Uploaded November 2018 | Updated September 2026, 2 weeks ago
http://www.egs.edu Benjamin Bratton, Professor of Philosophy at The European Graduate School / EGS. Saas-Fee, Switzerland. June 29, 2018. Public open lecture for the students of the Division of Philosophy, Art & Critical Thought.
Benjamin H. Bratton is an American theorist, sociologist, and professor of visual arts, contemporary social and political theory, philosophy, and design. His research deals with computational media and infrastructure, design research management and methodologies, classical and contemporary sociological theory, architecture and urban design issues, and the politics of synthetic ecologies and biologies.
Bratton completed his doctoral studies in the sociology of technology at the University of California, Santa Barbara, and was the Director of the Advanced Strategies Group at Yahoo! before expanding his cross-disciplinary research and practice in academia. He taught in the Department of Design/Media Art at UCLA from 2003-2008, and at the SCI Arc (Southern California Institute of Architecture) for a decade, where he continues to teach as a member of the visiting faculty. While at SCI Arc, Benjamin Bratton and Hernan Diaz-Alonso co-founded the XLAB courses, which placed students in laboratory settings where they could work directly and comprehensively in robotics, scripting, biogenetics, genetic codification, and cellular systems. Currently, in addition to his professorship at the The European Graduate School / EGS, Bratton is an associate professor of Visual Arts at the University of California, San Diego, where he also directs the Center for Design and Geopolitics, partnering with the California Institute of Telecommunications and Information Technology.
In addition to his formal positions, Benjamin H. Bratton is a regular visiting lecturer at numerous universities and institutions including: Columbia University, Yale University, Pratt Institute, Bartlett School of Architecture, University of Pennsylvania, University of Southern California, University of California, Art Center College of Design, Parsons The New School for Design, University of Michigan, Brown University, The University of Applied Arts in Vienna, Bauhaus-University, Moscow State University, Moscow Institute for Higher Economics, and the Architectural Association School of Architecture in London.
Bratton's current projects focus on the political geography of cloud computing, massively-granular universal addressing systems, and alternate models of ecological governance. In his most recent book, The Stack: On Software and Sovereignty (MIT Press, 2015), Bratton asks the question, "What has planetary-scale computation done to our geopolitical realities?" and, in response, offers the proposition "that smart grids, cloud computing, mobile software and smart cities, universal addressing systems, ubiquitous computing, and other types of apparently unrelated planetary-scale computation can be viewed as forming a coherent whole—an accidental megastructure called The Stack that is both a computational apparatus and a new geopolitical architecture."
Other more recent texts include the following: Some Trace Effects of the Post-Anthropocene: On Accelerationist Geopolitical Aesthetics, On Apps and Elementary Forms of Interfacial Life: Object, Image, Superimposition, Deep Address, What We Do is Secrete: On Virilio, Planetarity and Data Visualization, Geoscapes & the Google Caliphate: On Mumbai Attacks, Root the Earth: On Peak Oil Apophenia and Suspicious Images/ Latent Interfaces (with Natalie Jeremijenko), iPhone City, and Logistics of Habitable Circulation (introduction to the 2006 edition of Paul Virilio’s Speed and Politics). As well, recent online lectures include: 2 or 3 Things I Know About The Stack, at Bartlett School of Architecture, University of London, and University of Southampton; Cloud Feudalism at Proto/E/Co/Logics 002, Rovinj, Croatia; Nanoskin at Parsons School of Design; On the Nomos of the Cloud at Berlage Institute, Rotterdam, École Normale- Superiore, Paris, and MOCA, Los Angeles; Accidental Geopolitics at The Guardian Summit, New York; Ambivalence and/or Utopia at University of Michigan and UC Irvine; and Surviving the Interface at Parsons School of Design.
http://www.egs.edu Benjamin Bratton, Professor of Philosophy at The European Graduate School / EGS. Saas-Fee, Switzerland. June 29, 2018. Public open lecture for the students of the Division of Philosophy, Art & Critical Thought.
