with sections from Casual Rhythms Vol. 1 being re-shaped into previously unavailable single tracks. Recording plays a big role in the Elite Beat creative process. The studio as an instrument. Much of the Elite Beat music is mixed in an all-hands-on-deck dub style approach - live with an analog mixer and loads of FX being thrown and dubbed in real time. The sound is genre-less rhythm music with an emphasis on live playing, free form expression and technique that borrows from soundsystem culture. Inspiration can be heard from all parts of time and place. Some Ethio Jazz, Black Ark psychedelia, Exotica, Malian blues, even Haight-Ashbury in the summer of love. Each member an accomplished musician in their own right, Elite Beat thrive on collaboration. 2018 saw the release of their astral-Saharan jams with celebrated Taureg guitarist Mdou Moctar. The players get together every Wednesday evening, sometimes to chat, sometimes to play. The ‘record’ button gets pressed when they find what they are searching for. For this crew it’s all about ‘Casual Rhythms / Harmonious Lifestyles’ - if things don’t fall under that mantra, then it’s got to go. ‘Less is more’ for Elite Beat and their cosmic sounds. Elite Beat - Roggish & Unclean [Audio] (1 of 8)](https://i.ytimg.com/vi/Gd6XTVnnAC0/mqdefault.jpg)