Benjamin H. Bratton is an American theorist, sociologist, and professor of visual arts, contemporary social and political theory, philosophy, and design. His research deals with computational media and infrastructure, design research management and methodologies, classical and contemporary sociological theory, architecture and urban design issues, and the politics of synthetic ecologies and biologies.
Bratton completed his doctoral studies in the sociology of technology at the University of California, Santa Barbara, and was the Director of the Advanced Strategies Group at Yahoo! before expanding his cross-disciplinary research and practice in academia. He taught in the Department of Design/Media Art at UCLA from 2003-2008, and at the SCI Arc (Southern California Institute of Architecture) for a decade, where he continues to teach as a member of the visiting faculty. While at SCI Arc, Benjamin Bratton and Hernan Diaz-Alonso co-founded the XLAB courses, which placed students in laboratory settings where they could work directly and comprehensively in robotics, scripting, biogenetics, genetic codification, and cellular systems. Currently, in addition to his professorship at the The European Graduate School / EGS, Bratton is an associate professor of Visual Arts at the University of California, San Diego, where he also directs the Center for Design and Geopolitics, partnering with the California Institute of Telecommunications and Information Technology.
In addition to his formal positions, Benjamin H. Bratton is a regular visiting lecturer at numerous universities and institutions including: Columbia University, Yale University, Pratt Institute, Bartlett School of Architecture, University of Pennsylvania, University of Southern California, University of California, Art Center College of Design, Parsons The New School for Design, University of Michigan, Brown University, The University of Applied Arts in Vienna, Bauhaus-University, Moscow State University, Moscow Institute for Higher Economics, and the Architectural Association School of Architecture in London.
Bratton's current projects focus on the political geography of cloud computing, massively-granular universal addressing systems, and alternate models of ecological governance. In his most recent book, The Stack: On Software and Sovereignty (MIT Press, 2015), Bratton asks the question, "What has planetary-scale computation done to our geopolitical realities?" and, in response, offers the proposition "that smart grids, cloud computing, mobile software and smart cities, universal addressing systems, ubiquitous computing, and other types of apparently unrelated planetary-scale computation can be viewed as forming a coherent whole—an accidental megastructure called The Stack that is both a computational apparatus and a new geopolitical architecture."
Other more recent texts include the following: Some Trace Effects of the Post-Anthropocene: On Accelerationist Geopolitical Aesthetics, On Apps and Elementary Forms of Interfacial Life: Object, Image, Superimposition, Deep Address, What We Do is Secrete: On Virilio, Planetarity and Data Visualization, Geoscapes & the Google Caliphate: On Mumbai Attacks, Root the Earth: On Peak Oil Apophenia and Suspicious Images/ Latent Interfaces (with Natalie Jeremijenko), iPhone City, and Logistics of Habitable Circulation (introduction to the 2006 edition of Paul Virilio’s Speed and Politics). As well, recent online lectures include: 2 or 3 Things I Know About The Stack, at Bartlett School of Architecture, University of London, and University of Southampton; Cloud Feudalism at Proto/E/Co/Logics 002, Rovinj, Croatia; Nanoskin at Parsons School of Design; On the Nomos of the Cloud at Berlage Institute, Rotterdam, École Normale- Superiore, Paris, and MOCA, Los Angeles; Accidental Geopolitics at The Guardian Summit, New York; Ambivalence and/or Utopia at University of Michigan and UC Irvine; and Surviving the Interface at Parsons School of Design.





![Mladen Dolar. Oedipus Revisited. 2018
http://www.egs.edu Mladen Dolar, Professor of Philosophy at The European Graduate School / EGS. Saas-Fee, Switzerland. June 20th, 2018. Public open lecture for the students of the Division of Philosophy, Art & Critical Thought.
Mladen Dolar, born in Maribor, Slovenia, is a senior research fellow in the Department of Philosophy at the University of Ljubljana, Slovenia, and a professor of philosophy at The European Graduate School / EGS. Dolar’s area of research is within German classical philosophy, German idealism, theoretical psychoanalysis, structuralism, and the philosophy of music and film.
After obtaining a diploma in Philosophy and French from the University of Ljubljana in 1978, Dolar continued his studies at the Université de Paris VIII-Vincennes Saint-Denis (1979–80) and at the University of Westminster, London (1989–90). In 1992, he received a PhD in Philosophy from the University of Ljubljana with a dissertation entitled Heglova Fenomenologija duha. Dialektika zavesti in samozavedanja (Hegel’s Phenomenology of Spirit. Dialectic of Consciousness and Self-consciousness). A member of the Philosophy Department since 1980, Dolar was appointed assistant professor in 1984, “docent” of German Classical Philosophy in 1992, associate professor of Philosophy and Theoretical Psychoanalysis in 1996, and, in 2002, took up his current position as Senior Research Fellow. Other academic appointments include a research stay at the Kulturwissenschaftliches Institut, Essen, Germany (2000–01), at the Jan Van Eyck Academie in Maastricht, Netherlands (2010–12), where he served as an advising researcher on the project After Hegel, and, in the fall of 2013, an appointment as Visiting Scholar in the Department of Germanic Studies at the University of Chicago.
Together with Slavoj Žižek and Rastko Močnik, Dolar founded the infamous “Ljubljana School of Psychoanalysis” in the late 1970s. Their aim was, and continues to be, to combine German Idealism (Hegel in particular), Marxism (with and through the Frankfurt School), and the psychoanalytic theories of Jacques Lacan and Structuralism as a form of analysis in addressing contemporary issues. He is also one of the founders of the Ljubljana-based, and closely affiliated, Society for Theoretical Psychoanalysis, as well as of the Society for Cultural Studies. In addition, Dolar is an editorial board member of both the bi-monthly periodical Problemi, which focuses on psychoanalytic theory, philosophy, and cultural studies, and of the Analecta book series, focusing mainly on translations of key works into Slovenian as well as on the work of Slovenian writers in the field; both are published by the Society for Theoretical Psychoanalysis.
The author of ten books in Slovenian, Mladen Dolar is perhaps best known internationally for Operas Second Death (co-authored with Slavoj Žižek, Routledge, 2001) and A Voice and Nothing More (MIT Press, 2006). In the former, “a passionate exploration of opera––the genre, its masterpieces, and the nature of death,” the two authors “explore the strange compulsions that overpower characters in Mozart and Wagner as well as our own desires to die and to go to the opera.” A Voice and Nothing More, which has been translated into six languages thus far, “goes beyond Derridas idea of ‘phonocentrism’ and revives and develops Lacans claim that the voice is one of the paramount embodiments of the psychoanalytic object (objet a). […] He investigates the object voice on a number of different levels—the linguistics of the voice, the metaphysics of the voice, the ethics of the voice (with the voice of conscience), the paradoxical relation between the voice and the body, the politics of the voice—and he scrutinizes the uses of the voice in Freud and Kafka. With this foundational work, Dolar gives us a philosophically grounded theory of the voice as a Lacanian object-cause.”
Mladen Dolar has published over one hundred papers, articles, and book chapters, many of which have been translated. Some of his most recent publications include the essay/book What’s in a Name (edited by Janez Janša, Aksioma 2014), “There Are More Important Things Than Childhood,” a text “on the glorification of childhood through Kafka and Oedipus” (in Janez Janša, Life II [in Progress], Maska 2014), and “To Be or Not to Be? No, thank you,” in Lubitsch Cant Wait: A Collection of Ten Philosophical Discussions on Ernst Lubitschs Film Comedy, which he co-edited with Ivana Novak and Jela Krecic (Slovenska kinoteka, 2014). Forthcoming by Duke University Press is Dolar’s latest book, The Riskiest Moment. Mladen Dolar. Oedipus Revisited. 2018](https://i.ytimg.com/vi/d2l8hZkskKI/mqdefault.jpg)




